{"id":121710,"date":"2024-07-10T23:04:55","date_gmt":"2024-07-10T21:04:55","guid":{"rendered":"http:devel.artlist.cz\/artist\/cais-2\/"},"modified":"2025-01-07T18:14:02","modified_gmt":"2025-01-07T17:14:02","slug":"milan-cais","status":"publish","type":"artist","link":"https:\/\/artlist.cz\/en\/umelci\/milan-cais\/","title":{"rendered":"Cais"},"featured_media":0,"template":"","class_list":["post-121710","artist","type-artist","status-publish","hentry","keyword-malba","keyword-objekt","keyword-performance","keyword-sculpture","keyword-socha"],"acf":{"nicknames":"","date_born":1974,"date_death":0,"place_born":"Prague","lives":"Prague","web":"","idatum":"","address":"605 285 386","email":"mcais@atlas.cz","phone":"","biography":"Studies: \r\n1992-1999 Academy of Fine Arts Prague, atelier of sculpture of Hugo Demartini, J.Zeithammel, atelier of visual communication of Ji\u0159\u00ed David\r\n1988-1992 Graphic School Hollar Prague \r\n\r\nActivities, employment:\r\n1988 co-founded the music group Tata bojs (www.tatabojs.cz)m in which he works as a composer, singer, percussionist, artist and designer and producer","groups":null,"membership":"","exhibitions_solo":"2006 \r\n9+6, galerie kritik\u016f pal\u00e1c Adria, Praha\r\n\r\n2000 \r\nNo\u010dn\u00ed hl\u00edda\u010d, projekt pro Praha m\u011bsto kultury. instalace na st\u0159e\u0161e Goethe institutu, Praha\r\n\r\n1999 \r\nHudebn\u00ed prodejna Bontonland, Praha\r\n\r\n1998 \r\nUm\u011bn\u00ed ve ve\u0159ejn\u00e9m prostoru ve vestibulu na vagonech metra v Praze\r\n\r\n1993 \r\n\u010cesk\u00e9 velvyslanectv\u00ed v Helsink\u00e1ch\r\n\r\n1992 \r\nKulturn\u00ed d\u016fm Delta Praha","exhibitions_group":"2006\r\nV\u00fdstava sou\u010dasn\u00e9ho um\u011bn\u00ed, Moskva, Rusko\r\nArt safari, hala Bubec, Praha\r\n\r\n2005\r\nGalerie Vision, Tokio, Japonsko\r\nGalerie Toki, Tokio, Japonsko\r\nEXPO 2005, Aichi, Japonsko\r\nEntermultimediale 2, Pam\u00e1tn\u00edk V\u00edtkov, \u017di\u017ekovsk\u00e1 televizn\u00ed v\u011b\u017e, Praha\r\nOtcov\u00e9 a d\u011bti, Brand\u00fds nad Orlic\u00ed\r\nNic na odiv, Kate\u0159insk\u00e1 zahrada, Praha\r\nInscape, galerie kritik\u016f pal\u00e1c Adria, Praha\r\nImprese, galerie Rudolfinum, Praha\r\n\r\n2004\r\nV mezi\u010dase, galerie kritik\u016f pal\u00e1c Adria, Praha\r\n\r\n2003\r\nLabyrint sv\u011bta a r\u00e1j srdce \u2013 Brand\u00fds nad Orlic\u00ed\r\n\r\n2002\r\nNov\u00e1 m\u00e9dia, Moskva, Rusko\r\n\r\n2001\r\n8th International Cairo Biennale, Aghmat Galery, K\u00e1hira, Egypt\r\n\r\n2000\r\nHn\u00edzda her, Galerie Rudolfinum, Praha\r\nHuman Touch, Galerie G4, Cheb\r\nEntermultimediale, Pra\u017esk\u00fd hrad, Praha\r\n\r\n1999\r\nT\u0159ite\u010dky..., Univerz\u00e1ln\u00ed prostor NOD, Praha\r\n\r\n1998\r\nUm\u011bleck\u00e9 d\u00edlo ve ve\u0159ejn\u00e9m