{"id":121912,"date":"2024-07-10T23:05:16","date_gmt":"2024-07-10T21:05:16","guid":{"rendered":"http:devel.artlist.cz\/artist\/turner-3\/"},"modified":"2025-01-07T18:13:55","modified_gmt":"2025-01-07T17:13:55","slug":"jan-turner","status":"publish","type":"artist","link":"https:\/\/artlist.cz\/en\/umelci\/jan-turner\/","title":{"rendered":"Turner"},"featured_media":0,"template":"","class_list":["post-121912","artist","type-artist","status-publish","hentry","keyword-drawing","keyword-object","keyword-sculpture"],"acf":{"nicknames":"","date_born":1971,"date_death":0,"place_born":"Praha","lives":"Praha","web":"http:\/\/www.janturner.info\/","idatum":"","address":"Zimn\u00ed 1581, 253 01 Hostivice","email":"turner@seznam.cz","phone":"+420 777 590 144","biography":"

Studium:<\/strong>

1993\u20131999 AVU (Akademie v\u00fdtvarn\u00fdch um\u011bn\u00ed v Praze):
- intermedi\u00e1ln\u00ed \u0161kola, prof. Milan Kn\u00ed\u017e\u00e1k (1998\u20131999)
- \u0161kola experiment\u00e1ln\u00ed grafiky, prof. Vladim\u00edr Kokolia (1995\u20131998)
- socha\u0159sk\u00e1 \u0161kola II, prof. Hugo Demartini (1993\u20131995)<\/p>\r\n\r\n

Praxe:<\/strong>

2012\u20132017
Psychoterapeutick\u00fd v\u00fdcvik SUR, ve skupinov\u00e9 terapii<\/p>\r\n

