{"id":121632,"date":"2024-07-10T23:04:47","date_gmt":"2024-07-10T21:04:47","guid":{"rendered":"http:devel.artlist.cz\/artist\/baladran-2\/"},"modified":"2025-01-07T18:14:06","modified_gmt":"2025-01-07T17:14:06","slug":"zbynek-baladran","status":"publish","type":"artist","link":"https:\/\/artlist.cz\/en\/umelci\/zbynek-baladran\/","title":{"rendered":"Baladr\u00e1n"},"featured_media":0,"template":"","class_list":["post-121632","artist","type-artist","status-publish","hentry","keyword-object"],"acf":{"nicknames":"","date_born":1973,"date_death":0,"place_born":"Prague","lives":"Prague","web":"https:\/\/www.zbynekbaladran.com\/","idatum":"https:\/\/databaze.vvp.avu.cz\/en\/archivy\/archive-of-artists\/22","address":"","email":"bldrn@display.cz","phone":"604 127 810","biography":"Studies:\r\n1992-1997 Studies at the Faculty of Arts of Charles University in Prague\r\n1997-2003 Academy of Fine Arts, Prague, atelier of Ji\u0159\u00ed David, Vladim\u00edr Skrepl a Veronika Bromov\u00e1\r\n\r\nStipends, residencies:\r\n2008 artist in residence, Zacheta, Warsaw\r\n2007 artist in residence, PROGR, Bern\r\n2006 artist in residence, MuseumsQuartier, Vienna\r\n2004 developmental grant of tranzit\r\n\r\n2004,2005,2007,2008 - finalist of Jind\u0159ich Chalupeck\u00fd Award","groups":"","membership":"","exhibitions_solo":"2011\r\nThe Nervous System, spolu s Ji\u0159\u00edm Kovandou, Milano Kunstverein, Milano\r\nCo nevid\u00edm, tranzit dielne, Bratislava\r\n\r\n2009\r\nCognitive maps, Hunt Kastner Artworks, Praha\r\n\r\n2008 Castillo\/Coralles, Paris\r\nWhat History do they represent?, along with Vangelis Vlahos, Blow de la Barra, London\r\nInstruments of uncertainty, House of Art, \u010c.Bud\u011bjovice\r\n\r\n2007\r\nGlossary, Secession Vitrine, Vienna\r\nVocabulary, Old City Hall Gallery, Praha\r\nTable, M.toT. Fragment #3, Moravian Gallery, Brno\r\n\r\n2004\r\nzazd\u011bn\u00fd vchod, Moravian Gallery, Brno\r\ntheory\/praxis\/exposition, DPzK, Brno\r\n\r\n2002\r\nWarianta C, with Erik Binder, Open gallery, Bratislava\r\nTarget Group, performance with Tomas Svoboda, part of presentation of Umelec, Palais de Tokyo, Paris\r\n\r\n2001\r\n8, Galerie Eskort, Brno\r\n10, Galerie Eingang, Ostrava\r\n019, Galerie Jeleni, Praha\r\n\r\n2000\r\nDiorama, BJ Case, Komunardu Street, Praha","exhibitions_group":"2012\r\nAire de Lyon, Fundaci\u00f3n Proa, Buenos Aires\r\nThe Islands of Resistance, National Gallery, Praha\r\nPokus-omyl-oprava, City Surfer, Praha\r\nHow to look at everything, The Common Guild, Glasgow\r\nFrom the closed world to the infinite universe, Le Qartier, Quimper\r\nState of Affairs, AMT Project, Bratislava\r\n\r\n2011\r\na terrible beauty is born, 11th biennale de Lyon, Lyon\r\nUnchronie, Galerie u B\u00edl\u00e9ho jednoro\u017ece, Klatovy\r\nSharjah biennial film program, (WHW), Sharjah\r\nGallery by Night, Studio Gallery, Budapest\r\nMutuj\u00edc\u00ed m\u00e9dium, Rudolfinum, Prague\r\n\r\n2010\r\nNo Ifs, no buts, Depo, Istambul\r\nU dUbU tU bUdU, \u0160kolsk\u00e1 28, Praha\r\nCollected reflection, Entrance, Praha\r\nRaising Dust - Encounters in Relational Geography, Calvert 22, London\r\nStep by step, Gandy Gallery, Bratislava\r\nUberblendungen, Shedhalle, Zurich\r\nVelkom\u011bstsk\u00e1 periferie, KGVU, Zl\u00edn\r\nWhy do we resist?, Pori Taidemuseo \/ Pori Art Museum, Pori\r\nWatchmen, Liars, Dreamers (Erudition concrete 3), FRAC Ile-de-France Le Plateau, Paris\r\nEpilogue 1, Maisterravalbuena, Madrid\r\nAkce Zet, Emil Filla