{"id":121914,"date":"2024-07-10T23:05:16","date_gmt":"2024-07-10T21:05:16","guid":{"rendered":"http:devel.artlist.cz\/artist\/krucek-2\/"},"modified":"2025-01-07T18:13:55","modified_gmt":"2025-01-07T17:13:55","slug":"vaclav-krucek","status":"publish","type":"artist","link":"https:\/\/artlist.cz\/en\/umelci\/vaclav-krucek\/","title":{"rendered":"Kr\u016f\u010dek"},"featured_media":0,"template":"","class_list":["post-121914","artist","type-artist","status-publish","hentry","keyword-malba","keyword-objekt","keyword-sculpture","keyword-socha"],"acf":{"nicknames":"","date_born":1955,"date_death":0,"place_born":"Ostrava","lives":"Praha","web":"www.krucekvaclav.com","idatum":"","address":"","email":"vaclavkrucek@hotmail.com","phone":"","biography":"<b>Studium:<\/b><br \/>2013\u20132020 Ph.D., Filozofick\u00e1 fakulta Univerzity Karlovy v Praze, katedra filmov\u00fdch studi\u00ed<br \/>1975-1981 Akademie v\u00fdtvarn\u00fdch um\u011bn\u00ed v Praze, ateli\u00e9r grafiky, prof. \u010cepel\u00e1k <b>Granty a stipendia:<\/b><br \/>1992-1993 Project Grant-Visual Arts \/ Craft Board Australia <b>Pobyty v zahrani\u010d\u00ed:<\/b><br \/>1987\u20131994 Austr\u00e1lie<br \/>1996\u20131997 USA","groups":null,"membership":"","exhibitions_solo":"2021\r\nDiaphanous, Sophistica Gallery, Praha\r\n\r\n2018\r\nShirin, Galerie 207, UMPRUM, Praha\u00a0\r\nOeil de Perdrix, Etcetera Gallery, Brno (J. Bernartov\u00e1, V. Kr\u016f\u010dek)\r\n\u00a0\r\n2016\r\nGalerie Z\u00e1vodn\u00fd, Mikulov\r\n\r\n2015\r\ndur\u00e9e, Galerie Kvalit\u00e1\u0159, Praha\r\nkoncept-percept, Galerie Lang\u016fv D\u016fm, Fr\u00fddek\r\n\r\n2012\r\nZa obrazem, Galerie Petr Novotn\u00fd, Praha\r\nO sn\u00ed\u017een\u00e9 diferenci, Galerie NoD, Praha\r\n\r\n2010\r\nPole, Brno Gallery CZ, Brno (Brno-m\u011bsto)\r\nMimo obrazy \/ Beyond Images, Galerie Die Aktualit\u00e4t des sch\u00f6nen., Liberec (Liberec)\r\n\r\n2006\r\nSv\u011bteln\u00e9 reflexe, V\u00fdstavn\u00ed s\u00ed\u0148 Sokolsk\u00e1 26, Ostrava (Ostrava-m\u011bsto)\r\n\r\n2004\r\nAustralsk\u00e9 pr\u00e1ce, Galerie Ars, Brno (Brno-m\u011bsto)\r\nAustralsk\u00e9 pr\u00e1ce, Galerie \u0160ternberk, \u0160ternberk (Olomouc)\r\n\r\n2001\r\nSublimn\u00ed, Galerie V\u00e1clava \u0160p\u00e1ly, Mal\u00e1 \u0160p\u00e1lovka, Praha\r\n\r\n2000\r\nSublimn\u00ed, Lounsk\u00e1 v\u00fdstavn\u00ed s\u00ed\u0148 Telecom, Louny (Louny)\r\nV\u00fdstavn\u00ed s\u00ed\u0148 Sokolsk\u00e1 26, Ostrava (Ostrava-m\u011bsto)\r\n\r\n1998\r\nGalerie Aspekt, Brno (Brno-m\u011bsto)\r\n\r\n1995\r\nOblastn\u00ed galerie v Liberci, Liberec (Liberec)\r\nGalerie Jaroslava Kr\u00e1le, Brno (Brno-m\u011bsto)\r\nGalerie