She studied sculpture, ranging from wooden objects and plaster of Paris ones, and has been creating them since the 1970s (i.e. Cabinet I / Skřín I, 1977-78, Table / Stůl, 1979 or Clothes / Prádlo, 1978), and more monumental wooden objects (i.e. Doorway / Vrata, 1979-80 or Wings / Křídlo, 1979). Some of these were displayed at the well-known Malostranské dvorce show (1981). She then turned to creation of installations exploring concrete spaces.
During the first half of the 1980s she gained attention with her series „chairs / židli“ and „steps / schodů“, which took on the form of signs of the time. Chairs climbing the stairs / Židle sestupující po schodech, 1981, displayed among other places in the Art-Industrial Museum in Prague, casts doubt on the given space, which it overshadows by its grand measure. The incongruence of spatial relations is an important aspect of her further creations. Ms. Jetelová works with concrete spaces. She exposes their suppressed history and stories and tries to rehabilitate their memory. In her lit installations she first uses fire (Marked by Smoke / Značení kouřem in Prague’s Šárka Nature Preserve), later she switched to use of mainly lasers. Important aspects of her creations then become ephemerality, movement, constant change; all connected by different spaces and times. In the end the installation exists only in the form of photographs and other supplementary documentation.
One of her first architectural (utopic) interventions is the project, South Side Project / Projekt Jižní město (1983), a proposal for an underground space for a Prague tenement block, reacting on changes to the surrounding environment. Work with the landscape’s memory accents the changes created by man (Mines / The Tabebau Project : Doly / Projekt Tabebau dating from 1998 – using illuminated lines she once again exposes the one-time communications structure of the landscape; Crossing King's Cross - she uses lights to map out the future path of a train route) as well as natural changes (in the Island Project / Islandský projekt – she enlists lasers to draw attention to the undersea intercontinental divide (mountainscape). In her „geographical project“ Songline 75° 36‘52‘‘ (1998) contemporary localisation techniques are used to join two spots on the earth. This is possible thanks mainly to use of the imagination stemming from local traditions.
An important theme for the majority of her projects is a certain form of dislocation; the series Domestication of the Pyramid / Domestikace pyramidy (1992-1994) is the continuation of the famous Chairs on the Stairs. In her newest projects one can find a focus on interactivity, for example, in the architectural proposal, Implants / Implantátů. This exhibit changes depending on the visitors.
Studies:
1970-1971 AVU Praha, Jiří Bradáček
1965-1971 AVU Praha, Karel Hladík
1961-1965 Václav Hollar Art School, Praha (Prague)
1985 emigration to Germany
Stipends:
1987 stipendist of the Institute of foreign affairs (IFA)
1985 stipendist of the City of Munich
1967-1968 Accademia di Belle Arti di Brera (Akademie výtvarných umění),
Milano, Marini Marino
Employment:
since 2004 teaching at the Academy of Fine Arts in Munich
Pražský Hrad Council consultant
since 1990 teaching at the Düsseldorf State Academy of Arts
Awards:
2006 Lovis Corinth Award
1999 Jill Watson Award, Pittsburg
1993 Robert Jacobsen Award, Nadace/Muzeum Würth
1992 honorary member of Berlin Academy of Arts
1991 Max Lütz Award Stuttgart
1989 City of Darmstadt Award
1988 Glockengasse Award, Köln
Overbeck Prize, Lübeck
1985 Philip Morris Award
Performances:
2007
Jan Vlček: Iniciace / Initiation, Magdalena Jetelová: Bez názvu / Untitled, Kurt Gebauer: Zvrcholnění / Climaxing, Hotel Prezident, Praha (Prague)
Magdalena Jetelová, Urban Landscape, Galerie hlavního města Prahy, kurátor Olga Malá
Ferdinand Ullrich, Hans-Jürgen Schwalm, katalog Der neue Raum, Ruhrfestspiele Recklinghausen 2007: www.kunst-in-recklinghausen.de/14%20Archiv/Resources/1%20Katalog%20Jetelova%20klein.pdf
Josef Hlaváček, Werner Meyer, Piedad Solan – Magdalena Jetelová, Gallery, 2007
Magdalena Jetelová, Foto/Skulpturen, Vereinte Krankenversicherung AG (edt.), 1999
Magdalena Jetelová, Orte und Räume 1990-1996, Klaus Wolbert, Institut Mathildenhöhe Darmstadt (edts.), Cantz, Ostfildern, 1996
Magdalena Jetelová, Belveder Praha, Pavel Liška (edt.), Cantz, Ostfildern-Ruit bei Stuttgart, 1993
Magdalena Jetelová, Skulpturen, Galerie Sylvia Menzel, Berlin, Text: A. R. Penck, 1986
W. Storms, kat. k udělení stipendia města Mnichov, 1986
H. Weskott, M.J., eine Bildhauerin aus Prag. Kunstforum 77/78, 1985
M. Gooding, M.J. Arts Review, London, 27.9.1985
H. Kontova, M.J. Flash Art, Okt./nov. 1985
M. Tschechne – Internationale Star der Plastik: Bei ihr explodiert das Holz. Art 9/Sept. 1988, s. 30-47
J. Dornberg. Smithsonian Vol. 20, Nr.2, Washington
K. Cruwell-Doertenbach, Pathos und Hintergrundigkeit. Kunst und Antiquitäten, Heft 5, München 1990
J. Šetlík, Vzťah k miestu. Výtvarný život, 1991, č. 5, s.21-31
N. Smolíková, (Když smrt a zrození jedno jsou…). Umění a řemesla, 1991, č. 1-2, s. 22-27
D. McGonagle, Inheritance and Transformation. The Irish Museum of Modern Art. Dublin 1991
P. Noever-B. Huck, Domestikace pyramidy (katalog instalace), UPM Vídeň, 1992
K. Chamonikola, Vídeňská domestikace, Ateliér, 1992, č. 15, s.1-2
1995 / 1996, Zakázané Umení I., Nr. 3-4/95, Nr. 1-2/96, In> Výtvarné Umení