{"id":121876,"date":"2024-07-10T23:05:12","date_gmt":"2024-07-10T21:05:12","guid":{"rendered":"http:devel.artlist.cz\/artist\/seda-2\/"},"modified":"2026-10-20T20:50:17","modified_gmt":"2026-10-20T18:50:17","slug":"katerina-seda","status":"publish","type":"artist","link":"https:\/\/artlist.cz\/en\/umelci\/katerina-seda\/","title":{"rendered":"\u0160ed\u00e1"},"featured_media":0,"template":"","class_list":["post-121876","artist","type-artist","status-publish","hentry","keyword-drawing","keyword-feminism","keyword-public-art","keyword-social-intervention"],"acf":{"nicknames":"","date_born":1977,"date_death":0,"place_born":"Brno L\u00ed\u0161e\u0148","lives":"Praha","web":"https:\/\/www.katerinaseda.cz","idatum":"https:\/\/databaze.vvp.avu.cz\/en\/archivy\/archive-of-artists\/108","address":"","email":"katkaseda@centrum.cz","phone":"","biography":"<div>\r\n\r\n1999\u20132005\r\nAkademie v\u00fdtvarn\u00fdch um\u011bn\u00ed v Praze, Praha (profesor Vladim\u00edr Kokolia)\r\n\r\n1995\u20131999\r\nSt\u0159edn\u00ed \u0161kola um\u011bleck\u00fdch \u0159emesel v Brn\u011b, Brno\r\n\r\n<\/div>\r\n<div>\r\n\r\n<b>\r\nCeny, granty, rezidence:<\/b>\r\n\r\n2022\u20132024\r\nArtpark Buffalo Niagara, The Burchfield Penney Art Center, Buffalo State University, New York, USA\r\n\r\n2021\r\nMilton Keynes Arts Centre, London, UK\r\n\r\n2016\r\nStipend, Les Laboratoires d\u2019Aubervilliers, Paris, France\r\n\r\n2015\r\nMost beautiful Czech books 2014, first prize, Czech Republic\r\n\r\n2014\r\nMLUVME SPOLU [Let\u2019s Talk], spole\u010dnost T-Mobile Czech Republic a.s.\r\nMost beautiful Czech books 2013 (selection), Czech Republic\r\nResidency at CNEAI, Paris, France\r\n\r\n2013\r\nRevitalizace n\u00e1vsi v Bed\u0159ichovic\u00edch \u2013 Bed\u0159ichovice nad Tem\u017e\u00ed \/ Revitalization of the Village Square in Bed\u0159ichovice \u2013 Bed\u0159ichovice upon Thames, Czech Republic, Regional Operational Programme South-East and the town of \u0160lapanice\r\nMACRO \u2013 Museo d'Arte Contemporanea Roma \u2013 Artist in residence, Italy\r\n\r\n2012\r\nGrant from the Ministry of Culture in the field of literature for a non-periodical publication\r\nCreative grant from the Ministry of Culture, Czech Republic\r\nMost beautiful Czech books 2011, Czech Republic\r\n\r\n2011\r\nFollow Fluxus \u2013 award and stipend, Wiesbaden, Germany\r\n\r\n2010\r\nAlfried Krupp von Bohlen und Halbach Foundation, Germany\r\nMost beautiful Czech books 2010 (second prize), Czech Republic\r\n\r\n2009\u20132010\r\nStipend, Ludwig M\u00fazeum, Budapest, Hungary\r\n\r\n2009\r\nContemporary Art Society Award, London, UK\r\n\r\n2008\u20132009\r\nBerliner K\u00fcnstlerprogramm, DAAD, Deutscher Akademischer Austauschdienst, Berlin, Germany\r\n\r\n2007\r\nIASPIS, International artist residency programme, Stockholm, Sweden\r\n\r\n2006\r\nISCP, International Studio &amp; Curatorial Program, New York, USA\r\n\r\n2005\r\nJind\u0159ich Chalupeck\u00fd Award, Prague, Czech Republic\r\nEssl Art Award, Klosterneuburg, Austria\r\nGrant from the Czech Ministry of Culture and the Bern Department of Culture for a three-month stay in Bern, Switzerland\r\n\r\n2004\r\nTranzit Award, Development Grant, Prague, Czech Republic\r\n\r\n<\/div>","groups":"","membership":"","exhibitions_solo":"2026\r\nKate\u0159ina \u0160ed\u00e1 \u2013 Posledn\u00ed zhasne, Galerie Josefa Lieslera, Kada\u0148, Czech Republic\r\n\r\n2025\r\nKate\u0159ina \u0160ed\u00e1, GASK \u2013 Gallery of the Central Bohemia Region, Kutn\u00e1 Hora, Czech Republic\r\nNational Collection of Bad Habits, \u0160ternberk Psychiatric Hospital, \u0160ternberk, Czech Republic\r\nKate\u0159ina \u0160ed\u00e1 \u2013 \u010ce\u0161i v pr\u00e1ci, Galerie Umakart, Brno, Czech Republic\r\nNational Collection of Bad Habits, House of Blue Blood Porcelain, Porcelain Museum in Dub\u00ed, Czech Republic\r\nKate\u0159ina \u0160ed\u00e1 \u2013 N\u00e1rodn\u00ed statistick\u00fd \u00fastav, Galerie hlavn\u00edho m\u011bsta Prahy - GHMP, Prague, Czech Republic\r\n\r\n2024\r\nNATIONAL STATISTICAL INSTITUTE Department for the Collection of Bad Habits, Prague City Gallery, Komunitn\u00ed kobka 17, Prague, Czech Republic\r\nSauna zlozvyk\u016f \/ The Bad Habits Sauna, Sauna T\u0159pyt, Brno, Czech Republic\r\nPacific Prague Trail \/ Signal Festival, Prague, Czech Republic\r\n\r\n2023\r\nI would name my house the swallow's nest (solo show), Bosse &amp; Baum, London, UK\r\n\r\n2021\r\nUNES-CO, Czech Centre in Munich, Germany\r\nUNES-CO, Egon Schiele Art Centrum, \u010cesk\u00fd Krumlov, Czech Republic\r\n\r\n2020\r\nA Place by the Window, Sofia City Art Gallery, Sofia, Bulgaria\r\nDiary of a Leap Year (online exhibition), Kunsthalle Mainz, Germany\r\nUNES-CO, Czech Centre in Vienna, Austria\r\n\r\n2019\r\nZISKY 2018 GVUO: Kate\u0159ina \u0160ed\u00e1 \/ Bed\u0159ichovick\u00fd poledn\u00edk, Galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed v Ostrav\u011b, Ostrava, Czech Republic\r\nPrezentace pr\u00e1ce Kate\u0159iny \u0160ed\u00e9 \/ Povol\u00e1n\u00ed: \u0160ED\u00c1, Galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed v Ostrav\u011b, Ostrava, Czech Republic\r\nBed\u0159ichovick\u00fd poledn\u00edk \/ Bed\u0159ichovice Meridian, Gallery of Fine Arts in Ostrava, Czech Republic (cat.)\r\n\r\n2018\r\nUNES-CO, Architecture Biennale in Venice 2018, Italy (cat.)\r\nKate\u0159ina \u0160ed\u00e1, Normal Life, Vestjyllands Kunstpavillon, Videbaek, Denmark\r\nAS A UFO, Galleria Michela Rizzo, Venice, Italy\r\n\r\n2017\r\nHana a Radek \u2013 Svatebn\u00ed cesta do \u010cernobylu \/ Hana and Radek \u2013 Honeymoon in Chernobyl, UFFO Gallery, Trutnov, Czech Republic\r\nLegenda Katka \u0160ed\u00e1, Galerie Havelka, Prague, Czech Republic\r\nKate\u0159ina \u0160ed\u00e1: BRNOX, Norma space, Prague, Czech Republic\r\n\r\n2016\r\n51+ \/ Nejkr\u00e1sn\u011bj\u0161\u00ed \u010desk\u00e9 knihy roku 2015 \/ 51+ \/ The Most Beautiful Czech Books 2015, general concept of the 2015 edition, Hv\u011bzda Summer Palace, Prague, Czech Republic\r\nKate\u0159ina \u0160ed\u00e1: The Tram Buskers Tour, IHME, Helsinki, Finland\r\n\r\n2015\r\nKate\u0159ina \u0160ed\u00e1: Bed\u0159ichovice nad Tem\u017e\u00ed \/ Bed\u0159ichovice upon Thames, Foyer of the Hv\u011bzda Cinema, Uhersk\u00e9 Hradi\u0161t\u011b, Czech Republic\r\nKate\u0159ina \u0160ed\u00e1: Bed\u0159ichovice nad Tem\u017e\u00ed \/ Bed\u0159ichovice upon Thames, Cultural house Bed\u0159ichovice, Czech Republic (cat.)\r\nKate\u0159ina \u0160ed\u00e1, Tr\u017enica Boj\u00e1rt, tranzit.sk, Slovakia (cat.)\r\n\r\n2014\r\nKate\u0159ina \u0160ed\u00e1, Milada \u0160oukalov\u00e1 : Norm\u00e1ln\u00ed \u017eivot [Milada \u0160oukalov\u00e1: Normal Life], House of Art \/ Gallery of Contemporary Art, \u010cesk\u00e9 Bud\u011bjovice, Czech Republic (cat.)\r\nKate\u0159ina \u0160ed\u00e1, CNEAI, Paris, France\r\nKate\u0159ina \u0160ed\u00e1, Au 8 rue Saint-Bon, Paris, France\r\nKate\u0159ina \u0160ed\u00e1, Bed\u0159ichovice upon Thames, Moravian Gallery, Brno and Bed\u0159ichovice, Czech Republic\r\n\r\n2013\r\nKate\u0159ina \u0160ed\u00e1, Everything Is Perfect, Los Altos\/ SF MOMA, San Francisco, USA\r\nKate\u0159ina \u0160ed\u00e1, Bed\u0159ichovice upon Thames, Moravian Gallery, Brno and Bed\u0159ichovice, Czech Republic\r\nKate\u0159ina \u0160ed\u00e1, At Sixes and Sevens, Galerie f\u00fcr Zeitgen\u00f6ssische Kunst, Leipzig, Germany (cat.)\r\nKate\u0159ina \u0160ed\u00e1, Two in One, Puttershoek, The Netherlands\r\nKate\u0159ina \u0160ed\u00e1. Die Suppe ist gegessen IV., Nassauischer Kunstverein Wiesbaden, Wiesbaden, Germany (cat.)\r\nThis Is Not A Czech Pavilion, Venice Biennial \u2013 Taiwan Pavilion, Italy (cat.)\r\nKate\u0159ina \u0160ed\u00e1, Mom, Look at Me!, Macro, Rome, Italy\r\n\r\n2012\r\nKate\u0159ina \u0160ed\u00e1, V\u00f6gele Kultur Zentrum, Pf\u00e4ffikon SZ, Switzerland\r\nKate\u0159ina \u0160ed\u00e1. Die Suppe ist gegessen III., Nassauischer Kunstverein Wiesbaden, Wiesbaden, Germany (cat.)\r\nKate\u0159ina \u0160ed\u00e1, Gallery OFF Format, Brno, Czech Republic\r\nKate\u0159ina \u0160ed\u00e1, No Go, Arratia, Beer, Germany\r\nKate\u0159ina \u0160ed\u00e1. Die Suppe ist gegessen II., Nassauischer Kunstverein Wiesbaden, Wiesbaden, Germany (cat.)\r\nKate\u0159ina \u0160ed\u00e1, n. 14, Gallery Kaple, Vala\u0161sk\u00e9 Mezi\u0159\u00ed\u010d\u00ed, Czech Republic\r\nKate\u0159ina \u0160ed\u00e1. Talk to The Sky \u2019Cause the Ground Ain\u2019t Listening, Kunstmuseum Luzern, Lucerne, Switzerland (cat.)\r\n\r\n2011\r\nKate\u0159ina \u0160ed\u00e1. Die Suppe ist gegessen I., Nassauischer Kunstverein Wiesbaden, Wiesbaden, Germany (cat.)\r\nKate\u0159ina \u0160ed\u00e1. From Morning Till Night, Tate Modern, London, UK\r\nKate\u0159ina \u0160ed\u00e1. That\u2019s the Way the Cookie Crumbles, Cubbit Gallery, London, UK\r\nKate\u0159ina \u0160ed\u00e1. L\u00ed\u0161e\u0148 Profile, Museums Sheffield, Sheffield, UK (cat.)\r\nKate\u0159ina \u0160ed\u00e1. It\u2019s Too Late in the Day, K\u00fcnstlerhaus Bremen, Bremen, Germany ( cat.)\r\n\r\n2010\r\nMAM Project 013: Kate\u0159ina \u0160ed\u00e1, Mori Art Museum, Tokyo, Japan (cat.)\r\nMirror Hill, No light, Franco Soffiantino Gallery, Turin, Italy\r\n\r\n2009\r\nDer Geist von Uhyst \/ \u00dcber Tage, Uhyst, Germany (cat.)\r\n\u010cesky snadno a rychle \/ Tschechisch schnell und m\u00fchelos, with Rolf Simmen, Deutschlandradio Kultur\/WDR 3, Germany\r\n\r\n2008\r\n1+1+1=3, with Robert MacPherson and Manfred Pernice, Culturgest, Lisbon, Portugal (cat.)\r\nKate\u0159ina \u0160ed\u00e1 (Colocation n. 4), La box, Bourges, France (cat.)\r\nKate\u0159ina \u0160ed\u00e1. It Doesn\u2019t Matter, The Renaissance Society at The University of Chicago, Chicago, USA\r\nFor Every Dog a Different Master, Konsthalle, G\u00e4vle, Sweden\r\n\r\n2007\r\nFor Every Dog a Different Master, Galerie im Taxispalais, Innsbruck, Austria (cat.)\r\nSynonyma\u2014Index\u2014tranzit collaboration, Kate\u0159ina \u0160ed\u00e1 with Fritz Quasthoff, Index, The Swedish Contemporary Art Foundation, Stockholm, Sweden\r\nFor Every Dog a Different Master, Moravsk\u00e1 Galerie, Brno, Czech Republic (cat.)\r\nKate\u0159ina \u0160ed\u00e1 1+1, Galerie ARRATIA, BEER, Berlin, Germany\r\nVnu\u010dka \/ The Granddaughter, Czech Center, New York, USA\r\n\r\n2006\r\nKate\u0159ina \u0160ed\u00e1 *1977, etc. Galerie, Prague, Czech Republic\r\nKate\u0159ina \u0160ed\u00e1, Cultural House, Brno\u2013L\u00ed\u0161e\u0148, Czech Republic\r\nKate\u0159ina \u0160ed\u00e1 x 3, Franco Soffiantino Gallery, Turin, Italy (cat.)