{"id":121660,"date":"2024-07-10T23:04:50","date_gmt":"2024-07-10T21:04:50","guid":{"rendered":"http:devel.artlist.cz\/artist\/koleckova-2\/"},"modified":"2025-01-07T18:14:05","modified_gmt":"2025-01-07T17:14:05","slug":"zdena-koleckova","status":"publish","type":"artist","link":"https:\/\/artlist.cz\/en\/umelci\/zdena-koleckova\/","title":{"rendered":"Kole\u010dkov\u00e1"},"featured_media":0,"template":"","class_list":["post-121660","artist","type-artist","status-publish","hentry","keyword-malba","keyword-object","keyword-objekt"],"acf":{"nicknames":"","date_born":1969,"date_death":0,"place_born":"\u00dast\u00ed nad Labem","lives":"\u00dast\u00ed nad Labem","web":"","idatum":"","address":"","email":"zdena.koleckova@ujep.cz","phone":"","biography":"Studies:\r\n1993-1996 Academy of Applied Arts, Architecture and Design, Prague\r\n(Ad\u00e9la Matasov\u00e1)\r\n1988-1994 Institute of the Art Education at theThe Faculty of Education, \u00dast\u00ed nad Labem","groups":null,"membership":"","exhibitions_solo":"2014\r\nIn One Breath. Arsenal Gallery Bialystok, Polsko\r\n
2013\r\nLyrick\u00e1 mezihra. D\u016fm um\u011bn\u00ed m\u011bsta Brna
\r\n2009\r\nRemember ME. Kunstbahnhof Gallery Dr\u00e1\u017e\u010fany, N\u011bmecko (s Radkem Fridrichem a Susan Donath)\r\nZdena Kole\u010dkov\u00e1: Odejde\u0161-li, zm\u011bn\u00edm se?, Ateli\u00e9r Josefa Sudka, Praha\r\n\r\n2003\r\nSweet Secret. Galerie G 99 Brno\r\n\r\n2002\r\nBif\u00fazia. (s P. Fichtou-\u010ciernou), Galerie Emila Filly \u00dast\u00ed nad Labem;\r\nGal\u00e9ria J\u00e1na Koniarka Trnava, Slovensko\r\nSweet Secret. D\u016fm um\u011bn\u00ed \u010cesk\u00e9 Bud\u011bjovice\r\n\r\n2000\r\nJust a Story. Galerie Mal\u00e1 \u0160p\u00e1lovka Praha; Galerie G 99 Brno (katalog)\r\n\r\n1999\r\nSafe in their Alabaster Chambers. Miroslav Kraljevi\u010d Gallery Zagreb, Chorvatsko;\r\nSG 2.0 Gallery Split, Chorvatsko;\r\nKova\u010dka 3 Gallery Dubrovnik, Chorvatsko\r\nComme Elle. Galerie U B\u00edl\u00e9ho jednoro\u017ece Klatovy\r\n\r\n1996\r\nVivisekce. Galerie U Dobr\u00e9ho past\u00fd\u0159e Brno\r\n\r\n1995\r\nOtisky. Galerie Suter\u00e9n \u00dast\u00ed nad Labem\r\n\r\n1994\r\nZnamen\u00ed. (s J. G\u00e9ringovou), Galerie Emila Filly \u00dast\u00ed nad Labem","exhibitions_group":"2015\r\nZe st\u0159edu ven - Um\u011bn\u00ed \u010desk\u00fdch a moravsk\u00fdch region\u016f. Kunsthalle\/Hala umenia Ko\u0161ice, Slovensko\r\n
