{"id":121905,"date":"2024-07-10T23:05:15","date_gmt":"2024-07-10T21:05:15","guid":{"rendered":"http:devel.artlist.cz\/artist\/fexova-2\/"},"modified":"2025-01-07T18:13:56","modified_gmt":"2025-01-07T17:13:56","slug":"patricie-fexova","status":"publish","type":"artist","link":"https:\/\/artlist.cz\/en\/umelci\/patricie-fexova\/","title":{"rendered":"Fexov\u00e1"},"featured_media":0,"template":"","class_list":["post-121905","artist","type-artist","status-publish","hentry","keyword-konceptualni-umeni","keyword-malba","keyword-object","keyword-objekt"],"acf":{"nicknames":"","date_born":1975,"date_death":0,"place_born":"Jihlava","lives":"Prague","web":"www.karlinstudios.cz\/artists\/fexova.htm","idatum":"","address":"Milady Hor\u00e1kov\u00e9 56, Praha 7, 17000","email":"patriciefexova@hotmail.com","phone":"","biography":"Studies: \r\n1995-2001 Academy of Fine Art in Prague, studio of Vladim\u00edr Skrepl \r\n1993-1995 Faculty of Fine Arts BUT in Brno, studio of Radosl Kutra, Ji\u0159\u00ed Na\u010deradsk\u00fd \t\t \r\n\r\nStipends: \r\n2000 Canberra School of Art (CSA), Australian National University, Photomedia, prof. Martyn Jolly\r\n1997 Sommerakademie Salzburg, workshop Leona Goluba and Nancy Spero","groups":null,"membership":"","exhibitions_solo":"2011\r\nPioneer, galerie SPZ, Praha\r\n\r\n2010\r\nSkaf, Galerie Ferdinanda Baumanna, Praha\r\nMetafyzi\u010dka, Galerie m\u011bsta Blanska\r\nElementary, galerie Dole, Ostrava\r\n\r\n2008\r\nV\u00fdstava malby, Galerie kritik\u016f, Praha 2008- Data Paintings, galerie NoD, Praha\r\n\r\n2007\r\nData Paintings, Galerie Slavie, N\u00e1chod\r\n\r\n2006\r\nNEO, Patricie Fexov\u00e1 &amp; Sl\u00e1va Sobotovi\u010dov\u00e1, galerie Alt\u00e1n Klamovka, Praha \r\nRosn\u00fd bod, Patricie Fexov\u00e1 &amp; Sl\u00e1va Sobotovi\u010dov\u00e1, galerie Eskort, Brno\r\n\r\n2005 \r\n\u017dIVN\u011a, Patricie Fexov\u00e1 &amp; Sl\u00e1va Sobotovi\u010dov\u00e1 v galerii AM180, Praha\r\n\r\n2001\r\nLovely Spot, galerie Jelen\u00ed, Praha\r\n\r\n1999\r\nPatricie Fexov\u00e1 \u2013 Atlas, Kav\u00e1rna Francouzsk\u00e9ho institutu, Praha","exhibitions_group":"2012\r\nMetaplay, Galerie kritik\u016f, Praha\r\nNezvan\u00fd host, Chodovsk\u00e1 tvrz, Praha\r\nSou\u010dasn\u00e1 \u010desk\u00e1 malba, NTK, Praha\r\n\r\n2011\r\nV\u011bznice: m\u00edsto pro um\u011bn\u00ed, DOX, Praha\r\nVI. Nov\u00fd zl\u00ednsk\u00fd salon, Zl\u00edn\r\n\r\n2010\r\n90. l\u00e9ta, D\u016fm um\u011bn\u00ed, Brno\r\nKAS IR \u201e\u010cEHU\u201c M\u00c1KSLA? \/ CO JE \u010cESK\u00c9 UM\u011aN\u00cd?, Ilguciems, Riga, Loty\u0161sko\r\nAkce Zet, Galerie Emila Filly, \u00dast\u00ed nad Labem\r\n\r\n2009\r\nM\u00edsto a formule, GASK Artfest, Kutn\u00e1 Hora\r\n\r\n2008\r\nZvon 2008, 6. Bien\u00e1le mlad\u00e9ho um\u011bn\u00ed, GHMP, Praha\r\ncz-sk Sou\u010dasn\u00e1 mlad\u00e1 malba, Wannieck Gallery, Brno \r\n\r\n2007\r\nThe Collectors: Live Re-Edit, D\u016fm P\u00e1n\u016f z Kun\u0161t\u00e1tu, Brno\r\nNov\u00e1 trp\u011blivost, M\u00e1nes, Praha \r\n2006\r\nAKN\u00c9, galerie Rudolfinum, Praha In the Time Between, NCCA, Moskva, Rusko \r\n2005\r\nZvon 2005, Bien\u00e1le mlad\u00fdch, GHMP, Praha \r\n2004\r\nSb\u00edrka Richarda Adama, OGV \/ Oblastn\u00ed galerie Vyso\u010diny, Jihlava \r\n2003\r\nObsese sb\u011bru, OGV, Jihlava Stalo se jedn\u00e9 noci, Galerie m\u011bsta Plzn\u011b, Plze\u0148\r\n\r\n2001\r\nDiplomanti AVU, Veletr\u017en\u00ed pal\u00e1c, N\u00e1rodn\u00ed