\r\nArrivals: Czech Republic, Modern Art Oxford, Oxford, UK (cat.)","exhibitions_group":"2025\r\nHOUSING ESTATE, Multikino Galaxie, Prague, Czech Republic\r\nJ&amp;T Banka Art Index Pop-up, Bellevue Palace, Prague, Czech Republic\r\nTown for Everyone, Central Bohemian Museum, Roztoky (Prague area), Czech Republic\r\nAround the Clock, Pragovka Gallery, Prague, Czech Republic\r\nI Am Not a Robot, Atrium \u017di\u017ekov Gallery, Prague, Czech Republic\r\nCollective Joy, Palais de Tokyo, Paris, France\r\nAround the Clock: The Factory Effect, Pragovka Gallery, Prague, Czech Republic\r\nNejsem robot, Atrium \u017di\u017ekov, Prague, Czech Republic\r\nWomen\u2019s Quota 02 - Women Artists, Creative Women from the Collection of the Ludwig Museum \u2013 Museum of Contemporary Art, Ludwig Museum, Budapest, Hungary\r\n\r\n2024\r\nToourism, Architekturzentrum Wien, Austria\r\nMy Oma, Kunstinstituut Melly, Rotterdam, The Netherlands\r\n\r\n2023\r\nZapomn\u011bn\u00ed, Z\u00e1mek Klenov\u00e1, Klenov\u00e1, Czech Republic\r\nHandle with CARE, Ludwig Museum Budapest, Hungary\r\nMy\u0161len\u00ed obrazem \u2013 Vizu\u00e1ln\u00ed ud\u00e1losti Miroslava Pet\u0159\u00ed\u010dka \/ Thinking through Images \u2013 The Visual Events of Miroslav Pet\u0159\u00ed\u010dek, Prague City Gallery, Prague, Czech Republic\r\nPublic Matters \u2013 Contemporary Art in the Belvedere Garden, Vienna, Austria\r\nJ&amp;T Banka Art Index Pop-up 2023, Prague, Czech Republic\r\n\r\n2022\r\nNad\u011bjn\u00e9 vyhl\u00eddky, Centrum sou\u010dasn\u00e9ho um\u011bn\u00ed DOX, Prague, Czech Republic\r\nJ&amp;T Banka Art Index Pop-up 2023, Invalidovna, Prague, Czech Republic\r\nEtwas lauft falsch \/ There\u2019s Something Wrong, Three campaings against violence on women, in cooperation with Lungomare, Tyrol, Austria\r\nOpen Studios, Veversk\u00e9 Kn\u00ednice, Czech Republic\r\nSenior linka \/ Senior Line, Central Slovakia Gallery, Bansk\u00e1 Bystrica, Slovakia\r\nArt Prague, 21st edition of the contemporary art fair, Prague, Czech Republic\r\nVergessen \/ Zapomn\u011bn\u00ed \/ Forgetting, Stadtagalerie Lehrte, Lower Saxony, Germany\r\nFolklore Is Not Dead, Gallery of Modern Art in Roudnice nad Labem, Czech Republic (Cat.)\r\nZ galerie ven! Um\u011bn\u00ed ve ve\u0159ejn\u00e9m prostoru \/ Out of the Gallery. Art in Public Space, Jaroslav Fragner Gallery, Prague, Czech Republic (Cat.)\r\nDrawings Now, Art Fair Paris, France\r\nRuka na konci ramene: (Spolu)pr\u00e1ce v \u010desk\u00e9m a slovensk\u00e9m um\u011bn\u00ed \/ Hand at the End of an Arm: Czech and Slovak P(Art)icipatory Projects, Eastern Slovakia Gallery, Ko\u0161ice, Slovak Republic\r\n\r\n2021\r\nZapomn\u011bn\u00ed, Rakousk\u00e9 kulturn\u00ed f\u00f3rum, Prague, Czech Republic\r\nDancing Museums, GHMP Z\u00e1mek Troja, Prague, Czech Republic\r\nUm\u011bn\u00ed oce\u0148ovat, Spole\u010dnost Jind\u0159icha Chalupeck\u00e9ho, Prague, Czech Republic\r\nArt Prague, 20th edition of the contemporary art fair, Prague, Czech Republic\r\nNad\u011bjn\u00e9 vyhl\u00eddky \/ Great Expectations, DOX Centre for Contemporary Art, Prague, Czech Republic\r\nSb\u00edrka Magnus Art 2000\u20132009 \/ Magnus Art Collection 2000\u20132009, Magnus Art Gallery, Prague, Czech Republic\r\nLib\u011bna Rochov\u00e1: P\u0159\u00edb\u011bhy panenek \/ Lib\u011bna Rochov\u00e1: Dolls\u2019 Stories, Czech Design Arcade, Prague, Czech Republic\r\nJ&amp;T Bank Art Index Pop-up, \u00dajezd, Czech Republic\r\nRuka na konci ramene: (Spolu)pr\u00e1ce v \u010desk\u00e9m a slovensk\u00e9m um\u011bn\u00ed \/ Hand at the End of an Arm: Czech and Slovak P(Art)icipatory Projects, 8smi\u010dka, Humpolec, Czech Republic (cat.)\r\nDancing Museums, Troja Chateau, Prague City Gallery, Prague, Czech Republic\r\nLa Cit\u00e9 sous le ciel \/ The City under the Sky, Cit\u00e9 internationale universitaire de Paris, France\r\nVergessen \/ Zapomn\u011bn\u00ed \/ Forgetting, Austrian Cultural Forum in Prague, Czech Republic (cat.) Sharity, Kunst(Zeug)Haus, Rapperswil-Jona, Switzerland\r\nKoncepty zrcadlen\u00ed \/ Mirroring Concepts, Gallery of Modern Art in Roudnice nad Labem, Czech Republic\r\nVergessen \/ Zapomn\u011bn\u00ed \/ Forgetting, a projekt for Factory\/K\u00fcnstlerhaus Wien, Austria\r\n\r\n2020\r\nApocalypse &amp; World Salvation, White Box, Zeppelin University, Lake Constance, Germany Skupinov\u00e1 terapia \/ Group Therapy, Slovak National Gallery \u2013 Schaubmar Mill in Pezinok, Slovakia\r\nZ hv\u011bzdy kruh. Nejkr\u00e1sn\u011bj\u0161\u00ed \u010desk\u00e9 knihy roku 2019 \/ The Star Circle. The Most Beautiful Czech Books of 2019, Hv\u011bzda Summer Palace, Czech Republic\r\nArtefiera, Galleria Michela Rizzo, Bologna, Italy\r\n\r\n2019\r\nMoc bezmocn\u00fdch. Umenie v politickom kontexte \u2013 politick\u00e9 aspekty v slovenskom a \u010deskom umen\u00ed po roku 1989 \/ The Power of the Powerless. Art in political context \u2013 Political aspects in Slovak and Czech art after 1989, Kunsthalle Bratislava, Slovakia\r\nNavzdory \/ Despite, Jaroslav Fragner Gallery, Prague, Czech Republic\r\nStencils 2. A group exhibition in the streets, Quito, Ecuador\r\nMuseum: An Inquiry into Modes of Encounters, Times Museum, Guangdong, China\r\nCommon Ground, Danchov House, Night Plovdiv 2019, Bulgaria\r\n24\/7, Somerset House, London, UK\r\nBanka Art Index Pop-up, d\u016fm U Zlat\u00e9ho hroznu, Prague, Czech Republic\r\nWORK\/Existence, Konsthallen MEKEN in Smedjebacken, Sweden\r\nLofoten International Art Festival (LIAF), Norway\r\n\r\n2018\r\nMo\u017enosti dialogu \/ Possibilities of Dialogue, National Gallery Prague (Salm Palace), Czech Republic\r\nLegendy Gr2 \/ Legends of Gr2, Gallery in the Tower, New Town Hall, Prague, Czech Republic (cat.)\r\nStanding Still, Lying Down, As If, MOCAD, Museum of Contemporary Art, Detroit, USA\r\nTRAM, Train Gallery and Cultural Center, Bratislava \u2013 Vienna, Slovakia\r\nFamilie (Family), Stedelijk Museum Schiedam, The Netherlands\r\nBefore We Forget, Goteborgs Konsthall, Sweden\r\nHaus der Sinnsuche (The Quest-for-Meaning Bureau, QMB). Cultivating a Good Life, Kunstsaele Berlin, Germany\r\nCatastrophe and the Power of Art, Mori Art Museum, Japan (cat.)\r\nThe Trouble with Grandparents, Kunsthaus Dresden, Germany\r\nYou Had to Be There, The Swissnex Gallery, San Francisco, USA\r\n\r\n2017\r\nPaneland. Nejv\u011bt\u0161\u00ed \u010deskoslovensk\u00fd experiment \/ Czechoslovakia\u2019s Great Housing Experiment, Moravian Gallery, Brno, Czech Republic\r\nNeighbour, V\u00f6gele Kultur Zentrum in Pf\u00e4ffikon, Switzerland\r\nMaking an Image of the World \u2013 About Blurriness and White Spots in Maps, Kunsthaus Muerz, M\u00fcrzzuschlag, Austria\r\nStrach z nezn\u00e1m\u00e9ho \/ Fear of the Unknown, Gallery of the National Technical Library, Prague, Czech Republic\r\n\r\n2016\r\nAmor, Oi Futuro Cultural Center, Rio de Janeiro, Brazil\r\nHuman and the Others. Love, Friendship, Suspicion, Aversion, MMOMA\u2013Moscow, Museum of Modern Art, Moscow, Russia\r\nAsylum, Biefelder Kunstverein, Germany\r\nLaughter and Forgetting, MeetFactory, Prague, Czech Republic\r\nCities and (Velo)cities (within the Summer of Photography Biennale), De Markten, Brussels, Belgium\r\nStrach z nezn\u00e1m\u00e9ho \/ Fear of the Unknown, Kunsthalle Bratislava, Slovakia\r\n\r\n2015\r\nConstel\u00b7lacions Familiar, Espai Mortiz, Cornell\u00e0, Spain\r\nR\u00e4ume und Ressourcen, Kunstraum Lakeside \/ Klagenfurt, Austria\r\n2nd Tbilisi Triennial, Tbilisi, Georgia\r\nLaughter and Forgetting, Bucharest Art Week, Romania\r\nBetween Democracies 1989-2014: Memory and Commemoration, Constitutional Hill, Johannesburg, South Africa\r\nFirst Cut \/ Prima T\u0103ietur\u0103, set-up for a new cultural centre in ARAD, TEBA Factory, Romania\r\nEchigo - Tsumari Art Triennale 2015, Japan (cat.)\r\nFashion as Social Energy, Palazzo Morando Museum of Costumes, Fashion and Image, Milan, Italy (cat.)\r\nThe Ties That Bind: Artists and Archives, University at Albany Art Museum, NY, USA (cat.)\r\nNouveau festival, Centre Pompidou, Paris, France\r\nLove at the Edge, Oi Futuro Cultural Center, Rio de Janeiro, Brazil\r\nLove at the Edge, Arsenal Gallery, Bia\u0142ystok, Poland\r\nArt as a Verb, Artspace, Sydney, Australia (cat.)\r\nConstel\u00b7lacions Familiar, Museu d\u2019art de l\u2019Empord\u00e0, Catalonia, Spain\r\nConstel\u00b7lacions Familiar, Museu d\u2019art Contemporani de Matar\u00f3, Catalonia, Spain\r\nGrand Domestic Revolution GOES ON, Careof, Milan, Italy (cat.)\r\n\r\n2014\r\nTurning Points in 20th century, Hungarian National Gallery, Budapest, Hungary\r\nIn A Skirt \u2013 Sometimes \/ Art og the 1990s, Prague City Gallery, Czech Republic (cat.)\r\nThese Immovable Walls: Performing Power at Dublin Castle, Dublin Castle, Ireland\r\nI Take Part and the Part Takes Me, Galerie Tanja Wagner, Berlin, Germany\r\nVOR_ORT. AN ART PROJECT IN SENNESTADT, Sennestadt and the Bielefelder Kunstverein, Sennestadt, Germany (cat.)\r\nTutti Frutti \u2013 festival sou\u010dasn\u00e9ho um\u011bn\u00ed [Contemporary Art Festival], Bratislava, Slovakia\r\nVII. Nov\u00fd Zl\u00ednsk\u00fd salon, Zl\u00edn, Czech Republic (cat.)\r\nN\u011bkdy v sukni \/ In a Skirt \u2013 Sometimes. Art of the 1990s, Moravian Gallery, Brno, Czech Republic (cat.)\r\nArt As a Verb, Monash University Museum of Art, Melbourne, Australia (cat.)\r\n\r\n2013\r\nKde domov m\u016fj \/ Where Is My Home?, DOX, Centre for Contemporary Art, Prague, Czech Republic\r\nGeneral Bordure, Art Center Le Quartier, Quimper, France\r\nMore Love: Art, Politics, and Sharing Since the 1990s, Cheekwood Museum of Art, USA (cat.)\r\nThe Fifth Moscow Biennale of Contemporary Art, Moscow, Russia\r\n\u0160kola um\u011bn\u00ed, Emil Filla Galerie, \u00dast\u00ed nad Labem, Czech Republic\r\nPoison Green, Czech Center, New York, USA\r\nAufwachen! Besser machen! Humboldt University Gallery, Humboldt, Germany\r\nContemporary Landscape Architecture in Visegrad Countries 2013, Jaroslav Fragner Gallery, Prague, Czech Republic\r\nMore Love: Art, Politics, and Sharing Since the 1990s, Ackland Art Museum | University of North Carolina, Chapel Hill, USA (cat.)\r\nFifth international Artist\u2019s Books Exhibition 2013, The King St. Stephen Museum, Hungary (cat.)\r\nThe Grand Domestic Revolution \u2013 User\u2019s Manual, Centre for Contemporary Art in Derry~Londonderry, Northern Ireland (cat.)\r\n\r\n2012\r\nConstel\u00b7lacions familiars, Hero\u00ednas de la Cultura, Spain\r\nHembygd, Marabouparken, Stockholm, Sweden\r\nAn_Eignungen, Kunstverein Langenhagen, Langenhagen, Germany\r\n30 K\u00fcnstler \/ 30 R\u00e4ume, Neues Museum, Nurenberg, Germany (cat.)\r\nZa\u010d\u00e1tek stolet\u00ed \/ The Begginning of the Century, Z\u00e1pado\u010desk\u00e1 galerie v Plzni (cat.), Plze\u0148, Czech Republic\r\nSpotlight - Video \u2013 Kunst, Essl Museum, Klosterneuburg, Austria\r\nMit sofortiger Wirkung. K\u00fcnstlerische Eingriffe in den Alltag, Kunsthalle Wien Project Space Karlsplatz, Vienna, Austria (cat.)\r\nArtistas, Galeria Filomena Soares, Lisbon, Portugal\r\n\r\n2011\r\nFuture Generation Art Prize, 54. Venice Biennial, Venice, Italy\r\nTutto \u00e8 connesso 2, Museo d\u2019Arte Contemporanea Castello di Rivoli, Turin, Italy\r\nUn\u2019 Espressione Geografica, Fondazione Sandretto Re Rebaudengo, Turin, Italy (cat.)\r\nVI. Nov\u00fd zl\u00ednsk\u00fd salon 2011, Galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed \/ Regional Art Gallery, Zl\u00edn, Czech Republic (cat.)