2014\r\nN\u011bkdy v sukni. Um\u011bn\u00ed 90. let. Moravsk\u00e1 Galerie Brno; Galerie hlavn\u00edho m\u011bsta Prahy, D\u016fm U Zlat\u00e9ho prstenu Praha\r\nMody demokracie. DOX - Centrum sou\u010dasn\u00e9ho um\u011bn\u00ed Praha\r\nZ\u00f3na v pohybu. DOX - Centrum sou\u010dasn\u00e9ho um\u011bn\u00ed Praha\r\nNov\u00fd zl\u00ednsk\u00fd salon. Krajsk\u00e1 galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed, Zl\u00edn
Ze st\u0159edu ven - Um\u011bn\u00ed region\u016f 1985-2010. Z\u00e1pado\u010desk\u00e1 galerie, V\u00fdstavn\u00ed s\u00ed\u0148 Masn\u00e9 kr\u00e1my Plze\u0148\r\nOn Generation and Corruption. BWA Contemporary Art Gallery Katowice, Polsko\r\n\r\n2013\r\nKde domov m\u016fj? DOX - Centrum sou\u010dasn\u00e9ho um\u011bn\u00ed Praha\r\n
2012\r\nParaleln\u00ed historie. GASK \u2013 Galerie St\u0159edo\u010desk\u00e9ho kraje Kutn\u00e1 Hora\r\nUniverzita P\u0159edlice. V\u00fdstava student\u016f a pedagog\u016f FUD UJEP, N\u00e1rodn\u00ed galerie \u2013 Sb\u00edrka modern\u00edho a sou\u010dasn\u00e9ho um\u011bn\u00ed Praha\r\nPassing Memories. Art Workshop Lazareti Dubrovnik, Chorvatsko
There is Nothing There. Czech Center New York, USA\r\n\r\n2011\r\nRytmika Cwicze\u0144. BWA Contemporary Art Gallery Sokol Nowy Sacz, Polsko\r\nLucifer\u016fv efekt. St\u0159etnut\u00ed se zlem. DOX - Centrum sou\u010dasn\u00e9ho um\u011bn\u00ed Praha
Paraleln\u00ed historie. Severo\u010desk\u00e1 galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed Litom\u011b\u0159ice\r\nFolge der Generationen. Motorenhalle Gallery, Dr\u00e1\u017e\u010fany, N\u011bmecko\r\n\r\n2010\r\nFormate der Transformation 89-90. Museum auf Abruf - MUSA V\u00edde\u0148, Rakousko\r\nHra na n\u00e1hodu. Galerie Emila Filly \u00dast\u00ed nad Labem\r\nInter-view. Nitrianska gal\u00e9ria Nitra, Slovensko\r\nTvo\u0159en\u00ed sv\u011bt\u016f. Galerie NF \u00dast\u00ed nad Labem\r\n100 let Domu um\u011bn\u00ed m\u011bsta Brna. D\u016fm um\u011bn\u00ed m\u011bsta Brna, Galerie G99 Brno\r\n
2009\r\nForm\u00e1ty transformace 89-90. D\u016fm um\u011bn\u00ed m\u011bsta Brna; D\u016fm p\u00e1n\u016f z Kun\u0161t\u00e1tu Brno\r\nBehind the Velvet Curtain. Katzen Art Center at American University Washington, DC, USA\r\nOn the Tectonics of History. ISCP New York, USA\r\nRebus sic stantibus. Galerie Emila Filly \u00dast\u00ed nad Labem\r\nPlace in Heart. Galerie Emila Filly \u00dast\u00ed nad Labem\r\n\r\n2008\r\nPlace in Heart, Galeria Arsenal, Bia\u0142ystok\r\n\r\n2006\r\nK tektonice d\u011bjin \/ Zur Tektonik der Geschichte, Galerie Emila Filly, \u00dast\u00ed nad Labem\r\n\r\n2005-2006\r\nPublic Dreams, \u00dast\u00ed nad Labem, \u00dast\u00ed nad Labem\r\n\r\n2005\r\n\u0160ir\u0161\u00ed proud. \u010ctrn\u00e1ct osobnost\u00ed sou\u010dasn\u00e9ho vizu\u00e1ln\u00edho um\u011bn\u00ed ze severu \u010cech, Galerie m\u011bsta Plzn\u011b, Plze\u0148\r\nM\u00edsta pam\u011bti, Galerie \u0160ternberk, \u0160ternberk\r\n\r\n2003\r\nGute Fahrt fuer\u2026 Goethe Institut Praha\r\n\r\n2002\r\nIn Focus: Homemaker. Gliptoteka HAZU Zagreb, Chorvatsko\r\nPolitik-um. Terezi\u00e1nsk\u00e9 k\u0159\u00eddlo Pra\u017esk\u00e9ho hradu, Nadace pro sou\u010dasn\u00e9 um\u011bn\u00ed Praha\r\nShort Message Strategy. Galerie \u0160ternberk\r\n\r\n2001\r\nBorders-Suspence. City Gallery Slavonski Brod, Chorvatsko\r\nKolmo k ose II. D\u016fm um\u011bn\u00ed Opava\r\n\r\n2000\r\nDevades\u00e1tka pokra\u010duje. Muzeum m\u011bsta \u00dast\u00ed nad Labem\r\nEast of Eden. Cultural Centre Castle Poznan, Polsko;\r\nWyspa Gallery Gdansk, Polsko\r\nMelancholie. Moravsk\u00e1 galerie Brno\r\n\r\n1999\r\nUm\u011bn\u00ed pro zv\u00ed\u0159ata. Galerie S\u00fdpka, Vlkov\r\nPublic District. ve\u0159ejn\u00e9 prostory v \u00dast\u00ed nad Labem\r\nOstrava x \u00dast\u00ed. Galerie J\u00e1ma X, Ostrava\r\n\r\n1998\r\nSn\u00ed\u017een\u00fd rozpo\u010det. Galerie M\u00e1nes Praha\r\nBlack and Blue. Kova\u010dka 3 Gallery Dubrovnik, Chorvatsko\r\n\r\n1997\r\nI. zl\u00ednsk\u00fd salon mlad\u00fdch. St\u00e1tn\u00ed galerie Zl\u00edn\r\nOkresn\u00ed form\u00e1t. Galerie Emila Filly \u00dast\u00ed nad Labem\r\n\u00dast\u00ed nen\u00ed tak daleko. Galerie S\u00fdpka Vlkov\r\nSever, Galerie V\u00e1clava \u0160p\u00e1ly Praha\r\nUm\u011bleck\u00e9 d\u00edlo ve ve\u0159ejn\u00e9m prostoru \/Artwork in Public Space, N\u00e1rodn\u00ed galerie, Veletr\u017en\u00ed pal\u00e1c Praha\r\n\r\n1995\r\nSoukrom\u00e1 anamn\u00e9za \/ Private Anamnesis, Kostel sv. Vojt\u011bcha\/ Church of St. Adalbert, \u00dast\u00ed nad Labem\r\nAlert Aestetics, Big Orbit Gallery, New York\r\nAmerick\u00e9 obchodn\u00ed a kulturn\u00ed st\u0159edisko, Praha\r\n\r\n1995\r\nZku\u0161ebn\u00ed provoz \/ A Test Run, M\u00e1nes Praha\r\nProstory \u010das\u016f \/ Spaces of Times, Galerie P\u016fda, Olomouc\r\n\r\n1993\r\nIdentifik\u00e1cia v priestore a \u010dase \/ Identification in Space and Time, Gal\u00e9ria Z. H. Bazovsk\u00e9ho, Tren\u010d\u00edn\r\nKostel sv. Vojt\u011bcha\/ Church of St. Adalbert, \u00dast\u00ed nad Labem","realizations_other":"","collections":"","monographies":"Lyrick\u00e1 mezihra. Kole\u010dek, M.; Peti\u0161kov\u00e1, T. FUD UJEP;\u00dast\u00ed nad Labem, 2013.
It\u00b4s awful not to live but only sleep Kole\u010dkov\u00e1, Z.; Kole\u010dek, M.; Pachmanov\u00e1, M.; Varteck\u00e1, A. FUD UJEP;
\u00dast\u00ed nad Labem, 2009.
Just a Story Pachmanov\u00e1, M. Galerie V\u00e1clava \u0160p\u00e1ly Praha 2000.