1993 \u2013 dosud
soukrom\u00e1 praxe Shiatsu a pomocn\u00e9 psychoterapie<\/p>","groups":"","membership":"","exhibitions_solo":"2021\r\nT\u0159et\u00ed prostor \/ Prostor Olga \/ Praha \/ k. Anetta Mona Chisa, Dita Lama\u010dov\u00e1, Veronika Holcov\u00e1\r\nProlhan\u00e9 stud\u00e1nky \/ Nevan Contempo \/ Praha\r\n\r\n2019\r\nP\u00e9\u010de o pah\u00fdl \/ Galerie 35m2 \/ Praha \/ k. Pavel \u0160vec \/\r\n\r\n2018\r\nUbrus \/ Nau Gallery \/ Praha \/ k. Pavel \u0160vec\r\nSlon v oce\u00e1nu \/ Galerie Divadla Minor \/ Praha \r\n\r\n2016\r\nLegendy Grafiky II \/ Galerie Havelka \/ Praha \/ k. prof. Vladim\u00edr Kokolia \r\nStoj\u00edm na zdi \/ Nakladatelstv\u00ed TRIGON \/ Praha \/ k. Ivan Me\u010dl \r\n\r\n2015\r\nParent's voice in the back \/ Divus London \/ Lond\u00fdn \/ k. Ivan Me\u010dl \r\nHlas rodi\u010d\u016f v z\u00e1dech \/ Galerie Ferdinanda Baumana \/ Praha \/ k. Magdalena Hrub\u00e1 \r\n\r\n2013\r\nMistrovstv\u00ed \u017eivota \/ Galerie Nashledanou \/ Volyn\u011b \/ k. Jan Freiberg \r\n\r\n2012\r\nDvojd\u0159ez \/ s Alic\u00ed Nikitinovou \/ Galerie Chodovsk\u00e1 tvrz \/ k. Ji\u0159\u00ed Pt\u00e1\u010dek \r\nVzd\u00e1len\u00e1 sest\u0159enice, b\u00edl\u00fd bratranec \/ se Sl\u00e1vkou Sobotovi\u010dovou\r\nMeetFaktory - Kostka \/ k. Ji\u0159\u00ed Pt\u00e1\u010dek \r\nN\u00fdt \/ galerie Jelen\u00ed \/ Praha \r\n\r\n2010\r\nBan\u00e1n naskle \/ s Alic\u00ed Nikitinovou \/ Galerie Blansko \/ k. Ji\u0159\u00ed Pt\u00e1\u010dek \r\nYou are kom\u00e1r \/ Ambro\u017e\u016fv sbor \/ Hradec Kr\u00e1lov\u00e9 \/ \r\n\r\n2007\r\nVesnice \/ st\u00e1nek 36 \/ v\u00fdstavi\u0161t\u011b Olomouc \/ k. Lenka V\u00edtkov\u00e1 \/ \r\n\r\n2006\r\nTe\u010f si nejhez\u010d\u00ed \/ galerie Eskort \/ Brno \/ k. Ji\u0159\u00ed Pt\u00e1\u010dek \/ \r\n\r\n2005\r\nJednota pramene \/ galerie \u0160ternberk \/ k. Ji\u0159\u00ed Pt\u00e1\u010dek \/ \r\nSouhlasn\u00fd postoj \/ galerie ad astra \/ Ku\u0159im \/ k. Ji\u0159\u00ed Pt\u00e1\u010dek \/ \r\nHuben\u00e9 l\u00e9to \/ Galerie A.M. 180 \/ Praha\r\n\r\n2003\r\nZdravotn\u00edk se zran\u011bn\u00edm \/ Galerie N \/ Praha","exhibitions_group":"2023 \r\nv\u00fdstava v r\u00e1mci festivalu 4+4 dny v pohybu 2020 \/ Praha \/ k. Ji\u0159\u00ed Pt\u00e1\u010dek\r\nV\u0161echno je v\u0161ech\r\n\r\n2020\r\nV\u0161echno je jinak \/ v\u00fdstava v r\u00e1mci festivalu 4+4 dny v pohybu 2020 \/ Praha \/ k. 4+4 dny a Mikul\u00e1\u0161 Nevan\r\nBa\u0148k\u00e9\u0159 \/ performance pro Festival nah\u00fdch forem 2020 \/ Praha \/ s Martin Zet \/ k. Lenka Klodov\u00e1\r\nJ\u00c1 \/ realizace pro Landscape festival 2020 \/ Praha \/ galerie Jaroslava Fr\u00e1gnera a 35m2\r\nCo by se za dehet ve\u0161lo \/ s Petr Strouhal a Adam \u0160tech \/ galerie SAM83 \/ \u010cesk\u00e1 b\u0159\u00edza \/ k. Ji\u0159\u00ed Pt\u00e1\u010dek\r\n\r\n2019\r\nMonolog komin\u00edka ve m\u011bst\u011b bez kom\u00edn\u016f \/ galerie Nevan Contempo \/ Praha 3 \/ \r\nk. Pavel \u0160vec \/\r\n\r\n2018\r\nLegendy Gr2 \/ Galerie ve v\u011b\u017ei Novom\u011bstsk\u00e9 radnice \/ Praha \/ k. Eva \u010cerven\u00e1, Vladim\u00edr Kokolia\r\nKdo je v\u00edt\u011bzem? \/ GVUO \/ D\u016fm um\u011bn\u00ed Ostrava \/ k. Yvona Ferencov\u00e1\r\n\r\n2017 \r\nDiStO (Divadlo statick\u00e9ho objektu na PAF Olomouc 2017) \/ \r\nk. Martin Pia\u010dek, Mat\u011bj Smetana, Jan Kralovic \r\n9 SEM cor-ten Mezin\u00e1rodn\u00ed socha\u0159sk\u00e9 symposium, Bratislava 2017, \r\npo\u0159\u00e1d\u00e1 Kata Kissoczy, k. Daniela Kramerov\u00e1 \r\nHumna help me \/ host na v\u00fdstav\u011b Tom\u00e1\u0161e Bambu\u0161ka \r\nLinhartova nadace \/ Letohradsk\u00e1 10 Praha 7 \r\n\r\n2016 \r\nArtsafari 31 \/ k. Daniela Kramerov\u00e1\/ Praha \/ Bubec \r\n\r\n2014\r\nNest\u00e1l\u00e1 sb\u00edrka \/k. Helena Bla\u0161kov\u00e1 a Ivan Me\u010dl\/ N\u00e1rodn\u00ed galerie Perla \/ Vran\u00e9 n. Vltavou \r\n\r\n2014\r\nVII. nov\u00fd zl\u00ednsk\u00fd sal\u00f3n \/ Zl\u00edn \r\nPrivate nationalism - Dom\u00e1c\u00ed n\u00e1rodovectv\u00ed \/ k. Lenka Klodov\u00e1, Ivan Me\u010dl \/ \r\nDivus Praha, Kunsthalle Ko\u0161ice, P\u00e9cz (Hungary) \r\n\r\n2013\r\nLapid\u00e1rium \/ k. Ateli\u00e9r socha\u0159stv\u00ed Vysok\u00e9 \u0161koly um\u011bleckopr\u016fmyslov\u00e9 v Praze\r\n\r\n2011\r\n\u0160t\u011bst\u00ed \/ v\u00fdstava sou\u010dasn\u00e9ho um\u011bn\u00ed pro b\u00fdval\u00e9 \u00dast\u0159ed\u00ed lidov\u00e9 um\u011bleck\u00e9 v\u00fdroby\/ \r\nk. Denisa V\u00e1clavov\u00e1 \/ Jan Freiberg \/ \r\nVI. nov\u00fd zl\u00ednsk\u00fd sal\u00f3n 2011 \/ Zl\u00edn \r\n\r\n2010\r\nMy dva a \u010das \/ \u00daLUV \/ Praha \/ k. Pavel Van\u010d\u00e1t \/ \r\n\r\n2009\r\n19 years after \/ vyslanectv\u00ed \u010cR \/ Berl\u00edn \/ k. Milan Peri\u010d\r\nM\u00e9my Grafiky II \/ Wortner\u016fv d\u016fm \/ \u010cesk\u00e9 bud\u011bjovice \/ k. Vladim\u00edr Kokolia, \u0160\u00e1rka Tr\u010dkov\u00e1\r\n\r\n2008\r\nA kdy upr\u0161\u00ed ten druhej den \/ NOD \/ Praha \/ k. Ji\u0159\u00ed Havl\u00ed\u010dek \/ \r\nBig Hybrid Gruppen Session Painting \/ Praha \/ k. Kri\u0161tof Kintera a Denisa V\u00e1clavov\u00e1\r\nNic na odiv \/ Kate\u0159insk\u00e1 zahrada \/ Praha \/ k. Vojt\u011bch M\u00ed\u010da\r\n\r\n2007\r\nVylep\u0161en\u00fd model, kulhav\u00fd efekt \/ NoD \/ Praha \/ k. Dominik Lang \/ \r\n\r\n2003\r\nKonfrontace \/ Sv\u00e1rov \/ k. Milan Peri\u010d\r\n\r\n2001\r\nP \/ Galerie AVU \/s Jaroslavem Vale\u010dkou \/ Praha\r\nDiplomanti AVU \/ Karolinum \/ Praha\r\nMach\u016fv \u0161achov\u00fd krou\u017eek \/ galerie Vincence Kram\u00e1\u0159e \/ Praha\r\n\r\n2000\r\nSou\u010dasn\u00e1 minulost \/ AJG \/ Hlubok\u00e1 nad Vltavou \/ k. Vlastimil Tetiva\r\n\r\n1999\r\n... \/ NOD \/ Praha \/ k. Kri\u0161tov Kintera \r\n\r\n1998\r\nSkeleton&Peleton \/ V\u00e1clavsk\u00e9 n\u00e1m\u011bst\u00ed 13\/15 \/ Praha","realizations_other":"","collections":"","monographies":"