\r\n52nd October Salon, The Cultural Centre of Belgrade, Belgrade, Serbia (cat.)\r\nAufruf zur Alternative, Schmela Haus, D\u00fcsseldorf, Germany (cat.)\r\nKind of Change. New Acquisitions 2009\u20132011, Ludwig M\u00fazeum, Museum of Contemporary Art, Budapest, Hungary\r\nHome, Sweet Home, Tama Art University, Information Design Gallery, Tokyo, Japan\r\nThe Other Tradition, Wiels Contemporary Art Centre, Brussels, Belgium\r\n\r\n2010\r\nAware: Art Fashion Identity, Royal Academy of Arts, London, UK\r\nSounds\/Radio Art\u2014Neue Musik, ZKM, Zentrum f\u00fcr Kunst und Medientechnologie, Karlsruhe, Germany\r\nFuture Generation Art Prize \/ Shortlisted Artists, Pinchuk Art Centre, Kyiv, Ukraine\r\nTrien\u00e1le umenia knihy, Martin 2010, Tur\u010dianska Gal\u00e9ria v Martine, Martin, Slovakia\r\nJind\u0159ich Chalupeck\u00fd Award \/ Prize-Winners 20 years, DOX, Centre for Contemporary Art, Prague, Czech Republic\r\nBook Show, Eastside Projects, Birmingham, UK\r\nOver The Counter: Economy in Post Socialist Art, Muscarnok Kunsthalle, Budapest, Hungary (cat.)\r\nI See Things That Are Not There, Polish Institute, Rome, Italy\r\nEp\u00edlogo, Maisterravalbuena galer\u00eda, Madrid, Spain\r\nDie Letzten ihrer Art. Altruismus: Kunst aus Tschechien Heute, Bonner Kunstverein, Bonn, Germany (cat.)\r\nA Pair of Left Shoes: Reality Check in Eastern Europe, Museum of Contemporary Art, Zagreb, Croatia\r\nRegionale 10, Landschaftsmuseum im Schloss Trautenfels, Trautenfels, Austria (cat.)\r\nArt Sheffield 10, Millennium Gallery, Sheffield, UK\r\nFormate der Transformation 89\u201309, Museum auf Abruf, Vienna, Austria (cat.)\r\nSounds \/ Radio Art\u2014Neue Musik, NBK, Neuer Berliner Kunstverein, Berlin, Germany (cat.)\r\nEars like Loops, ZONA Sztuki Aktualnej, \u0141\u00f3d\u017a, Poland\r\nVideo Drawing, The Israel Museum, Jerusalem, Israel\r\nJeden na jednoho \/ One on One, House of the Lords of Kun\u0161t\u00e1t, Brno, Czech Republic\r\nLes Promesses du pass\u00e9, Centre national d\u2019art et de culture Georges Pompidou, Paris, France (cat.)\r\nThis Is Not a Game, HDLU, Croatian Association of Artists, Zagreb, Croatia\r\n\r\n2009\r\nVideo Drawing, The Ticho House, Jerusalem, Israel\r\nRadio D-CZ, tranzitdisplay, Prague, Czech Republic\r\nPo sametu \/ After Velvet, City Gallery Prague, Prague, Czech Republic (cat.)\r\nFormaty transformace \/ Formats of Transformation, The Brno House of Arts, Brno, Czech Republic (cat.)\r\nNa okraji z\u00e1jmu \/ On the Periphery of Concern, Emil Filla Gallery, \u00dast\u00ed nad Labem, Czech Republic\r\nFri Porto, Den Frie Centre of Contemporary Art, Copenhagen, Denmark\r\nAfter the Final Simplification of Ruins, Montehermoso Cultural Center, Vitoria, Spain\r\nThe Spectacle of the Everyday, 10th Lyon Biennial, Lyon, France (cat.)\r\nGenerosity Is the New Political, Wysing Arts Centre, Cambridge, UK\r\nTime out of Joint: Recall and Evocation in Recent Art, The Kitchen, New York, USA\r\nMonument Transformace, City Gallery Prague, Prague, Czech Republic\r\nA Pair of Left Shoes, Kunstmuseum Bochum, Bochum, Germany\r\nThe Jind\u0159ich Chalupeck\u00fd Award: New Millenium, Minor Sensations, Museum of Art, Seoul National University, Seoul, South Korea\r\nYounger than Jesus, New Museum, New York, USA (cat.)\r\nBewohnte Orte \/ Obydlen\u00e1 m\u00edsta, Krajsk\u00e1 galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed ve Zl\u00edn\u011b, Zl\u00edn, Czech Republic\r\nTry to Make a Simple Gesture, No Matter How Small!, Trafo Gallery, Budapest, Hungary\r\n\r\n2008\r\nThe Greenroom: Reconsidering the Documentary and Contemporary Art, Hessel Museum of Art &amp; Center for Curatorial Studies Galleries at Bard College, Annandale-on-Hudson, USA (cat.)\r\nCutting Realities, Gender Strategies in Art, Austrian Cultural Forum NYC, New York, USA (cat.)\r\nTINA B. The Prague Contemporary Art Festival 08, Prague, Czech Republic\r\nLa Petite Histoire, Kunstraum Nieder\u00f6sterreich, Vienna, Austria\r\nArcheology of Longing, Kadist Art Foundation, Paris, France (cat.)\r\nBewohnte Orte \/ Obydlen\u00e1 m\u00edsta, Springhornhof, Neuenkirchen, Germany\r\nAt the Limits, Emil Filla Gallery, \u00dast\u00ed nad Labem, Czech Republic\r\nAverage, Kunsthaus Langenthal, Langenthal, Switzerland (cat.)\r\nManifesta 7, Bolzano, Italy (cat.)\r\nSocial Diagrams, K\u00fcnstlerhaus Stuttgart, Stuttgart, Germany\r\nNo Borders, Just N.E.W.S. (NORTH, EAST, WEST, SOUTH), Thessaloniki Centre of Contemporary Art, Thessaloniki, Greece, AICA, Paris, France (cat.)\r\nSixth Biennial of Young Artists, Zvon 2005, City Gallery Prague, Prague, Czech Republic\r\nWhere the Lions Are, Para\/Site Art Space, Hong Kong, China\r\nWir sind immer f\u00fcr euch da, Kunsthaus Dresden, Dresden, Germany\r\nManual CC, Uqbar, Berlin, Germany\r\nWhen Things Cast No Shadow, 5th Berlin Biennale, Berlin, Germany (cat.)\r\nAbsence v z\u00e1znamu, Galerie V\u00e1clava \u0160p\u00e1ly, Prague, Czech Republic\r\nNo Borders, Just N.E.W.S. (NORTH, EAST, WEST, SOUTH), AICA, Paris, France (cat.)\r\nClose Encounters, Fine Arts Center Galleries, University of Rhode Island, Kingston, USA\r\nAbsence Recorded, V\u00e1clav \u0160p\u00e1la Gallery, Prague, Czech Republic\r\n\r\n2007\r\nAll Dressed-Up with Nowhere to Go , tranzitdisplay, Prague, Czech Republic\r\nAVU, National Gallery, Prague, Czech Republic\r\nStalking with Stories: The Pioneers of the Immemorable, Apexart, New York, USA\r\nDocumenta 12, Aue Pavillon, Kassel, Germany\r\nIrgendwo dazwischen, Museum Sammlung in Friedrichshof, Zurndorf, Austria (cat.)\r\nAsia\u2014Europe Mediations, IF Museum Inner Spaces, Posen, Poland\r\nFacelift: 3 Contemporary Czech and Slovak Artists, A.I.R. Gallery, New York, USA\r\nPolitics of Friendship, Gallery \u0160tenberk, \u0160tenberk, Czech Republic\r\nAs in Real Life, Gallery P 74, Ljubljana, Slovenia (cat.)\r\nAuditorium, Stage, Backstage\u2014An Exposure in 32 Acts, Frankfurter Kunstverein, Frankfurt, Germany\r\n\r\n2006\r\nPozval jsem p\u00e1r p\u0159\u00e1tel, aby se pod\u00edvali \/ I Invited a Couple of Friends Over to Have a Look, Galerie Miroslav Kraljevic and Galerie Nova, Zagreb, Croatia\r\nGray Zones, D\u016fm um\u011bn\u00ed, Brno, Czech Republic and Galerie f\u00fcr Zeitgen\u00f6ssische Kunst, Leipzig, Germany (cat.)\r\nShadows of Humor, BWA Wroc\u0142aw, Poland\r\nLocal Stories, Modern Art Oxford, Oxford, UK (cat.)\r\n\r\n2005\r\n1811197804122005, Plan B, Cluj, Romania\r\nJind\u0159ich Chalupeck\u00fd Award, City Gallery, Prague, Czech Republic (cat.)\r\nHotspots &amp; Essl Award, Sammlung Essl, Vienna, Austria (cat.)\r\nThe One, New General Catalog 224, New York, USA\r\nDiplomanti AVU 2005 \/ AVU Graduates 2005, National Gallery, Prague, Czech Republic (cat.)\r\nPrague Biennale 2, Prague, Czech Republic (cat.)\r\nEssl Award, AVU Modern Gallery, Prague, Czech Republic\r\nFifth Biennial of Young Artists, Zvon 2005 (Bell 2005), City Gallery Prague, Czech Republic\r\n281 m\u00b2, V\u00e1clav \u0160p\u00e1la Gallery, Prague, Czech Republic\r\nD\u016fm um\u011bn\u00ed \/ House of Art, Brno, Czech Republic\r\nTicho pros\u00edm! Maluji \/ Quiet, Please, I\u2019m Painting!, Galerie u Prstenu, Prague, Czech Republic","realizations_other":"2026\r\ntren\u010cIN, Tren\u010d\u00edn, Slovakia\r\n\r\n2025\r\nNATIONAL COLLECTION OF BAD HABITS Encyclopedia of Bad Habits of the Czech Nation in XV Chapters, Brno, Czech Republic\r\nI START TOMORROW! - Christmas Festival of Bad Habits, Brno, Czech Republic\r\nYESTERDAY, TODAY, AND TOMORROW \/ University of the Third Age, Varnsdorf, Czech Republic\r\n\r\n2023-2025\r\nRadio GUGGACH, Zurich, Switzerland\r\n\r\n2023-2024\r\nELITKA, Varnsdorf, Czech Republic\r\n\r\n2022-2027\r\nNATIONAL COLLECTION OF BAD HABITS, various locations\r\n\r\n2023\r\nBolesLOVE, Mlad\u00e1 Boleslav, Czech Republic\r\nCOME CLOSER!, Belvedere Museum, Vienna \/ Public Matters \u2013 Contemporary Art in the Belvedere Garden, Austria\r\nKate\u0159ina \u0160ed\u00e1, Pacific Prague Trail, Signal Festival, Prague, Czech Republic\r\n\r\n2022\r\nFROM FEET TO FEET, Zl\u00edn, Czech Republic\r\n\r\n2021\r\nSATURDAY ON SUNDAY \/ Special compensation bonus 2021, Tren\u010d\u00edn, Slovakia\r\n\r\n2020\r\nANNA Ja V\u00d5TA \/ Give And Take, Tallinn, Estonia\r\nA PLACE BY THE WINDOW, Monastery Meadows city district in Sofia and Sofia City Art Gallery, Sofia, Bulgaria\r\n\r\n2019\u20132020\r\n\u660e\u5929\u4f1a\u66f4\u597d \/ THE FUTURE WILL BE BETTER, Times Museum, Guangdong, China\r\n\r\n2019\r\nSOMETHING FOR SOMETHING, Lofoten, Norway\r\n\r\n2018\r\nEX:PO \/ THE LARGEST CZECHOSLOVAK GROUP DATE, Brno, Czech Republic\r\n\r\n2017-2026\r\nNO-STREET BUSKING, Brno, Czech Republic\r\nKOKO-GATHERING XXXIII, AVU, Prague, Czech Republic\r\n\r\n2017-2019\r\nUNES-CO Production: 2017\u20132019 Sites: \u010cesk\u00fd Krumlov, Czech Republic; Venice, Italy\r\n\r\n2017\r\nHALF AND HALF, Prague, Czech Republic \u2013 Dresden, Germany\r\n\r\n2016\r\nThe Tram Buskers Tour, Helsinki, Finland\r\n0\u20133 MONTHS, Brno, Czech Republic\r\n\r\n2015-2018\r\nMADE IN SLAVUTYCH, Slavutych, Kiev, Chernobyl, Pripyat, Ukraine; Brno, Prague, Jihlava, Czech Republic\r\n\r\n2015\u20132016\r\nBRNO \u2013 ST\u0158ET, Brno, Czech Republic\r\n\r\n2015\r\nBed\u0159ichovice nad Tem\u017e\u00ed \/ Bed\u0159ichovice upon Thames, Czech Republic\r\nTr\u017enica Boj\u00e1rt, Bratislava, Slovakia\r\n51+, Prague, Czech Republic\r\n\r\n2014\r\nMilada \u0160oukalov\u00e1: norm\u00e1ln\u00ed \u017eivot [Milada \u0160oukalov\u00e1: Normal Life], Brno, Czech Republic\r\n\r\n2014\u20132015\r\nBed\u0159ichovice nad Tem\u017e\u00ed, Czech Republic\r\n\r\n2014\r\nDrei H\u00fcgeln, drei B\u00e4ume, zwei Rosen \u2013 Schatzsuche in Sennestadt, Bielefeld, Germany\r\nP\u0159\u00edlet pe\u010den\u00fdch holub\u016f [The Arrival of Roasted Pigeons], Bed\u0159ichovice, Czech Republic\r\n\r\n2013\u20132014\r\nEverything Is Perfect, Los Altos\/ SF MoMA, San Francisco, USA\r\n\r\n2013\r\nDva v jednom \/ Two In One, Puttershoek, The Netherlands\r\nDev\u00e1t\u00fd p\u0159es p\u00e1t\u00fd \/ This Is Not a Czech Pavilion, Zast\u00e1vka u Brna \u2013 Venice, Czech Republic\r\nMami, d\u00edvej se na m\u011b! \/ Mom, Look at Me! Rome, Italy \u2013 Brno \u2013 L\u00ed\u0161e\u0148, Czech Republic\r\n\r\n2011\u20132015\r\nOd nevid\u00edm do nevid\u00edm \/ From Morning Till Night, Bed\u0159ichovice, Czech Republic\/London, UK\r\n\r\n2009\u2013(dlouhodob\u011b)\r\nNed\u00e1 se sv\u00edtit \/ I See It Black, Trautenfels, Austria; No Light, No\u0161ovice, Czech Republic \/ shown in Tokyo, Japan; It\u2019s Too Late in The Day, No\u0161ovice, Czech Republic \/ shown in Bremen, Germany; No Way, Sicily, Italy; Hyundai Open Day, Venice, Italy; That\u2019s the Way the Cookie Crumbles, No\u0161ovice, Czech Republic \/ shown in London, UK; Die Suppe ist gegessen, Wiesbaden, Germany; Talk to the Sky \u2018Cause the Ground Ain\u2019t