Gallery, \u00dast\u00ed nad Labem\r\nDust, asches and residua, Open Space, Wien\r\nEGO, Langhanz Gallery, Prague\r\nFormate der Transformation 89-09, Museum auf Abruf, Vienna\r\nComrades of time, Pavilion Unicredit, Bucharest\r\nRomantika mojej mladosti, buducnost mojej nostalgie, Stredoslovenska galeria, Banska Bystrica\r\n\r\n2009\r\nBlind Spots, Akademie der bildenden K\u00fcnste Wien, Vienna\r\n7a bienal do mercosul, Mercosul\r\nThe Moscow Biennale of Contemporary Art, The Situation, Moscow\r\nBertha von Suttner Revisited, Harmannsdorf\r\nAny Instant Whatever, Bunkier Sztuki, Krakow\r\nExpanded City, 13th Media Art Biennale, Wroclaw\r\nFarimani at Starr Space, Starr Space, New York\r\nLe Troisi\u00e8me Lieu \/ Der Dritte Ort \/ The Third Place, Grazer Kunstverein, Graz\r\nBlind Spots, Akademie der bildenden K\u00fcnste Wien, Vienna\r\n\r\n2008\r\nAtomized, De Veemvloer, Amsterdam\r\nFinalists of J. Chalupeck\u00fd Award, DU Brno\r\nGyumri Biennial, Gyumri\r\nTry again, fail again, fail better, M\u0171csarnok, Budapest\r\nRendezvous nowhere, Montehermoso, Vitoria-Gasteiz\r\nThe Provocation of the Real, National Center for the Arts, Mexico\r\nWhere the East ends, Nassauischer Kunstverein, Wiesbaden\r\nTriennial of young Artists, City gallery Praha\r\nBe a Happy Worker: Work-to-Rule, G-MK, Zagreb\r\nAnother City, Zacheta, Warszawa\r\nThe Archive, Prometeo gallery, Milano\r\nSame Democracy, Neon>Campobase, Bologna\r\nvideoart.cz, projectSPACE, Bratislava\r\nFussion Confussion, Museum Folkwang, Essen\r\n\r\n2007\r\nPASSAGES,PASSAGEN,PASAZE,Gandy Gallery, Bratislava\r\nOctober, Exit, Memory and Desire, Artra gallery, Milano\r\nFinalists of J. Chalupeck\u00fd Award, Roxy, Prague\r\nWhy do you Resist?, Forum Stadtpark, Graz\r\nSimple Living, Brukenthal Museum, Sibiu\r\nStalking With Stories, Apexart, New York\r\nSklerotische Nachtbar\/i\/n, 2 Gallery, Schloss Wolkersdorf\r\ninvisible things, trafo gallery, Budapest\r\nSynonyma, MtT 1989-1968-2009\", Index, Stockholm\r\nPrague biennale 3 - der prozess, Praha\r\nPunctum, Futura, Praha\r\n\r\n2006\r\nThe Other City, screening program, Trafo, Budapest\r\nF\/acts\/igures, exhibition artwalk, Amsterdam\r\nAuditorium, Stage, Backstage, Frankfurter Kunstverein, Frankfurt\r\nPozvao sam par prijatelja da bace pogled, nova gallery, Zagreb\r\nClosely Observed Plans, tranzit workshops, Bratislava\r\nZbynek Baladran - Carlos Casas - Alice Guareschi, neon>fdv, Milano\r\narcheology of today?, Kosova Art Gallery-Museum in Prishtina\r\nIndikace, Jungmanova 21, Praha\r\nDonaumonarchie, Billboard project, Bratislava\r\nV\u011bcn\u00e9 stavy, Karl\u00edn Studios, Praha\r\nVangelis Vlahos project, Els Hanappe Underground, Athens\r\n811197604122005, Galeria Plan B, Cluj\r\nTurbulence, Museum Kampa, Praha\r\nFinalists of J. Chalupeck\u00fd Award, City Gallery Prague\r\nPraguebiennale2 - definition of everyday, Prague\r\n\r\n2005\r\nFifth Biennial of young Artists, City gallery Praha\r\nThe Need to Document, Kunsthaus Baselland, Muttenz\r\nInsiders, Futura, Praha\r\n\r\n2004\r\nInsiders, DpK, Brno, curated by P. Morganov\u00e1\r\nFinalists of J. Chalupeck\u00fd Award, Brno House of Art, Brno\r\nSpacecamp, Kolowratsk\u00fd pal\u00e1c, Praha\r\nPrague and Dresden,Kunstforum Ostdeutsche Galerie,Regensburg\r\nManifesta 5, Donostia-San Sebasti\u00e1n\r\nBreakthrough, Grote Kerk, Den Haag\r\nInterkosmos 2004, Raster, Warszawa\r\n\r\n2003\r\nKompression, Wedding, Berlin\r\nParadies, with Tomas Svoboda, Bunker, Alexanderplatz, Berlin\r\nSurvey 