{"id":121726,"date":"2024-07-10T23:04:56","date_gmt":"2024-07-10T21:04:56","guid":{"rendered":"http:devel.artlist.cz\/artist\/cechova-2\/"},"modified":"2025-01-07T18:14:02","modified_gmt":"2025-01-07T17:14:02","slug":"olga-cechova","status":"publish","type":"artist","link":"https:\/\/artlist.cz\/en\/umelci\/olga-cechova\/","title":{"rendered":"\u010cechov\u00e1"},"featured_media":0,"template":"","class_list":["post-121726","artist","type-artist","status-publish","hentry","keyword-asamblaz","keyword-assemblage","keyword-grafika","keyword-kresba","keyword-textil"],"acf":{"nicknames":"","date_born":1925,"date_death":2010,"place_born":"Brno","lives":"","web":"","idatum":"","address":"","email":"","phone":"","biography":"Studies:\r\n1946-1951 Academy of Applied Arts, Architecture and Design, Prague, studio of prof. K. Svolinsk\u00fd and A. Strnadel\r\n1941-1944 \u0160kola um\u011bleck\u00fdch \u0159emesel v Brn\u011b\r\n\r\nEmployment, other activities:\r\nsince 1960 Albatros publishing house \r\n1956\u20132000 works for magazines Slun\u00ed\u010dko, Mate\u0159\u00eddou\u0161ka","groups":[121187,121166],"membership":"","exhibitions_solo":"Selection:\r\n2011\r\nPocta Olze \u010cechov\u00e9, GMU v Roudnici nad Labem \r\n\r\n2003\r\nTexty kresby, grafika, SGVU v Litom\u011b\u0159ic\u00edch\r\n\r\n2002\r\nGrafika a ilustrace, Po\u0161tovn\u00ed muzeum Praha\r\n\r\n1993\r\nDuha radosti a znamen\u00ed \u010dasu, Atrium \u2013 \u017di\u017ekov, Praha\r\n\r\n1988\r\nIlustrace, Oblastn\u00ed galerie Liberec\r\n\r\n1985\r\nKresby, Starom\u011bstsk\u00e1 radnice Praha \r\n\r\n1984\r\nOv\u00e1zan\u00e9, Galerie 55 Kladno\r\nIlustrace d\u011btsk\u00e9 knihy, Galerie um\u011bn\u00ed Karlovy Vary\r\n\r\n1983\r\nOlga \u010cechov\u00e1: d\u011btem, Galerie Albatros Praha\r\n\r\n1982\r\nOlga \u010cechov\u00e1: d\u011btem, Kabinet um\u011bn\u00ed, Brno\r\n\r\n1981\r\n Grafika, kol\u00e1\u017ee, kresby, Oblastn\u00ed galerie Vyso\u010diny, Jihlava \r\n\r\n1978\r\nIlustrace grafika, Rodn\u00fd d\u016fm V. \u0160olce, Sobotka, Divadlo Z. nejedl\u00e9ho Chrudim\r\n\r\n1977\r\nIlustrace pro d\u011bti, M\u011bstsk\u00e9 muzeum Moravsk\u00e1 T\u0159ebov\u00e1\r\nIlustrace, grafika, ex libris, Vlastiv\u011bdn\u00fd \u00fastav Olomouc\r\n\r\n1976\r\nIlustrace pro d\u011bti, Pam\u00e1tn\u00edk n\u00e1rodn\u00edho p\u00edsemnictv\u00ed Praha\r\n\r\n1972\r\n5 obraz\u016f a grafika, Galerie ve v\u011b\u017ei, M\u011bln\u00edk\r\n\r\n1970\r\nGrafika, Galerie Hollar Praha\r\n\r\n1968\r\nLe Lettere del mio Vocabolario, Galerie des Beaux Arts Nantes\r\n\r\n1965\r\nGrafika, ilustrace, Galerie fronta, Praha","exhibitions_group":"Selection:\r\n2010\r\nJubilanti Hollaru, Galerie Hollar, Praha\r\n\r\n2009\r\nKresby \u010dlen\u016f S\u010cUG Hollar, Galerie Hollar, Praha\r\n\r\n2008\r\nCorpus delicti, GVU Havl\u00ed\u010dk\u016fv Brod\r\nSoust\u0159ed\u011bn\u00fd pohled\/ Focused View, Oblastn\u00ed galerie Vyso\u010diny, Jihlava\r\n\r\n2007\r\nSoust\u0159ed\u011bn\u00fd pohled\/Focused View, Oblastn\u00ed galerie v Liberci\r\nGrafick\u00e9 techniky 4, Litografie, Galerie Templ Mlad\u00e1 Boleslav \r\n\r\n2006\r\nGrafick\u00e9 