Listening, Lucerne, Switzerland\r\n\r\n2010\u20132013\r\nL\u00ed\u0161e\u0148sk\u00fd Profil \/ L\u00ed\u0161e\u0148 Profile, Brno\u2013L\u00ed\u0161e\u0148, Czech Republic\r\n\r\n2010\r\nT\u00fck\u00f6rhegy \/ Mirror Hill, T\u00f6r\u00f6balint, Hungary\r\n\r\n2009\r\nDer Geist von Uhyst \/ The Spirit of Uhyst, Uhyst, Germany\r\n\r\n2008\r\nFurt dokola \/ Over and Over, Brno\u2013L\u00ed\u0161e\u0148, Czech Republic \/ Berlin, Germany\r\n\r\n2007\u20132011\r\nPani\u010d\u010dino v\u0161ecko \/ Her Mistress\u2019s Everything, Brno\u2013L\u00ed\u0161e\u0148, Czech Republic\r\n\r\n2007\r\nKa\u017edej pes jin\u00e1 ves \/ For Every Dog a Different Master, Brno\u2013L\u00ed\u0161e\u0148, Czech Republic\r\n\r\n2006\u20132007\r\nVnu\u010dka \/ The Granddaughter, Prague, Brno\u2013L\u00ed\u0161e\u0148, Czech Republic\r\n\r\n2005\u20132007\r\nJe to jedno \/ It Doesn\u2019t Matter, Brno\u2013L\u00ed\u0161e\u0148, Czech Republic\r\n\r\n2005\r\n\u0160ed\u00e1 komise \/ Gray Committee, Prague, Czech Republic\r\n\r\n2004\r\nV\u00fdchova d\u00edt\u011bte \/ Raising Children, Brno\u2013L\u00ed\u0161e\u0148, Czech Republic\r\nRaising a Child, Brno\u2013L\u00ed\u0161e\u0148, Czech Republic\r\n\r\n2003\r\nNic tam nen\u00ed \/ There\u2019s Nothing There, Pon\u011btovice, Czech Republic\r\n\r\n2002\r\nKarl\u016fv most \/ Charles Bridge, Prague, Czech Republic\r\nTicho pros\u00edm! Maluji \/ Quiet Please! I\u2019m Painting, Podol\u00ed and Brno\u2013L\u00ed\u0161e\u0148, Czech Republic\r\n\r\n2001\r\nV\u00fdstava za okny \/ Window Exhibition, Brno\u2013L\u00ed\u0161e\u0148, Czech Republic\r\n\r\n2000\r\nBezdomovec \/ Homeless Man, Brno, Czech Republic\r\n\r\n1999\r\nSpan\u00ed na hrobech \/ Sleeping on Tombs, Brno\u2013L\u00ed\u0161e\u0148, Czech Republic\r\nKniha o po\u010dtu vajec \/ Egg-Counting Book, Brno\u2013L\u00ed\u0161e\u0148, Czech Republic\r\nKniha na smrk\u00e1n\u00ed \/ Nose-Blowing Book, Brno\u2013L\u00ed\u0161e\u0148, Czech Republic\r\nKresby kart\u00e1\u010dkem na zuby \/ Toothbrush Drawings, Brno\u2013L\u00ed\u0161e\u0148, Czech Republic\r\nKresby sekerou \/ Axe Drawings, Brno\u2013L\u00ed\u0161e\u0148, Czech Republic\r\nKresby \u017eehli\u010dkou \/ Iron Drawings, Brno\u2013L\u00ed\u0161e\u0148, Czech Republic\r\nKresby vysava\u010dem \/ Vacuum-Cleaner Drawings, Brno\u2013L\u00ed\u0161e\u0148, Czech Republic\r\nH\u00e1zen\u00ed hrachu na ze\u010f \/ Throwing Peas at a Wall, Brno\u2013L\u00ed\u0161e\u0148, Czech Republic\r\nPloty \/ Fences, Brno\u2013L\u00ed\u0161e\u0148, Czech Republic\r\n\r\n&nbsp;\r\n\r\n<b>Permanentn\u00ed realizace ve ve\u0159ejn\u00e9m prostoru<\/b>\r\n\r\n2013\u20132015\r\nRevitalizace n\u00e1vsi v Bed\u0159ichovic\u00edch \u2013 Bed\u0159ichovice nad Tem\u017e\u00ed \/ Revitalization of\r\nthe Village Square in Bed\u0159ichovice \u2013 Bed\u0159ichovice upon Thames, Czech\r\nRepublic, Visual identity of the project: Radim Pe\u0161ko, Architectural design of the village square and the cultural centre: Jitka Ressov\u00e1 \/ Ellement, David Zaj\u00ed\u010dek, Tom\u00e1\u0161 Dvo\u0159\u00e1k\r\n\r\n2013\r\nTwo in One, De Wijk van je Leven, Puttershoek, The Netherlands,\r\nArchitect: Jitka Ressov\u00e1\/ Ellement, Curator: Theo Tegelaers\/ TAAK\r\n\r\n2012\u20132014\r\nEn parts \u00c9gales, 8th Art, Grand Lyon Habitat, Lyon, France, Architect: Jitka Ressov\u00e1\/ Ellement (suspended)\r\n\r\n&nbsp;\r\n\r\n<strong>Filmy<\/strong>\r\n\r\n2020\r\nPr\u016fvodce v\u00fdtvarn\u00fdm \u00fazem\u00edm: Kate\u0159ina \u0160ed\u00e1 [A Guide to the Art Territory: Kate\u0159ina \u0160ed\u00e1], directed by Bibiana Be\u0148ov\u00e1, Czech Television, 2020, 26 min.\r\n\r\n2012\r\nKate\u0159ina \u0160ed\u00e1: Jak se d\u011bl\u00e1 m\u00fdtus [Kate\u0159ina \u0160ed\u00e1: Mythmaking], directed by Jan Gogola Jr., document, 2012, 90 min.\r\nKate\u0159ina \u0160ed\u00e1: Jak se d\u011bl\u00e1 sv\u00e1tek [Kate\u0159ina \u0160ed\u00e1: Holidaymaking], directed by Jan Gogola Jr., document, 2012, 51 min.","collections":"Artoth\u00e8que de Grand Quevilly, France\r\nAlbertina, Vienna, Austria\r\nCollectione La Gaia, Busca, Italy\r\nFondazione Morra Greco, Naples, Italy\r\nGallery of Fine Arts in Ostrava, Czech Republic\r\nPrague City Gallery, Prague, Czech Republic\r\nGianferrari Collection, Italy\r\nFondazione Nomas, Rome, Italy\r\nJ&T Banka, Czech Republic\r\nKing St. Stephen Museum\u2019s artist\u2019s book collection, Sz\u00e9kesfeh\u00e9rv\u00e1r, Hungary\r\nKlatovy-Klenova, Plze\u0148, Czech Republic\r\nKontakt, Erste Bank Collection, Austria\r\nKunstmuseum Luzern, Switzerland\r\nLudwig M\u00fazeum, Museum of Contemporary Art, Budapest, Hungary\r\nMuseo d\u2019arte contemporanea Castello di Rivoli, Turin, Italy\r\nMuseum of Contemporary Art in Krakow, Poland\r\nMuseum of Modern Art Poland, Warsaw, Poland\r\nMuseums Sheffield, Sheffield, UK\r\nNational Gallery Prague, Czech Republic\r\nSammlung Essl, Klosterneuburg, Austria\r\nUNIBANK Group Collection, Italy\r\nUniCredit Art Collection, Milan, Italy\r\nMuseum of Contemporary Art in Krakow, Poland\r\n+ private collection in Austria, Czech Republic","monographies":"2025\r\nN\u00c1RODN\u00cd SB\u00cdRKA ZLOZVYK\u016e \/ NATIONAL COLLECTION OF BAD HABITS, Encyklopedie ne\u0161var\u016f n\u00e1roda \u010desk\u00e9ho v XV kapitol\u00e1ch, published by Akademie pav\u011bd, Brno 2025\r\n\r\nRADIO GUGGACH, Kate\u0159ina \u0160ed\u00e1, published by Kate\u0159ina \u0160ed\u00e1, Brno, 2025\r\n\r\n2024\r\nKate\u0159ina \u0160ed\u00e1, BANKA VZPOM\u00cdNEK \/ BANK OF MEMORIES, published by Tisk\u00e1rna Helbich, Brno\r\n\r\nELITKA 100, published by Kate\u0159ina \u0160ed\u00e1\r\n\r\nN\u00c1RODN\u00cd SB\u00cdRKA ZLOZVYK\u016e \/ NATIONAL COLLECTION OF BAD HABITS, Encyklopedie ne\u0161var\u016f n\u00e1roda \u010desk\u00e9ho v XV kapitol\u00e1ch, published by Kate\u0159ina \u0160ed\u00e1, Brno\r\nISBN 978-80-907123-2-4\r\n\r\n2022\r\nCoronadi\u00e1\u0159 \/ Coronadiary, published by Kate\u0159ina \u0160ed\u00e1, Brno and ESAC, \u010cesk\u00e9 Bud\u011bjovice, 2021. The publication was released in a limited edition of 100 copies.\r\n\r\nN\u00e1rodn\u00ed sb\u00edrka zlozvyk\u016f \/ The National Collection of Bad Habits, artist\u2019s book, published by Kate\u0159ina \u0160ed\u00e1\r\n\r\n2021\r\nHerzlich Willkommen, Kunst im \u1f45ffentlichen Raum Nieder\u1f45sterreich, Austria\r\n\r\nJulie Klus\u00e1kov\u00e1: Coronadi\u00e1\u0159 2021 \/ Julie Klus\u00e1kov\u00e1: Coronadiary 2021, published by Kate\u0159ina \u0160ed\u00e1 and Egon Schiele Art Centrum in \u010cesk\u00fd Krumlov, Czech Republic\r\n\r\n2020\r\n\u041c\u042f\u0421\u0422\u041e \u0414\u041e \u041f\u0420\u041e\u0417\u041e\u0420\u0415\u0426\u0410 \/ M\u00edsto u okna\r\n\r\nPublished by Kate\u0159ina \u0160ed\u00e1, Vaska Emanouilova Gallery (branch of Sofia City Art Gallery)\r\n\r\nRomsko-\u010ceskoskovensko-Romsk\u00fd kalend\u00e1r 2020, published by Curatorial Studies Institute \/ Potuln\u00e1 gal\u00e9ria nomadSPACE\r\n\r\nJulie Klus\u00e1kov\u00e1: Coronadiary, published by Kate\u0159ina \u0160ed\u00e1\r\n\r\n2019\r\nKate\u0159ina \u0160ed\u00e1: UNES-CO aneb Divad\u00fdlko pro turisty, published by ESAC \u010cesk\u00fd Krumlov, National Gallery Prague\r\n\r\nPRVN\u00cd POSLEDN\u00cd pro Julii \/ THE FIRST \u2013 THE LAST: Bend Over Backwards for Julie, published by Kate\u0159ina \u0160ed\u00e1, 2019 (The artist\u2019s book was published in a limited edition of 10 copies, each bearing the artist\u2019s signature.)\r\n\r\nUNES-CO (cat.), The catalogue is published in conjunction with Kate\u0159ina \u0160ed\u00e1\u2019s UNES-CO project, which is representing the Czech Republic at the 16th International Architecture Exhibition in Venice.\r\n\r\nPovol\u00e1n\u00ed: \u0160ED\u00c1, published by GVUO v Ostrav\u011b and Kate\u0159ina \u0160ed\u00e1\r\n\r\n2018\r\nEX:PO, nejv\u011bt\u0161\u00ed \u010deskoslovensk\u00e9 rande \/ The Largest Czechoslovak Date, published by Kate\u0159ina \u0160ed\u00e1\r\n\r\n2017\r\nVladim\u00edr Kokolia Slovn\u00edk Kate\u0159iny \u0160., published by Academy of Fine Arts in Prague\r\nEX: PO \/ Nejv\u011bt\u0161\u00ed \u010deskoslovensk\u00e9 rande, published by Kate\u0159ina \u0160ed\u00e1\r\n\r\n2016\r\nRomsko-\u010desko-romsk\u00fd kalend\u00e1\u0159 2017 \/ Roma-Czech-Roma Calendar 2017, published by Kate\u0159ina \u0160ed\u00e1\r\n\r\nBrnox. Pr\u016fvodce brn\u011bnsk\u00fdm Bronxem \/ Brnox. A Guide to Brno Bronx, published by Kate\u0159ina \u0160ed\u00e1 in collaboration with Tripitaka, z.s.\r\n\r\nJadern\u00e1 puma a jej\u00ed v\u00fdroba v amat\u00e9rsk\u00fdch podm\u00ednk\u00e1ch, published by Karol\u00edna Borovcov\u00e1 - UTE (Adam Mach\u00e1\u010dek a Kate\u0159ina \u0160ed\u00e1, Ukraden\u00e9 texty), Praha\r\n\r\n51+ \/ Nejkr\u00e1sn\u011bj\u0161\u00ed \u010desk\u00e9 knihy 2015 \/ The Most Beautiful Czech Books 2015, published by the Czech Ministry of Culture and the National Museum of Literature, Czech Republic\r\n\r\nDie Suppe ist gegessen, Kate\u0159ina \u0160ed\u00e1, Adam Mach\u00e1\u010dek (ed.), published by Kate\u0159ina \u0160ed\u00e1\r\n\r\n2015\r\nBed\u0159ichovice upon Thames, Kate\u0159ina \u0160ed\u00e1, Radim Pe\u0161ko (ed.), published by Kate\u0159ina \u0160ed\u00e1\r\n\r\nTr\u017enica Boj\u00e1rt, Kate\u0159ina \u0160ed\u00e1 (ed.), published by tranzit.sk, Bratislava\r\n\r\n2014\r\nBed\u0159ichovice nad Tem\u017e\u00ed \u2013 u\u017eite\u010dn\u00e9 v\u00fdrazy a fr\u00e1ze \/ Bed\u0159ichovice upon Thames: Useful Expressions and Phrases, Ale\u0161 Pal\u00e1n, Radim Pe\u0161ko (ed.), published by Kate\u0159ina \u0160ed\u00e1 and Moravian Gallery in Brno, Brno\r\n\r\nNorm\u00e1ln\u00ed \u017eivot, Milada \u0160oukalov\u00e1, Kate\u0159ina \u0160ed\u00e1 a D\u016fm um\u011bn\u00ed v \u010cesk\u00fdch Bud\u011bjovic\u00edch\r\n\r\nMilada \u0160oukalov\u00e1: norm\u00e1ln\u00ed \u017eivot [Milada \u0160oukalov\u00e1: Normal Life], Kate\u0159ina \u0160ed\u00e1, Ale\u0161 Pal\u00e1n (ed.), published by Kate\u0159ina \u0160ed\u00e1 and House of Art \/ Gallery of Contemporary Art, \u010cesk\u00e9 Bud\u011bjovice\r\n\r\nEverything Is Perfect, Kate\u0159ina \u0160ed\u00e1, Adam Mach\u00e1\u010dek (ed.), published by Kate\u0159ina \u0160ed\u00e1 with support of SF MOMA in San Francisco\r\n\r\nCalendar for From Morning Till Night 2014\u20132015, Kate\u0159ina \u0160ed\u00e1, Radim Pe\u0161ko (ed.), published by Kate\u0159ina \u0160ed\u00e1 and Au 8 rue Saint-Bon, Paris\r\n\r\nZAST\u00c1VKA, 2014, Kate\u0159ina \u0160ed\u00e1, Bate\u017eo Mikilu, Radim Pe\u0161ko (ed.), published by Kate\u0159ina \u0160ed\u00e1 and Galerie f\u00fcr Zeitgen\u00f6ssische Kunst Leipzig, Leipzig\r\n\r\n2013\r\nBed\u0159ichovick\u00fd di\u00e1\u0159 2014 [Bed\u0159ichovice Diary 2014], Kate\u0159ina \u0160ed\u00e1 (ed.), published by Kate\u0159ina \u0160ed\u00e1 and Moravian Gallery, Brno\r\n\r\nZast\u00e1vka u Brna, Venice Biennial, 2013, Kate\u0159ina \u0160ed\u00e1, Bate\u017eo Mikilu, Radim Pe\u0161ko (ed.), published by Bate\u017eo Ka Mikilu, with support from the Taipei Fine