Studies:<\/p>\r\n
1973-1976 Academy of Fine Arts in Prague, studio of restoration<\/p>\r\n
1961-1967 Academy of Fine Arts in Prague, studio of painting, prof. Arno\u0161t Paderl\u00edk<\/p>\r\n
1955-1959 St\u0159edn\u00ed pr\u016fmyslov\u00e1 \u0161kola bytov\u00e9 tvorby, Praha<\/p>","groups":"","membership":"","exhibitions_solo":"2004\r\nGalerie V kapli, Brunt\u00e1l\r\n\r\n2003-2004\r\nVedle mne, AP ateli\u00e9r arch. J. Pleskota, Praha\r\n\r\n2001\r\nBl\u00edzk\u00e9 prostory, Galerie m\u011bsta Pln\u011b, katalog\r\n\r\n1998\r\nKv\u011bty, O\u010d\u00ed, P\u0159edm\u011bty, Galerie V\u00e1clava \u0160p\u00e1ly, Praha\r\n\r\n1997\r\nKresby - objekty, Galerie u \u0160treit\u016f, Sovinec\r\n\r\n1996\r\nO\u010di, v\u00fdstavn\u00ed s\u00ed\u0148 Sokolovsk\u00e1 26, Moravsk\u00e1 Ostrava, katalog\r\n\r\n1995\r\n\u010cesk\u00e1 kresba 2, Galerie um\u011bn\u00ed Karlovy Vary, katalog\r\nJitka Svobodov\u00e1, GHMP, Starom\u011bstsk\u00e1 radnice, Praha, katalog\r\n\r\n1988\r\nKresby, objekty, v\u00fdstavn\u00ed s\u00ed\u0148 Atrium, Praha 3, katalog\r\n\r\n1986\r\nKresby, foyer divadla v \u010cesk\u00e9m T\u011b\u0161\u00edn\u011b\r\n\r\n1983\r\nJitka Svobodov\u00e1, Kresby a objekty, Galerie um\u011bn\u00ed Karlovy Vary, Letohr\u00e1dek Ostrov\r\n\r\n1982\r\nJitka Svobodov\u00e1, Kresby, GHMP, Starom\u011bstsk\u00e1 radnice v Praze, katalog text Hana Rousov\u00e1\r\n\r\n1979\r\nJitka Svodov\u00e1, D\u016fm um\u011bn\u00ed m\u011bsta Brna, Kabinet grafiky, katalog text Ji\u0159\u00ed Valoch\r\n\r\n1978\r\nDivadlo hudby OKS, Olomouc, katalog text Hana Hlav\u00e1\u010dkov\u00e1\r\n\r\n1977\r\nAteli\u00e9rov\u00e1 v\u00fdstava Mlyn\u00e1\u0159ka, Praha\r\n\r\n1969\r\nGalerie mlad\u00fdch, M\u00e1nes Praha","exhibitions_group":"","realizations_other":"","collections":"
N\u00e1rodn\u00ed galerie Praha,<\/p>\r\n
Galerie hl.m.Praha<\/p>\r\n
Ministerstvo kultury \u010cR<\/p>\r\n
Oblastn\u00ed galerie Liberec<\/p>\r\n
Galerie um\u011bn\u00ed Karlovy Vary<\/p>\r\n
Galerie v Roudnici n.Labem<\/p>\r\n
V\u00fdchodo\u010desk\u00e1 galerie v Pardupic\u00edch<\/p>\r\n
Krajsk\u00e1 galerie Hradec Kr\u00e1lov\u00e9<\/p>\r\n
Muzeum \u010desk\u00e9ho um\u011bn\u00ed Praha<\/p>\r\n
Galerie Benedikta Rejta Louny<\/p>\r\n
soukrom\u00e9 sb\u00edrky<\/p>","monographies":"","articles":"
Va\u0148ous, Petr: Jitka Svobodov\u00e1 (rozhovor), Art & Antiques, \u00fanor 2005, s. 48 - 61<\/p>\r\n
Je\u0159\u00e1bkov\u00e1, Edith: Kresebn\u00e9 p\u0159esahy Jitky Svobodov\u00e9, A2 kulturn\u00ed t\u00fdden\u00edk, 29\/ 2006, s. 8<\/p>","reviews":"","texts_unlisted":"","annotations":[{"text":"