techniky 4, Litografie, Galerie Hollar Praha \r\nGrafick\u00e9 techniky 3, Rytina, such\u00e1 jehla, mezzotinta, Galerie Templ Mlad\u00e1 Boleslav\r\n\r\n2005\r\nGrafick\u00e9 techniky 3, Rytina, such\u00e1 jehla, mezzotinta, Galerie Hollar Praha\r\n11. festival komorn\u00ed grafiky, Galerie Hollar Praha\r\nJubilanti Hollaru 2005, Galerie Hollar Praha\r\n\r\n2004\r\n10. festival komorn\u00ed grafiky, Galerie Hollar Praha\r\nGrafick\u00e9 techniky 2, Lept, akvatinta, kombinovan\u00e1 technika, Galerie Templ Mlad\u00e1 Boleslav\r\n\r\n2003\r\nGrafick\u00e9 techniky 1, D\u0159evo\u0159ez, d\u0159evoryt, linoryt, Galerie Hollar Praha\r\nEjhle figura, Galerie Hollar Praha\r\nMinisalon, centre tch\u00e8que Paris\r\n\r\n2002\r\n\u010cesk\u00e1 grafika, M\u00e1nes Praha\r\nMinisalon, Galeri Nasional, Indonesia Jakarta \r\n\r\n2001\r\n7. festival komorn\u00ed grafiky, Galerie Hollar Praha\r\n\r\n2000\r\n6. festival komorn\u00ed grafiky, Galerie Hollar Praha\r\n\r\n1999\r\nSou\u010dasn\u00e1 \u010desk\u00e1 ilustrace, Galerie Hollar Praha\r\n\r\n1998\r\nMinisalon, Bibliotheque Royal de Belgique, Brusel\r\n\r\n1997\r\nMinisalon, Pra\u017esk\u00fd hrad Praha\r\n\r\n1996\r\n1. nov\u00fd zl\u00ednsk\u00fd salon, Zl\u00edn \r\n\r\n1995\r\nMinisalon, Indianapolis Musem of Art, Indianapolis Minisalon, Chicago Cultural Center, Chicago \u010cesk\u00e1 grafika 60. let ve sb\u00edrk\u00e1ch Galerie um\u011bn\u00ed Karlovy Vary Kresba \u00b495, Galerie Hollar, Praha Karel Svolinsk\u00fd a jeho \u017e\u00e1ci, Galerie Hollar, Praha 1994\r\nNov\u00e1 figurace, Moravsk\u00e1 galerie v, Brn\u011b\r\nNov\u00e1 figurace, D\u016fm um\u011bn\u00ed v Opav\u011b Nov\u00e1 figurace, Oblastn\u00ed galerie Vyso\u010diny v Jihlav\u011b 1993\r\nNov\u00e1 figurace, Severo\u010desk\u00e1 galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed v Litom\u011b\u0159ic\u00edch\r\n\r\n1992\r\nMinisalon, Galerie Nov\u00e1 s\u00ed\u0148, Praha 20 let v\u00fdtvarn\u00fdch v\u00fdstav v Makru (1972 - 1992), \u00dastav makromolekul\u00e1rn\u00ed chemie (\u00daMCH), v\u00fdstavn\u00ed s\u00ed\u0148, Praha 15. Bien\u00e1le u\u017eit\u00e9 grafiky Brno 1992: Mezin\u00e1rodn\u00ed v\u00fdstava ilustrace a kni\u017en\u00ed grafiky, Um\u011bleckopr\u016fmyslov\u00e9 muzeum, Brno Sdru\u017een\u00ed \u010desk\u00fdch um\u011blc\u016f grafik\u016f Hollar: \u010clensk\u00e1 v\u00fdstava k 75. v\u00fdro\u010d\u00ed zalo\u017een\u00ed, M\u00e1nes, Praha 1990\r\nSdru\u017een\u00ed \u010desk\u00fdch um\u011blc\u016f grafik\u016f Hollar: \u010clensk\u00e1 jubilejn\u00ed v\u00fdstava prac\u00ed z obdob\u00ed 1970 - 1990, Galerie V\u00e1clava \u0160p\u00e1ly, Praha\r\nPocta um\u011blc\u016f Jind\u0159ichovi Chalupeck\u00e9mu, M\u011bstsk\u00e1 knihovna, Praha Neue Bl\u00e4tter aus der \u010cSSR, Kupferstichkabinett, Dr\u00e1\u017e\u010fany (Dresden) \r\n\r\n1989\r\nSou\u010dasn\u00e1 \u010desk\u00e1 grafika, M\u00e1nes, Praha\r\n\r\n1988\r\nPocta Warholovi, Galerie H , Kostelec nad \u010cern\u00fdmi lesy V\u00fdtvarn\u00edci animovan\u00e9 tvorby, M\u00e1nes, Praha P\u0159\u00edr\u016fstky 1985-1987, Starom\u011bstsk\u00e1 radnice, 2. patro, Praha 