Art Museum, Taipei\r\n\r\nJmenuje\u0161 se Josef \u0160ed\u00fd [Your Name Is Josef \u0160ed\u00fd], Ale\u0161 Pal\u00e1n (ed.), published by Kate\u0159ina \u0160ed\u00e1 with support from the Czech Ministry\r\n\r\nCalendar for From Morning Till Night, 2011, Ale\u0161 Pal\u00e1n (ed.), published by Kate\u0159ina \u0160ed\u00e1 with support from Tate Modern and Kunstmuseum Luzern\r\n\r\n2012\r\nKate\u0159ina \u0160ed\u00e1 \/ Ale\u0161 Pal\u00e1n, published by Kate\u0159ina \u0160ed\u00e1, St\u0159elnice 41, Brno \u2013 L\u00ed\u0161e\u0148, 2012\r\n\r\nBed\u0159ichovick\u00fd di\u00e1\u0159 2012 [Bed\u0159ichovice Diary 2012], Kate\u0159ina \u0160ed\u00e1 (ed.), published by Kate\u0159ina \u0160ed\u00e1 with support from Kunstmuseum Luzern\r\n\r\nOd Z DO B \/ Z TO B, Ale\u0161 Pal\u00e1n (ed.), published by Kate\u0159ina \u0160ed\u00e1 with support from Tate Modern and Kunstmuseum Luzern\r\n\r\nOd B DO Z, Konverza\u010dn\u00ed p\u0159\u00edru\u010dka bed\u0159ichovicko-anglick\u00e1 \/ B TO Z: Bed\u0159ichovician-English Conversation Guide, Ale\u0161 Pal\u00e1n (ed.), published by Kate\u0159ina \u0160ed\u00e1 with support from Tate Modern\r\n\r\n2011\r\nKate\u0159ina \u0160ed\u00e1, 511, published by Museums Sheffield and Kate\u0159ina \u0160ed\u00e1, 2011\r\n\r\nKate\u0159ina \u0160ed\u00e1, Die Suppe ist gegessen (Ned\u00e1 se sv\u00edtit), published by Nassauischer Kunstverein Wiesbaden, 2011\r\n\r\nI Am Trying To Steal It Back (Sna\u017e\u00edm se to ukr\u00e1st zp\u00e1tky), published by Revolver Publishing (www.revolver-publishing.com) a Kate\u0159ina \u0160ed\u00e1, 2011 ISBN: 978-3-86895-155-4\r\n\r\nL\u00ed\u0161e\u0148sk\u00fd Profil \/ L\u00ed\u0161e\u0148 Profile, Kate\u0159ina \u0160ed\u00e1, Radim Pe\u0161ko (ed.), published by Kate\u0159ina \u0160ed\u00e1, Contemporary Art Society, Sfumato Foundation, Museums Sheffield and Franco Soffiantino Gallery\r\n\r\n2010\r\nKeres! (Mirror Hill Project), T\u00fck\u00f6rghegy. Csal\u00e1di azonos\u00edt\u00f3 verseny, Kate\u0159ina \u0160ed\u00e1, Adam Mach\u00e1\u010dek (ed.), published by Kate\u0159ina \u0160ed\u00e1, Ludwig M\u00fazeum and Franco Soffiantino Gallery\r\n\r\nDer Geist von Uhyst \/ The Spirit of Uhyst, Kate\u0159ina \u0160ed\u00e1, Michal Hlad\u00edk, Radim Pe\u0161ko (ed.), published by Kate\u0159ina \u0160ed\u00e1, Art Sheffield, Museums Sheffield and Franco Soffiantino Gallery\r\n\r\n2008\r\nOver and Over by Kate\u0159ina \u0160ed\u00e1, Radim Pe\u0161ko(ed.), published by Kate\u0159ina \u0160ed\u00e1 and Berliner K\u00fcnstlerprogramm \/ DAAD, JRP|Ringier, Zurich\r\nISBN: 978-3-03764-111-8\r\n\r\n2007\r\nKate\u0159ina \u0160ed\u00e1, Na co to je?, published by : Tranzit a JRP Ringier, 2007\r\n\r\nKate\u0159ina \u0160ed\u00e1 *1977, V\u00edt Havr\u00e1nek (ed.), published by tranzit, Prague, and JRP|Ringier, Zurich\r\n\r\nFor Every Dog a Different Master, Radim Pe\u0161ko (ed.), published by Kate\u0159ina \u0160ed\u00e1 and Galerie im Taxispalais Innsbruck, Austria\r\n\r\n2005\r\nJe to jedno 2005\u20132007 (It Doesn\u2019t Matter 2005\u20132007), Kate\u0159ina \u0160ed\u00e1 (ed.), published by Kate\u0159ina \u0160ed\u00e1 and Franco Soffiantino Gallery\r\n\r\nNic tam nen\u00ed (There\u2019s Nothing There), Kate\u0159ina \u0160ed\u00e1 (ed.), published by Kate\u0159ina \u0160ed\u00e1, Brno\u2013L\u00ed\u0161e\u0148\r\n\r\n\r\n\r\n\r\nKatalogy ze samostatn\u00fdch v\u00fdstav:\r\n\r\n2014\r\nMilada \u0160oukalov\u00e1: norm\u00e1ln\u00ed \u017eivot [Milada \u0160oukalov\u00e1: Normal Life], Kate\u0159ina \u0160ed\u00e1, Ale\u0161 Pal\u00e1n (ed.), published by Kate\u0159ina \u0160ed\u00e1 and House of Art \/ Gallery of Contemporary Art, \u010cesk\u00e9 Bud\u011bjovice, Czech Republic\r\n\r\nKate\u0159ina \u0160ed\u00e1 + BATE\u017dO MIKILU, Das ist Zast\u00e1vka, Kate\u0159ina \u0160ed\u00e1, Bate\u017eo Mikilu, Radim Pe\u0161ko (ed.), Galerie f\u00fcr Zeitgen\u00f6ssische Kunst, Leipzig, Germany\r\n\r\n2012\r\nKate\u0159ina \u0160ed\u00e1, Fanni Fetzer (ed.), Kunstmuseum Luzern and JRP|Ringier, Zurich\r\n\r\n2011\r\nI Am Trying to Steal It Back , Ale\u0161 Pal\u00e1n, Radim Pe\u0161ko (ed.), Stefanie B\u00f6ttcher, K\u00fcnstlerhaus Bremen, and Kate\u0159ina \u0160ed\u00e1, exh.cat. Kate\u0159ina \u0160ed\u00e1. It\u2019s Too Late in the Day, 12 March\u20138 May 2011, K\u00fcnstlerhaus Bremen, Revolver Publishing, Berlin, Germany\r\n\r\n2010\r\nMAM Project 013: Kate\u0159ina \u0160ed\u00e1 (ed.), by. Kondo Kenichi, exhib. cat. MAM Project 013: Kate\u0159ina \u0160ed\u00e1, 27 November\u201327 February 2011, Mori Art Museum Tokyo, Japan\r\n\r\n2008\r\n1+1+1, Culturgest, Lisbon, Portugal\r\n\r\nIt Doesn\u2019t Matter, The Renaissance Society at the University of Chicago, Chicago, USA\r\n\r\n2007\r\n1x Daily Before Meals, Galerie ARRATIA, BEER, Berlin, Germany\r\n\r\nFor Every Dog a Different Master, Moravian Gallery, Brno, Czech Republic\r\n\r\n2006\r\nKate\u0159ina \u0160ed\u00e1 x 3, Franco Soffiantino Gallery, Turin, Italy","articles":"2026\r\nKrou\u017ekov\u00e1, Barbora, Kate\u0159ina \u0160ed\u00e1: Lidi dnes sleduj\u00ed mobil i na pivu. Je \u010d\u00edm d\u00e1l t\u011b\u017e\u0161\u00ed ukr\u00e1st si jejich pozornost. 25. 6. 2026 https:\/\/www.respekt.cz\/podcasty\/katerina-seda-lidi-dnes-sleduji-mobil-i-na-pivu-je-cim-dal-tezsi-ukrast-si-jejich-pozornost?srsltid=AU7gw4XZgE-PUApqyBq1XAqQcj5HX5azKeLUAWjhlMyrDrKvskXxagkH\r\n\r\nKu\u010dera, Michal, Nemodeluji hl\u00ednu, ale vztahy, \u0159\u00edk\u00e1 um\u011blkyn\u011b Kate\u0159ina \u0160ed\u00e1, 5. 5. 2026 https:\/\/www.wired.cz\/clanky\/nemodeluji-hlinu-ale-vztahy-rika-umelkyne-katerina-seda\r\n\r\nMaca, Tom\u00e1\u0161, Sama si d\u00e1v\u00e1m majzla na jednu v\u011btu. Prodava\u010di jsou na ni \u00fapln\u011b alergi\u010dt\u00ed, \u0159\u00edk\u00e1 sb\u011bratelka zlozvyk\u016f, 22.7. 2026\r\nhttps:\/\/denikn.cz\/2113870\/katerina-seda-zlozvyky-nejhur-priznavaji-muzi-nad-padesat-let-tvari-se-ze-zadne-nemaji\/\r\n\r\nNovoborsk\u00e1, Zuzana, V\u0161echny moje projekty byly mimo\u0159\u00e1dn\u011b soci\u00e1ln\u011b n\u00e1ro\u010dn\u00e9, ale tohle byl opravdu extr\u00e9m, \u0159\u00edk\u00e1 Kate\u0159ina \u0160ed\u00e1 o sb\u00edrce zlozvyk\u016f, 29. 4. 2026\r\nhttps:\/\/www.czechdesign.cz\/temata-a-rubriky\/vsechny-moje-projekty-byly-mimoradne-socialne-narocne-ale-tohle-byl-opravdu-extrem-rika-katerina-seda-o-sbirce-zlozvyku\r\n\r\n2025\r\nSl\u00edvov\u00e1, Hana, V poledne v\u0161ichni va\u0159\u00ed rajskou. Um\u011blkyn\u011b \u0160ed\u00e1 u\u010d\u00ed lidi, aby se p\u0159ekon\u00e1vali, 2025\r\nhttps:\/\/www.seznamzpravy.cz\/clanek\/kultura-katerina-seda-umelkyne-283917\r\n\r\n2024\r\n\u010cT24, Kate\u0159ina \u0160ed\u00e1 rozdala b\u00fdval\u00fdm zam\u011bstnanc\u016fm textilky \u201estatis\u00edce\u201c. Napravuje pr\u00fd k\u0159ivdu, 27. 5. 2024\r\nhttps:\/\/ct24.ceskatelevize.cz\/clanek\/kultura\/katerina-seda-rozdala-byvalym-zamestnancum-textilky-statisice-napravuje-pry-krivdu-349657\r\n\r\n2023\r\nV\u00fdborn\u00e1, Lucie, Lidi rad\u011bji bonzuj\u00ed, ne\u017e aby p\u0159ihl\u00e1sili sv\u016fj zlozvyk, popisuje autorka N\u00e1rodn\u00ed sb\u00edrky zlozvyk\u016f, 6. 5. 2023 https:\/\/www.irozhlas.cz\/zivotni-styl\/spolecnost\/narodni-sbirka-zlozvyku-spolecnost_2305062235_mst\r\n\r\nS\u00e1ra Goldbergerov\u00e1 Um\u011bn\u00ed spojovat lidi. V\u00edc ne\u017e prezentace v galerii m\u011b zaj\u00edm\u00e1 zm\u011bna ve spole\u010dnosti, \u0159\u00edk\u00e1 v\u00fdtvarnice \u0160ed\u00e1, 10. 8. 2023\r\nhttps:\/\/cc.cz\/umeni-spojovat-lidi-vic-nez-prezentace-v-galerii-me-zajima-zmena-ve-spolecnosti-rika-vytvarnice-seda\/\r\n\r\n2020\r\n\u010cechlovsk\u00e1, Magdalena, Je libo p\u0159est\u011bhovat vesnici? Kate\u0159ina \u0160ed\u00e1 vystavuje v Ostrav\u011b a vydala monografii, 22. 2. 2020\r\nhttps:\/\/magazin.aktualne.cz\/kultura\/umeni\/katerina-seda-bedrichovicky-polednik-povolani-gvuo-ostrava\/r~f47db940555c11ea9e13ac1f6b220ee8\/\r\n\r\n2019\r\nPasz, Ji\u0159\u00ed, \u201eJsem pro lidi hromosvod,\u201c \u0159\u00edk\u00e1 um\u011blkyn\u011b \u0160ed\u00e1. Jej\u00ed tvorba propojuje. Sama \u010del\u00ed ur\u00e1\u017ek\u00e1m. 16. 9. 2019\r\nhttps:\/\/www.hatefree.cz\/clanky\/katerina-seda\r\n\r\n2017\r\n\u010cTK, Cenu Architekt roku dostala um\u011blkyn\u011b Kate\u0159ina \u0160ed\u00e1, 2017. Dostupn\u00e9 z: https:\/\/www.archiweb.cz\/n\/domaci\/cenu-architekt-roku-dostala-umelkyne-katerina-seda\r\n\r\n2016\r\nC\u00edsa\u0159, Karel, Kate\u0159ina \u0160ed\u00e1, 20. 12. 2016. Dostupn\u00e9 z: https:\/\/flash---art.com\/article\/katerina-seda\/\r\n\r\n2015\r\nJasi\u010dov\u00e1, Slivie: \u201eBed\u0159ichovice nad Tem\u017e\u00ed\u201c [Bed\u0159ichovice upon Thames], Kam v Brn\u011b, 10\/2015,\r\np. 43\u201344\r\n\r\nPal\u00e1n, Ale\u0161: \u201eRevitalizace n\u00e1vsi a mezilidsk\u00fdch vztah\u016f\u201c [The Revitalization of a Village Square and Interpersonal Relations, Architekt 4\/5 2015, p. 82\u201393\r\n\r\nLehmannov\u00e1, Martina: \u201eBed\u0159ichovice nad Tem\u017e\u00ed\u201c [Bed\u0159ichovice upon Thames], Art + Antiques, October 2015, p. 42\u201347\r\n\r\nKate\u0159ina \u0160ed\u00e1: \u201eVnu\u010dka\u201c [The Grandaughter], Leksykon Archiwum Afektywnego, 2015, p. 29\u201334\r\n\r\nHor\u00e1k, Ond\u0159ej: \u201eKate\u0159ina \u0160ed\u00e1\u201c, Sb\u00edrka Magnus Art, 2015, p. 104\u2013107\r\n\r\n\u017d\u00e1kov\u00e1, Mark\u00e9ta: \u201eKate\u0159ina \u0160ed\u00e1: R\u00e1da potk\u00e1v\u00e1m lidi, kte\u0159\u00ed nep\u0159em\u00fd\u0161l\u00ed jen sami o sob\u011b\u201c [Kate\u0159ina \u0160ed\u00e1: I Like to Meet People Who Don\u2019t Think Only of Themselves], Metropolitan, September 2015, p. 3.\r\n\r\nMaty\u00e1\u0161ov\u00e1, Judita: \u201eJak se Lond\u00fdn p\u0159est\u011bhoval na Moravu\u201c [How London Moved to Moravia], Lidov\u00e9 noviny, 7 September 2015, p. 8.\r\n\r\n\u0158\u00edh\u00e1nkov\u00e1, Martina: \u201eMoje pr\u00e1ce? N\u011bkdy tak trochu jako prostituce,\u201c Brn\u011bnsk\u00fd den\u00edk Rovnost, 6 September 2015, p. 6.\r\n\r\n\u201eTem\u017ee dotekla na Moravu\u201c [The Thames Has Flowed into Moravia], Lidov\u00e9 noviny, 4 September 2015, p. 6.\r\n\r\nNevrklov\u00e1, Jitka: \u201eBed\u0159ichovice nad Tem\u017e\u00ed\u201c [Bed\u0159ichovice upon Thames], \u0160lapanick\u00fd zpravodaj, 4 \/ 2015, annex.\r\n\r\nKri\u0161tof\u00edkov\u00e1, Ivana: \u201eKate\u0159ina \u0160ed\u00e1: Tr\u017enica Bojart,\u201c Vlna 2015, p. 94\u201399.\r\n\r\nMonsaingeon, Guillaume: \u201eVillisima! Des artistes et des villes,\u201c 2015, p. 99.\r\n\r\nMarek Hudec, Monika Gre\u0161ov\u00e1: \u201eAko sa najo\u0161umelej\u0161\u00ed trh v Bratislave premenil na pevnos\u0165 Boyard,\u201c SME.sk, 29 May 2015.\r\n\r\nVavrou\u0161ka, Petr: \u201eBratislavsk\u00e1 tr\u017enice se d\u00edky \u010desk\u00e9 um\u011blkyni prom\u011bnila v pevnost Boyard \u201c [Thanks to a Czech Artist, a Bratislava Market has Been Transformed into Boyard Fortress], rozhlas.cz, 23 May 2015.