{"id":121711,"date":"2024-07-10T23:04:55","date_gmt":"2024-07-10T21:04:55","guid":{"rendered":"http:devel.artlist.cz\/artist\/pitin-2\/"},"modified":"2025-01-07T18:14:02","modified_gmt":"2025-01-07T17:14:02","slug":"daniel-pitin","status":"publish","type":"artist","link":"https:\/\/artlist.cz\/en\/umelci\/daniel-pitin\/","title":{"rendered":"Pit\u00edn"},"featured_media":0,"template":"","class_list":["post-121711","artist","type-artist","status-publish","hentry","keyword-malba","keyword-painting"],"acf":{"nicknames":"","date_born":1977,"date_death":0,"place_born":"Praha","lives":"V Praze","web":"http:\/\/www.futuraproject.cz\/karlin-studios\/umelci\/daniel-pitin\/","idatum":"","address":"","email":"","phone":"","biography":"Studies:\r\n1994-2002 AVU Praha (Z. Beran, M. \u0160ejn)\r\n2001 Studium na Nuova Academia Milano, It\u00e1lie\r\n2004-2005 Kulturkontakt Austria \r\n\r\nAwards, stipends:\r\n1996 Ateli\u00e9rov\u00e1 cena, AVU Praha\r\n1999 Ateli\u00e9rov\u00e1 cena, AVU Praha\r\n2002 Diplomov\u00e1 pr\u00e1ce\r\n2005 Video, Prix Europa Spot\r\n2004 Hankel cena, V\u00edde\u0148 \r\n2006 Obrazy, Sovereign European Art Prize, 30 finalist\u016f Europsk\u00e9 sout\u011b\u017ee - Lond\u00fdn\r\n2007 Cena Mattoni, Prague Biennalle 3","groups":null,"membership":"","exhibitions_solo":"2012\r\nDaniel Pit\u00edn - solo show, Mihai Nicodim Gallery, Los Angelos, CA, USA\r\nsolo exhibition at h u n t k a s tn er , Prague (opening May)\r\n\r\n2011\r\nGarrison\u2019s Landing, Hudson Val ley Center for Contemporary Art, Peekskill, N.Y., USA\r\n\r\n2010\r\nPrivate Ceremony, Geukens & De Vil, Antwerp, BE\r\nMrs. Roberts is Gonna Be Late (with Tom\u00e1\u0161 Svoboda), curated by_Vienna \r\n2010, Charim Galerie, Vienna, AU\r\n\r\n2009\r\nMen in the Garden, h u n t k a s tn er , Prague, CZ\r\nMihai Nicodim Gallery, Los Angeles, USA\r\n\r\n2008\r\nLost Architect, Charim Ungar Contemporary (CUC), Berlin, DE\r\nDaniel Pitin: Painter on a Stage, Guekins & De Vil, Antwerp, BE\r\n\r\n2007\r\nAdaption II, Charim Gallery, Vienna, AU\r\n\r\n2006\r\nAdaption, Futura gallery, Prague, CZ\r\nCharim Gallery (with Wolfgang Wirth), Vienna, AU\r\n\r\n2003\r\nMotion Picture, Futura project room, Prague, CZ\r\nArt Decoration, National Gallery at the Veletr\u017en\u00ed Palace, Prague, CZ\r\n\r\n1999\r\nPicture and Screens, Academy of Fine Arts gallery, Prague, CZ","exhibitions_group":"2012\r\nPoint of Entry, Ana Cristea Gal lery, New York, NY, USA\r\nMaking Familiar, curated by Robert Armstrong and James Merrigan,Temple Bar Gallery + Studios, Dublin, IR\r\n(opening August)\r\n\r\n2011\r\nMutating Medium: Photography in Czech Art 1990-2010, curated by Pavel Van\u010dat, Rudolfinum, Prague, CZ\r\nThrough A Glass Darkly, curated by Jane Neal, Nicodim Gallery, Los Angeles, CA, USA\r\nEast ex East, curated by Jane Neal, Brand New Gallery, Milano, IT\r\nSKUTR III, Biennale of Young Artists, curated by Vladimir Beskid., Koppel Villa, Jan Koniarek Regional Gallery,\r\nTrnava, SK\r\nTo Deceive Death, To Swallow the Night: Martin Gerboc, Ji\u0159\u00ed Petrbok, Daniel Pit\u00edn, Nitrianska Regional Gallery,\r\nNitra, SK\r\nMemoria Variable, curated by Gigliola Foschi and Carla Pellegrini, Galleria Milano, Milano, IT\r\n\r\n2010\r\nAfter the Fall, Hudson Valley Center for Contemporary Art, Peekskil l, NY, USA\r\nThe Cassini Cruise II, Ardi Poels Project, Maastrict, NL\r\nRe-Romantic 2, Galerie \u0160ternberk, \u0160ternberk, CZ\r\nBad Industry, Mihai Nicodim Gallery, Los Angeles, CA, USA\r\nYear One and In Standard Time, Ana Cristea Gallery, New York, NY, USA\r\n\r\n2009\r\nDer Innere Blick, Kunsthalle, Tubungen, DE\r\nEccentric Paths II \/ The Arsen\u0101ls, The Exhibition Hall Arsenals, Latvian National Museum of Art, Riga, LT\r\nAfter Velvet, curated by Sandra Baborovska, long-term exhibition at the Prague City Gallery at the House of\r\nthe Golden Ring, Prague, CZ\r\nSpectator Novus, Galeria Kritiku, Prague, CZ\r\nSomething of Myself, hunt kastner, Prague, CZ\r\nPAF Film Festival of Animated Films, Olomouc, CZ\r\n\r\n2008\r\nResetting \/ New Ways to Reality, curated by Petr Vanou\u0161, Prague City Gallery at the Municipal