prostoru, v\u00fdstava SCSU Praha, Praha\r\n\r\n1997\r\n\r\nBien\u00e1le mlad\u00e9ho um\u011bn\u00ed, Poprad\r\n\r\n1996\r\nBien\u00e1le mlad\u00e9ho um\u011bn\u00ed, Zvon 96 v Praze\r\n\r\n1994\r\nHugo Demartini a ateli\u00e9r Socha II, galerie Medium, Bratislava","realizations_other":"<b>Realizace<\/b><b> v\u00fdtvarn\u00e9 a hudebn\u00ed<\/b><b>:<\/b> 2013 \u2013 Krakatit, \u0160vandovo divadlo, hudba, Praha 2011 \u2013 Labyrint sv\u011bta a r\u00e1j srdce, Divadlo v&nbsp;Celetn\u00e9, hudba, Praha 2010 \u2013 Dneska to rozto\u010d\u00edme\u2026, projekt Ka\u0161p\u00e1rek v&nbsp;rohl\u00edku,  sc\u00e9nografie pro Jiho\u010desk\u00e9 divadlo, \u010cesk\u00e9 Bud\u011bjovice 2010 \u2013 Some are \u2013 audiovizu\u00e1ln\u00ed projekt, Central park \u017di\u017ekov, Praha 2009 \u2013 RGM Live Space \u2013 n\u00e1vrh a realizace ceny pro mlad\u00e9 za\u010d\u00ednaj\u00edc\u00ed hudebn\u00ed skupiny 2009 \u2013 Labyrint sv\u011bta a r\u00e1j srdce \u2013 sc\u00e9nografie, hudba a kost\u00fdmy pro Divadlo v&nbsp;Celetn\u00e9, Praha 2009 - Nevy\u0159\u010den\u00e9 ticho \u2013 sc\u00e9nografie pro balet N\u00e1rodn\u00edho divadla 2005 \u2013 Kompletn\u00ed v\u00fdtvarn\u00e1 re\u017eie dvou DVD Nanotour skupiny Tata bojs 2005 \u2013 Sc\u00e9n\u00e1\u0159 a re\u017eie animovan\u00e9ho klipu k&nbsp;p\u00edsni Eli\u0161ce skupiny Tata bojs 2004 \u2013 Ilustrace do knihy Nanobook (v roce 2005 za n\u011b obdr\u017eel t\u0159et\u00ed m\u00edsto ceny Ministerstva kultury v&nbsp;kategorii Nejkr\u00e1sn\u011bj\u0161\u00ed \u010desk\u00e1 kniha) <b>Hudba:<\/b> V&nbsp;roce 1988 spoluzalo\u017eil skupinu <b>Tata Bojs<\/b>, kde p\u016fsob\u00ed jako skladatel, zp\u011bv\u00e1k, buben\u00edk, v\u00fdtvarn\u00edk, sc\u00e9nograf a producent. Nato\u010dil s&nbsp;n\u00ed zat\u00edm osm alb, za kter\u00e9 skupina postupn\u011b obdr\u017eela dev\u011btkr\u00e1t v\u00fdro\u010dn\u00ed cenu APH And\u011bl a \u0159adu dal\u0161\u00edch ocen\u011bn\u00ed. www.tatabojs.cz  P\u0159\u00edle\u017eitostn\u011b vystupuje z&nbsp;performa\u010dn\u00ed jednotkou <b>Sv\u00e1te\u010dn\u00ed pop<\/b>, kterou zalo\u017eil s&nbsp;v\u00fdtvarn\u00edky a hudebn\u00edky, Petrem Niklem, Ond\u0159ejem Smejkalem a Ji\u0159\u00edm Hradilem. 2004 \u2013 Audiovizu\u00e1ln\u00ed instalace \u201e4 Elementy\u201c pro st\u00e1lou expozici \u010desk\u00e9ho muzea hudby v&nbsp;Praze 2004 \u2013 Sc\u00e9n\u00e1\u0159 a re\u017eie 3D a 2D animac\u00ed komponovan\u00e9ho po\u0159adu Nanoalbum live 2003 \u2013 \u00d3\u010dko \u2013 n\u00e1vrh a realizace ceny hudebn\u00ed televizn\u00ed stanice TV \u00d3\u010dko 1999 \u2013 p3D-01 \u2013 interaktivn\u00ed instalace v&nbsp;hudebn\u00ed prodejn\u011b Bontonland v&nbsp;Praze 1999 \u2013 \u017dlut\u00e1 ponorka \u2013 n\u00e1vrh a realizace