\r\n\r\nBan\u00e1sov\u00e1, Adriana: \u201eTr\u017enica Boj\u00e1rt: Podar\u00ed sa projektu zvidite\u013eni\u0165 najzn\u00e1mej\u0161iu tr\u017enicu v meste?\u201c [Tr\u017enica Boj\u00e1rt: Will This Project Manage to Draw Attention to the Most Famous Market in the City?], Bratislava.dnes 24.sk, 23 May 2015.\r\n\r\n\u201eBoj\u00e1rt v Bratislav\u011b. Lid\u00e9 v Tr\u017enici sout\u011b\u017e\u00ed pod taktovkou Kate\u0159iny \u0160ed\u00e9\u201c [Boj\u00e1rt in Bratislava: People Performing at the Market under Kate\u0159ina \u0160ed\u00e1\u2019s Baton], Lidovky.cz, 22 May 2015.\r\n\r\nN\u00e9meth, Jana: \u201eAko dobre pozn\u00e1te svojho kr\u010dm\u00e1ra a predava\u010dku zeleniny?\u201c [How Well Do You Know Your Inkeeper and Greengrocer?], Denn\u00edk N, 22 May 2015.\r\n\r\nEva Andrej\u010d\u00e1kov\u00e1: \u201eDnes o\u017eij\u00fa obe ve\u013ek\u00e9 bratislavsk\u00e9 tr\u017enice\u201c [Today Both Large Bratislava Markets Are Being Revived], SME.sk, 20 May 2015.\r\n\r\nN\u00e9meth, Jana: \u201eBratislavsk\u00e1 tr\u017enica sa premen\u00ed na pevnos\u0165 Boj\u00e1rt\u201c [A Bratislava Market has Been Transformed into Boyard Fortress], Denn\u00edk N, 14 May 2015.\r\n\r\nPetr\u017eelkov\u00e1 , Hedvika: \u201eMini kniha Kate\u0159iny \u0160ed\u00e9 i Niklovo kouzlen\u00ed. Prohl\u00e9dn\u011bte si nejkr\u00e1sn\u011bj\u0161\u00ed knihy roku\u201c [Kate\u0159ina \u0160ed\u00e1\u2019s Mini Book and Nikl\u2019s Magic: Leaf through the Most Beautiful Books of the Year], Lidov\u00e9 noviny, 25 April 2015.\r\n\r\n\u0160ed\u00e1, Kate\u0159ina, \u201ePRO ART projekt\u201c Artikl 4\/2015, p. 2.\r\n\r\n2014\r\nNavr\u00e1til, Ond\u0159ej: \u201eKate\u0159ina \u0160ed\u00e1 \/ Ned\u00e1 se sv\u00edtit\u201c [Kate\u0159ina \u0160ed\u00e1: No Light], OFF\/ F 2011\u20132014, p. 32\u201335\r\n\r\nMaty\u00e1\u0161ov\u00e1, Judita: \u201e\u017dili jsme si prost\u011b norm\u00e1ln\u011b\u201c [We Lived Normally, That\u2019s All], Lidov\u00e9 noviny, 17 November 2014, p. 8.\r\n\r\nMaty\u00e1\u0161ov\u00e1, Judita: \u201eVystavte se v lond\u00fdnsk\u00e9 Tate Modern\u201c [Display Yourselves at Tate Modern], Lidov\u00e9 noviny, 14 November 2014, p. 14.\r\n\r\nSlun\u00e9\u010dkov\u00e1, Eva: \u201e\u0160ed\u00e1 vystavuje norm\u00e1ln\u00ed \u017eivot\u201c [\u0160ed\u00e1 Puts Normal Life on Display], Hospod\u00e1\u0159sk\u00e9 noviny, 6 November 2014, p. 16.\r\n\r\n\u201eObr\u00e1zky babi\u010dky Kate\u0159iny \u0160ed\u00e9 zaplnily galerii\u201c [Kate\u0159ina \u0160ed\u00e1\u2019s Grandmother\u2019s Pictures Filled Gallery], Mlad\u00e1 Fronta Dnes Dnes, 21 October 2014,\r\n\r\nKoblenc, V\u00e1clav: \u201eMil\u00e1 pravnu\u010dko, s d\u011bdou jsme \u017eili dob\u0159e\u201c [Dear Great-Granddaughter, Your Great-Grandfather and I Had a Good Life], Den\u00edk, 21 October 2014, p. 7.\r\n\r\nZezulov\u00e1, Ema: \u201eNov\u00e1 n\u00e1ves v obci? Jako v Lond\u00fdn\u011b\u201c [New Village Square? Just like in London], Brn\u011bnsk\u00fd den\u00edk, 11 October 2014, p. 5.\r\n\r\n\u0158ih\u00e1nkov\u00e1, Martina: \u201eUprost\u0159ed moravsk\u00e9 vesnice vyroste Lond\u00fdn\u201c [London Grows Up in the Middle of a Moravian Village], Brn\u011bnsk\u00fd den\u00edk, 8 July 2014, p. 5.\r\n\r\nKate\u0159ina \u0160ed\u00e1: \u201eOd nevid\u00edm do nevid\u00edm\u201c [From Morning till Night], In!, June 2014, pp. 4\u20135.\r\n\r\nTrojan, Jan: \u201eBed\u0159ichovice \u017eij\u00ed v galerii [Bed\u0159ichovice Lives in a Gallery],\u201c Pr\u00e1vo, J\u00ed\u017en\u00ed Morava \u2013 Vyso\u010dina, 5 March 2014.\r\n\r\nMaty\u00e1\u0161ov\u00e1, Judita: \u201eHraju podle vlastn\u00edch pravidel [I Play By My Own Rules],\u201c Lidov\u00e9 noviny, 27 February 2014, p. 11.\r\n\r\n\u201eMoravsk\u00e1 galerie o\u017e\u00edv\u00e1 pod taktovkou Kate\u0159iny \u0160ed\u00e9 [The Moravian Gallery Comes Alive under Kate\u0159ina \u0160ed\u00e1\u2019s Baton],\u201c lidovky.cz, 24 February 2014.\r\n\r\n\u201eMoravsk\u00e1 galerie se zm\u011bnila na kulturn\u00ed d\u016fm v Bed\u0159ichovic\u00edch [The Moravian Gallery Has Been Transformed into a Cultural Center],\u201c blesk.cz, 22 February 2014.\r\n\r\n\u201eZ Moravsk\u00e9 galerie je kulturn\u00ed d\u016fm, z Bed\u0159ichovick\u00fdch expon\u00e1ty [The Moravian Gallery Is Now a Cultural Center with Bed\u0159ichovice Items on Display],\u201c ceskatelevize.cz, 22 February 2014.\r\n\r\nFerencov\u00e1, Yvona: \u201eZaj\u00edm\u00e1 m\u011b pohled ze v\u0161ech stran [I\u2019m Interested in the View from All Sides],\u201c A2, 29 January 2014, p. 10.\r\n\r\nBekov\u00e1, Monika \/ Musilov\u00e1, Jana: Um\u011bn\u00ed ve ve\u0159ejn\u00e9m prostoru \u2013 S\u00e9rie \u0159\u00edzen\u00fdch rozhovor\u016f s teoretiky um\u011bn\u00ed a um\u011blci [Art in Public Spaces \u2013 A Series of Interviews with Art Theorists and Artists], \u201eKate\u0159ina \u0160ed\u00e1: (ne)ve\u0159ejn\u00fd \u017eivot [Kate\u0159ina \u0160ed\u00e1: (Non)Public Life],\u201c 2014, p. 60-80\r\n\r\nBartkov\u00e1, Alena \/ Pivo\u0148kov\u00e1, J. Barbora \/ \u0160vadlenkov\u00e1, Zdenka: Um\u011blec, vila a baz\u00e9n [Artist, Villa and Pool] \u2013 \u201eOmylem je utvrzov\u00e1n\u00ed se o vlastn\u00ed v\u00fdjime\u010dnosti, m\u00edsto hled\u00e1n\u00ed v\u00fdjime\u010dnosti v t\u011bch okolo [It\u2019s a Mistake to Rigidify in One\u2019s Own Exceptionality Instead of Searching for Exceptionality in Those around You],\u201c 2014, pp. 398\u2013407.\r\n\r\nChoi, Binna \/ Tanaka, Maiko (eds.) \u2013 Grand Domestic Revolution \u2013 Handbook, \u201eThere is Nothing There,\u201c 2014, p. 233.\r\n\r\n2013\r\nKulaviakov\u00e1, Dagmar: \u201eMlad\u00ed um\u011blci ze Zast\u00e1vky vystavuj\u00ed v Lipsku [Young Artists from Zast\u00e1vka Put On an Exhibition in Leipzig],\u201c rosicko.cz, 1 November 2013.\r\n\r\nHork\u00e1, Halka: \u201eD\u011bti zl\u00e1kaly sv\u011btovou v\u00fdtvarnici. Te\u010f o\u017eivuj\u00ed Zast\u00e1vku [Children Won Over World-Famous Artist: Now they are Reviving Zast\u00e1vka],\u201c Mlad\u00e1 Fronta Dnes, 23 October 2013, p. B3.\r\n\r\nN\u00e9meth, Jana: \u201eToto mo\u017ee vymysliet iba umelec [Only an Artist Could Come Up with This],\u201c Sme, 21 September 2013, pp. 6\u20137.\r\n\r\nTau\u0161ov\u00e1, Zuzana: \u201eBed\u0159ichovice lelkovaly [Bed\u0159ichovice Was Loitering],\u201c Mlad\u00e1 Fronta Dnes, 4 September 2013, p. 3.\r\n\r\n\u201eLond\u00fdn uprost\u0159ed Moravy. \u0160ed\u00e1 prom\u011bn\u00ed vesnici, p\u0159iveze i \u010dervenou telefonn\u00ed budku [London in the Middle of Moravia: \u0160ed\u00e1 Transformas a Village, Brings a Red Telephone Box],\u201c ihned.cz, 1 September 2013.\r\n\r\nAtkinson, Debbie: \u201eParticipation and Affect,\u201c Notes on Metamodernism.com, 2 July 2013.\r\n\r\nHoschlov\u00e1, Julianna: \u201eThis is not a Taiwan Pavilion,\u201c artycok.tv, 2 July 2013.\r\n\r\nV\u00edtvar, H. J.: \u201eI ty m\u016f\u017ee\u0161 b\u00fdt um\u011blcem [You Too Can Be an Artist],\u201c Respekt, 53, 10 June 2013.\r\n\r\nPospiszyl, Tom\u00e1\u0161: \u201eAmbasadorka \u010desk\u00e9 kultury [Ambassador for Czech Culture],\u201c Lidov\u00e9 noviny, 31 May 2013, p. 8.\r\n\r\nO\u2019Donnell, Darren: \u201eKate\u0159ina \u0160ed\u00e1,\u201c The Believer, May 2013, pp. 51\u201358.\r\n\r\n\u201eOdjel do Lond\u00fdna aby se po\u0159\u00e1dn\u011b sbl\u00ed\u017eil se sousedy [She Went to London to Get Close to Her Neighbors],\u201c Brn\u011bnsk\u00fd den\u00edk, 15 April 2013, p. 2.\r\n\r\n\u017didkov\u00e1, Kl\u00e1ra: \u201eJsem n\u011bkter\u00fdm lidem podez\u0159el\u00e1, \u0159\u00edk\u00e1 um\u011blkyn\u011b [Some People Are Suspicious of Me, Says Artist],\u201c Brn\u011bnsk\u00fd den\u00edk, 15 April 2013.\r\n\r\nPribi\u0161ov\u00e1, L\u00fddia: \u201eKate\u0159ina \u0160ed\u00e1: This Is Not a Czech Pavilion [Kate\u0159ina \u0160ed\u00e1: This is Not a Czech Pavilion],\u201c FlashArt, 2, 2013, pp. 20\u201323.\r\n\r\nPolzer, Brita: \u201eDas Dorf und die Fabrik \u2013 Zu Werk von Kate\u0159ina \u0160ed\u00e1 in No\u0161ovice [The Village and the Factory: On the Work of Kate\u0159ina \u0160ed\u00e1 in No\u0161ovice],\u201c Kunst und Dorf, 2013, pp.118\u2013132.\r\n\r\n2012\r\nNavr\u00e1til, Ond\u0159ej: \u201eVy\u0161\u00edvan\u00fdm krojem proti automobilce [Against an Automobile Factory with Against an Automobile Factory with an Embroidered Folk Costume],\u201c 5 October 2012, p. 8.\r\n\r\nHartman, Ivan: \u201eJmenuje\u0161 se \u0160ed\u00e1 [Your Name Is \u0160ed\u00e1],\u201c Hospod\u00e1\u0159sk\u00e9 noviny, 24 September 2012, p. 10.\r\n\r\nLange, Christy: \u201eWhat Matters Most,\u201c Frieze, 149, September, 2012, pp. 112\u2013117.\r\n\r\nBrandenburg, Ulrike: \u201eAktionen mit Menschen [Activities with People],\u201c Wiesbadener Kurier, 29 June 2012, p. 16.\r\n\r\n\u201eNejsiln\u011bj\u0161\u00ed z\u00e1znamov\u00e9 m\u00e9dium je s\u00e1m \u010dlov\u011bk [The Strongest Recording Media Are People Themselves],\u201c program 25. Bien\u00e1le Brno, June 2012, p. 10.\r\n\r\nO\u2019Donnell, Darren: \u201eKate\u0159ina \u0160ed\u00e1 (Artist),\u201c The Believer, May 2012.\r\n\r\n\u201eKate\u0159ina \u0160ed\u00e1 \u2013 Ein blinder Fleck, aus dem eine Soziale Plastik wird [Kate\u0159ina \u0160ed\u00e1: A Blind Spot That Gives Rise to Social Sculpture],\u201c Kunstbulletin 4\/2012, March, p. 4-10.\r\n\r\n\u201eKonzeptkunst als Gruppentherapie: Intervention von Katerina \u0160ed\u00e1 [Conceptual Art as Group Therapy: An Intervention by Katerina \u0160ed\u00e1],\u201c Magazine for Contemporary Culture, 25 April 2012.\r\n\r\nPl\u00fcss, Mathias: \u201eFrageb\u00f6gen f\u00fcr Grossm\u00fctter [Questionnaire for Grandmother],\u201c Das Magazine, Blog, 25 April 2012.\r\n\r\nWalther, Rudolf: \u201eVom Morgen bis in die Nacht [From Morning Till Night],\u201c TAZ.Die Tageszeitung, 24 April 2012.\r\n\r\nZiegler, Yvonne: \u201eDie Mediziner-Kunstkolumne [The Medicinal Art Column],\u201c Praxis, 23 April 2012.\r\n\r\nWagner, Stefan: \u201eGeteckte Tische, depressiver Hund [Set Tables, Depressive Dog],\u201c Basler Zeitung, 18 April 2012, pp. 6\u20137.\r\n\r\nKrebs, Edith: \u201eAnleitung zu eienem besseren Leben [Guide to a Better Life],\u201c WOZ Die Wochenzeitung, 3 April 2012, pp. 3\u20134.\r\n\r\nFullin, Tamara: \u201eEine Demonstration der sozialen Verantwortung [A Demonstration of Social Responsibility],\u201c Artensuite, April 1 2012, pp. 5\u20138.\r\n\r\nSch\u00fctte, Christoph: \u201eKate\u0159ina \u0160ed\u00e1 \u2026l\u00f6ffelt die Suppe nicht allein aus [Kate\u0159ina \u0160ed\u00e1\u2026Doesn\u2019t Spoon Up Her Soup Alone],\u201c Art kaleidoscope, April\/May 2012, p. 9.\r\n\r\n\u010cechlovsk\u00e1, Magdalena: \u201eNo\u0161ovick\u00fd kruh [No\u0161ovice Circle],\u201c Hospod\u00e1\u0159sk\u00e9 noviny, 30 March 2012, p. 13.\r\n\r\n\u201eKunstmuseum Luzern \/ Katerina Seda,\u201c art-tv.ch, 10 March 2012.\r\n\r\nBugmann, Urs: \u201eFremde Kunst auf heimischen Tischen [Foreign Art on Domestic Tables],\u201c Zentralschweiz am Sonntag, 3 March 2012, pp. 2\u20133.