Library, Prague\r\nEccentric Paths: Young Artists from Central and Eastern Europe, Barardo Colllection Museum, Lisbon, PT\r\n\r\n2007\r\nExpanded Painting, Prague Biennale3, curated by Helena Kontova, Karlin Hall, Prague\r\nEccentric Paths, Caminhos Exc\u00eantricos, Berardo Museum, Collection of Modern and Contemporary Art, Lisbon\r\n\r\n2006\r\nSovereign European Art Prize Finalists \u2013 London, UK\r\n\r\n2005\r\nDaniel Pit\u00edn und Markus Krottendorfer, Charim galerie, Neue Heimat, Vienna, AU\r\n\r\n2004\r\nKulturkontakt exibition, Vienna, AU\r\n\r\n2003\r\nMartin\u016f Reloaded, Prague Academy of Performing Arts gallery, Prague\r\nNeed of Touch, Word DV film festival, Prague\r\n\r\n2002\r\nAcademy of Fine Arts exhibition at the National Gallery, Veletr\u017en\u00ed Palace, Prague\r\n\r\n2001\r\nStudent exhibition, Lima, Peru\r\nAcademy of Fine Arts exhibition, M\u00e1nes, Prague\r\n\r\n2000\r\n4 + 4 days in Motion Festival, Prague\r\n\r\n1999\r\nKol\u00edn Czech Paintings, Art gallery U prstenu, Prague\r\nPeople of the XX.century, Prague City Center\r\nArt Gallery of Young Artists, Olomouc\r\n\r\n1997\r\nArt Gallery U prstenu, Prague\r\n\r\n1996\r\nAcademy of Fine Arts student\u2019s exhibition, M\u00e1nes, Prague\r\n\r\n1993\r\nMusic-pictures show, Alterna Komotovka, Prague\r\nBiennale of the Young in Altkirch, Altkirch, FR","realizations_other":"","collections":"","monographies":"P. Va\u0148ous, Resetting\/ Jin\u00e9 cesty k v\u011bcnosti\/ Alternative Ways To Objektivity (katalog v\u00fdstavy), GHMP - M\u011bstsk\u00e1 knihovna, 21. 12. 2007 - 23. 3. 2008, nestr., Praha 2008","articles":"2009\r\nM. Tich\u00e1\u010dkov\u00e1, Stipendist\u00e9 - 4 x jinak, A2 4\/09\r\n\r\n2008 \r\nProtivansk\u00e1 L. - Bul\u00e1kov\u00e1 M.: Kde se d\u011bl\u00e1 um\u011bn\u00ed, Magaz\u00edn DNES, 5. 6. - 12. 6. 2008, s. 26\r\nJ. H. Vitvar, Na hranici re\u00e1ln\u00e9ho a nere\u00e1ln\u00e9ho, Respekt 2\/2008\r\n\r\n2007 \r\nJ. Z\u00e1le\u0161\u00e1k, Adaptace, Ateli\u00e9r 2\/2007\r\nP. Va\u0148ous, Obraz a medi\u00e1ln\u00ed prostupy (rozhovor), A2 kulturn\u00ed t\u00fdden\u00edk 40\/2007\r\n\r\n2006 \r\nD. Kera, Malba v digit\u00e1ln\u00ed dob\u011b, Lidov\u00e9 noviny, 19, 295, s. 20\r\n\r\n2004 \r\nD. Kera, V\u00fdchova star\u00fdch smysl\u016f k nov\u00fdm m\u00e9di\u00edm, Ateli\u00e9r 12\/2004","reviews":"Daniel Pit\u00edn (1977), anketa Maluj\u00edc\u00ed um\u011blci, A2 kultun\u00ed t\u00fdden\u00edk 30\/ 2007, s. 11","texts_unlisted":"","annotations":[{"text":"Daniel Pit\u00edn is a painter who naturally classifies in the international context of contemporary painting, primarily from the circles of the Leipzig School. Formally he can be classified among the strong generation of artists who work with quasi figurative compositions and architecture. For that matter, architecture alone is a fundamental component of Pit\u00edn\u2019s work, present from the beginning in the actual composition of his paintings, and later as the inseparable part of the dramaturgy of his exhibitions; for example <i>Mu\u017ei v zahrad\u011b (Men in the Garden)<\/i> (Galerie Hunt Kastner) or <i>Meine Gefangenem<\/i> (Galerie Charim Ungar Contemporary) in Berlin. The work of Daniel Pit\u00edn is accompanied by a strong relationship to film, from taking over individual film scenes (Alfred Hitchcock\u2019s Birds) to working with actual video <i>Ve\u010de\u0159e s Malevi\u010dem (Dinner with Malevich)<\/i> and others. He finds the interconnection of architecture and film in backdrops that have become his significant subject. Most of his canvases are penetrated with the conflict of illusion and the world that is in reality behind it. The artist moves on the border of spatial abstraction that includes citations of all sorts of motives, film scenes, architectural fragments or cut outs of old masters\u2019 paintings. There is also a subliminal topic of the deconstruction of an actual painting; in his compositions Pit\u00edn integrates canvases or scraps and photographs that he uses as the actual models. Generally important elements for him include the fragment, ambiguity and impossibility of clear reading. He evokes stories that