{"id":121722,"date":"2024-07-10T23:04:56","date_gmt":"2024-07-10T21:04:56","guid":{"rendered":"http:devel.artlist.cz\/artist\/kucerova-2\/"},"modified":"2026-01-24T12:21:32","modified_gmt":"2026-01-24T11:21:32","slug":"alena-kucerova","status":"publish","type":"artist","link":"https:\/\/artlist.cz\/en\/umelci\/alena-kucerova\/","title":{"rendered":"Ku\u010derov\u00e1"},"featured_media":0,"template":"","class_list":["post-121722","artist","type-artist","status-publish","hentry","keyword-object"],"acf":{"nicknames":"","date_born":1935,"date_death":2026,"place_born":"Prague","lives":"Lhota u Star\u00e9 Boleslavi","web":"","idatum":"","address":"","email":"","phone":"","biography":"Studies:\r\n1954-1959 Academy of Arts, Architecture and Design in Prague\r\nAnton\u00edn Strnadel\r\n\r\nAwards:\r\n1997 Cena Vladim\u00edra Boudn\u00edka, Nadace Inter-Kontakt-Grafik\r\n1968 Cena mezin\u00e1rodn\u00edho bien\u00e1le mlad\u00fdch, Bratislava\r\n1967 Premio internazionale Biella per l\u00b4incisione\r\n1967 Cena Svazu \u010deskoslovensk\u00fdch spisovatel\u016f\r\n1965 Biennale des Jeunes Paris, mention d'honneur,","groups":[121167],"membership":"","exhibitions_solo":"2007\r\nAlena Ku\u010derov\u00e1: P\u0159ehled \/ Summary. Grafiky, plechy, objekty \/ Prints, metal plates, objects, D\u016fm U Kamenn\u00e9ho zvonu, Praha\r\n\r\n2006-2007\r\nAlena Ku\u010derov\u00e1, D\u016fm um\u011bn\u00ed m\u011bsta Brna, Galerie Jaroslava Kr\u00e1le + hala, Brno\r\n\r\n2005\r\nKaltes Wasser, \u010cesk\u00e9 centrum ve spolupr\u00e1ci s Galeri\u00ed Pecka, V\u00edde\u0148.\r\nGalerie Klatovy \/ Klenov\u00e1\r\nGalerie Pecka, Praha\r\n\r\n1995\r\nAutres regards  tch\u00e8ques\u2026( Blabolilov\u00e1, Ku\u010derov\u00e1, Mich\u00e1lek), Mus\u00e9e provincial F\u00e9licien Rops, Namur, Belgie.\r\n\r\n1990 \r\nAlena Ku\u010derov\u00e1: Grafika \u2013 plechy. GHMP, Starom\u011bstsk\u00e1 radnice, Praha.\r\n\r\n1969\r\nAlena Ku\u010derov\u00e1 \u2013 grafika,  Museum Folkwang, grafick\u00fd kabinet, Essen \r\nAlena Ku\u010derov\u00e1 \u2013 Nov\u00e9 listy, \u00dastav makromolekul\u00e1rn\u00ed chemie \u010cSAV, Praha \r\n\r\n1968\r\nAlena Ku\u010derov\u00e1 ( s Ji\u0159\u00edm Kol\u00e1\u0159em a Ji\u0159\u00edm Johnem ), Museum Boymans van Beuningen, Rotterdam (6.9.-20.10.; 21 prac\u00ed, 2 plechy).\r\n\r\n1965 Galerie na Karlov\u011b n\u00e1m\u011bst\u00ed","exhibitions_group":"2013\r\nLaure\u00e1ti Ceny Vladim\u00edra Boudn\u00edka, Galerie modern\u00edho um\u011bn\u00ed v Hradci Kr\u00e1lov\u00e9, Hradec Kr\u00e1lov\u00e9\r\nV\u00fdtvarn\u00e9 um\u011bn\u00ed - v\u00fdstava, Galerie Nov\u00e1 s\u00ed\u0148, Praha\r\n\r\n2012-2013\r\nOd Tiziana po Warhola: Muzeum um\u011bn\u00ed Olomouc 1951-2011 (IV. V\u00fdtvarn\u00e9 um\u011bn\u00ed 1948-2011), Trojlod\u00ed, Olomouc\r\n\r\n2012\r\nPohybliv\u00e9 iluze \u00b460, Galerie Moderna, Praha\r\n\r\n2011-2012\r\nUm\u011blci Archivu, DOX, Mal\u00e1 v\u011b\u017e, Praha\r\n\r\n2011\r\nDoteky konstruktivismu, Galerie Moderna, Praha\r\nDu\u0161e krajiny, duch m\u00edsta, Galerie U Betl\u00e9msk\u00e9 kaple, Praha\r\nL\u00e1ska je slep\u00e1, sex je jinde, Artinbox