Jitka Svobodov\u00e1 vstupovala do v\u00fdtvarn\u00e9 sc\u00e9ny na p\u0159elomu \u0161edes\u00e1t\u00fdch a sedmdes\u00e1t\u00fdch let 20. stolet\u00ed. Absolvovala v roce 1967 ateli\u00e9r malby a mal\u00ed\u0159sk\u00e9 tvorb\u011b byly zasv\u011bceny tak\u00e9 po\u010d\u00e1tky jej\u00ed um\u011bleck\u00e9 dr\u00e1hy. Je p\u0159\u00edzna\u010dn\u00e9, \u017ee u\u017e tehdy se zab\u00fdvala t\u011b\u017eko zachytiteln\u00fdmi p\u0159\u00edrodn\u00edmi procesy (jako plynouc\u00ed voda, padaj\u00edc\u00ed sn\u00edh), ke kter\u00fdm se pozd\u011bji ve sv\u00e9m d\u00edle je\u0161t\u011b vr\u00e1tila. Zlom nastal kolem poloviny sedmdes\u00e1t\u00fdch let, kdy Svobodov\u00e1 nadobro skoncovala s malbou a jej\u00ed dom\u00e9nou se stala kresba. Inspirovala se b\u011b\u017en\u00fdmi p\u0159edm\u011bty ka\u017edodenn\u00edho \u017eivota (jako jsou nap\u0159\u00edklad okno, \u017eeb\u0159\u00edk, \u017e\u00e1rovka, prkna, ob\u00e1lka, m\u0159\u00ed\u017e). Sv\u00fdm v\u00fdtvarn\u00fdm pojet\u00edm a zpracov\u00e1n\u00edm n\u00e1m\u011bt\u016f okam\u017eit\u011b zaujala. Byla ojedin\u011bl\u00fdm jevem v r\u00e1mci unaven\u00e9 malby a konven\u010dn\u00ed kresby a nav\u00edc v dob\u011b, kter\u00e1 za\u010dala postupn\u011b inklinovat k dematerializaci um\u011bn\u00ed, ke konceptu\u00e1ln\u00edm projev\u016fm, instalac\u00edm \u010di body artu.<\/p>\r\n\r\n
Tehdej\u0161\u00ed kresby Jitky Svobodov\u00e9 byly r\u00e1zn\u011b osvobozeny od tradi\u010dn\u00edho pojet\u00ed line\u00e1rn\u00ed perspektivy. Byly sp\u00ed\u0161e plo\u0161n\u00e9 a vykreslen\u00ed podoby p\u0159edm\u011bt\u016f bylo redukov\u00e1no do minim\u00e1ln\u00edho zobrazen\u00ed. Byly tak\u00e9 velmi neemocion\u00e1ln\u00ed a neexpresivn\u00ed. \u201eJejich d\u016fle\u017eit\u00fdm znakem je p\u0159irozenost \u2026 odm\u00edtaj\u00ed pojet\u00ed, kter\u00e1 jim p\u0159i\u0159azujeme, p\u0159ed pohledem neustupuj\u00ed, nezmoc\u0148uj\u00ed se n\u00e1s, s div\u00e1kem t\u00e9m\u011b\u0159 nepo\u010d\u00edtaj\u00ed, nediktuj\u00ed ani nenab\u00edzej\u00ed zp\u016fsob, jak k nim p\u0159istupovat\u201c, p\u00ed\u0161e Karel Srp ve sv\u00e9 publikaci o Jitce Svobodov\u00e9, vydan\u00e9 v roce 1979 v tehdy slavn\u00e9 Jazzov\u00e9 sekci.<\/p>\r\n\r\n
Z\u00e1jem o zachycen\u00ed v\u0161edn\u00edch, a\u017e ban\u00e1ln\u00edch p\u0159edm\u011bt\u016f krajn\u011b minim\u00e1ln\u00ed formou z\u016fstal Jitce Svobodov\u00e9 doposud. V\u017edy se jedn\u00e1 o kresby s velmi tlumenou, a\u017e monochromn\u00ed barevnost\u00ed. Po polovin\u011b devades\u00e1t\u00fdch let se autorka tematicky zam\u011b\u0159ila na kresby v\u011bt\u0161\u00edch rozm\u011br\u016f technikou pastelu, zachycuj\u00edc\u00ed s kresebnou preciznost\u00ed kuchy\u0148sk\u00e1 n\u00e1\u010din\u00ed (hrnek, tal\u00ed\u0159, l\u017e\u00edce, konev, ubrus). Mnoh\u00e9 z nich zachycuj\u00ed jen jak\u00fdsi v\u00fd\u0159ez reality, tak\u017ee p\u0159edm\u011bt nen\u00ed na plo\u0161e zobrazen cel\u00fd, ale jen jeho \u010d\u00e1st. Objekty, p\u016fvodn\u011b zplo\u0161t\u011bl\u00e9, z\u00edskaly objem (ale velmi odhmotn\u011bn\u00fd), trojdimenzionalitu a jistou, by\u0165 velmi jemnou barevnost. V\u0161e se odehr\u00e1v\u00e1 v jak\u00e9msi tich\u00e9m, nehybn\u00e9m, vzd\u00e1len\u00e9m a metafyzicky p\u016fsob\u00edc\u00edm prostoru, daleko od ru\u0161n\u00e9ho