03, Futura, Praha\r\nCeskoslovensko, Bratislava\r\n\r\n2002\r\nArtchitektura, GJF, Praha\r\nPremiere vue, Passage de Retz, Paris\r\nUhlopricka, Galerie Eskort, Brno\r\nWechselstube, der-ausstellunsgraum, Stuttgart\r\nForum of Independent Galleries, U Prstenu, City Gallery, Praha\r\n\r\n2001\r\nFotok, MEO, Budapest\r\nPrvni a posledni, Galerie V. Spaly, Praha\r\nCriss-Cross, Broumov\r\n\r\n2000\r\nVystava AVU, Manes, Praha\r\nKazda kapka..., Galerie AVU, Praha\r\n\r\n1999\r\nVidiny, Roxy, Galerie NOD, Praha\r\nRickyho gang, klub Depo, Olomouc\r\n\r\n1998\r\nZelena, Galerie AVU, Praha","realizations_other":"Monument transformace, spole\u010dn\u00fd projekt s V\u00edtem Havr\u00e1nkem:\r\n\r\n2010\r\nMonument to Transfomation invited as part of &quot;Watchmen, Liars, Dreamers (Erudition concrete 3)&quot;, FRAC Ile-de-France Le Plateau, Paris\r\nMonument to Transformation, Montehernoso, Vitoria\r\nMonument to Transformation, GMK, Zagreb\r\n\r\n2009\r\nMonument to Transformation, CIV, Bucharest\r\nMonument to Transformation, Municipal library, City Gallery, Prague\r\n\r\n2008\r\nInstallation model, fragment # 7, Communism Never Happened \/ Vocabulary, tranzit, Bratislava\r\nInstallation model, fragment # 6, Labour Day, Labor, Budapest\r\n\r\n2007\r\nInstallation model, fragment # 5, Prague Biennale 3, Prague\r\n\r\n2007-2009\r\nPermanent installation of Monument to Transformation\u201c, tranzitdisplay, Prague","collections":"","monographies":"","articles":"2010\r\nAtlas of Transformation, Prague, EN\r\nEmil Filla, archiv um\u011blce, GASK, CZ\r\ntrouble, paris, FR\r\nSe\u0161ity pro um\u011bn\u00ed, teorii a p\u0159\u00edbuzn\u00e9 z\u00f3ny, 6-7, magazine, interview, CZ\r\nComrades of time, catalogue, Pavilion, Bucharest, EN\r\n\r\n2009\r\nMonument transformace interview, Profil 3-4 CZ\/SK\r\nAtlas Transformace, Praha, CZ\r\nThe End Magazine, spring summer, Milano, IT, EN\r\nLabyrint revue, 23-24, magazine, interview, text, documentation, CZ\r\n\r\n2008\r\nStavba, 5\/2008, magazine, interview, CZ\r\nFussion\/Confussion, catalogue, Museum Folkwang, Essen, DE\r\n\r\n2007\r\nFlash Art, Czechoslowakia, interview, CZ\r\nTable, Monument to transformation, Fragment #3, catalogue, Moravian Gallery Brno, CZ\r\nPrag Biennal, catalogue, Prague, CZ\r\nLindaurov\u00e1, Lenka: Um\u011bn\u00ed - n\u00e1vod k pou\u017eit\u00ed: Zbyn\u011bk Baladr\u00e1n a jeho Slovn\u00edk, A2 kulturn\u00ed t\u00fdden\u00edk, 18\/ 2007, s. 10\r\n\r\n2006\r\nArcheology of today?, catalogue, D. Zefkili, KAG, Prishtina, Kosova\r\nCinepur 44, interview, Martin Mare\u010dek, Praha, CZ\r\n\r\n2005\r\nFotograf 6\/05, Zbyn\u011bk Baladr\u00e1n, Mariana Serrano, Praha, CZ\r\nThe Need to Document, \/ Ruins, Archaeology and the Gap between Images, Muttenz, CH\r\nContemporary, 71, Moving Images at the Edge of the Real, Katerina Gregos, GB\r\n\r\n2004\r\nManifesta 5, ...with all due intent, catalogue, M. Gioni, Barcelona, ES\r\nDaemon, Ritorno al futuro, A. Grulli, Bologna, IT\r\nMetropolis M, Interview, I. Commandeur, Utrecht, NL\r\nUm\u011blec, 3, Theory, praxis, exposition, D. Kulh\u00e1nek, Praha, CZ","reviews":"","texts_unlisted":"","annotations":[{"text":"He is an important personality of his generation. In 2001 he founded the Display Gallery and has several times been among the finalists for the Jind\u0159ich Chalupeck\u00fd Award. In 2004 he was nominated as the Czech Republic\u2019s representative to Manifest. \r\n\r\nHe already gained notice during his studies