Gallery, Praha\r\n\r\n2010\r\nV\u00fdb\u011br, Galerie U Betl\u00e9msk\u00e9 kaple, Praha\r\n\r\n2009\r\n\u010cesk\u00e1 grafika \u0161edes\u00e1t\u00fdch let ze sb\u00edrek Galerie modern\u00edho um\u011bn\u00ed v Hradci Kr\u00e1lov\u00e9. \u010c\u00e1st II \u2013 Jemnou linkou, Galerie modern\u00edho um\u011bn\u00ed v Hradci Kr\u00e1lov\u00e9, Hradec Kr\u00e1lov\u00e9 \r\nV spektru rozmanitosti 11+1 \/ In the Spectrum of Diversity 11+1, D\u016fm U Zlat\u00e9ho prstenu, Praha\r\n\r\n2008-2009\r\nVlastimil Bene\u0161, Adolf Born, V\u00e1clav Bo\u0161t\u00edk, Franti\u0161ek Gross, Ota Jane\u010dek, Ji\u0159\u00ed Kol\u00e1\u0159, Alena Ku\u010derov\u00e1, Josef Lada, Kamil Lhot\u00e1k, Karel Malich, Zden\u011bk S\u00fdkora, Tav\u00edk Franti\u0161ek \u0160imon, Max \u0160vabinsk\u00fd, Franti\u0161ek Tich\u00fd, Josef V\u00e1chal, Jan Zrzav\u00fd a dal\u0161\u00ed, Galerie U Betl\u00e9msk\u00e9 kaple, Praha\r\n\r\n2008\r\nGeometrie. \u010ceskoslovensk\u00fd konstruktivismus a geometrick\u00e1 abstrakce, Galerie U Betl\u00e9msk\u00e9 kaple, Praha\r\nKalend\u00e1\u0159e pro Jindru \u0160treita, Galerie Sme\u010dky, Praha\r\nModern\u00ed a pov\u00e1le\u010dn\u00e9 um\u011bn\u00ed, sou\u010dasn\u00e9 um\u011bn\u00ed, fotografie, Galerie 5. patro, Praha\r\nPohledy do sb\u00edrek Severo\u010desk\u00e9 galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed v Litom\u011b\u0159ic\u00edch, Severo\u010desk\u00e1 galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed v Litom\u011b\u0159ic\u00edch, Litom\u011b\u0159ice\r\nSoust\u0159ed\u011bn\u00fd pohled \/ Focused View. Grafika 60. let ze sb\u00edrek \u010dlensk\u00fdch galeri\u00ed Rady galeri\u00ed \u010cesk\u00e9 republiky, Oblastn\u00ed galerie Vyso\u010diny v Jihlav\u011b, Jihlava\r\n\r\n2007\r\nModern\u00ed a pov\u00e1le\u010dn\u00e9 um\u011bn\u00ed. Sou\u010dasn\u00e9 um\u011bn\u00ed. Fotografie, Galerie Louvre, Praha\r\nSou\u010dasn\u00e9 um\u011bn\u00ed \/ Contemporary Art, p\u0159edauk\u010dn\u00ed v\u00fdstava, Galerie Nov\u00e1 s\u00ed\u0148, Praha\r\nSou\u010dasn\u00e9 \u010desk\u00e9 um\u011bn\u00ed - Genera\u010dn\u00ed paralely, Galerie um\u011bn\u00ed Zuraba Zereteli, Moskva\r\nSoust\u0159ed\u011bn\u00fd pohled \/ Focused View. Grafika 60. let ze sb\u00edrek \u010dlensk\u00fdch galeri\u00ed Rady galeri\u00ed \u010cesk\u00e9 republiky, Oblastn\u00ed galerie v Liberci, Liberec\r\n\u010clensk\u00e1 v\u00fdstava Um\u011bleck\u00e9 besedy, Novom\u011bstsk\u00e1 radnice, Praha\r\n\r\n2006-2007\r\nSv\u011bt \u010desk\u00e9 grafiky, Z\u00e1mek Brunt\u00e1l, Brunt\u00e1l\r\n\r\n2006\r\nAmor vincit omnia, Saarl\u00e4ndische Galerie \u2013 Europ\u00e4isches Kunstforum e.V., Berl\u00edn (Berlin)\r\n\u010cesk\u00e9 um\u011bn\u00ed XX. stolet\u00ed: 1940-1970, Al\u0161ova jiho\u010desk\u00e1 galerie v Hlubok\u00e9 nad Vltavou, Hlubok\u00e1 nad Vltavou\r\n\u010cesk\u00e1 grafika 60. let, Galerie Hollar, Praha\r\n\r\n2005\r\nRozb\u00edt hranice. Kresba a grafika ze sb\u00edrek \u010cMVU v Praze 1957 - 1969, Galerie Franti\u0161ka Drtikola, P\u0159\u00edbram\r\nJubilanti Um\u011bleck\u00e9 besedy, Galerie Gema, D\u016fm