hudebn\u00ed ceny 1998 \u2013 Maxim \u2013&nbsp; n\u00e1vrh a realizace ceny FAMU festivalu ","collections":"","monographies":"","articles":"","reviews":"","texts_unlisted":"","annotations":[{"text":"Milan Cais (1974) se zapsal do obecn\u00e9ho pov\u011bdom\u00ed p\u0159edev\u0161\u00edm jako zp\u011bv\u00e1k, buben\u00edk, texta\u0159, skladatel a sc\u00e9nograf skupiny Tata Bojs, kterou zalo\u017eil spole\u010dn\u011b s&nbsp;Mardo\u0161ou (vlastn\u00edm jm\u00e9nem Marek Hu\u0148\u00e1t) v&nbsp;roce 1988, ale je tak\u00e9 vynikaj\u00edc\u00edm v\u00fdtvarn\u00edkem. Jeho d\u00edlo nen\u00ed t\u0159eba \u017e\u00e1nrov\u011b d\u011blit mezi hudbu a vizu\u00e1ln\u00ed um\u011bn\u00ed, vytv\u00e1\u0159\u00ed jednolit\u00fd \u017eiv\u00fd organismus. Um\u011blec v\u017edy usiloval propojit ob\u011b oblasti, hudbu vn\u00edmal p\u0159es obrazy a obrazy p\u0159es hudbu. Po studiu na St\u0159edn\u00ed grafick\u00e9 \u0161kole V\u00e1clava Hollara absolvoval v&nbsp;roce 1999 pra\u017eskou AVU v&nbsp;socha\u0159sk\u00fdch ateli\u00e9rech Huga Demartiniho, Jind\u0159icha Zeithammela a v ateli\u00e9ru vizu\u00e1ln\u00ed komunikace Ji\u0159\u00edho Davida. Jeho v\u00fdtvarn\u00e1 tvorba m\u00e1 multimedi\u00e1ln\u00ed zam\u011b\u0159en\u00ed, krom\u011b malby a kresby um\u011blec pracuje v&nbsp;oborech sochy, instalace, performance, videa \u010di animace. Jako diplomovou pr\u00e1ci vytvo\u0159il sv\u016fj trojrozm\u011brn\u00fd autoportr\u00e9t, mluv\u00edc\u00edho robota p3D-01, jeho\u017e n\u00e1zev n\u011bjakou dobu pou\u017e\u00edval jako sv\u016fj pseudonym, nej\u010dast\u011bji v&nbsp;obdob\u00ed hudebn\u00edch alb Futuretro a Biorytmy. V&nbsp;roce 2000 instaloval v&nbsp;r\u00e1mci projektu Praha - evropsk\u00e9 m\u011bsto kultury na st\u0159e\u0161e budovy Goetheho institutu monument\u00e1ln\u00ed videoprojekci nazvanou <b><i>No\u010dn\u00ed hl\u00edda\u010d,<\/i><\/b> jej\u00ed\u017e po\u010d\u00e1tky lze shledat v&nbsp;objektech vytvo\u0159en\u00fdch z&nbsp;\u010d\u00e1st\u00ed vlakov\u00e9 soupravy pra\u017esk\u00e9ho metra a n\u00e1sledn\u011b instalovan\u00fdch ve vestibulu na M\u016fstku i p\u0159\u00edmo v&nbsp;interi\u00e9rech vag\u00f3n\u016f samotn\u00fdch, kter\u00e9 vznikaly ji\u017e b\u011bhem autorov\u00fdch studi\u00ed na Akademii (<b><i>Zneu\u017eit\u00ed se trest\u00e1<\/i><\/b>, 1998). Vyjad\u0159ovaly soci\u00e1ln\u00ed pot\u0159ebu um\u011blce oslovit ve\u0159ejn\u00fd prostor. No\u010dn\u00ed hl\u00edda\u010d se pak stal neodd\u011blitelnou sou\u010d\u00e1st\u00ed vzhledu budovy Goetheho institutu, je\u017e d\u00edky obrovsk\u00fdm o\u010d\u00edm objektu na st\u0159e\u0161e p\u0159ipom\u00ednala&nbsp;b\u00e1jnou obludu, st\u0159e\u017e\u00edc\u00ed vltavsk\u00e9 n\u00e1b\u0159e\u017e\u00ed a panorama Hrad\u010dan. Objekt o\u017eivil