U B\u00edl\u00e9ho jednoro\u017ece, Klatovy (Klatovy)\r\n\r\n1994\r\nStructures \/ Fields, Kunst (Gitte Weise Gallery), Sydney\r\n\r\n1991\r\nSand-Matrix Works, Garry Anderson Gallery, Sydney\r\n\r\n1990\r\nWorks on Slate and Paper, Garry Anderson Gallery, Sydney","exhibitions_group":"2021\r\nV\u0161emi sm\u011bry, Devades\u00e1t\u00e1 l\u00e9ta ze sb\u00edrek Galerie Klatovy Klenov\u00e1\r\n\u00a0\r\n2019\/2020\r\nMnohozna\u010dnost struktur, dynamika sil, Museum Kampa, Praha\r\n\r\n2018\r\nUne Vue de V4 \/ A View from V4\u2019, (Magdalena Jetelov\u00e1, Ad\u00e9la Matasov\u00e1, Margita Titlov\u00e1 Ylovsky, V\u00e1clav Kr\u016f\u010dek, Josef \u017d\u00e1\u010dek, Vladim\u00edr Kokolia, Zuzana L\u00f6rinz, Ji\u0159\u00ed \u010cernick\u00fd, Petr P\u00edsa\u0159\u00edk, Milena Dopitov\u00e1,\u00a0Ji\u0159\u00ed Stan\u011bk, Maud Kotasov\u00e1), Thema Gallery, Bruxelles\r\nMinimal Difference, (J. Bernartov\u00e1, V. Kr\u016f\u010dek, P. Mrkus), Galerie Kvalit\u00e1\u0159, Praha\r\n\r\n2017\r\nZaost\u0159eno na neur\u010dito, Galerie Topi\u010d\u016fv salon, Praha\r\nAbsolute Beginners, Galerie Svit, Praha\r\n\r\n2015\r\nExakta, Galerie NoD, Praha\r\n\r\n2014\r\nPhotography, SNO Contemporary Art Projects, Sydney\r\nFilm - obraz. Obraz - film, Galerie NoD, Praha\r\n\r\n2013\r\nSt\u00e1l\u00e1 sb\u00edrka Muzeum m\u011bsta Brna, \u0160pilberk, Brno\r\nPer video, N\u00e1rodn\u00ed Technick\u00e1 Knihovna, Praha\r\nV\u00fdstavn\u00ed s\u00ed\u0148 Sokolsk\u00e1 26 - 20 let, Ostrava\r\n\r\n2011\r\nSv\u011btlo, st\u00edn a tma, Galerie NoD, Praha\r\nZti\u0161eno, Wannieck gallery, Brno\r\nArt Prague. 10. ro\u010dn\u00edk veletrhu sou\u010dasn\u00e9ho um\u011bn\u00ed, M\u00e1nes, Praha\r\nP\u0159\u00edr\u016fstky 2001-2010, D\u016fm um\u011bn\u00ed, Ostrava (Ostrava-m\u011bsto)\r\n\r\n2010\r\nRozhran\u00ed, Galerie NoD, Praha\r\n\r\n2009\r\nPour Fair Simple, ParisCONCRET, Pa\u0159\u00ed\u017e\r\nOstrava? (Evropsk\u00e9 hlavn\u00ed m\u011bsto kultury 2015), Ostrava\r\n\r\n2007\r\nProstor pro Intuici, GHMP, D\u016fm u zlat\u00e9ho prstenu, Praha\r\nOd sochy: \u010cesk\u00e9 socha\u0159stv\u00ed 2. poloviny 20. stolet\u00ed ze sb\u00edrek Galerie Klatovy \/ Klenov\u00e1, Galerie U B\u00edl\u00e9ho jednoro\u017ece (Klatovy)\r\n\r\n2005\r\nPriv\u00e1tn\u00ed pohled (Sb\u00edrka Josefa Chloupka), D\u016fm p\u00e1n\u016f z Kun\u0161t\u00e1tu, Brno\r\nM\u00edsta pam\u011bti, Galerie \u0160ternberk, \u0160ternberk (Olomouc)\r\n\r\n2003\r\nEjhle sv\u011btlo \/ Look Light, Moravsk\u00e1 galerie, Brno\r\nSv\u011bt jako struktura, Struktura jako obraz, Galerie U B\u00edl\u00e9ho