2014
katalog VII. nov\u00fd zl\u00ednsk\u00fd salon
Noviny Galerie Nashledanou, rozhovor k v\u00fdstav\u011b<\/p>","articles":"

R\u00e1dio:<\/strong><\/p>\r\n

\u010cajovna \/ rozhovor s Evou Melo \/ 2010<\/p>\r\n\r\n

Televize:<\/strong><\/p>\r\n

http:\/\/artycok.tv\/lang\/cs-cz\/26667\/jan-turner
Artmix - talent m\u011bs\u00edce \u00fanora 2009
Arty\u010dok, A kdy upr\u0161\u00ed ten druhej den \/ NOD \/ Ji\u0159\u00ed Havl\u00ed\u010dek \/ leden 2009<\/p>\r\n\r\n

Tisk:<\/strong><\/p>\r\n

2013
Lapid\u00e1rium - recenze
Mistrovstv\u00ed \u017eivota - Volyn\u011b - tiskov\u00e1 zpr\u00e1va
Mistrovstv\u00ed \u017eivota - Volyn\u011b - recenze<\/p>\r\n

2012
katalog Galerie Nashledanou - doprovodn\u00e9 ilustrace
katalog k v\u00fdstav\u011b Dvojd\u0159ez s Alic\u00ed Nikitinovou<\/p>\r\n

2011
katalog - \u0160est\u00fd nov\u00fd zl\u00ednsk\u00fd salon 2011
sborn\u00edk CO14 2003-2005
Ps\u00ed v\u00edno - \u010d. 55<\/p>\r\n

2003
Tom\u00e1\u0161 Van\u011bk \/ Pilov\u00e1n\u00ed misky \/ rozhovor pro um\u011blec 04\/2003
Pesch Miroslav \/ Zdravotn\u00edk se zran\u011bn\u00edm \/ Ateli\u00e9r, srpen 2003<\/p>","reviews":"","texts_unlisted":"","annotations":[{"text":"