i vzpom\u00ednky na \u0161pehuj\u00edc\u00ed re\u017eim minulosti, a\u010dkoli p\u016fvodn\u00ed z\u00e1m\u011br m\u011bl sp\u00ed\u0161 ochranitelsk\u00fd c\u00edl upozorn\u011bn\u00ed na r\u016fzn\u00e1 nebezpe\u010d\u00ed no\u010dn\u00edho m\u011bsta. S&nbsp;projekc\u00ed o\u010d\u00ed velk\u00e9ho form\u00e1tu si pak Cais pohr\u00e1val je\u0161t\u011b v&nbsp;r\u00e1mci hudebn\u00edch vystoupen\u00ed Tata Bojs, je\u017e zaujaly pr\u00e1v\u011b neoby\u010dejnou v\u00fdtvarnou sc\u00e9nografi\u00ed, kterou um\u011blec s&nbsp;chut\u00ed vytv\u00e1\u0159el.<br \/><br \/> Setkali jsme se poprv\u00e9 v roce 2003 v&nbsp;Brand\u00fdse nad Orlic\u00ed na festivalu M\u00e1men\u00ed J.A.Komensk\u00e9ho, kde Cais zp\u00edval a bubnoval s&nbsp;podporou siln\u00e9 zvukov\u00e9 aparatury nejen na bic\u00ed soupravu, ale i \u017eeleznou sochu v\u011b\u010dn\u00e9ho poutn\u00edka \u201eDen co den\u201c od Luk\u00e1\u0161e Rittsteina. Socha byla rozf\u00e1zovan\u00e1 do symbolick\u00fdch schod\u016f vzh\u016fru po spir\u00e1le nava\u0159ovan\u00fdch ploch\u00fdch faset, po nich\u017e se dalo l\u00e9zt a rozezn\u00edt je. Na&nbsp;soub\u011b\u017en\u011b prob\u00edhaj\u00edc\u00ed v\u00fdstav\u011b v&nbsp;prostor\u00e1ch m\u00edstn\u00edho Konzumu nainstaloval Cais n\u00e1st\u011bnnou s\u00e9rii sv\u011bteln\u00fdch box\u016f, nazvanou <b><i>M\u00e1ma, t\u00e1ta a j\u00e1<\/i><\/b> s&nbsp;fotografick\u00fdmi portr\u00e9ty sebe a&nbsp;rodi\u010d\u016f, p\u0159ed n\u011b\u017e do&nbsp;prostoru um\u00edstil elektronick\u00e9 hodinov\u00e9 odpo\u010d\u00edt\u00e1va\u010de \u010dasu, pro\u017eit\u00e9ho od narozen\u00ed a\u017e po sou\u010dasnost. O kousek d\u00e1l je\u0161t\u011b vystavil objekt <b><i>Nemocn\u00e1 socha,<\/i><\/b> mumlaj\u00edc\u00ed nez\u0159eteln\u011b text skladby Fitter Happier skupiny Radiohead. Socha m\u011bla&nbsp;dutou porcel\u00e1novou hlavu, vybavenou pro vyd\u00e1v\u00e1n\u00ed zvuk\u016f mal\u00fdm reproduktorem, s trupem v&nbsp;\u017eivotn\u00ed velikosti pokryt\u00fdm sklen\u011bn\u00fdmi kor\u00e1lky, a byla usazen\u00e1 na invalidn\u00edm k\u0159esle, neschopn\u00e1 pohybu. Spojen\u00ed portr\u00e9t\u016f skute\u010dn\u00e9 rodiny s&nbsp;neskute\u010dn\u00fdm p\u0159\u00edzrakem sochy bylo pozoruhodn\u00e9 a zvl\u00e1\u0161tn\u00edm zp\u016fsobem esteticky p\u016fsobiv\u00e9. Varianta instalace M\u00e1ma, t\u00e1ta a j\u00e1 pak byla v&nbsp;roce 2004 pou\u017eita pro v\u00fdstavu V&nbsp;mezi\u010dase v Galerii kritik\u016f v&nbsp;Praze a n\u00e1sledn\u011b i Centru sou\u010dasn\u00e9ho um\u011bn\u00ed v&nbsp;Moskv\u011b, stejn\u011b jako Nemocn\u00e1 socha pro&nbsp;pra\u017eskou instalaci, kde fungovala jako zvukov\u00fd vys\u00edla\u010d varuj\u00edc\u00edho civiliza\u010dn\u00edho poselstv\u00ed. <br \/><br \/> Rok 2004 byl pro Caise