13. Bien\u00e1le u\u017eit\u00e9 grafiky Brno 1988, Brno (Brno-m\u011bsto) 1987\r\nSou\u010dasn\u00e9 \u010desk\u00e9 exlibris, Kabinet ex libris Pam\u00e1tn\u00edku n\u00e1rodn\u00edho p\u00edsemnictv\u00ed , Chrudim \r\n\r\n1986\r\nModern\u00ed poh\u00e1dka v tvorb\u011b \u010desk\u00fdch ilustr\u00e1tor\u016f, Oblastn\u00ed galerie v Liberci\r\n\r\n1984\r\nGrafick\u00e9 techniky I.: Litografie, Galerie d, Praha 5 Wspo\u0142czesna sztuka czeska. Kolekcja Janiny Ojrzy\u0144skiej, Muzeum Narodowe, Vratislav (Wroc\u0142aw)\r\n\r\n1983\r\nIlustrace k Holanov\u011b poezii, Pam\u00e1tn\u00edk n\u00e1rodn\u00edho p\u00edsemnictv\u00ed, Praha\r\n\r\n1982\r\n24 \u017e\u00e1k\u016f \u0161koly profesora Anton\u00edna Strnadela, Galerie ve v\u011b\u017ei, M\u011bln\u00edk\r\n\r\n1981\r\nNejkr\u00e1sn\u011bj\u0161\u00ed knihy roku 1980, Pam\u00e1tn\u00edk n\u00e1rodn\u00edho p\u00edsemnictv\u00ed, Praha Bien\u00e1le ilustr\u00e1ci\u00ed Bratislava 1981, Dom kult\u00fary, Bratislava \r\n\r\n1980\r\n9. Bien\u00e1le u\u017eit\u00e9 grafiky Brno \r\n\r\n1978\r\nEva Bedn\u00e1\u0159ov\u00e1, Olga \u010cechov\u00e1, Daisy Mr\u00e1zkov\u00e1, Kv\u011bta Pacovsk\u00e1: Grafika, V\u00fdstavn\u00ed s\u00ed\u0148 Domu kultury, Orlov\u00e1\r\n\r\n1976\r\n7. bien\u00e1le u\u017eit\u00e9 grafiky Brno\r\n\r\n1973\r\nArt tch\u00e8que contemporain: Gravure, c\u00e9ramique, verres \/ Zeitgen\u00f6ssische tschechische Kunst: Druckgraphik, Keramik, Gl\u00e4ser, Mus\u00e9e d'art et d'histoire Fribourg \r\n\r\n1972\r\nV\u00fdstava ze sou\u010dasn\u00e9 \u010desk\u00e9 ilustrace, Galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed, Roudnice nad Labem\r\n5. bien\u00e1le u\u017eit\u00e9 grafiky Brno 1972\r\n\r\n1971\r\nSdru\u017een\u00ed \u010desk\u00fdch um\u011blc\u016f grafik\u016f Hollar: Grafika 71, M\u00e1nes, Praha Werken van Tsjechoslowaakse Grafici 1960-1970, Centraal Museum Utrecht\r\nV\u00fdstava ze sou\u010dasn\u00e9 \u010desk\u00e9 ilustrace, Pam\u00e1tn\u00edk n\u00e1rodn\u00edho p\u00edsemnictv\u00ed, Praha \r\n\r\n1970\r\nSdru\u017een\u00ed \u010desk\u00fdch um\u011blc\u016f grafik\u016f Hollar: Grafika 71, M\u00e1nes, Praha Werken van Tsjechoslowaakse Grafici 1960-1970, Centraal Museum Utrecht\r\nV\u00fdstava ze sou\u010dasn\u00e9 \u010desk\u00e9 ilustrace, Pam\u00e1tn\u00edk n\u00e1rodn\u00edho p\u00edsemnictv\u00ed, Praha \r\n\r\n1969\r\nZestien Tsjechische kunstenaars: Dertien grafici en drie keramisten, Galerie de Tor, Amsterdam Kresby \u010dlen\u016f S\u010cUG Hollar, Galerie Hollar, Praha 1968\r\n50 let Sdru\u017een\u00ed \u010desk\u00fdch um\u011blc\u016f grafik\u016f Hollar, Grafick\u00fd kabinet, Zl\u00edn \r\nTsjechoslowaakse grafici, Museum van het Boek, Den Haag Mostra Grafica del Gruppo Hollar di Praga, Galleria S. Rocco, Reggio Emilia\r\n\r\n1967\r\nHost\u00e9 Hollara, Galerie Hollar, Praha Tsjekkoslovakisk Grafikk 1967, Oslo Kunstforening, Oslo 1966\r\nJarn\u00ed v\u00fdstava 1966, M\u00e1nes, Praha 2. bien\u00e1le u\u017eit\u00e9 grafiky Brno \r\n\r\n1964\r\nTrasa, Galerie V\u00e1clava \u0160p\u00e1ly, Praha\r\n\r\n1961\r\n1. pra\u017esk\u00fd festival mlad\u00e9 grafiky, Um\u011bleckopr\u016fmyslov\u00e9 