U dvou div\u00fdch mu\u017e\u016f, Praha\r\nM\u00edsta pam\u011bti, Galerie \u0160ternberk, \u0160ternberk\r\n\u0152uvres graphiques des ann\u00e9es 60, Centre tch\u00e8que Paris (\u010cesk\u00e9 centrum Pa\u0159\u00ed\u017e), Pa\u0159\u00ed\u017e (Paris)\r\nStrenght and Will: Czech Prints from behind the Iron Curtain, a Gift of the Anne and Jacques Baruch Collection, Cincinnati Art Museum, Cincinnati\r\n...o v\u011bcech p\u0159\u00edrodn\u00edch, Letohr\u00e1dek Ostrov, Ostrov\r\nVelikonoce, Galerie U prstenu, Praha\r\n\r\n2004-2005\r\nBl\u00edzk\u00e1 vzd\u00e1lenost \/ K\u00f6zeli t\u00e1vols\u00e1g \/ Proximate Distance, Szent Istv\u00e1n Kir\u00e1ly M\u00fazeum, Sz\u00e9kesfeh\u00e9rv\u00e1r\r\n\r\n2004\r\nStruktur\u00e1ln\u00ed grafika 60. let: Pohledy do sb\u00edrek AJG, Wortner\u016fv d\u016fm Al\u0161ovy jiho\u010desk\u00e9 galerie, \u010cesk\u00e9 Bud\u011bjovice\r\n\u0160edes\u00e1t\u00e1 \/ The sixties ze sb\u00edrky Galerie Zlat\u00e1 husa v Praze, D\u016fm um\u011bn\u00ed m\u011bsta Brna, Brno\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n2003\r\nPr\u00e1ce na pap\u00ed\u0159e ( v\u00fdstava ze sb\u00edrky Jana a Medy Ml\u00e1dkov\u00e9 ), GHMP, D\u016fm U kamenn\u00e9ho zvonu, Praha.\r\nPravideln\u00e1 \u00fa\u010dast na bien\u00e1le grafiky:\r\nPremio Biella per l\u00b4incisione, Circolo degli artisti, Museo civ\u00edco, Biella (od 1967).\r\nMezin\u00e1rodn\u00ed grafick\u00e9 bien\u00e1le v Krakov\u011b (od 1970)\r\nMezin\u00e1rodn\u00ed grafick\u00e9 bien\u00e1le v Ljubljani (od 1967)\r\na na dal\u0161\u00edch grafick\u00fdch mezuin\u00e1rodn\u00edch bien\u00e1le (Norsko, Japonsko atd.) \u2013 viz monografie\r\n\r\n1994 \u2013 1995\r\nNov\u00e1 citlivost, Galerie modern\u00edho um\u011bn\u00ed Roudnice nad Labem; galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed Litom\u011b\u0159ice; Oblastn\u00ed galerie Vyso\u010diny Jihlava; V\u00fdchodo\u010desk\u00e1 galerie Pardubice; Moravsk\u00e1 galerie  Brno, Muzeum um\u011bn\u00ed Olomouc.\r\n\r\n1994\r\nGrafika roku 1994, Ma\u010farsk\u00e9 kulturn\u00ed st\u0159edisko v Praze, po\u0159\u00e1d\u00e1 St\u0159edoevropsk\u00e1 galerie a nakladatelstv\u00ed \u2013 Centrum \u010desk\u00e9 grafiky.\r\nOhniska znovuzrozen\u00ed: \u010cesk\u00e9 um\u011bn\u00ed 1956 \u2013 1963, GHMP, M\u011bstsk\u00e1 knihovna, Praha. \r\nTerm\u00e9szetesen ( Naturally -  Nature and Art in Central Europe ), Ernst Museum Budapest.\r\nContemporary master prints from Eastern Europe, Museum of Art Reno, Nevada. \r\n\r\n1993\r\nInter \u2013 Kontakt \u2013 Grafik - Praha \u00b493, M\u00e1nes, Praha.\r\nNov\u00e1 figurace, GVU Litom\u011b\u0159ice, V\u010cG  Pardubice.\r\n\r\n1982\r\nSetk\u00e1n\u00ed na tenisov\u00fdch kurtech, Sparta, Stromovka, Praha.\r\n\r\n1981\r\nEleven Contemporary Artists from Prague, New York University, New York (sb\u00edrka Jana a Medy Ml\u00e1dkov\u00fdch ) a University of Michigan, Ann Arbor, Michigan.\r\n\r\n1977\r\nWorld Print Competition \u00b477, San Francisco Museum of Art, San Francisco ( putovn\u00ed do 1979, organizace World Print Council a Smithsonian Institution Traveling Exhibition Service, Washington, D.C.).