zvl\u00e1\u0161t\u011b \u00fasp\u011b\u0161n\u00fd po vyd\u00e1n\u00ed <b><i>Nanoalba<\/i><\/b> Tata Bojs a prozaick\u00e9ho zpracov\u00e1n\u00ed p\u00edsni\u010dek v kn\u00ed\u017ece <b><i>Nanobook<\/i><\/b>, s&nbsp;podtitulem K\u0159ehk\u00fd p\u0159\u00edb\u011bh internetov\u00e9ho v\u011bku. Vypr\u00e1v\u011bl o internetov\u00e9m surfa\u0159i iTomovi, jeho p\u0159\u00edrodn\u011b zalo\u017een\u00e9 d\u00edvce Eli\u0161ce a zatoulan\u00e9m pejskovi-digit\u00e1ln\u00edm robotu Halovi, kter\u00fd vysv\u011btluje lidem z\u00e1konitosti Nanosv\u011bta. D\u00e1le o profesoru Te\u010dkovi, fanatick\u00e9m odborn\u00edkovi na \u201enanogamii\u201c, kter\u00fd jej\u00ed aplikac\u00ed odstra\u0148uje nemocn\u00fdm z&nbsp;t\u011bl naka\u017eliv\u00e9 viry, ale je &nbsp;posedl\u00fd touhou likvidovat nositele vir\u016f, nebezpe\u010dn\u00fdch pro spole\u010dnost. P\u016fvabn\u00fd p\u0159\u00edb\u011bh s happy endem o zachov\u00e1n\u00ed lidsk\u00e9 p\u0159irozenosti sepsal Mardo\u0161a a Cais rozkreslil, ilustroval a zanimoval jednotliv\u00e9 figury v&nbsp;ucelen\u00e9m souboru. Za tyto ilustrace z\u00edskal v&nbsp;roce 2004 od ministra kultury ocen\u011bn\u00ed t\u0159et\u00ed nejkr\u00e1sn\u011bj\u0161\u00ed knihy roku a za desku Nanoalbum obdr\u017eeli Tata Bojs v&nbsp;roce 2005 \u010dty\u0159i Zlat\u00e9 and\u011bly. V&nbsp;t\u00e9m\u017ee roce Cais animoval sv\u00e9 ilustrace Nanobooku pro projekce p\u0159i koncertech kapely na turn\u00e9 Nanotour.<br \/><br \/> V roce 2005 vynikla Caisova tvorba realizac\u00ed velkoform\u00e1tov\u00e9 malby na zdi foyeru \u0160vandova divadla v&nbsp;Praze, nazvan\u00e9 <b><i>Sunday, Bloody Sunday<\/i><\/b>, je\u017e vznikla z&nbsp;origin\u00e1ln\u00edho n\u00e1padu divadla reflektovat &nbsp;inscenaci hry Poru\u010d\u00edka z&nbsp;Inishmoru, pojedn\u00e1vaj\u00edc\u00ed o teroristovi irsk\u00e9 republik\u00e1nsk\u00e9 arm\u00e1dy, kter\u00fd v&nbsp;boji za n\u00e1rodn\u00ed samostatnost si hraje na otrl\u00e9ho gangstera z&nbsp;ak\u010dn\u00edch film\u016f. Z&nbsp;Caisova obrazu na n\u00e1s hled\u011bl s pistolkou v&nbsp;ruce d\u011btsky nevinn\u00fd a komiksov\u011b roztomil\u00fd chlape\u010dek, polovinu tv\u00e1\u0159e s&nbsp;jedn\u00edm okem vyt\u0159enou v&nbsp;om\u00edtce hadrem do b\u011bla. Kus od n\u011bj let\u011bla v\u00e1\u017eka, s&nbsp;dr\u00e1hou letu ozna\u010denou \u0161ipkou. Cais pojal obraz na zp\u016fsob anonymn\u00edho m\u011bstsk\u00e9ho d\u00edla \u201estreet artu\u201c, jako\u017eto pozastaven\u00ed nad teatr\u00e1ln\u00edm d\u011bjem v interi\u00e9ru, fascinov\u00e1n groteskn\u00ed absurditou n\u00e1m\u011btu. T\u00e9ho\u017e roku se z\u00fa\u010dastnil realizace ve ve\u0159ejn\u00e9m prostoru objektem <b><i>Voyeur<\/i><\/b> na \u017di\u017ekovsk\u00e9m vys\u00edla\u010di v&nbsp;r\u00e1mci