museum, Praha\r\n\r\n1960\r\nNov\u00e1 grafika \u010dlen\u016f a host\u016f S\u010cUG Hollar, Galerie Hollar, Praha\r\n\r\n1958\r\nUm\u011bn\u00ed mlad\u00fdch v\u00fdtvarn\u00edk\u016f \u010ceskoslovenska 1958. Obrazy a plastiky, D\u016fm um\u011bn\u00ed m\u011bsta Brna, Brno\r\nUm\u011bn\u00ed mlad\u00fdch v\u00fdtvarn\u00edk\u016f \u010ceskoslovenska 1958. Obrazy a plastiky, J\u00edzd\u00e1rna Pra\u017esk\u00e9ho hradu, Praha","realizations_other":"","collections":"N\u00e1rodn\u00ed galerie v Praze\r\nGalerie hlavn\u00edho m\u011bsta Prahy\r\nPam\u00e1tn\u00edk n\u00e1rodn\u00edho p\u00edsemnictv\u00ed v Praze\r\nSevero\u010desk\u00e1 galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed v Litom\u011b\u0159ic\u00edch\r\nGMU v Roudnici nad Labem\r\nV\u00fdchodo\u010desk\u00e1 galerie v Pardubic\u00edch\r\nand other regional galleries","monographies":"","articles":"Hana Rousov\u00e1, Olga \u010cechov\u00e1 kresby, katalog v\u00fdstavy v GHMP, 1985\r\nEva Petrov\u00e1, Olga \u010cechov\u00e1 texty, kresby, grafika, katalog v\u00fdstavy v SVUG v Litom\u011b\u0159ic\u00edch, 2003\r\nV\u011bra Jirousov\u00e1, Zem\u0159ela v\u00fdtvarn\u00e1 um\u011blkyn\u011b Olga \u010cechov\u00e1, den\u00edk Referendum, 2010\r\nAlena Pot\u016f\u010dkov\u00e1, Pocta Olze \u010cechov\u00e9, katalog v\u00fdstavy v GVU v Roudnici nad Labem, 2011","reviews":"","texts_unlisted":"","annotations":[{"text":"Olga \u010cechov\u00e1 was an independent participant of the art scene to which she significantly and originally contributed. In 1960, she joined the art group Trasa (Route) connecting with artists who spontaneously inclined to and became a part of the stream rehabilitating the meaning of object and figuration in art. In 1969 she participated in the exhibition New Figuration organized in the M\u00e1nes Gallery, and she also participated in an exhibition of the same name in the Gallery of Fine Arts in Litom\u011b\u0159ice in 1993, which was a reminder of this work. \r\n\r\nThe work of Olga \u010cechov\u00e1 can be divided in two basic areas \u2013 illustration and free art, which she was engaged in simultaneously. In her drawings she matured to having distinctive expression, distant to artificial descriptiveness. She gave preference to indications, incompleteness, intuitive expression of atmosphere, associative connection of elements from common reality and fantasy. Her work went through a development from free fragile drawings to ragged compositions consisting of an abundance of fine lines. During the 1960s she also created more robust drawings with a brush that appear to be expressive, poetic and dreamy all at once. Near the end of her life she went back to the simple free sign interpretation. In graphics she acquired various graphic techniques \u2013 for example woodcutting, lithography and primarily dry point, which she was essentially familiar with. Using this technique she made her supreme pieces of work (e.g. series\u2019 Hidden Garden, 1965, Italian Journey, 1966, Remains of Plants, 1967, Four Basically Same Letters, 1967, Six Body Parts, 1969, etc.) Olga \u010cechov\u00e1\u2019s