{"id":121779,"date":"2024-07-10T23:05:01","date_gmt":"2024-07-10T21:05:01","guid":{"rendered":"http:devel.artlist.cz\/artist\/pistek-4\/"},"modified":"2025-12-05T12:50:35","modified_gmt":"2025-12-05T11:50:35","slug":"theodor-pistek","status":"publish","type":"artist","link":"https:\/\/artlist.cz\/en\/umelci\/theodor-pistek\/","title":{"rendered":"Pi\u0161t\u011bk"},"featured_media":0,"template":"","class_list":["post-121779","artist","type-artist","status-publish","hentry","keyword-drawing","keyword-object","keyword-painting"],"acf":{"nicknames":"","date_born":1932,"date_death":2025,"place_born":"Prague","lives":"Prague","web":"","idatum":"","address":"","email":"","phone":"","biography":"Studies:\r\n1952-1958 Academy of Fine Arts Prague, Vratislav Nechleba \r\n1948-1952 Secondary School of Applied Arts, Prague\r\n\r\nAwards:\r\n2013 K\u0159i\u0161\u0165\u00e1lov\u00fd gl\u00f3bus za mimo\u0159\u00e1dn\u00fd p\u0159\u00ednos sv\u011btov\u00e9 kinematografii\r\n2003 \u010cesk\u00fd lev za um\u011bleck\u00fd p\u0159\u00ednos \u010desk\u00e9mu filmu\r\n2000 vyznamen\u00e1n\u00ed prezidenta republiky Medaile za z\u00e1sluhy\r\n1990 - Cena Francouzsk\u00e9 Akademie \u201eC\u00e9sar\u201c za kost\u00fdmn\u00ed n\u00e1vrhy k filmu Valmont (Milo\u0161 Forman)\r\n1984 Oscar za kost\u00fdmy k filmu Amadeus (Milo\u0161 Forman)","groups":"","membership":"","exhibitions_solo":"2013\t\r\nTheodor Pi\u0161t\u011bk, White Gallery, Os\u00edk (u Litomy\u0161li)\r\n\r\n2012\t\r\nKde budu \u017e\u00edt p\u0159\u00ed\u0161t\u011b, Galerie m\u011bsta Plzn\u011b, Plze\u0148 \r\nEcce Homo, Veletr\u017en\u00ed pal\u00e1c, Praha\r\n\r\n2007\t\r\n3x Theodor Pi\u0161t\u011bk. D\u00edl 1., Museum Kampa, Praha\r\n3x Theodor Pi\u0161t\u011bk. D\u00edl 2., Museum Kampa, Praha\r\n3x Theodor Pi\u0161t\u011bk. D\u00edl 3., Museum Kampa, Praha\r\n\r\n2006\t\r\nObrazy \/ Paintings, Galerie um\u011bn\u00ed Karlovy Vary, Karlovy Vary \r\n\r\n2006\t\r\nPod povrchem, Galerie Montanelli, Praha\r\n\r\n2003\t\r\nProstory 90\u00b4 \/ The Spaces 90\u00b4, Galerie Pecka, Praha\r\n\r\n2000\t\r\nObrazy, \u010cesk\u00e9 centrum Kyjev\r\n\r\n1997\t\r\nPr\u00e1ce z let \u0161edes\u00e1t\u00fdch a\u017e devades\u00e1t\u00fdch, M\u011bstsk\u00e1 knihovna, Praha\r\n\r\n1993\t\r\nTheodor Pi\u0161t\u011bk, Schwarzenbergsk\u00e1 j\u00edzd\u00e1rna, Hlubok\u00e1 nad Vltavou\r\n\r\n1988\t\r\nTheodor Pi\u0161t\u011bk, \u00dast\u0159edn\u00ed kulturn\u00ed d\u016fm \u017eelezni\u010d\u00e1\u0159\u016f, Praha\r\n\r\n1984\t\r\nTheodor Pi\u0161t\u011bk, Galerie um\u011bn\u00ed Karlovy Vary, Karlovy Vary\r\n\r\n1982\t\r\nObrazy, kresby, film, Galerie V\u00e1clava \u0160p\u00e1ly, Praha\r\n\r\n1978\t\r\nTheodor Pi\u0161t\u011bk, Galerie Nov\u00e1 s\u00ed\u0148, Praha","exhibitions_group":"2010\t\r\nRealita je v\u00edc ne\u017e fikce: Asambl\u00e1\u017e jako tv\u016fr\u010d\u00ed princip v \u010desk\u00e9m um\u011bn\u00ed 60. a 70. let, D\u016fm p\u00e1n\u016f z Kun\u0161t\u00e1tu,  Brno\r\n\r\n2007\t\r\nSkupina M\u00e1j 57, Pra\u017esk\u00fd hrad, C\u00edsa\u0159sk\u00e1 kon\u00edrna, Praha\r\n\u010cesk\u00e9 um\u011bn\u00ed XX. stolet\u00ed: 1970-2007, Al\u0161ova jiho\u010desk\u00e1 galerie v Hlubok\u00e9 