festivalu <b><i>Entermultimediale 2 <\/i><\/b>(festival Entermultimediale 1 se konal v&nbsp;roce 2000 na Pra\u017esk\u00e9m hrad\u011b), ale tak\u00e9 kolektivn\u00ed kreace <b><i>Zahrady fantazie a hudby <\/i><\/b>v&nbsp;\u010desk\u00e9m pavilonu na sv\u011btov\u00e9m EXPO v&nbsp;japonsk\u00e9m Aichi. D\u00e1le se \u00fa\u010dastnil v\u00fdstavy Imprese v&nbsp;pra\u017esk\u00e9m Rudolfinu (kur\u00e1torka Simona Vlad\u00edkov\u00e1), kam um\u00edstil dv\u011b v\u00fdznamn\u00e9 instalace \u2013 <b><i>Vesm\u00edrnou odyseu<\/i><\/b> a <b><i>Otec a syn<\/i><\/b>. Vesm\u00edrn\u00e1 odysea byla p\u016fvodn\u011b pl\u00e1novan\u00e1 na morov\u00fd sloup druh\u00e9ho Hrad\u010dansk\u00e9ho n\u00e1dvo\u0159\u00ed, kde m\u011bl b\u00fdt nap\u00edchnut\u00fd na obelisk kosmonaut a levitovat v&nbsp;bl\u00edzk\u00e9m sousedstv\u00ed Sv. Ji\u0159\u00ed s&nbsp;drakem. Tato pr\u00e1ce byla m\u00edn\u011bna jako&nbsp;historick\u00fd kontrapunkt s poctou re\u017eis\u00e9ru Kubricovi, jen\u017e ve sv\u00e9m filmu 2001:Vesm\u00edrn\u00e1 odysea cht\u011bl pomoc\u00ed monolitick\u00e9ho obelisku vytvo\u0159it \u010dasoprostorovou spir\u00e1lu pom\u00edjivosti a v\u011b\u010dnosti z\u00e1rove\u0148. V&nbsp;druh\u00e9 instalaci Rudolfina komunikoval s n\u00e1v\u0161t\u011bvn\u00edky Cais\u016fv Otec a syn \u2013 jeden v\u011bt\u0161\u00ed a \u0161t\u00edhlej\u0161\u00ed, druh\u00fd men\u0161\u00ed a ba\u0148at\u011bj\u0161\u00ed, dva fackovac\u00ed pan\u00e1ci, ispirovan\u00ed kym\u00e1civ\u00fdmi hra\u010dkami pro d\u011bti, kte\u0159\u00ed v\u017edycky, kdy\u017e se jim u\u0161t\u011bd\u0159\u00ed r\u00e1na a jsou uvedeni do pohybu, roztomile cinkaj\u00ed. <br \/><br \/> Otec a syn vytvo\u0159ili p\u0159edobraz k prvn\u00ed samostatn\u00e9 autorov\u011b v\u00fdstav\u011b v&nbsp;Galerii kritik\u016f v&nbsp;roce 2006, je\u017e m\u011bla b\u00fdt pojata jako vizu\u00e1ln\u00ed den\u00edk autorova intimn\u00edho \u017eivota, slo\u017een\u00e1 z&nbsp;objekt\u016f, soch a fotografi\u00ed. Den\u00edkov\u00fd z\u00e1znam nakonec vyj\u00e1d\u0159il dev\u00edtim\u011bs\u00ed\u010dn\u00ed \u010das t\u011bhotenstv\u00ed jeho \u017eeny a \u0161estined\u011bl\u00ed po narozen\u00ed dcerky Evel\u00edny. V\u00fdstava byla nazv\u00e1na <b><i>9 + 6 <\/i><\/b>a na z\u00e1klad\u011b&nbsp;den\u00edkov\u00fdch kreseb a fotografi\u00ed autora zahrnovala dev\u011bt prostorov\u00fdch objekt\u016f, vedouc\u00edch od metaforick\u00e9ho vyj\u00e1d\u0159en\u00ed spermi\u00ed d\u011blo\u017en\u00edch z\u00e1rodk\u016f a embry\u00ed a\u017e k&nbsp;plo\u0161n\u00e9mu fotografick\u00e9mu dvojportr\u00e9tn\u00edmu triptychu T\u00e1tomam I,II a III, jako jedna ucelen\u00e1 prostorov\u00e1 \u201ereality-show\u201c. <br \/><br \/> V&nbsp;letech 2006 \u2013 2009 obnovil um\u011blec spolupr\u00e1ci