jednoro\u017ece, Klatovy\r\nBrn\u011bnsk\u00fd okruh, V\u00fdstavn\u00ed s\u00ed\u0148 Sokolsk\u00e1 26, Ostrava (Ostrava-m\u011bsto)\r\n\r\n2002\r\nPole jev\u016f, samota v\u011bc\u00ed, Atrium, Moravsk\u00e1 galerie, Brno\r\nMonochromie \/ Monochromy, \u010cesk\u00e9 muzeum v\u00fdtvarn\u00fdch um\u011bn\u00ed, Praha\r\nObjekt - objekt: Metamorf\u00f3zy v \u010dase \/ Object - object: Metamorphoses in time, Moravsk\u00e1 galerie, Pra\u017e\u00e1k\u016fv pal\u00e1c, Brno\r\nIII. nov\u00fd zl\u00ednsk\u00fd salon, Zl\u00edn\r\n\r\n2001\r\nObjekt - objekt: Metamorf\u00f3zy v \u010dase \/ Object - object: Metamorphoses in time, D\u016fm U \u010dern\u00e9 Matky Bo\u017e\u00ed, Praha\r\nKlub konkretist\u016f, D\u016fm um\u011bn\u00ed, Opava\r\n\r\n2000\r\nMelancholie, Moravsk\u00e1 galerie, Brno\r\nProjekt 2000, Galerie Via Art, Kostel Sv. V\u00e1clava, Praha\r\nV\u00e1clav Kr\u016f\u010dek, Ji\u0159\u00ed Ladocha, Ji\u0159\u00ed Malik, Galerie Aspekt, Brno (Brno-m\u011bsto)\r\n\r\n1999\r\nOtvory II., Moravsk\u00e1 galerie, Pra\u017e\u00e1k\u016fv pal\u00e1c, Brno\r\nII. nov\u00fd zl\u00ednsk\u00fd salon, Zl\u00edn\r\n... a co sb\u00edrky, Salon, Kabinet, Olomouc\r\nV\u00e1clav Kr\u016f\u010dek, Jan Ambr\u016fz: Bez n\u00e1zvu, D\u016fm um\u011bn\u00ed, \u010cesk\u00e9 Bud\u011bjovice (\u010cesk\u00e9 Bud\u011bjovice)\r\n\r\n1998\r\nB\u00edl\u00e1, Galerie Nov\u00e1 s\u00ed\u0148, Praha\r\n\r\n1997\r\nMezi tradic\u00ed a experimentem, Pr\u00e1ce na pap\u00ed\u0159e a s pap\u00edrem v \u010desk\u00e9m v\u00fdtvarn\u00e9m um\u011bn\u00ed 1939-1989, Muzeum modern\u00edho um\u011bn\u00ed, Olomouc\r\nJan Ambr\u016fz, V\u00e1clav Kr\u016f\u010dek, Ji\u0159\u00ed Malik, Galerie Aspekt, Brno (Brno-m\u011bsto)\r\n\r\n1996\r\nZp\u0159\u00edtomn\u011bn\u00ed, P\u0159\u00edr\u016fstky galerie z let 1987 - 1994, Hrad a z\u00e1mek, Klenov\u00e1\r\nI. nov\u00fd zl\u00ednsk\u00fd salon, Zl\u00edn\r\n\r\n1995\r\nRudolf Uher: Sochy, Milo\u0161 Cvach: Kresby 1987 - 1995, V\u00e1clav Kr\u016f\u010dek, Bohumil Bob Kr\u010dil: Fotografie, Galerie U B\u00edl\u00e9ho jednoro\u017ece, Klatovy (Klatovy)\r\n\r\n1994\r\n\u0160ed\u00e1 cihla 66\/1994 Exil, Galerie U B\u00edl\u00e9ho jednoro\u017ece, Klatovy (Klatovy)\r\n\u0160ed\u00e1 cihla 66\/1994 Exil, Z\u00e1mek Klenov\u00e1, Klenov\u00e1 (Klatovy)\r\n\r\n1993\r\nHegemonick, Kunst (Gitte Weise Gallery), Sydney\r\nHegemonick 2, Kunst (Gitte Weise Gallery), Sydney\r\n\r\n1991\r\nMicrocosm, Garry Anderson Gallery, Sydney\r\n\r\n1990\r\nSecond Australian Contemporary Art Fair, Royal Exhibition Building, Melbourne\r\nOsmosis, Garry Anderson Gallery, Sydney","realizations_other":"","collections":"Museum