galerie, Praha \r\n2000\r\nFOTOK:Photographs by Young Czech Artists, Budape\u0161\u0165, Ma\u010farsko A thousand colours (ANU Green), CSA Gallery, Canberra, Austr\u00e1lie \r\n1999\r\nAteli\u00e9r V. Skrepla, AVU, galerie MXM, Praha Cargo, Galerie Br\u00fclsche Terrasse, Dr\u00e1\u017e\u010fany, N\u011bmecko\r\n\r\n1998\r\nZelen\u00e1, Galerie AVU, Praha \r\n1997\r\nFruit from Prague, \u010cesk\u00e9 centrum Berl\u00edn, N\u011bmecko","realizations_other":"","collections":"","monographies":"Mezi konceptem a malbou, Patricie Fexov\u00e1,V\u00fdstava malby, katalog, 2009, Vlasta \u010cih\u00e1kov\u00e1 Noshiro\r\nBiometrick\u00e9 malby, Ateli\u00e9r 2\/2009, Marie Ha\u0161kovcov\u00e1\r\nPrvn\u00edch 15 minut, Respekt 2\/2009, Jan Vitvar\r\nGalerie t\u00fdden\u00edku A2, 44\/2006, Edith Je\u0159\u00e1bkov\u00e1 Nov\u00e9 tv\u00e1\u0159e \u010dasopisu Um\u011blec 2\/2001, Lenka Lindaurov\u00e1 Fotobu\u0148ky\/Jednota bydlen\u00ed v Labyrint Revue 5-6, ro\u010dn\u00edk 1999","articles":"Galerie t\u00fdden\u00edku A2, 44\/2006, text Edith Je\u0159\u00e1bkov\u00e1 \r\nNov\u00e9 tv\u00e1\u0159e \u010dasopisu Um\u011blec 2\/2001, text Lenka Lindaurov\u00e1 \r\nFotobu\u0148ky\/Jednota bydlen\u00ed v Labyrint Revue 5-6, ro\u010dn\u00edk 1999 ","reviews":"","texts_unlisted":"","annotations":[{"text":"In the work of Patricie Fexov\u00e1 (1975) we can see a combination of her permanent interest in the media of painting, her illusiveness, and the process of painting with overlaps in meaning and expression. After completing her studies of painting at the Faculty of Fine Arts at the Brno University of Technology, she continued studying at the Academy of Fine Arts in Prague in the Studio of Vladim\u00edr Skrepl. She conceived her thesis project in 2001 partly photographically, however. She combined the picture motif of Czechoslovak First Republic bunkers, as currently purposeless but interesting objects, with greenhouses and created a futurological sci-fi landscape with a land art tone (Czech Bunkers). After that she followed with a series of smaller paintings called <i>Dead Monsters<\/i> (2002-2004). These were portraits of mutilated virtual animals, which she \u201ckilled\u201d in a computer game and photographed and painted them as her trophies. In another painting series entitled <i>Compact Discus Throwers <\/i>(2004) she devoted her attention to the symbol of digital reality \u2013 the CD as a universal information carrier. In an allegory of kneeling nude women, throwing CDs in a phased out motion, she paraphrased, in addition to the futurist methodology, also the classical motif of the Discobolus of Myron, and she interconnected the iconography of two historical periods in a new unit. She later used CDs as the leitmotif in the comprehensive series of paintings <i>Data Paintings <\/i>(2006-2007), with which she brought attention to the effectiveness of the material expression of painting in contrast with the intangible, digital information of a CD. Captured by the rainbow like shine of CDs, she created paintings with the shape of CDs having an optical image of data pages. She embodied encoded information into the visual code of coloured transitions of the paint of the abstract geometric character, the illusiveness of which she annulled with the meaning of her concept.