the viewers and maybe even the artist himself cannot read with certainty. He takes out things from the original script and transfers them into new situations where layers of several stories are created that are put together creating the impression that there are several parallel stories taking place on the painting. \r\nOne of his first videos titled <i>Ztracen\u00fd architect (Lost Architect) <\/i>originated as a&nbsp;photomontage. It consists of interferences into photographs of architecture, which more or less give an inappropriate impression \u2013 a tree trunk lying in a living room, an out of focus fly in the distance as a part of an industrial complex, or the head of a monkey sitting on the construction of Stalin\u2019s monument, etc. We can see a more literally expressed confrontation of nature with clean geometric shapes in his later paintings inspired by the villa Tugendhat where he declares his likeness of functionalism. In his author\u2019s commentary he admits that the clean and artificial space frightens him at the same time and that is why he tries to disturb them. Views into the functionalist space of the villa are penetrated with climbing plants and wildly growing garden. The motive of a garden also appears in the already mentioned exhibition <i>Men in a Garden <\/i>where garden sheds play a similar role as the movie backdrops. The garden with all its deposits of boards, junk and backdrops is some sort of a&nbsp;prototype of an abstract collective space with various time layers.&nbsp; \r\n\u201c<i>Men in a Garden <\/i>is a metaphor for me of our common memory. They are standing in an (un)safe area of the garden where they are continuously looking for something or someone.\u201d\r\nMemory is also the main subject that connects the painters of the already mentioned Leipzig school. Daniel Pit\u00edn is probably closest to Adrien Gheniov, but also to Mattias Weitcher or Martin Kobeov. He can also be compared to the British painter Justin Mortimer, who, in addition to painting, works with a format on the border of folding picture books and photomontage. These are some sort of Photoshop folding books in which he arranges trimmed photographs of individuals into bizarre compositions on the border of naturalness. They are slightly surreal scenes resembling, in some way, the interpretation of Juraj Herz\u2019s editing of the movie <i>Spalova\u010di mrtvol (Corpse Burner) <\/i>on the basis of which Pit\u00edn made the video titled <i>Dinner with Malevich. <\/i>\r\n<i>Dinner with Malevich <\/i>is based on a scene taken out of the movie \u2013 the arrival of Mr. Kopfrkingl home. He brings several paintings home and gradually presents them to his family. Daniel Pit\u00edn intervenes the scene with digital colouring of the canvases with black paint. A picture gallery consisting of black paintings gradually emerges around the family. Black colour penetrates the entire home and opens up areas where it is possible to project the viewers\u2019 ideas and fears. The living room turns into a meditative area \u2013 kind of a window into different space. <i>Dinner with Malevich<\/i> was exhibited at a collective exhibition with Tom\u00e1\u0161 Svoboda and his <i>Mrs. Robert is gonna be late<\/i> (Gallery Charim) in Vienna. \r\nDaniel Pit\u00edn is a painter who is able to enrich his work by overlaps outside of the area of painting; he works with a time line and space. He cannot do without dramaturgic segmentation of his exhibitions for which he uses the already mentioned film experience, video and architecture.","date":2014,"authors":[1879]}],"artworks":[108138,108282,108283,108284,108285,108286,108287,108288,108289,108290,108291,108292,108293,108294,108295,108296,108297,108298,108299,108300,108301,108302,108303,108304,108305,108306,108307,108308,108309,108899],"videos":null},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Pit\u00edn - Artlist<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artlist.cz\/en\/umelci\/daniel-pitin\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pit\u00edn - Artlist\" \/>\n<meta property=\"og:url\" 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