dry points are surprising with their original interconnection of force of penetration and fragility, sensitivity and aggressiveness. They testify about the ability to get under the surface of things, penetrating all the way to the essence, revealing extremely personal phenomena \u2013 hidden and mysterious. A typical trait of her work is an erotic vertone (e.g. cycle Time of Blades, Time of Trust, Time of Illusions, Time of Courage, Time of Sailing, 1969, Couple, 1970, Song of Songs, 1991, etc.)\r\n\r\nA less known part of her work includes collages. During the 1960s she created surreal collages from magazine cut outs, based on the principle of random connection of distant realities. After some time her collage work showed a shift in the direction of plasticity and structural abstraction. In 1984 she created a cycle of assemblages Bandaged, in which the main technical, symbolic, as well as significant element was gauze. She continued with textile assemblages in 1992.\r\n\r\nShe considered illustration to be her life vocation. She illustrated a total of 130 children\u2019s books and 20 adult books; she cooperated for a long time with the children\u2019s magazines Mate\u0159\u00eddou\u0161ka and Slun\u00ed\u010dko. She belonged to illustrators who developed fantasy, playful and non-descriptive interpretations of illustration. According to her opinion: \u201cillustration should not depend on the first perception of the text, it should not count on general conventional taste, it should live independently next to literature.\u201d Her illustrations of children\u2019s books are of distinctive, playful and fantasy character and yet they are comprehensible. The foundation consists of brilliantly mastered drawings, with typical features being bright colours and decorative arrangement. She applied a more intimate and sober approach in her poetry illustrations \u2013 she artistically accompanied, for example, the poetry collections of Vladim\u00edr Holan, Jaroslav Seifert, Josef Hora and others.\r\n\r\nOlga \u010cechov\u00e1 also continuously wrote her own literal texts and poems, in which she sensitively and intuitively reacted to the daily reality, associatively connected perceptions, memories, feelings and visions. Her private texts are based on the daily reality and experiences and they cross to original dream visions that apply original metaphors and comparisons. They were published for example in the books Prague Walks (1977), Intimate Texts and Drawings (1998) or Sweet Core of the Heart (2011).","date":2012,"authors":[1876]}],"artworks":[107620,107621,107622,107623,107624,107625,107626,107627,107628,107629,107630,107631,107632,107633,107634,107635,107636,107637,107638,107639,107640,107641,107642,107643,107644,107645,107646,107647,107648,107649,107650,107651,107652,107653,107654,107655,107720,107721],"videos":null},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u010cechov\u00e1 - Artlist<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artlist.cz\/en\/umelci\/olga-cechova\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" 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