\r\n\r\n1973\r\nModern Art in Prints, Museum of Modern Art, New York.\r\n\r\n1968 \r\nNov\u00e1 citlivost \u2013 K\u0159i\u017eovatka a host\u00e9 , M\u00e1nes, Praha.\r\n\r\n1967\r\nExposition Universelle,  Montr\u00e9al.\r\nVe Biennale des Jeunes, Paris.\r\n\r\n1966 \r\nSalon de Mai, Mus\u00e9e de la Ville de Paris, Paris.\r\nTschechoslowakische Kunst der Gegenwart, Akademie der Kunste, Berlin.\r\n\r\n1965 \r\nIVe Biennale des Jeunes, Mus\u00e9e d\u00b4Art Moderne, Paris.\r\nProfile V: Tschechoslowakische Kunst heute, St\u00e4dtische Kunstgalerie, Bochum.\r\nStaatliche Kunsthalle Baden-Baden.\r\n\r\n1964\r\nUB 12, Nov\u00e1 s\u00ed\u0148, Praha.\r\nIVe International Biennale of Prints, Tokyo, \u00d3saka.\r\n\r\n1963\r\nRychnov 63, Sou\u010dasn\u00e1 v\u00fdtvarn\u00e1 tvorba, Orlick\u00e1 galerie, z\u00e1mek Rychnov nad Kn\u011b\u017enou.\r\n\r\n1962\r\nUB 12, Galerie \u010cs.spisovatele, Praha.\r\nJaro 1962, M\u00e1nes, Praha.","realizations_other":"","collections":"","monographies":"Hana Larvov\u00e1, Alena Ku\u010derov\u00e1. Katalog v\u00fdstavy, GHMP, Praha 1990.\r\nMarie Klime\u0161ov\u00e1, Alena Ku\u010derov\u00e1. Galerie Pecka, Praha 2005.","articles":"","reviews":"","texts_unlisted":"V\u00fdbor z vlastn\u00edch text\u016f je sou\u010d\u00e1st\u00ed monografie  vydan\u00e9 v Galerii Pecka, Praha 2005.","annotations":[{"text":"Alena Ku\u010derov\u00e1 belongs among the most notable personalities on the Czech art scene since the 1960s. Her ink sketches dating from 1959\u20131961, which freely paraphrase the pre-Dada texts of Christian Morgenstern, attest to the authenticity of her work and also indicate her tendency toward constructive artistic expression Here she found her basic construction element \u2013 structure and point: her drawings are built from a conformation of surfaces dotted by inks, combined with a thick grid and outlined figures, which affirm their theme. In the first half of the 1960s the artist went through a period, where she researched possibilities for automation in graphic design. However increasingly clearly she turned to more sound (solid) graphic structures and to support her compositions she made use of geometric grids. In addition to \u0161rafury she again returned to the spot, which now came about through perforating aluminium matrices. In this way she drew nearer to the experimental approaches of the Zero Group. She developed this technique in a number of outstanding graphic engravings (sheets), in which during the second half of the 1960s she came back to figuration. Thanks to its maximum simplification of features this process has formal traits of pop art. This formal reduction and stylisation, also set by technique, allowed Ku\u010derov\u00e1 to invest a deep-felt intimacy into her works. She achieved this without their becoming obviously personal.