{"id":121742,"date":"2024-07-10T23:04:58","date_gmt":"2024-07-10T21:04:58","guid":{"rendered":"http:devel.artlist.cz\/artist\/chatrny-2\/"},"modified":"2026-10-31T17:09:57","modified_gmt":"2026-10-31T16:09:57","slug":"dalibor-chatrny","status":"publish","type":"artist","link":"https:\/\/artlist.cz\/en\/umelci\/dalibor-chatrny\/","title":{"rendered":"Chatrn\u00fd"},"featured_media":0,"template":"","class_list":["post-121742","artist","type-artist","status-publish","hentry","keyword-body-art-en","keyword-drawing","keyword-graphics","keyword-illustration","keyword-land-art-en"],"acf":{"nicknames":"","date_born":1925,"date_death":2012,"place_born":"Brno","lives":"Brn\u011b","web":"https:\/\/dalibor.chatrny.cz","idatum":"","address":"","email":"","phone":"","biography":"Studies:\r\n1949-1953 Academy of Fine Arts Prague (Vladim\u00edr Sychra, Vladim\u00edr Silovsk\u00fd)\r\n1945-1949 Faculty of Education, Charles University, Prague \r\n(Cyril Bouda, Martin Salcman, Josef Sejpka, Franti\u0161ek Kov\u00e1rna, Karel Lidick\u00fd)\r\n\r\nEmployment:\r\n1992-1994 department of scenography, Jan\u00e1\u010dek Academy of Performing Arts in Brno\r\n1992-1993 concept studio at the Faculty of Fine Arts, \r\nBrno University of Technology, Brno\r\n1990-1992 Academy of Fine Arts in Prague\r\n1963-1986 Secondary School of Applied Arts Brno\r\n\r\nAwards:\r\n2001 Cena Sdru\u017een\u00ed A - R, Christmas, Bratislava\r\n2000 Cena Michala Rann\u00e9ho, Moravsk\u00e1 galerie Brno\r\n1997 Cena Vl. Boudn\u00edka za rok 1996, Hlavn\u00ed m\u011bsto Praha\r\n1985 Cena 4. Biennale europ\u00e4nischen Grafik, Baden - Baden\r\n1968 Cena 1. bien\u00e1le V\u00fdzkumu grafiky, Galerie Vyso\u010diny Jihlava\r\n1960 Cena Anton\u00edna Proch\u00e1zky, Jihomoravsk\u00fd KNV","groups":[121164,121186,121185],"membership":"TTklub","exhibitions_solo":"2012\r\nGeofyzik\u00e1ln\u00ed \u00fastav AV \u010cR, Prague\r\n\r\n2011\r\nPam\u00e1tn\u00edk Leo\u0161e Jan\u00e1\u010dka MZM, Brno\r\nGalerie Z\u00e1vodn\u00fd, Mikulov\r\nMuzeum modern\u00edho um\u011bn\u00ed, Olomouc\r\nTopi\u010d\u016fv salon, Prague\r\n\r\n2010\r\nGalerie m\u011bsta Trutnova, Trutnov\r\n\r\n2009\r\nGalerie Ars, Brno\r\nGalerie z ruky, K\u0159\u00ed\u017eovice\r\nHor\u00e1ck\u00e1 galerie (s Bohuslavou Ole\u0161ovou a Zde\u0148kem \u0160pl\u00edchalem), Nov\u00e9 M\u011bsto\r\nGalerie Malovan\u00fd d\u016fm (s Bohuslavou Ole\u0161ovou a Zde\u0148kem \u0160pl\u00edchalem), T\u0159eb\u00ed\u010d\r\nGalerie Brno, Brno\r\nGal\u00e9ria umenie, Nov\u00e9 Zamky (Slovensko)\r\nMuzeum Kampa, Praha\r\n\r\n2008\r\nGalerie Via art, Praha\r\nGalerie \u0160tenberk, \u0160tenberk, \r\n\r\n2007\r\nGalerie na bid\u00fdlku, Brno\r\nGalerie Patro, Olomouc\r\n\r\n2006\r\nGalerie Chagall, Ostrava\r\nGalerie Benedikta Rejta, Louny\r\n\r\n2005\r\nD\u016fm um\u011bn\u00ed (s Ji\u0159\u00edm Valochem a Nikosem Armutidisem), Opava\r\nD\u016fm um\u011bn\u00ed, Brno\r\nfoyer M\u011bstsk\u00e9ho divadla, \u00dast\u00ed nad Labem\r\n\r\n2003 \t\r\nZl\u00edn, Krajsk\u00e1 galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed, Grafick\u00fd kabinet, D\u00edlo Dalibora Chatrn\u00e9ho ve sb\u00edrce Ji\u0159\u00edho Valocha\r\n\r\n2002 \t\r\nT\u0159eb\u00ed\u010d, Malovan\u00fd d\u016fm, Troj\u00ed koncept, s N. Armutidisem a J. Valochem, Brno, Galerie ARS\r\n\r\n2001 \t\r\nLiberec, Mal\u00e1 v\u00fdstavn\u00ed s\u00ed\u0148 fotografie, interpretovan\u00e9 fotografie J. \u0160treita\r\nUhersk\u00e9 Hradi\u0161t\u011b, Port\u00e1l - D\u016fm Knihy, s Danou Chatrnou\r\n\r\n2000 \t\r\n\u010cesk\u00e9 Bud\u011bjovice, D\u016fm um\u011bn\u00ed, Texty\r\nBrno, Moravsk\u00e1 galerie, N\u00e1hoda setk\u00e1n\u00ed, Cena Michala Rann\u00e9ho\r\nBrno, Galerie st\u0159epy, pr\u00e1ce z 1. pol. 60 let\r\nBrno, Moravsk\u00e1 galerie, N\u00e1vrh na houpac\u00ed pomn\u00edk, Prostor pro jedno d\u00edlo\r\nBrno, D\u016fm p\u00e1n\u016f z Fan\u00e1lu, 3 audiovizu\u00e1ln\u00ed skladby, spolu s A. Pi\u0148osem","exhibitions_group":"","realizations_other":"","collections":"","monographies":"http:\/\/www.gbr.cz\/index.php?a=226&b=230&c=234&d=-1&e=223&f=7&g=228&h=1&i=8&j=229&k=1&l=9&x=23","articles":"","reviews":"","texts_unlisted":"","annotations":[{"text":"The versatile artist Dalibor Chatrn\u00fd, who made his name on the Brno art scene, is one of the most important and productive representatives of post-war abstract art in this country. As well as graphics, on which his work is based and which he returned to again and again throughout his life, Chatrn\u00fd uses a wide range of other expressive means. He explores in detail the thresholds of the medium he is working with at any given time, and investigates all of its aspects. As well as classical creative resources he was intuitively drawn to manifestations of action and conceptual art at that time and examined the relationship of creative art to the immanent forces of nature and landscape. For a long time he was concerned with the link between the semantic contents of words and their possible visual form. As well as artistic interpretations of photography he is the creator of several