nad Vltavou\r\n\r\n2006\t\r\n\u0160edes\u00e1t\u00e1 \/ The sixties ze sb\u00edrky Galerie Zlat\u00e1 husa v Praze, Galerie um\u011bn\u00ed Karlovy Vary, \t\r\nBed\u0159ich Dlouh\u00fd, Jan Koblasa, Jan Kot\u00edk, Theodor Pi\u0161t\u011bk: Emigrace out\/in 2, Saarl\u00e4ndische Galerie \u2013 Europ\u00e4isches Kunstforum e.V., Berl\u00edn \r\n\r\n2005\t\r\nPocta Franti\u0161ku Kupkovi, Galerie 10, Praha\r\n\r\n2004\t\r\n\u0160edes\u00e1t\u00e1 \/ The sixties ze sb\u00edrky Galerie Zlat\u00e1 husa v Praze, D\u016fm um\u011bn\u00ed m\u011bsta Brna, Brno \r\n\r\n2003\t\r\nHyperrealismus, Z\u00e1pado\u010desk\u00e1 galerie v Plzni, Plze\u0148\r\n\r\n2000\t\r\nUm\u011bn\u00ed zrychlen\u00e9ho \u010dasu. \u010cesk\u00e1 v\u00fdtvarn\u00e1 sc\u00e9na 1958 - 1968, St\u00e1tn\u00ed galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed v Chebu, Cheb\r\nSou\u010dasn\u00e1 minulost. \u010cesk\u00e1 postmodern\u00ed moderna 1960-2000, Al\u0161ova jiho\u010desk\u00e1 galerie v Hlubok\u00e9 nad Vltavou, Hlubok\u00e1 nad Vltavou \t\r\nDva konce stolet\u00ed 1900 2000, D\u016fm U \u010cern\u00e9 Matky Bo\u017e\u00ed, Praha\r\n\r\n1999\t\r\nUm\u011bn\u00ed zrychlen\u00e9ho \u010dasu. \u010cesk\u00e1 v\u00fdtvarn\u00e1 sc\u00e9na 1958 - 1968, Praha, Praha\r\n\r\n1997\t\r\nUm\u011bn\u00ed zastaven\u00e9ho \u010dasu \/ Art when time stood still, \u010cesk\u00e1 v\u00fdtvarn\u00e1 sc\u00e9na 1969-1985, Brno \r\nUm\u011bn\u00ed zastaven\u00e9ho \u010dasu \/ Art when time stood still, \u010cesk\u00e1 v\u00fdtvarn\u00e1 sc\u00e9na 1969-1985, St\u00e1tn\u00ed galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed v Chebu, Cheb \r\n\r\n1996\t\r\nFineart \u00b496, Vald\u0161tejnsk\u00e1 j\u00edzd\u00e1rna, Praha\r\nI. nov\u00fd zl\u00ednsk\u00fd salon, Zl\u00edn\r\nUm\u011bn\u00ed zastaven\u00e9ho \u010dasu \/ Art when time stood still, \u010cesk\u00e1 v\u00fdtvarn\u00e1 sc\u00e9na 1969-1985, Praha \r\n\r\n1993\t\r\nSkute\u010dnost a iluze, Z\u00e1mek Hlubok\u00e1 nad Vltavou, Hlubok\u00e1 nad Vltavou \r\nZ\u00e1znam nejrozmanit\u011bj\u0161\u00edch faktor\u016f\u2026 \u010cesk\u00e9 mal\u00ed\u0159stv\u00ed 2. poloviny 20. stolet\u00ed ze sb\u00edrek st\u00e1tn\u00edch galeri\u00ed, J\u00edzd\u00e1rna Pra\u017esk\u00e9ho hradu, Praha\r\n\r\n1991\t\r\n\u0160ed\u00e1 cihla 78\/1991, D\u016fm um\u011bn\u00ed m\u011bsta Opavy, Opava \r\n\u0160ed\u00e1 cihla 78\/1991, Galerie U B\u00edl\u00e9ho jednoro\u017ece, Klatovy\r\n\r\n1990\t\r\nDialog \u00b490, M\u00e1nes, Praha\t\r\nPocta um\u011blc\u016f Jind\u0159ichovi Chalupeck\u00e9mu, M\u011bstsk\u00e1 knihovna, Praha\r\n\r\n1988\t\r\n\u010cesk\u00e9 z\u00e1ti\u0161\u00ed 20. stolet\u00ed, Al\u0161ova jiho\u010desk\u00e1 galerie v Hlubok\u00e9 nad Vltavou\t\r\nForum 1988, Hole\u0161ovick\u00e1 tr\u017enice, Praha\r\n\r\n1986\t\r\n\u010cesk\u00e9 um\u011bn\u00ed 20. stolet\u00ed, Al\u0161ova jiho\u010desk\u00e1 galerie v Hlubok\u00e9 nad Vltavou, Hlubok\u00e1 nad Vltavou\r\n \r\n1984\t\r\n\u010cesk\u00e1 kresba 20. stolet\u00ed ze sb\u00edrek Al\u0161ovy jiho\u010desk\u00e9 galerie, Al\u0161ova jiho\u010desk\u00e1 galerie v Hlubok\u00e9 nad Vltavou, Hlubok\u00e1 nad Vltavou \r\n\r\n1981\t\r\n\u010cesk\u00e9 