\r\n\r\nA noteworthy creative \u201edistance\u201c realised in the solid form of her prints at the time was a necessary defence against their excessively private content. The results of this work overcome the danger of their becoming private, sensitive messages: the figures are stripped of creatively sensual qualities and change into a summary outline, which can be \u2013 and the artist does this \u2013 repeated. She travels through personal topics thanks to a method of hole-punching \u201eheld\u201c in symbols. The author abandons any direct handwriting (signature) and rewrites here private experiences, her world, into a grid of rational, matter-of-fact structure. The artist has been honoured many times at the international graphic biennale for the monumentalness of her experimental expression and its emotional intenseness.\r\n\r\nIn the second half of the 1960s she also printed colour-intensive sheets, which belong \u2013 in the Czech context \u2013 to her most colour-daring works. Since her first independent exhibit she has showed, besides prints, perforated aluminium matrices, which she rightly considers to be the cornerstone of her work. In later years she adjusted some of the matrices to fit expressive artistic frames.\r\n\r\nContent-wise Alena Ku\u010derov\u00e1 has leaned to harmonious themes, through which she wished to capture artistically her own experience of happiness. In a period of figurative creation she found these themes in the motifs of swimming. In the 1980s she associated happiness with the feeling of enjoying the landscapes of her childhood. Returns to the Labe River basin, which she then enjoyed on horseback, were for her associated with a deep relationship to the genius loci. She was able to express them in monumental graphic sheets, in which, by using hole-punching of aluminium, she forged associations with and oftentimes more or less replaced aluminium sheet modelling. In these works she comes close to the universal experience as we know it from Dutch creations from the early 17th century.\r\n\r\nIn recent years the artist has ceased to focus on graphic creations. She is working on an expansive set of hangable assemblages, in which she, similar to artists associated with arte povera, makes use of the poorest materials, found in her nearby surroundings. Instead of using punched holes, here she works with points made by driving nails. She works with branches, boards and old cardboard boxes. She has returned also to sharp colourfulness.","date":2005,"authors":[1838]}],"artworks":[109914,109915,109916,109917,109918,112334,112335,112336,112337,112338,112339,112340,112341,112342,112343,112344],"videos":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ku\u010derov\u00e1 - Artlist<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artlist.cz\/en\/umelci\/alena-kucerova\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ku\u010derov\u00e1 - Artlist\" \/>\n<meta property=\"og:url\" content=\"https:\/\/artlist.cz\/en\/umelci\/alena-kucerova\/\" \/>\n<meta property=\"og:site_name\" content=\"Artlist\" \/>\n<meta property=\"article:modified_time\" content=\"2026-01-24T11:21:32+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/alena-kucerova\\\/\",\"url\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/alena-kucerova\\\/\",\"name\":\"Ku\u010derov\u00e1 - 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