Jan Turner is primarily a sculptor and creator of installations. His projects work with and shift the imagination of everyday events and objects. By reinterpreting the function of objects and materials, he builds on conceptual art and post-minimalist sculpture. He tends to use traditional materials such as wood and metal, though he often works with readymade objects. Using these materials he creates an analogy to everyday objects, which then lose their function, though not their significance.<\/p>\r\n

Another characteristic of Turner\u2019s work is a subtle humour that operates on the level of materials and their properties. D\u0159evo sta\u017een\u00e9 plastov\u00fdmi \u0159em\u00ednky I <\/em>a II \/ Wood Pulled with Plastic Straps I <\/em>and II <\/em>(2017) is one such example. Turner\u2019s work is characterised by its simplicity and viewer-friendliness, without being superficial. P\u0159ipraven\u00e9 n\u00e1hrobky \/ Prepared Tombstones <\/em>(2015) is an installation of abstract nameless tombstones made by Ytong. A brief glimpse of the installation reveals immediately what the objects are making reference to, though it is by no means clear what they represent. The theme of cheap materials and namelessness, along with how they are stacked and prepared for use, again embodies a subtle yet cynical humorous undertone pertaining to the absurdity of human existence. In addition, the installation was located in Galerie Na shledanou, which is part of a former crematorium. A similar attitude is to be found in the wooden installation Slon \/ Elephant<\/em> (2017), in which the representation of the animal is restricted to tusks sticking out of the ground, which we may freely interpret as a sarcastic commentary upon the rapid disappearance of species in the Anthropocene.<\/p>\r\n

The theme of the quotidian is again present in \u017didle \/ Chairs<\/em> (2015), a series of acrylic paintings in which the repetitive painting of one motif from a single viewpoint offers a moment of both contemplation and caesura within the hustle and bustle of the contemporary world, as well as a certain nostalgia for the disappearance caused by the simplicity of depiction with its grey monochromicity.<\/p>\r\n

A visually and conceptually more complex work is Hlas rodi\u010d\u016f v z\u00e1dech \/ Parents\u2019 Voice in the Back<\/em> (2015). The starting point of this work is a technique that Turner has been deploying for some time. This is a physiotherapeutic method involving glass jars with a circular opening being placed on parts of the body. Subsequently all the air is sucked out and the body, where waste products are to be found and the skin is inelastic, reacts by breaking blood vessels resulting in bruising. Photographs of different people who have undergone this procedure are both abstract and yet an embodied testimony of the problems they have encoded in the body. The artist himself says that these are \u201cimprints of our bio-psycho-social identity\u201d. He has long been interested in these techniques, and their use is another typical feature of his work, in which themes and forms are infused with his quotidian experience.<\/p>\r\n

The work in which the spatial situation and abstract principle are transformed into a conceptual statement is Kolmice \/ Perpendicular,<\/em> which was originally created for an exhibition on the theme of private nationalism. The installation comprises an iron rod and several chairs. The views of the seated spectators differs because the pole is perpendicular to the ground when viewed from the front but not when viewed from the side. This is a metaphor for the distorted vision of social relationships that leads, for instance, to nationalist tendencies. The situation evoked by Kolmice<\/em> then allows for two readings of the work \u2013 either as a minimalist sculptural installation or the representation of social relationships.<\/p>\r\n

Turner\u2019s older work is characterised by the well-known subtle feature of Czech art, namely the use of cheap materials or readymades with an emphasis on the conceptual. Instead of proclaiming unambiguous themes, Turner attempts to work with the viewer\u2019s everyday consciousness, which, when confronted by these works, is enriched by the possibilities of looking at things in a different way. One might say that after seeing Turner\u2019s works we are able to create them in our imagination in our everyday lives. His works show that objects and the relationships between them offer themselves to be interpreted beyond their customary framework, and that the imagination can develop in immediate proximity, without the need for spectacular visuals or complex fictional worlds.<\/p>","date":2018,"authors":[1887]}],"artworks":[113190,113191,113192,113193,113194,113195,113196,113197,113198,113199,113200,113201,113202,113203,113204,113205,113206,113207,113208,113209,113210,113211,113212,118552,118553,118554,118555,118556,118557],"videos":[3299,3300,134599]},"yoast_head":"\nTurner - Artlist<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artlist.cz\/en\/umelci\/jan-turner\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Turner - Artlist\" \/>\n<meta property=\"og:url\" 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