Kampa, Praha N\u00e1rodn\u00ed galerie v Praze, Sb\u00edrka Ji\u0159\u00edho Valocha, Praha, Brno Moravsk\u00e1 galerie v Brn\u011b, Brno Muzeum m\u011bsta Brna, Brno Galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed v Ostrav\u011b, Ostrava Muzeum um\u011bn\u00ed Olomouc, Olomouc Galerie Klatovy \/ Klenov\u00e1, Janovice nad \u00dahlavou (Klatovy) Richard Adam Gallery\/ d\u0159\u00edve Wannieck Gallery, Brno Soukrom\u00e9 sb\u00edrky Praha, Brno, Olomouc","monographies":"Ji\u0159\u00ed Machalick\u00fd, Michal Lazor\u010d\u00edk,&nbsp;V\u0161emi sm\u011bry \/ In All Directions&nbsp;(Devades\u00e1t\u00e1 l\u00e9ta ze sb\u00edrek Galerie Klatovy\/Klenov\u00e1 \/ The Nineties from the Klatovy\/Klenov\u00e1 Gallery\u00b4s Collections), 2021, ISBN: 978-80-88288-24-4.<br \/><br \/>Kamil N\u00e1b\u011blek, V\u00e1clav Kr\u016f\u010dek. V\u00e1clav Kr\u016f\u010dek \u2013 Diaphanous. Vydavatel \/ Publisher: CREATIVO a.s. \/ SOPHISTICA GALLERY, Praha, 2021. ISBN: 978-80-270-9632-9.<br \/><br \/>Korbi\u010dka Pavel, ed. Prostory. \u00davahy-autobiografie-rozhovory, VUTIUM, Brno, 2019. ISBN: 9788021452244.<br \/><br \/>Ilona V\u00edchov\u00e1 Czak\u00f3, Ji\u0159\u00ed Posp\u00ed\u0161il, \u201eMnohozna\u010dnost struktur, dynamika sil \/ Ambiguity of Structures, Dynamics of Forces - Okruh v\u00fdtvarn\u00edk\u016f Musea Kampa pracuj\u00edc\u00ed s konkr\u00e9tn\u00edm um\u011bn\u00edm a jazykem geometrie \/ Circle of Artists in Museum Kampa Working with Specific Art and the Language of Geometry\u201c. Museum Kampa - Nadace Jana a Medy Ml\u00e1dkov\u00fdch, katalog kolektivn\u00ed, 2019, ISBN 978-80-87344-54-5.<br \/><br \/>Monika \u010cejkov\u00e1, \u201eMinimal Difference\u201c, Kvalit\u00e1\u0159, s.r.o. 2018, ISBN 978-80-270-5214-1. <br \/><br \/>Kolektiv autor\u016f, \u201eA View from V4, Exhibition of contemporary art from the Visegrad countries\u201c. A4 Catalogue Brussels, 2018, ISBN 978-615-80488-7-3.<br \/><br \/>Galerie Z\u00e1vodn\u00fd, Ro\u010denka 2016, Vydala: Vladim\u00edra Bruch\u00e1\u010dkov\u00e1 Z\u00e1vodn\u00e1 - Galerie Z\u00e1vodn\u00fd, Rok vyd\u00e1n\u00ed: 2017, ISBN 978-80-907067-0-5.<br \/><br \/>Nekvindov\u00e1 Terezie, D\u016fm um\u011bn\u00ed \u010cesk\u00e9 Bud\u011bjovice 2013\u20131998 \/ \u010cesk\u00e9 Bud\u011bjovice House of Art 2013\u20131998, Praha: Akademie v\u00fdtvarn\u00fdch um\u011bn\u00ed v Praze, V\u011bdecko-v\u00fdzkumn\u00e9 pracovi\u0161t\u011b ve spolupr\u00e1ci s Domem um\u011bn\u00ed \u010cesk\u00e9 Bud\u011bjovice, 2014, ISBN 978-80-87108-50-5.