audiovisual works. \r\n\r\nIn the series of abstract woodcuts from the beginning of the 1960s (Cleavage, 1961; Signals, 1962), which resulted not only in graphic images but also printed forms as an autonomous artwork, he rhythmatised visual space using simple geometrical shapes. In parallel with cycles of tempera and acronex paintings, in 1963 he arrived at a radical restriction of the authorial subject in a cycle of paintings by magnet, in which traces of Indian ink were left by drawing coloured iron filings across the surface of the paper. Three years later he eliminated the role of creator completely, when he exhibited a signed sheet of paper without any authorial intervention. Around the middle of the 1960s he became interested in the creative process for its own sake in cycles of partially painted relief graphics (Re\u017erot, 1966), combining gaufrage and collage with found technical materials. \r\n\r\nIn the second half of the decade work with prints and the rhythm of grids led Chatrn\u00fd to sets of perforated graphics, which blurred the boundary between a creative geometric artefact and damaging of the torn paper. At this time the register of creative media with which Chatrn\u00fd worked expanded significantly. As well as three experimental films created in collaboration with the composer Alois Simandl Pi\u0148os (Static Music, Genesis, Grids, all 1970), which were intended for simultaneous projection in the form of an audiovisual triptych, an eight-hour exhibition in the Proch\u00e1zka Hall of the Brno House of Arts in November 1970 played a key role in his output. The exhibition was created by visitors to the gallery, who connected prepared metal and plexiglass cylinders using a network of twine. This unique live event transcended the gallery space when the public began linking objects in the interior with a bust in the park outside. \r\n\r\nAs well as the exhibition in Jihlava, which took place a year after that in Brno, Chatrn\u00fd created paintings in space using white string in several visual objects (two boards linked by string forming the picture Untitled, 1970) and graphic cycles (String Projects, 1970). From the end of the sixties onwards Chatrn\u00fd worked on applying magnetic force in subtle and changeable objects (Untitled (Two Situations), 1970; Magnetic Cabinets, 1972). Soon he began creating photographs in which he experimented with magnets and iron filings (Magnets in Teeth, 1973), as documentation of his radical research into the organic behaviour of technical material and its possible symbiosis with various parts of the human body. \r\n\r\nChatrn\u00fd also took an interest in land art, not only in works actually created in landscapes (e.g. Mirrors in the Landscape, 1974), but also in a host of utopian projects in negative and aerial sculptures, in which he appropriated entire cut-outs of real space (Projects of Aerial Sculptures into the Atmosphere, 1973). At the time the period of normalisation began, he was developing an interest in artistic books and the utilisation of text in visual art. His interest in literature was reflected in oft-cited prose and poetic works. For instance, during the 1960s Chatrn\u00fd used texts by Paul Celan in Indian ink drawings, and in 1982 he paid homage to Robert Musil when he transcribed The Man without Properties onto the pages of an Atlas of Cultivated Plant Diseases and Pests. As well as using extracts from literature, he amassed a huge quantity of work on paper which examined the meaning of words and the associations they provoke (Instructions to Painters and Decorators, 1972; On Colours, 1972). \r\n\r\nVery often Chatrn\u00fd simply made minimal interventions in the photography of other artists from the 1960s. For instance, he changed the relations between photographed objects and persons by linking them with lines and string (Photographs Interpreted by String, 1978), or in series of photographic collages (Reduced Portraits, 1978). Chatrn\u00fd remains faithful to the main principles of his aesthetic in later years, and enriches them, for instance using painting with two hands (the twenty-metre work entitled A deux mains \u2013 Unrepeatable, 1987). In the 1990s he developed the principles of automatism in the extensive cycle Paintings with Obstacles. Chatrn\u00fd used his own work of the previous decades as a source of ongoing creative procedures and as an integrated and organic whole in collages composed of fragments of his older works (Collected Work, 2000).","date":2010,"authors":[1852]}],"artworks":[107897,107898,107899,107900,107901,107902,107903,107904,107905,107906,107907,107908,107909,107910,107911,107912,107927,107928,107929,107930,107931,107932,107933,107934,107935,107936,107937,107938,107939,107940,107941,107942,107943,107944,107945,111642,118855,107076],"videos":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Chatrn\u00fd - Artlist<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artlist.cz\/en\/umelci\/dalibor-chatrny\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" 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