sv\u011bta ustavi\u010dn\u00e9ho hon\u011bn\u00ed se za nov\u00fdmi, \u0161okuj\u00edc\u00edmi projevy. Kolem roku 2005 se Svobodov\u00e1 vr\u00e1tila ke kdysi ji\u017e zkouman\u00e9 t\u00e9matice: a to k pom\u00edjiv\u00fdm jev\u016fm p\u0159\u00edrody. Tak se v kresb\u00e1ch objevuje snaha zachytit kou\u0159 nebo mraky. Autorku zaj\u00edm\u00e1 fyzick\u00e1 neuchopitelnost t\u011bchto proces\u016f a nap\u011bt\u00ed mezi iluz\u00ed t\u011blesnosti a transparentnosti. Kresby maj\u00ed i filozofick\u00fd rozm\u011br \u2013 dot\u00fdkaj\u00ed se ontologick\u00fdch ot\u00e1zek vzniku a z\u00e1niku, pom\u00edjivosti, do\u010dasnosti a vn\u00edm\u00e1n\u00ed sv\u011bta jako procesu zm\u011bn.<\/p>\r\n\r\n
D\u016fle\u017eitou sou\u010d\u00e1st\u00ed Svobodov\u00e9 tvorby jsou t\u00e9\u017e objekty. Objevuj\u00ed se od roku 1974 a prov\u00e1zej\u00ed autor\u010dinu kresebnou tvorbu doposud. Jsou to nesm\u00edrn\u011b subtiln\u00ed d\u00edla, tvo\u0159en\u00e1 z ne p\u0159\u00edli\u0161 trvanliv\u00fdch fragiln\u00edch materi\u00e1l\u016f. Jemnou dr\u00e1t\u011bnou kostru Svobodov\u00e1 obaluje tenkou vrstvou tenk\u00e9ho pap\u00edru. Ten je kolorov\u00e1n jasn\u00fdmi barvami (modr\u00e1, zelen\u00e1, \u010derven\u00e1, \u017elut\u00e1). Svobodov\u00e1 se ve sv\u00fdch objektech zab\u00fdv\u00e1 velmi nesocha\u0159sk\u00fdmi motivy: \u0159\u00edk\u00e1, \u017ee to jsou vlastn\u011b takov\u00e9 kresby v prostoru. N\u00e1m\u011btov\u011b se objekty vztahuj\u00ed k p\u0159\u00edrod\u011b (Strom ve v\u011btru) nebo k denn\u00ed v\u011bcn\u00e9 realit\u011b (Zav\u00e1t\u00e9 okno, Dve\u0159e). Koncem 70. let a na po\u010d\u00e1tku let 80. p\u0159ib\u00fdvaj\u00ed objekty zaznamen\u00e1vaj\u00edc\u00ed efem\u00e9rn\u011bj\u0161\u00ed jevy a p\u0159\u00edrodn\u00ed d\u011bje (s\u00e9rie sv\u00ed\u010dek s plamenem, Slunce). V posledn\u00ed dob\u011b pak Svobodov\u00e1 vytvo\u0159ila \u010dist\u011b dr\u00e1t\u011bn\u00e9 objekty mrak\u016f, kter\u00e9 jsou tvo\u0159eny n\u011bkolika \u010drty dr\u00e1t\u011bn\u00fdch lini\u00ed. Tak jako n\u011bkter\u00e9 kresby i objekty jsou o nehmatateln\u00fdch procesech. Jsou to k\u0159ehk\u00e9 vize o nekone\u010dnosti a neuchopitelnosti nehmotn\u00e9 entity jako je ohe\u0148, plamen sv\u00ed\u010dky, z\u00e1\u0159en\u00ed slunce, kou\u0159 nebo mrak. Objekty stoj\u00ed daleko od popisn\u00e9ho ztv\u00e1rn\u011bn\u00ed dan\u00e9ho t\u00e9matu: jsou t\u00e9m\u011b\u0159 abstraktn\u00ed, a p\u0159eci tak pocitov\u011b p\u0159esn\u011b vystihuj\u00edc\u00ed reflexi ur\u010dit\u00e9ho vizu\u00e1ln\u00edho dojmu z p\u0159\u00edrody a jejich proces\u016f.<\/p>","date":0,"authors":[1853]}],"artworks":[107670,107671,107672,107673,107674,107675,107676,107677,107678,107679,107680,107681,107682,107683,107684,107685,107686,107687,107688,107689,107690,107691,107692,107693,107694,107695,107696,107722,107723,108351,108352,108353,108354,108355,108356,108357,108358],"videos":[125328]},"yoast_head":"\n