s&nbsp;Petrem Niklem, zapo\u010datou ji\u017e v&nbsp;roce 2000 p\u0159i projektu Praha \u2013 m\u011bsto kultury a v\u00fdstav\u011b Hn\u00edzda her v Rudolfinu, interaktivn\u00ed expozic\u00ed Orbis Pictus. Navazovala na duchovn\u00ed odkaz Labyrintu sv\u011bta a R\u00e1je srdce J.A.Komensk\u00e9ho, kde Cais vystavil <b><i>Kalimby, <\/i><\/b>fantaskn\u00ed n\u00e1stroje z&nbsp;recyklovan\u00fdch materi\u00e1l\u016f, je\u017e mohl div\u00e1k pomoc\u00ed r\u016fzn\u00fdch pl\u00ed\u0161k\u016f, ma\u010dk\u00e1tek, t\u00e1hel, strun a p\u00e1\u010dek rozezvu\u010det. V&nbsp;t\u011bchto objektech se uplatnila jeho tendence k&nbsp;interakci v&nbsp;kombinaci s&nbsp;estetick\u00fdm p\u016fsoben\u00edm socha\u0159sk\u00e9ho tvaru na div\u00e1ka, nadan\u00e9ho p\u0159edstavivost\u00ed. Projekt se realizoval v&nbsp;\u0161irok\u00e9m mezin\u00e1rodn\u00edm m\u011b\u0159\u00edtku a nalezl sv\u00e9 pokra\u010dov\u00e1n\u00ed v&nbsp;roce 2009 v&nbsp;Ekotechnick\u00e9m muzeu Prahy 6 a ve v\u00fdstav\u011b Orbis Pictus Play, s&nbsp;v\u00fdstavn\u00ed premi\u00e9rou v&nbsp;pra\u017esk\u00e9m M\u00e1nesu (2010-2011).<br \/><br \/> Pojem interakce charakterizoval d\u00edlo Milana Caise v\u017edy s jeho snahou oslovovat ve\u0159ejn\u00fd prostor i na jeho posledn\u00ed samostatn\u00e9 v\u00fdstav\u011b <b><i>Pod k\u016f\u017e\u00ed <\/i><\/b>(2011, Oblastn\u00ed galerie Vyso\u010diny v&nbsp;Jihlav\u011b a Wortner\u016fv d\u016fm Al\u0161ovy jiho\u010desk\u00e9 galerie v&nbsp;\u010cesk\u00fdch Bud\u011bjovic\u00edch), jej\u00edm\u017e leitmotivem byly vzpom\u00ednky na autorovu minulost spojenou s&nbsp;hudbou a kamar\u00e1dy, je\u017e ovlivnili podstatnou \u010d\u00e1st jeho \u017eivota. Byly do n\u00ed za\u010dlen\u011bny i m\u00fdtick\u00e9 ikony a objekty popkultury. V\u00fdstava&nbsp;reflektovala dobu, kdy vlastnit samolepku ze Z\u00e1padu, k&nbsp;tomu t\u0159eba s&nbsp;vyobrazen\u00edm Indi\u00e1n\u016f na koni, znamenalo ve \u0161koln\u00edch \u0161kamn\u00e1ch velk\u00fd poklad, stejn\u011b tak jako v\u011bt\u0161\u00ed po\u010det nahran\u00fdch magnetofonov\u00fdch p\u00e1sek s&nbsp;atraktivn\u00ed hudbou. Vybran\u00fdmi z\u00e1stupci platonick\u00fdch p\u0159\u00e1tel byly Bowie, Cale, Reed, Zappa a Hendrix aj. V instalaci se z\u00e1kladn\u00edm motivem ob\u0159\u00edch magnetofonov\u00fdch kazet, vyroben\u00fdch z&nbsp;materi\u00e1l\u016f Caisova p\u0159edchoz\u00edho \u017eivota \u2013 sk\u0159\u00edn\u00ed, pe\u0159i\u0148\u00e1ku, postele a jin\u00fdch n\u00e1bytk\u016f jeho&nbsp;\u201eteenagersk\u00e9ho\u201c pokoj\u00ed\u010dku, div\u00e1ci nahl\u00e9dli i do jeho soukrom\u00ed. Objekty <b><i>Kazet<\/i><\/b> vytvo\u0159il autor s&nbsp;ironi\u00ed a nadhledem jako pomn\u00edk p\u0159ekonan\u00fdm hudebn\u00edm nosi\u010d\u016fm, jejich\u017e vizu\u00e1ln\u00ed podoba ji\u017e nen\u00ed pro mnoh\u00e9 n\u00e1v\u0161t\u011bvn\u00edky aktu\u00e1ln\u00ed. V&nbsp;Caisov\u011b pojet\u00ed se v\u0161ak staly vizu\u00e1ln\u00edm objektem a nositelem nov\u00fdch v\u00fdznam\u016f i s materi\u00e1ly, z&nbsp;nich\u017e byly vyrobeny.