","articles":"","reviews":"","texts_unlisted":"","annotations":[{"text":"The work of Zdena Kole\u010dkov\u00e1 is closely linked with the region of Northern Bohemia (\u00dast\u00ed nad Labem), where the artist was born and where she still lives and works. She repeatedly touches upon controversial themes in Czech history, especially the expulsion of Germans from the former Sudetenland at the end of the Second World War. Her interest in the vexed issues of this country\u2019s history is undoubtedly influenced by the German-Polish origin of her grandmother.\r\n\r\nDuring the 1990s, Kole\u010dkov\u00e1\u2019s work was concerned mainly with the issue of the insertion of symbolism and ritual elements into the profane framework of contemporary society. (Vivisection, 1996 onwards). The act of vivisection, which involves operations on living animals without anaesthetic, takes place within the sterile environment of the laboratories of scientists who protect the independence of their institutions fiercely. The general public must learn nothing about the experiments taking place, which is why they are separated by thick walls that prevent the shrieks of the animals being operated on from being heard. The ritual aspect of the removal of the animals\u2019 internal organs is lost within the context of modern scientific discourse, and the significance of the regenerative power of blood thus fades. Kole\u010dkov\u00e1 underscores the inability of secularised society to understand the symbolic dimensions of events and actions that place the life of a person within the framework of human society maintaining very close bonds with the surrounding natural world. The obverse of this, the manifestation of violence in contemporary society, is undoubtedly related to this inability. This violence is unobtrusive and its secrecy often involves a high level of psychological sophistication.\r\n\r\nAs well as paintings using animal blood and monochromatic paintings in which she includes details of dilapidated buildings in the \u00dast\u00ed nad Labem region (Shelters, 2003), Kole\u010dkov\u00e1 is intent on developing the multi-expressive potential of photography. The medium of photography allows the artist to abstract a certain segment of reality and reduce it to a symbol in which condensed visual information acts as the detonator of an openness and plurality of meanings (Just a Story, 1999-2000). For instance, her detailed pictures of the fate of mining equipment from the coalmines of Northern Bohemia, combined with panoramic shots of mining headframes, can be interpreted in different ways: as referring directly to events linked with coalmining in Northern Bohemia, and as a universalising metaphor for an alienated technical civilisation.\r\n\r\nIn the 2000s, the artist\u2019s work shifted from a simple intimation of the possibilities of a story toward the untangling of its complex texture. She herself often finds herself within a situational framework reflecting the contents of the dramatic past of the border region of Northern Bohemia. In her photographic cycle Tears (2008) she undergoes a purgative ritual when writing the text of the poem of the same name by the Russian poet of German origin Zinaida Nikolajevn Gippius. The internalisation of the experiences of the poem\u2019s contents, accompanied by the dropping of tears onto the page, results in a disruption of the original narrative sequence and a confrontation with the emotional memory of the artist herself.\r\n\r\nThe temporally unlimited installation Luftschutz (antiaircraft defence) anchors the significance of a preserved German inscription located on the facade of one building in \u00dast\u00ed nad Labem within new, often unexpected contexts. The inscription is installed in countries that fought against each other in the Second World War. Kole\u010dkov\u00e1 transcribes the inscription in the form of a mural (Graz, Austria, 2005) or using adhesive film (Pej\u0205, Kosovo, 2006, Gdansk, Poland, 2007, \u00dast\u00ed nad Labem 2008, New York, USA, 2010).\r\n\r\nIn other projects the artist examines the insidious penetration of the evil linked with Nazi ideology into the intimate sphere of the family (the cycle of digital photos Wunderland, 2007). An unpleasant feeling is created from the discovery that the saboteur is a family member. In her photographic series On Faust (2007), Kole\u010dkov\u00e1 uses a dual metaphor of the experience and redemption of guilt, firstly within the narrow context of the events of the Second World War, and secondly within a general context that transcends the particular.\r\n\r\nKole\u010dkov\u00e1\u2019s work reveals the inconsistency between personal history and memory and the written history of a nation and its collective memory. A fateful influence on the life and personal history of the individual can be had by a striking constellation of historical events in which the main role is not taken by a grand narrative but by the unobtrusive power of minor stories. Memory wants to be heard at the moment we least expect, since personal experience is rarely included in the agenda of officially approved historical events. Kole\u010dkov\u00e1 records the blind spots on the map of our national and local histories and the histories of other countries in parallel.","date":2012,"authors":[1875]}],"artworks":[107232,112446,112447,112448,112449,112450,112451,112452,112453,112456,112458,112459,112460,114341,114342,114343,114344,114345,114346,114347,114348],"videos":null},"yoast_head":"\nKole\u010dkov\u00e1 - Artlist<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artlist.cz\/en\/umelci\/zdena-koleckova\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kole\u010dkov\u00e1 - Artlist\" \/>\n<meta property=\"og:url\" content=\"https:\/\/artlist.cz\/en\/umelci\/zdena-koleckova\/\" \/>\n<meta property=\"og:site_name\" content=\"Artlist\" \/>\n<meta property=\"article:modified_time\" content=\"2025-01-07T17:14:05+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/zdena-koleckova\\\/\",\"url\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/zdena-koleckova\\\/\",\"name\":\"Kole\u010dkov\u00e1 - 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