mal\u00ed\u0159stv\u00ed a socha\u0159stv\u00ed 1900 - 1980, Al\u0161ova jiho\u010desk\u00e1 galerie v Hlubok\u00e9 nad Vltavou\t\r\nNetvo\u0159ice \u00b481, D\u016fm Bed\u0159icha Dlouh\u00e9ho, Netvo\u0159ice (Bene\u0161ov)\r\n\r\n1968\t\r\nKlub konkr\u00e9tist\u016f a host\u00e9, Oblastn\u00ed galerie Vyso\u010diny v Jihlav\u011b, Jihlava \r\nKlub konkr\u00e9tist\u016f a host\u00e9, D\u016fm kultury pracuj\u00edc\u00edch, \u00dast\u00ed nad Labem \r\n300 mal\u00ed\u0159\u016f, socha\u0159\u016f, grafik\u016f 5 generac\u00ed k 50 l\u00e9t\u016fm republiky, Praha\r\n\r\n1967\t\r\nV\u00fdstava mlad\u00fdch \u00b467, V\u00fdstavn\u00ed s\u00ed\u0148 \u00dast\u0159ed\u00ed lidov\u00e9 a um\u011bleck\u00e9 v\u00fdroby, Praha\r\n\r\n1966\t\r\nJarn\u00ed v\u00fdstava 1966, M\u00e1nes, Praha\t\r\nV\u00fdstava mlad\u00fdch, D\u016fm p\u00e1n\u016f z Kun\u0161t\u00e1tu, Brno \r\n\r\n1964\t\r\nTv\u016fr\u010d\u00ed skupina M\u00e1j, Galerie Nov\u00e1 s\u00ed\u0148, Praha","realizations_other":"","collections":"Al\u0161ova jiho\u010desk\u00e1 galerie v Hlubok\u00e9 nad Vltavou, Hlubok\u00e1 nad Vltavou \r\nGalerie Benedikta Rejta, Louny \r\nGalerie hlavn\u00edho m\u011bsta Prahy\r\nGalerie um\u011bn\u00ed Karlovy Vary, Karlovy Vary \r\nN\u00e1rodn\u00ed galerie v Praze, Praha\r\nOblastn\u00ed galerie v Liberci, Liberec \r\nOblastn\u00ed galerie v\u00fdtvarn\u00e9ho um\u011bni, Jihlava \r\nSevero\u010desk\u00e1 galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed v Litom\u011b\u0159ic\u00edch, Litom\u011b\u0159ice\r\nSt\u00e1tn\u00ed \u017eidovsk\u00e9 muzeum, Praha","monographies":"Musilov\u00e1 Helena , Martin Dost\u00e1l, Theodor Pi\u0161t\u011bk - ecce homo, N\u00e1rodn\u00ed galerie v Praze, Praha 2012","articles":"","reviews":"","texts_unlisted":"","annotations":[{"text":"It is a generally known fact that Theodor Pi\u0161t\u011bk comes from an acting family. His father was the famous actor Theodor Pi\u0161t\u011bk and his mother Marie \u017den\u00ed\u0161kov\u00e1 was also an actress. During the time of the Austro-Hungary Empire her father was the representative of the car maker Ford in Vienna and he also had the first airplane business. And his father was painter Franti\u0161ek \u017den\u00ed\u0161ek \u2013 famous painter of the Czech renaissance and the author of the first curtain in the National Theatre in Prague.&nbsp; It is as if Theodor Pi\u0161t\u011bk utilized the talent and professions of all his predecessors in his art career. In addition to painting, he works with film and theatre, and the dominating subject of his paintings is the world of automobiles. Pi\u0161t\u011bk himself was also the Czechoslovakian representative in automobile races until the year 1973.\r\nHis initial work from the first half of the 1960s is filled with assemblage objects that represent Pi\u0161t\u011bk\u2019s first significant entry onto the art scene. As an automobile enthusiast he used to visit auto body shops and he was ensorcelled by technical auto scraps. For example, that is how the series of reliefs made from cut up radiators (e.g. <i>Kudy kam<\/i> (<i>All Adrift<\/i>), 1962) came about. In some reliefs the composition evokes a poetic allusion to reality (<i>Le\u0165, mot\u00fdlku, le\u0165<\/i> (<i>Flight, Butterfly, Fly<\/i>)), in other objects the playfulness with associations disappears. The material is simply piled up on the base in a way that the final image does not evoke any poetic or imaginative ideas (like at the group \u0160midrov\u00e9). Here Pi\u0161t\u011bk\u2019s work resembles the aesthetics of the French Neuveau Realisme movement, for example.