<br \/><br \/> V&nbsp;roce 2013 u p\u0159\u00edle\u017eitosti 25. narozenin Tata Bojs okouzlila Prahu a dal\u0161\u00ed m\u011bsta v&nbsp;regionu sv\u011bteln\u00e1 koncertn\u00ed sc\u00e9na, postaven\u00e1 z&nbsp;LED obrazovek, na nich\u017e se prom\u00edtaly synchronn\u00ed projekce. Na podzim t\u00e9ho\u017e roku p\u0159il\u00e1kala mno\u017estv\u00ed n\u00e1v\u0161t\u011bvn\u00edk\u016f Caisova sv\u011bteln\u00e1 instalace velk\u00fdch mrkaj\u00edc\u00edc\u00edch o\u010d\u00ed v&nbsp;gotick\u00fdch oblouc\u00edch Starom\u011bstsk\u00e9 a Malostransk\u00e9 mosteck\u00e9 v\u011b\u017ee Karlova mostu v&nbsp;Praze, tedy o\u010d\u00ed dvou v\u011b\u017e\u00ed, u p\u0159\u00edle\u017eitosti prvn\u00edho ro\u010dn\u00edku festivalu sv\u011btla Signal. N\u011bkdej\u0161\u00ed No\u010dn\u00ed hl\u00edda\u010d tak na\u0161el sv\u00e9 pokra\u010dov\u00e1n\u00ed v&nbsp;<b><i>Karlov\u011b hl\u00edda\u010di, <\/i><\/b>v&nbsp;kontrastu star\u00e9 architektury s dne\u0161n\u00edm pohledem na m\u011bsto.<br \/><br \/> S&nbsp;tvorbou Milana Caise p\u00e1tr\u00e1me ve vrstv\u00e1ch vlastn\u00ed pam\u011bti a v&nbsp;rejst\u0159\u00edku hrav\u00fdch forem se dozv\u00edd\u00e1me o jin\u00e9m zaj\u00edmav\u00e9m p\u0159irozen\u00e9m sv\u011bt\u011b. Lidstvo u\u017e dos\u00e1hlo zlomov\u00e9ho bodu v&nbsp;ovl\u00e1d\u00e1n\u00ed digit\u00e1ln\u00edch program\u016f sv\u00e9ho v\u00fdvoje, kdy v&nbsp;bl\u00edzk\u00e9 budoucnosti metody informa\u010dn\u00edch technologi\u00ed, molekul\u00e1rn\u00edho in\u017een\u00fdrstv\u00ed, nanotechnologie \u010di kvantov\u00e9 digit\u00e1ln\u00ed technologie mohou \u010dlov\u011bka u\u010dinit zcela z\u00e1visl\u00fdm na rozmarech po\u010das\u00ed \u010di ro\u010dn\u00edch obdob\u00ed. Mo\u017en\u00e1 bude \u017e\u00edt s mozkem \u201ein silico\u201c, ale jedine\u010dnost um\u011bleck\u00e9 tvorby a du\u0161evn\u00ed rovnov\u00e1ha um\u011blce p\u0159ece jen zaru\u010duje p\u0159etrv\u00e1n\u00ed p\u0159irozen\u00e9ho sv\u011bta.<i>&nbsp; <\/i>&nbsp;","date":2015,"authors":[1859]}],"artworks":[107533,107534,107535,107536,107537,107538,107539,107540,107541,107542,107543,107544,107545,107546,107547,107548,107549,107550,107551,114976,114977,114978,114979,114980,114981,114982,114983],"videos":null},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cais - Artlist<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artlist.cz\/en\/umelci\/milan-cais\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta 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