<br \/><br \/>Kolektiv autor\u016f, Museum m\u011bsta Brna, \u201eOd Moderny po sou\u010dasnost 1945-2013, St\u00e1l\u00e1 expozice v\u00fdtvarn\u00e9ho um\u011bn\u00ed m\u011bsta Brna\u201c, Katalog, 2013, ISBN 978-80-86549-85-9.","articles":"Zbyn\u011bk Fi\u0161er, \u201eKoroptv\u00ed oko: v\u00fdstava s tajemstv\u00edm\u201c, Kultura a um\u011bn\u00ed, Publikov\u00e1no: 04. 06. 2018, Kulturn\u00ed noviny, 23\/2018. <br \/><br \/>Ud\u00e1losti v kultu\u0159e, \u010cT Art, 15.12.2018, <br \/><a href=\"https:\/\/www.ceskatelevize.cz\/porady\/1097206490-udalosti-v-kulture\/218411000121215\/\">https:\/\/www.ceskatelevize.cz\/porady\/1097206490-udalosti-v-kulture\/218411000121215\/<\/a><br \/><br \/>Minimal Difference - Jana Bernartov\u00e1, V\u00e1clav Kr\u016f\u010dek, Pavel Mrkus, \u010cesk\u00fd rozhlas, Mozaika, 27.12.2018, <br \/><a href=\"https:\/\/vltava.rozhlas.cz\/poslechnete-si-zaznam-mozaiky-7713352\">https:\/\/vltava.rozhlas.cz\/poslechnete-si-zaznam-mozaiky-7713352<\/a><br \/><br \/>Petr Mot\u00fdl, \u201eKultura a um\u011bn\u00ed\u201c, Publikov\u00e1no 17. 01. 2016, Kulturn\u00ed noviny, 3\/2016. Ji\u0159\u00ed Mach\u00e1\u010dek, V\u00fdstavn\u00ed s\u00ed\u0148 Sokolsk\u00e1 26, Protimluv, Revue pro Kulturu, 3\/4\/2013. Novotn\u00fd Jarom\u00edr , Rozhovor s V\u00e1clavem Kr\u016f\u010dkem (Praha, Galerie Petr Novotn\u00fd, Za obrazem, 5.9.-4.10., Galerie NoD, O sn\u00ed\u017een\u00e9 diferenci, 12.9.-9.10. Ateli\u00e9r, \u010dtrn\u00e1ctiden\u00edk sou\u010dasn\u00e9ho v\u00fdtvarn\u00e9ho um\u011bn\u00ed, 25,18,2012\/09\/13,6 Karel Oujezdsk\u00fd: Dv\u011b pra\u017esk\u00e9 v\u00fdstavy V\u00e1clava Kr\u016f\u010dka, 13.09.2012, <a href=\"http:\/\/www.rozhlas.cz\/mozaika\/vytvarne\/_zprava\/1110015\">http:\/\/www.rozhlas.cz\/mozaika\/vytvarne\/_zprava\/1110015<\/a> Karel Oujezdsk\u00fd: Dv\u011b pra\u017esk\u00e9 v\u00fdstavy V\u00e1clava Kr\u016f\u010dka, 13.09.2012, <a target=\"_blank\" href=\"http:\/\/www.rozhlas.cz\/mozaika\/vytvarne\/_zprava\/1110015\">www.rozhlas.cz\/mozaika\/vytvarne\/_zprava\/1110015<\/a>  Chlubn\u00e1 Jana , Zti\u0161eno a zastaveno, Ateli\u00e9r, \u010dtrn\u00e1ctiden\u00edk sou\u010dasn\u00e9ho v\u00fdtvarn\u00e9ho um\u011bn\u00ed, 24,12,2011\/06\/16,5 Machalick\u00fd Ji\u0159\u00ed , Sv\u011btlo, st\u00edn a tma, Ateli\u00e9r, \u010dtrn\u00e1ctiden\u00edk sou\u010dasn\u00e9ho v\u00fdtvarn\u00e9ho um\u011bn\u00ed, 24,7,2011\/04\/07,7 Ilona V\u00edchov\u00e1, katalog k v\u00fdstav\u011b &quot;V\u00e1clav Kr\u016f\u010dek - Pole\/Fields&quot;, 2010, Art Consulting Brno Cz. Hana Petlachov\u00e1, &quot;V\u00e1clav Kr\u016f\u010dek - Pole\/Fields&quot;, Ateli\u00e9r 11\/2010. Roman Dobe\u0161, Rozhovor: V\u00e1clav