\r\n\r\nBerta, Oehen: \u201eDie Wirklichkeit nach der Wende [Reality after the Turn],\u201c Willisauer Bote, 3 March, 2012, p. 8-9\r\n\r\nGarutti, Francesco: \u201eKate\u0159ina \u0160ed\u00e1 Solo Show,\u201c Arbitare, 2 March 2012.\r\n\r\nChlumsky, Milan: \u201eIt Doesn\u2019t Matter \u2013 Je to jedno,\u201c Kunst:art, 1 March 2012.\r\n\r\n\u201eBev\u00f6lkerung hilft Museum [The People Help Museum],\u201c Blick am Abend, 13 February 2012, p. 10.\r\n\r\nThompson, Nato (ed.): \u201eKate\u0159ina \u0160ed\u00e1 \u2013 There Is Nothing There,\u201c Living as Form, 2012, p. 217.\r\n\r\n2011\r\n\u201e\u010ce\u0161i roku 2011 [Czechs of the Year 2011],\u201c Mlad\u00e1 Fronta Dnes, 31 December 2011, pp. 1, 8\u20139.\r\n\r\n\u201e\u010ce\u0161i roku 2011 [Czechs of the Year 2011],\u201c Mlad\u00e1 Fronta Dnes, V\u00edkend Magazine, 31 December 2011, pp. 1, 4\u201311.\r\n\r\nHartman, Ivan: \u201eKate\u0159ina \u0160ed\u00e1 m\u011b zaujala kdy\u017e na hroby rozestlala postel [Kate\u0159ina \u0160ed\u00e1 Impressed Me by Making a Bed on a Grave],\u201c Hospod\u00e1\u0159sk\u00e9 noviny, 3 November 2011, p. 10.\r\n\r\nStange, Raimar: \u201eKaterina \u0160ed\u00e1,\u201c Artist kunstmagazine, n. 88 August\/October 2011, pp. 16\u201321.\r\n\r\n\u201eCome e perch\u00e9 organizzare una mass-action. Due progetti recenti di Katerina \u0160ed\u00e1 [How and Why to Organize a Mass-Action: Two Recent Projects by Katerina \u0160ed\u00e1],\u201c Arte e critica, 68, 9-11, 2011.\r\n\r\n\u0160v\u00e1bov\u00e1, \u0160\u00e1rka: \u201eBed\u0159ichovick\u00fd pupek sv\u011bta [Bed\u0159ichovice: Navel of the World],\u201c Reflex, 8 September 2011, p. 88.\r\n\r\n\u010cechlovsk\u00e1, Magdalena: \u201eKate\u0159ina \u0160ed\u00e1 v Tate [Kate\u0159ina \u0160ed\u00e1 at the Tate],\u201c Hospod\u00e1\u0159sk\u00e9 noviny, 2 September 2011, p. 11.\r\n\r\nZ\u00e1le\u0161\u00e1k, Jan: \u201eKate\u0159ina \u0160ed\u00e1, Nic tam nen\u00ed [Kate\u0159ina \u0160ed\u00e1: There\u2019s Nothing There],\u201c Um\u011bn\u00ed spolupr\u00e1ce [The Art of Collaboration], 2011, pp. 217\u2013238.\r\n\r\n\u010cern\u00e1, Kate\u0159ina: \u201eNeposlu\u0161n\u00e9 n\u00e1rody [Disobedient Nations],\u201c Art & Antiques, 7\u20138 2011, p. 46\u201351.\r\n\r\n\u201eL\u00ed\u0161e\u0148sk\u00fd profil Kate\u0159iny \u0160ed\u00e9 jde do fin\u00e1le [Kate\u0159ina \u0160ed\u00e1\u2019s Profile of L\u00ed\u0161e\u0148 Goes into Final Stretch],\u201c proculture.cz, 27 April 2011.\r\n\r\n\u201eReview: L\u00ed\u0161e\u0148 Profile, Katerina Seda,\u201c creativetimes.co.uk, 8 March 2011.\r\n\r\nMegye\u0161i, Peter: \u201eJej akcie, zjavenia a premeny [Her Activities, Revelations and Transformations],\u201c Profil, 2\/11, 2011, pp. 16\u201350.\r\n\r\nChoi, Binna \/ Wieder, Axel (eds.): \u201eFrom Morning till Night,\u201c \u201eGenerous: Structures,\u201c Casco Issues XII, 2011, pp. 19\u201335.\r\n\r\nGarutti, Francesco: \u201eActing as a Director: Katerina Seda,\u201c domusweb.it, 16 January 2011.\r\n\r\n2010\r\nHerbert, Martin: \u201eKaterina Seda,\u201c ArtForum, FindArticles.com, 13 October 2010.\r\n\r\nKub\u00ed\u010dkov\u00e1, Kl\u00e1ra: \u201eTis\u00edc v\u00fdtvarn\u00edk\u016f hled\u00e1 nos jako v\u011b\u017e [A Thousand Artists Looking for a Nose like a Tower],\u201c Magaz\u00edn V\u00edkend DNES, 26 June 2010, p. 35.\r\n\r\nTu\u010dkov\u00e1, Kate\u0159ina: \u201eZakl\u00ednadla, jimi\u017e se uzamyk\u00e1 sv\u011bt [Spells to Lock Up the World],\u201c Pr\u00e1vo, 6 May 2010, p. 6.\r\n\r\nSk\u0159iv\u00e1nek, Jan: \u201eUm\u011bn\u00ed pro v\u0161echny [Art for Everybody],\u201c Art & Antiques, 05\/2010, pp. 28\u201335.\r\n\r\nDiri\u00e9, Cl\u00e9ment: \u201eFolies sur papier [Follies on Paper],\u201c Roven 3\/2010, pp. 48\u201349.\r\n\r\nDecemvirale, John Vincent \/ Lotz, Antonia \/ Smith, Eve (eds.), \u201eKate\u0159ina \u0160ed\u00e1,\u201c Solo Show 2010, pp. 198\u2013199.\r\n\r\n2009\r\nDeschka-Hoeck, Katharina: \u201eKleine Dinge \u00e4ndern sich [Small Things Change],\u201c faz.net, 9 September 2009.\r\n\r\nKub\u00ed\u010dkov\u00e1, Kl\u00e1ra: \u201eJak \u010desk\u00e1 um\u011blkyn\u011b na\u0161la ducha n\u011bmeck\u00e9 vesnice [How a Czech Artist Found a Spirit in a German Village],\u201c Mlad\u00e1 fronta DNES, 22 August 2009, p. 16.\r\n\r\nSalzbrenner, Uwe: \u201eDer stille Geist von Uhyst [The Quiet Spirit of Uhyst],\u201c S\u00e4chsiche Zeitung, August 15\u201316 2009, p. 12.\r\n\r\nBystrovov\u00e1, Marta: \u201eDvacetkr\u00e1t Ty Vole [Twenty Times Holy Shit],\u201c Lidov\u00e9 noviny, 1 August 2009, pp.11\u201312.\r\n\r\n\u0160ed\u00e1, Kate\u0159ina: Diaries of a Young Artist, published by Art on Paper and Darte Publishing, New York, 2009.\r\n\r\nBlake, Gopnik: \u201eYounger Than Jesus: Made by Generation Why,\u201c The Washington Post, 17 May 2009, p. E4.\r\n\r\n\u010cechlovsk\u00e1, Magdal\u00e9na: \u201eTo kupte! [Buy It!],\u201c Magaz\u00edn V\u00edkend, Hospod\u00e1\u0159sk\u00e9 noviny, 24 April 2009, pp. 16\u201322.\r\n\r\n\u010cechlovsk\u00e1, Magdalena: \u201e\u0160ed\u00e1 vystav\u00ed \u201epra\u0161t\u011bn\u00e9\u201c um\u011bn\u00ed v Tate Modern [\u0160ed\u00e1 Displays \u201eWacky\u201c Art at Tate Modern],\u201c ihned.cz, 23 April 2009.\r\n\r\nC\u00edsa\u0159, Karel: \u201e\u017divot je jinde [Life is Elsewhere],\u201c Flash Art No. 10, November 2008 \u2013 February 2009, pp. 36\u201339.\r\n\r\nMaximov\u00e1, Anna: \u201eArt For Life (Art Can Be Found in Anyone and Anything),\u201c Time at Work, CECAC (European Course for Contemporary Art Curators), 2009, pp. 55\u201359.\r\n\r\nBucco, Valentina: \u201eKate\u0159ina \u0160ed\u00e1,\u201c Temporale 2009 \/ 68\u201369, pp. 32\u201345.\r\n\r\n2008\r\n\u0160ed\u00e1, Kate\u0159ina: \u201eDiaries of a Young Artist,\u201c Art On Paper, 12\/2008, pp. 58\u201359.\r\n\r\nHerbert, Martin: \u201eKate\u0159ina \u0160ed\u00e1 (Openings),\u201c Artforum, November 2008.\r\n\r\nHejdov\u00e1, Irena: \u201eR\u00e1da v\u0161echny vyzvu: Zkuste si to! [I\u2019d Like to Challenge You All: Try It!],\u201c Aktu\u00e1ln\u011b.cz, 24 November 2008.\r\n\r\n\u0160., Josef: \u201eKate\u0159ina \u0160ed\u00e1 \/furt dokola, obraz kl\u00ed\u010dov\u00e9 cesty aneb jak proj\u00edt zd\u00ed [Kate\u0159ina \u0160ed\u00e1 \/ Over and Over, Picture of a Key Path or How to Go through a Wall],\u201c Fotograf, 11\/2008, pp. 36\u201341.\r\n\r\nHern\u00e1ndez, Sofia: Kate\u0159ina \u0160ed\u00e1, Modern Painters, October 2008, pp. 64\u201366.\r\n\r\nKov\u00e1\u0159ov\u00e1, Danica: \u201eCZ Um\u011blci V. [CZ Artists V],\u201c Dolce Vita, 9\/2008, pp. 38\u201339.\r\n\r\nKubica, Petr: \u201ePani\u010d\u010dino v\u0161ecko [Lady\u2019s Everything],\u201c 12th Jihlava International Documentary Film Festival, 2008, p. 66.\r\n\r\nHlav\u00e1\u010dkov\u00e1, Petra: \u201eO l\u00ed\u0161e\u0148sk\u00fdch plotech a um\u011bn\u00ed v Berl\u00edn\u011b [On L\u00ed\u0161e\u0148\u2019s Fences and Art in Berlin],\u201c Rovnost, 14 August 2008.\r\n\r\n\u0160ed\u00e1, Kate\u0159ina: \u201eFurt Dokola [Over and Over],\u201c Host, 7\/2008.\r\n\r\nVolf, Petr: \u201eP\u0159esn\u011b [Precisely],\u201c Reflex, 28 June 2008, pp. 20\u201322.\r\n\r\n\u201eBerlin Biennial 5: When Things Cast No Shadow,\u201c Modern Painters, 06\/08, 2008.\r\n\r\n\u010cechlovsk\u00e1, Magdalena: \u201eJak\u00fd m\u00e1 smysl zdolat soused\u016fv plot [What Does It Mean to Surmount the Neighbor\u2019s Fence],\u201c Hospod\u00e1\u0159sk\u00e9 Noviny, 16 April 2008, p. 9.\r\n\r\nVitvar, J.H.: \u201eCopak, sousede? [How Now, Then, Neighbor?], Respekt, 14\u201320 April 2008, pp.46\u201347.\r\n\r\nSommer, Tim: \u201eDas Treffen der Generationen [A Meeting of Generations],\u201c Art no. 4, April 2008, p. 22.\r\n\r\nScheid, Torsten: \u201eVon H\u00e4usern und Hemden [On Houses and Shirts],\u201c Kunst, 3\/2008, pp. 44\u201345.\r\n\r\nBul\u00e1kov\u00e1, Martina: \u201eKate\u0159ina \u0160ed\u00e1 ukazuje lidi sob\u011b navz\u00e1jem [Kate\u0159ina \u0160ed\u00e1 Shows People to One Another],\u201c Mlad\u00e1 Fronta Dnes, 15 March 2008.\r\n\r\n\u0160ed\u00e1, Kate\u0159ina: \u201eJak to vid\u00ed Kate\u0159ina \u0160ed\u00e1 [How Kate\u0159ina \u0160ed\u00e1 Sees It],\u201c \u010cesk\u00e1 o\u010dn\u00ed optika, 2\/2008, p. 24\u201325.\r\n\r\nWalker, Hamza: \u201eKaterina Seda: It Doesn\u2019t Matter,\u201c www.renaissancesociety.org, January 2008.\r\n\r\n2007\r\nBor\u016fvkov\u00e1, Vendula: \u201eUvid\u011bt norm\u00e1lnost\u2026jinak [To See Normalcy\u2026Differently],\u201c Metropolis, November 2007.\r\n\r\nMarc Lenot: \u201eKate\u0159ina \u0160ed\u00e1, ou l\u2019artiste en coulisses [Kate\u0159ina \u0160ed\u00e1, or the Artist Backstage], Le Monde.fr, France, 9\/2007.\r\n\r\nChuchma, Josef: \u201eV\u00fdstavn\u00ed pot\u00ed\u017e s dobr\u00fdm n\u00e1padem Kate\u0159iny \u0160ed\u00e9 [Exhibition Trouble with a Good Idea by Kate\u0159ina \u0160ed\u00e1],\u201c idnes.cz, 1 September 2007.\r\n\r\nKub\u00ed\u010dkov\u00e1, Kl\u00e1ra: \u201eV\u00fdtvarnice obl\u00e9kla L\u00ed\u0161e\u0148 do nov\u00fdch ko\u0161il [Visual Artist Dressed L\u00ed\u0161e\u0148 Up in New Shirts], Mlad\u00e1 Fronta Dnes, 25 July 2007, p.4\r\n\r\nVitvar, J. H.: \u201eCesta do mekky um\u011bn\u00ed [Journey to the Mecca of Art],\u201c Respekt July 2007, p. 17.\r\n\r\nBarto\u0161ov\u00e1, Kate\u0159ina: \u201eV New Yorku je v\u0161echno mo\u017en\u00e9 [In New York Anything Is Possible],\u201c Lidov\u00e9 noviny, 11 July 2007, p. 17.\r\n\r\nPi\u017elov\u00e1, Johana: \u201eS\u00eddli\u0161t\u00edm chyb\u00ed spole\u010dn\u00fd p\u0159\u00edb\u011bh [Housing Developments Lack a Shared Story],\u201c Rovnost, 29 June 2007, p. 2.\r\n\r\nKub\u00ed\u010dkov\u00e1, Kl\u00e1ra: \u201eKo\u0161ile, ve kter\u00e9 m\u016f\u017eete tan\u010dit [A Shirt You Can Dance In],\u201c Mlad\u00e1 Fronta Dnes, 27 June 2007.\r\n\r\nWillkomm, Anna: \u201eUnertr\u00e4glich Allt\u00e4glich [Unbearable Every Day],\u201c Artnet Magazin, May 2007.\r\n\r\nLange, Christy: \u201eWhat Matters Most,\u201c Frieze, May 2007, pp. 112\u2013117.\r\n\r\nLange, Christy: \u201eKate\u0159ina \u0160ed\u00e1,\u201c Frieze Issue 107, May 2007.\r\n\r\n\u201eGrandmother,\u201c Art on Paper, 5\/2007, p. 11.\r\n\r\nAstrid Mania, Astrid [Plan for a Cure],\u201c Artnet Magazin, February 2007.\r\n\r\nPospiszyl, Tom\u00e1\u0161: \u201eTo Nie Jest Zabawa [It\u2019s No Fun],\u201c Krytyka Polityczna, 13\/2007.\r\n\r\nC\u00edsa\u0159, Karel: \u201eLife Is Elsewhere,\u201c Index, Sweden, 2007.\r\n\r\nChurch, Amanda: \u201eArt Therapy: Talking with Czech Artist Katerina Seda About Her,\u201c 2007.\r\n\r\nC\u00edsa\u0159, Karel: \u201eKate\u0159ina \u0160ed\u00e1,\u201c Tema Celeste 119\/2007, pp. 60\u201363.\r\n\r\n2006\r\nKaries, Susanne: \u201eThere\u2019s Nothing in Pon\u011btovice!\u201c Hidden Europe, 9\/2006, pp. 32\u201334.\r\n\r\nFi\u0161er, Marcel: \u201ePerson of the Year 2005,\u201c Pars Pro Toto, 8\/2006, pp. 3\u201311.