at the Prague School of Art (Akademie v\u00fdtvarn\u00fdch um\u011bn\u00ed), when he put together the work, Kaktusy (1999). Kaktusy (Cactuses) is made up of toilet brushes, plastic labels, pipes and various randomly-found objects that Baladr\u00e1n installed into a wood frame, such as those often seen in the windows of cactus-growing enthusiasts. He continued to work with cheap materials and he poked fun at his own approach to a degree in the work, Hobby (2001). This work consists of a panel on wooden sawhorses with primitively placed letters spelling HOBBY. The piece is part of series of works, for which there is an undeniable influence from the non-spectacular art of Ji\u0159\u00ed Kovanda.\r\n\r\nBaladr\u00e1n developed this approach by creating detailed instructions for the works\u2018 production. Following sets of instructions similar to those used by IKEA, he first shows what all is needed to build the work of art and then provides step-by-step guidance. The result is a simple wooden construction such as Screen &lt;3&gt; (2001), which is as seldom used as it is beautiful. The works\u2019 impracticality and abstractness stand in direct contrast to their precise, specific instructions: guides that would satisfy the most demanding of do-it-yourselfers. \r\n\r\nSince 2002 Baladr\u00e1n has expressed himself mainly through video. Since his first attempts such as Limita (2002), Technical Compression (2002) or Shower (2002) he quickly moved on to create short films made up of film archive materials. He began to collect old film reels and to play with the re-interpretation using the point of view of today\u2019s media-focused society. He created complicated video installations such as Projection (2003). These works allow the viewer to change channels from one to another and watch the videos in different constellations. \r\n\r\nSince 2004 written commentaries have come to play an increasingly larger role in the author\u2019s films. The author has visibly edited the texts and so parts of them remain hidden from the viewer. Baladr\u00e1n thus plays with the mechanisms of our memory and visual history. In the films Working Process (2004) and 1985 (2005) he more or less didactically shows off his working method for film materials, many of which at the time he gathered from both professional archives as well as from amateurs. \r\n\r\nIn recent years he is increasingly interested in the modern era and he addresses, for example, the architectural icons of the avant-garde in his films, i.e. Koldom 156,71m2 (1:50 Model - 2006) or Tower of Constructivism (2006). Baladr\u00e1n consciously works with the fact that art today is no longer the creation of perfect artefacts, but rather reflection on our relationship to reality. It transfers the sense of art and provides impulses for its continuous re-definition.","date":2005,"authors":[1831]}],"artworks":[107079,107085,107109,107110,107111,107112,107113,107114,107115,107116,107117,107118,107119,109689,109690,109691,109692,110256,110257,110258],"videos":[2854,2855,2856,134594]},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Baladr\u00e1n - Artlist<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artlist.cz\/en\/umelci\/zbynek-baladran\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Baladr\u00e1n - Artlist\" \/>\n<meta property=\"og:url\" content=\"https:\/\/artlist.cz\/en\/umelci\/zbynek-baladran\/\" \/>\n<meta property=\"og:site_name\" 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