\r\nHe started to pursue painting in the middle of the 1970s. He became the Czech representative of hyperrealism. His paintings were characteristic for their virtuoso drawing style and perfectly smooth paint, which was unusual in our environment at that time. Hyperrealism was a direction that was culminating in the United States on the break of the 1960s and 1970s. Pi\u0161t\u011bk\u2019s approach was not exactly the same, however. His painting style was expanded by various meaning overlaps. American strict photorealism was about clean depiction of what we see. During his lifetime Pi\u0161t\u011bk painted only a few canvases (e.g. <i>Z\u00e1ti\u0161\u00ed s&nbsp;lampami <\/i>(<i>Still Life with Lamps<\/i>) and <i>Pocta Paipnovi<\/i> (<i>Salute to Paipen<\/i>) that were in the sense of American hyperrealism. In most cases his work was a European version of it, enriched by his imaginative seeing of reality and surreal moments casting doubt on reality. For example, in the painting <i>Krajina s&nbsp;Hondou (Landscape with a Honda) <\/i>we see the view of a landscape over motorcycle handlebars, the landscape is fringed with different paintings and there is a nuclear explosion on the horizon. The dominating element in the painting <i>Ecce Homo <\/i>is the figure of a car racer in a racing suite with a mask; there is some kind of a&nbsp;sci-fi machine growing in the background and if we take a closer look we realize that the hands of the racer (<i>Kristus v&nbsp;kombin\u00e9ze<\/i> (<i>Christ in a Race Suit<\/i>)) are cut open. On the painting there are also traces of whipping that cut the canvas. Pi\u0161t\u011bk is playing here with small illusions \u2013 from a distance it seems that the canvas is actually cut, but from up close we can see this is done with masterful painting skills. In some of his paintings we can see Pi\u0161t\u011bk\u2019s obvious interest in three-dimensional space. For example, in the painting <i>Tich\u00e1 krajina (Silent Landscape) <\/i>one would presume at first sight due to the artist\u2019s hyperrealism scope that everything is painted. With a closer observation, however, we find out that the wire mesh in the front of the painting is real.\r\nAlthough Pi\u0161t\u011bk is primarily famous for his photorealistic, figural paintings, he was also interested in abstraction and the developing of geometric morphology. He started experimenting with this in his early works already, which is manifested, for example, in the strictly abstract painting from 1971 <i>Bez n\u00e1zvu (Untitled)<\/i>, but also in the later painting <i>L\u00e9to (Summer)<\/i> (1997). His ink drawings <i>Kde budu \u017e\u00edt p\u0159\u00ed\u0161t\u011b (Where I Will Live Next) <\/i>(1982), as well as his later painting depicting \u201cdepleted spaces\u201d <i>Posledn\u00ed ve\u010de\u0159e (The Last Supper) <\/i>(1983) are also developed in a geometric tone. This is about the capturing of abandoned spaces where nothing is happening. We can sense a human trace here and the entire scene has an imaginary dimension. Pi\u0161t\u011bk comments these works: \u201cAs a young boy, about ten years old, I was walking through Prague on a Sunday. It was not like it is today. I didn\u2019t meet anyone in the morning.&nbsp; A completely abandoned city. When I looked through a gap between buildings, the horizon refracted and above it looked like something had ended and there was only the sky\u201d.\r\nIn the 1980s Pi\u0161t\u011bk entered the third dimension again and started to make installations, objects and reliefs. These include, for example, the geometric relief composition <i>Variace na dan\u00e9 t\u00e9ma (Variation on a Given Topic)<\/i> (1998) or the voluminous spatial installations that Pi\u0161t\u011bk presented at his exhibition in the Prague City Library (GHMP, 1997). In his last retroactive exhibition in the National Gallery he also presented the return to his beginnings: objects constructed from remodelled motor and radiator parts <i>Termiti\u0161t\u011b, Brouk, Hlava Medusy a Bart Simpson (Termitarium, Beetle, Medusa\u2019s Head and Bart Simpson).<\/i>\r\nThe wider public knows Theodor Pi\u0161t\u011bk primarily as a costume artist. His cooperation with film producers dates back to ancient history: in 1959 he participated on Franti\u0161ek Vl\u00e1\u010dil\u2019s film <i>Holubice (Dove) <\/i>and this cooperation continued in the 1960s in Vl\u00e1\u010dil\u2019s films <i>Mark\u00e9ta Lazarov\u00e1<\/i>, 1967, or <i>\u00dadol\u00ed v\u010del (Valley of the Bees)<\/i>,1967. He also created costumes for the movie <i>T\u0159i o\u0159\u00ed\u0161ky pro Popelku (Cindarella)<\/i> or the TV series <i>Arabela<\/i>. The highlight of his fame was working with Milo\u0161 Forman and receiving an Oscar for his costumes in the film Amadeus. He is also the holder of a Caesar for his costumes for the movie Valmont, he has a Czech Lion for his artistic contribution to the Czech film and he received a Crystal Globe at the Karlovy Vary Film Festival for his exceptional contribution to the world cinematography.","date":0,"authors":[1853]}],"artworks":[110066,112899,112900,112901,112902,112903,112904,112905,112906,112907,112908,112909,112910,112911,112912,112913,112914,112915],"videos":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Pi\u0161t\u011bk - Artlist<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artlist.cz\/en\/umelci\/theodor-pistek\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pi\u0161t\u011bk - Artlist\" \/>\n<meta property=\"og:url\" content=\"https:\/\/artlist.cz\/en\/umelci\/theodor-pistek\/\" \/>\n<meta property=\"og:site_name\" content=\"Artlist\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-05T11:50:35+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/theodor-pistek\\\/\",\"url\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/theodor-pistek\\\/\",\"name\":\"Pi\u0161t\u011bk - 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