\r\n\r\nStress, Lucy: \u201eLocal Stories: Katerina Seda,\u201c Art Monthly, April 2006, pp. 22\u201323.\r\n\r\nPelouchov\u00e1, Jana: \u201eLok\u00e1ln\u00ed p\u0159\u00edb\u011bhy [Local Stories],\u201c Art & Antiques, 3\/2006, p. 104.\r\n\r\nProd\u011blal, Ji\u0159\u00ed: \u201eZ\u016fstat s\u00e1m sebou [Staying Yourself],\u201c L\u00ed\u0161e\u0148sk\u00e9 noviny, 3\/2006, pp. 8\u201311.\r\n\r\n\u0158eho\u0159\u00edk, Pavel: \u201eNakreslete, jak doma zlob\u00edte [Draw How You Misbehave at Home],\u201c Rozrazil, 2\/2006, pp. 14\u201322.\r\n\r\nUhl\u00ed\u0159ov\u00e1, Mark\u00e9ta: \u201eNothing: An Interview with Kate\u0159ina \u0160ed\u00e1,\u201c Um\u011blec, 1\/2006, pp. 66\u201370.\r\n\r\nV\u00e1\u0161a, Ond\u0159ej: \u201eSpekt\u00e1kl se zav\u0159en\u00fdma o\u010dima [A Spectacle with Closed Eyes],\u201c Ateli\u00e9r, 1\/2006, p. 16.\r\n\r\n2005\r\nT\u0159e\u0161\u0148\u00e1k, Petr: \u201eMysleli si, \u017ee su \u0161vihl\u00e1 [They Thought I was Nuts],\u201c Respekt, 21\u201327 November 2005, p. 22.\r\n\r\nRogers, Mimi Fronczak: \u201eSweet Sixteen,\u201c The Prague Post, 23\u201329 November 2005\r\n\r\nPetr\u00e1kov\u00e1, Sylvie: \u201ePracuji s t\u00edm, co m\u00e1m po ruce [I Work with What I Have at Hand], Lidov\u00e9 noviny, 24 November 2005, p. 19.\r\n\r\nVitvar, J. H.: \u201ePoctiv\u00fd maj\u00e1k Kate\u0159iny \u0160ed\u00e9 [The Honest Lighthouse of Kate\u0159ina \u0160ed\u00e1],\u201c Ned\u011bln\u00ed sv\u011bt, 13 November 2005, p. 12.\r\n\r\nZaj\u00ed\u010dkov\u00e1, Eva: \u201eV New Yorku m\u00e1te pocit, \u017ee dok\u00e1\u017eete v\u0161echno [In New York You Get the Feeling You Can Do Anything],\u201c Pr\u00e1vo, 12 November 2005, p. 8.\r\n\r\n\u010cechovsk\u00e1, Magdalena: \u201eUm\u011blkyn\u011b, kter\u00e1 vystavuje n\u00e1pady [An Artist Who Exhibits Ideas],\u201c Hospod\u00e1\u0159sk\u00e9 noviny, 11 November 2005, p. 12.\r\n\r\nPetr\u00e1kov\u00e1, Sylvie: \u201eChalupeck\u00e9ho cena pro \u0160edou [Chalupeck\u00fd Award Goes to \u0160ed\u00e1],\u201c Lidov\u00e9 noviny, 11 November 2005, p. 18.\r\n\r\nPetr\u00e1kov\u00e1, Sylvie: \u201eSiln\u00e1 \u0161estka v Chalupeck\u00e9ho cen\u011b [The Strong Six at the Chalupeck\u00fd Award],\u201c Lidov\u00e9 noviny, 3 November 2005, p. 20.\r\n\r\nKlus\u00e1kov\u00e1, Jana: \u201eNorm\u00e1ln\u00ed v\u011bci Kate\u0159iny \u0160ed\u00e9 [Kate\u0159ina \u0160ed\u00e1\u2019s Normal Things],\u201c Revue Labyrint, 17\u201318\/2005, pp. 86\u201395.\r\n\r\nFuxov\u00e1, Dagmar: \u201eNic tam nen\u00ed aneb P\u0159\u00edb\u011bh o tom, co se stane, kdy\u017e zmno\u017e\u00edme a naprogramujeme vlastn\u00ed v\u0161ednodennost [There\u2019s Nothing There, or the Story of What Happens When We Multiply and Map Out Our Own Everyday Life],\u201c V\u00fdtvarn\u00e1 v\u00fdchova, 3\u20134\/2005, pp. 39\u201341.\r\n\r\nFuxov\u00e1, Dagmar: \u201eNic tam nen\u00ed aneb P\u0159\u00edb\u011bh o tom, co se stane, kdy\u017e zmno\u017e\u00edme a naprogramujeme vlastn\u00ed v\u0161ednodennost [There\u2019s Nothing There or What Happens When We Multiply and Map out Our Own Everyday Life],\u201c V\u00fdtvarn\u00e1 v\u00fdchova, 3\u20134\/2005, pp. 39\u201341.\r\n\r\nProd\u011blal, Ji\u0159\u00ed: \u201ePresti\u017en\u00ed Chalupeck\u00e9ho cenu z\u00edskala Kate\u0159ina \u0160ed\u00e1 [Prestigious Chalupeck\u00fd Award Goes to Kate\u0159ina \u0160ed\u00e1],\u201c L\u00ed\u0161e\u0148sk\u00e9 noviny, 12\/2005, p. 11.\r\n\r\nKadlec, Vratislav: \u201eKdy\u017e zmiz\u00ed v\u011bta [When a Sentence Disappears],\u201c Student, 6\/2005, pp. 97\u201399.\r\n\r\nPospiszyl, Tom\u00e1\u0161: \u201eCo nen\u00ed jedno [What Does Matter],\u201c T\u00fdden, 47\/2005, p. 83.\r\n\r\nVolf, Petr: \u201eKate\u0159ina \u0160ed\u00e1,\u201c Reflex, 46\/2005, p. 53.\r\n\r\nTu\u010dkov\u00e1, Kate\u0159ina: \u201eVolno m\u011b nut\u00ed k intenz\u00edvn\u00ed pr\u00e1ci [Free Time Drives Me to Work Hard],\u201c Liter\u00e1rn\u00ed noviny, 49\/2005, p. 15.\r\n\r\nZ\u00e1le\u0161\u00e1k, Jan: \u201eStart Point + Pavel Ry\u0161ka + Artfest.cz,\u201c Ateli\u00e9r, 19\/2005, p. 16.\r\n\r\nFi\u0161er, Marcel: \u201eStart Point Prize 2005,\u201c Pars Pro Toto, 7\/2005, pp. 23\u201330.\r\n\r\nVitvar, J. H.: \u201eD\u00e1rek od \u0161t\u011bdr\u00e9ho str\u00fd\u010dka [A Gift from a Generous Uncle],\u201c Ned\u011bln\u00ed sv\u011bt, 29 May 2005, p. 13.\r\n\r\n2004\r\n\u010cechlovsk\u00e1, Magdalena: \u201eNonkonformn\u00ed v\u00fdtvarnice objevuje neviditeln\u00e9 [A Non-Conforming Artist Discovers the Invisible],\u201c Hospod\u00e1\u0159sk\u00e9 noviny, 7 September 2004, p. 9.\r\n\r\nKubica, Petr: \u201eKate\u0159ina \u0160ed\u00e1,\u201c MFDF catalogue, Jihlava 2004, p. 297.\r\n\r\nJan\u00e1s, Robert: \u201eD\u016fm um\u011bn\u00ed: V\u00e1\u0161 specialista pro hlubok\u00fd z\u00e1\u017eitek kr\u00e1sy [The House of Art: Your Specialist for a Profound Experience of Beauty],\u201c Ateli\u00e9r, 5\/2004, p. 1.\r\n\r\n2002\r\nLindaurov\u00e1, Lenka: \u201eUm\u011bn\u00ed na venkov\u011b [Art in Villages],\u201c Art & Antiques, 4\/2002, p. 95.\r\n\r\n1999\r\nLindaurov\u00e1, Lenka: \u201eKate\u0159ina \u0160ed\u00e1,\u201c Um\u011blec, 7\/1999, pp. 26\u201327.","reviews":"","texts_unlisted":"2009\r\nDer Geist von Uhyst\/ The Spirit of Uhyst, published by Kate\u0159ina \u0160ed\u00e1 and Franco Soffinatino Gallery, Italy\r\nJe to jedno 2005 \u2013 2007 (It Doesn\u2019t Matter 2005 \u2013 2007), published by Kate\u0159ina \u0160ed\u00e1\r\n\r\n2006\r\nJe to jedno (It Doesn\u2019t Matter), published by Kate\u0159ina \u0160ed\u00e1, Brno\r\nNic tam nen\u00ed (There\u2019s Nothing There), published by Kate\u0159ina \u0160ed\u00e1, Brno","annotations":[{"text":"In her work Kate\u0159ina \u0160ed\u00e1 focuses on socially conceived actions in which there are used dozens or even hundreds of individuals that don't have anything to do with art. The actions take place in a completely non-artistic environment. One of the objectives of these experiments with inter-personal relations is to guide those taking part out of experienced stereotypes or social isolation. The nature of her projects is either very personal (e.g. the It Doesn\u2019t Matter project) or of a local character (There\u2019s Nothing There) - \u0160ed\u00e1 works with the residents of small villages, the names of which we hear for the first time. Despite this personal aspect, \u0160eda's work is easy to comprehend both generally and even internationally - \u0160ed\u00e1 has achieved international recognition in a short period of time (she now has more exhibitions abroad than in the Czech Republic).\r\n\r\n\u0160ed\u00e1 draws the \u201cmaterial&quot; for her projects from the ranks of those close to her - from her family or from her home town in L\u00ed\u0161e\u0148 near Brno or its surroundings. The Transmitter project, which was the artist\u2019s graduation thesis, is linked to her family. \u0160ed\u00e1 made her family members into members of a commission at the Academy of Fine Arts. The job of this commission was to assess the work of some of the academy's students. The commission was first confronted with the works without the student\u2019s participation, and then heard the student\u2019s interpretation. \u0160ed\u00e1 drew attention to the confrontation of opinions of people not involved in art and the world of art that is often closed within itself and incomprehensible without the artists\u2019 explanation. Another project entitled It Doesn\u2019t Matter involves the artist's grandmother. \u0160ed\u00e1 attempted to provoke her grandmother, who had fallen into a lethargic stupor and had lost her zest for life. Her grandmother had worked for years in a hardware store and knew all the products by heart. \u0160ed\u00e1 convinced her grandmother to begin to draw all the tools. This resulted in a catalogue of 650 drawn items and prices. \u0160ed\u00e1\u2019s grandmother even came to the opening in Prague, and Kate\u0159ina \u0160ed\u00e1 won for this project the prestigious Jind\u0159ich Chalupeck\u00fd Award. \r\n\r\nWork with the townspeople involved the collective projects, Exhibition in the Window, There's Nothing There, Around and Around and The Spirit of Uhyst. Some 150 residents of L\u00ed\u0161e\u0148 took part in the Exhibition in the Window action in which they exhibited various objects in the windows of their homes. The There\u2019s Nothing There project was conceived for the village of Pon\u011btovice. After a survey of the village and the activities of the individuals living there, \u0160ed\u00e1 managed to unite all the villagers: On a single day they all took part in activities according to a predetermined schedule. At the same time they all got up, went shopping, swept their walkways, cooked tomato sauce and rice, rode their bikes around town and went for a beer. The project Around and Around, presented in 2008 at the Berlin Biennial, was made in her native town of L\u00ed\u0161e\u0148. One day the artist realized how strongly people try to isolate themselves with high fences that nobody can see through and to enclose themselves with their own privacy. \u0160ed\u00e1 then spent half a year convincing neighbours of one street to take part in the project. On one designated day \u0160ed\u00e1 herself climbed over all the fences (with the participation of all her invited neighbours observing her). She then constructed a round structure from different materials exactly according to the L\u00ed\u0161e\u0148 models. This was exhibited at the international exhibition in Berlin to where her L\u00ed\u0161e\u0148 neighbours were bussed to climb over the fence using various aids and into the circle and out again. The inter-personal barriers were at least symbolically conquered.\r\n\r\nIn 2009 the Spirit of Uhyst project was undertaken based on the artist's work with the residents of the town of Uhyst, Germany. The locals were given the task of drawing with a single line their view of the &quot;spirit&quot; of the village. All the lines were gradually made on a single line of paper. A collective drawing was made signed by all 316 participants.","date":2009,"authors":[1853]}],"artworks":[110606,110607,110608,110609,110610,110611,110612,116519,116521,116523,116525,116529,116530,116531],"videos":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u0160ed\u00e1 - Artlist<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artlist.cz\/en\/umelci\/katerina-seda\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u0160ed\u00e1 - Artlist\" \/>\n<meta property=\"og:url\" content=\"https:\/\/artlist.cz\/en\/umelci\/katerina-seda\/\" \/>\n<meta property=\"og:site_name\" content=\"Artlist\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-20T18:50:17+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"53 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/katerina-seda\\\/\",\"url\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/katerina-seda\\\/\",\"name\":\"\u0160ed\u00e1 - 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