\r\nThe shape unity of the CDs led the painter to another series of paintings from photographs of her friends\u2019 irises. She used the shape of the CD for the human eye, transmitting information flow, and she placed a pair of eyes \u2013 her own irises \u2013 on the wall of the installation for the 6<sup>th<\/sup> Biennale of Young Art (City Gallery Prague, House by the Stone Bell, 2008). At an independent exhibition called <i>Exhibition of Painting <\/i>(2009) in the Gallery kritik\u016f, she presented, together with this series of CDs entitled <i>Irises<\/i>, painted on wooden donut shaped circles, cut on a circular saw, detailed sectors of an eye in rectangular parts, formed by cutting the circle (<i>Details of Irises<\/i>). The iris (without the pupil, which is also an opening in the eye) was conceived here including the \u201cdirty\u201d spots and stains, simultaneously like an unchangeable biometric element, determining the identity of man, so the paintings fluctuated on the edge of absurd humour. During this work she also created the video <i>Painting with Information<\/i>, being a record of a performance with a column of CDs, layered into a spatial composition of glittering spirals, like strokes with a paintbrush. \r\nFexov\u00e1\u2019s work was not always directly inspired by the computer. From the beginning her vital interest in architecture and the world that we live in, can be addressed with the question, where will we once live (Ji\u017en\u00ed m\u011bsto, acrylic painting on canvas from 1996-1998, or the picture portrait of W. B. Griffin, architect of the city Canberra, in a saviour pose with outspread arms, 2004). In this category, we can also classify her recent exhibitions <i>Skaf<\/i> (2010, Ferdinand Baumann Gallery) and <i>Pioneer <\/i>(2011, SPZ Gallery), where she presented three-dimensional painting portraits \u2013 costumes \u2013 of a man and woman called <i>Space Suites<\/i>. They were inspired by the drawing of a human couple from the plaque from the space probe Pioneer 10, which includes a map of the Solar system for potential extra-terrestrial founders.\r\n\r\nIn her recent work, Fexov\u00e1 goes back to the process of painting, which follows up on her series of irises. After she made the stains of the irises independent on small rectangular formats, she decided to examine the act of painting purely in an abstract series. Her <i>Abstract Comics <\/i>are stories of paintbrush strokes, where a hand is occasionally visible in the painting, insinuating the shifting of the strokes, or the randomness of the painting. Encounter of the stains, however, requires a premeditated painting work, therefore, the stain that resembles a certain shape, must be disrupted again in order to stay purely abstract. This painter, however, does not try to avoid reality in any way \u2013 in her current series <i>Self-portraits<\/i> she tries to conceive individual elements of painting, in painting from a model, by having her paintbrush strokes as autonomous and abstract as possible. \r\n\r\n","date":2012,"authors":[1859]}],"artworks":[109197,109198,109199,109200,109201,109202,109203,109204,109205,109206,109590,109959,109967,109973,112550,112551,112552,112553,113053,113054,113055,113056],"videos":null},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Fexov\u00e1 - Artlist<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artlist.cz\/en\/umelci\/patricie-fexova\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fexov\u00e1 - 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