Kr\u016f\u010dek: Dlouh\u00e1 cesta k pr\u00e1zdnu, 21.10.2010, Libereck\u00fd den\u00edk Petr Ingerle, &quot;Um\u011bn\u00ed sn\u00ed\u017een\u00e9 diference. Pozn\u00e1mky k interpretaci tvorby V\u00e1clava Kr\u016f\u010dka&quot;, 64. Bulletin Moravsk\u00e9 galerie v Brn\u011b, 2008. Ale\u0161 Svoboda, 'Prostor pro Intuici', Ateli\u00e9r 23\/2007. Josef Vom\u00e1\u010dka, 'Prostor pro Intuici', Time In 11\/2007. Pavel Netopil, 'V\u00e1clav Kr\u016f\u010dek - Reflexe', Ateli\u00e9r 14-15\/2006. Milan Weber, 'V\u00e1clav Kr\u016f\u010dek, galerie Sokolsk\u00e1, Ostrava', Art + Antiques, 06. 2006. Ji\u0159\u00ed Machalick\u00fd, 'Australsk\u00e9 sv\u011btlo V\u00e1clava Kr\u016f\u010dka', Lidov\u00e9 noviny, 20. 05. 2004. Simona Jura\u010dkov\u00e1, 'Kr\u016f\u010dek zachycuje sv\u011btln\u00e1 zjeven\u00ed', Hospoda\u0159sk\u00e9 noviny, 2-6. 07. 2004. Ji\u0159\u00ed Valoch, 'Absolutn\u00ed sv\u011btlo', Ateli\u00e9r 14-15\/2004. Ji\u0159\u00ed Zem\u00e1nek a kolektiv autor\u016f, 'Ejhle sv\u011btlo', katalog k v\u00fdstav\u011b, Moravsk\u00e1 galerie, Brno, 2003. Pavel Netopil, 'Pole jev\u016f - samota v\u011bc\u00ed', katalog k v\u00fdstav\u011b, Pra\u017e\u00e1k\u016fv pal\u00e1c, Moravsk\u00e1 galerie, Brno, 2002. Jan H. Vitvar, 'Ticho siln\u011bj\u0161\u00ed ne\u017e hluk', MF Dnes, 27. 2. 2001. Ji\u0159\u00ed Valoch, 'Sv\u011btlo a st\u00edn a prostor a m\u0159\u00ed\u017eka', Ateli\u00e9r 9 \/2001. Olaf Hanel a kolektiv autor\u016f, 'Objekt, objekt', katalog k v\u00fdstav\u011b, \u010cesk\u00e9 muzeum v\u00fdtv. um\u011bn\u00ed, Praha, 2001. Marek Pokorn\u00fd, 'Pozn\u00e1mky na cestu', katalog galerie Via Art, kostel sv. V\u00e1clava, Praha, 2000. Milan Weber, 'D\u00edla V\u00e1clava Kr\u016f\u010dka zhmot\u0148uj\u00ed sv\u011btlo', MF Dnes, 18. 8. 2000. Radek Hor\u00e1\u010dek, 'V dialogu se skryt\u00fdm \u0159\u00e1dem', 56. Bulletin MG v Brn\u011b, 2000. Kolektiv autor\u016f, 'Melancholie', katalog k v\u00fdstav\u011b, Moravsk\u00e1 galerie v Brn\u011b, 2000. Ji\u0159\u00ed Valoch, 'Koncepty Jana Ambr\u016fze a V\u00e1clava Kr\u016f\u010dka', Ateli\u00e9r 19 \/1999. Kolektiv autor\u016f, 'Nov\u00fd zl\u00ednsk\u00fd salon', katalog k v\u00fdstav\u011b, 1999. Petr Ingerle, Hana Petlachov\u00e1, katalog k v\u00fdstav\u011b 'Otvory', Moravsk\u00e1 galerie v Brn\u011b, 1999. Marek Pokorn\u00fd, 'Takov\u00e1 p\u011bkn\u00e1 b\u00edl\u00e1 v\u00fdstava o b\u00edl\u00e9', MF Dnes, 24. 1. 1998. Ji\u0159\u00ed Valoch, 'V Aspektu t\u0159ikr\u00e1t reduktivn\u011b', Ateli\u00e9r 22 \/1997. Kolektiv autor\u016f, 'Nov\u00fd zl\u00ednsk\u00fd salon', katalog k v\u00fdstav\u011b, 1996. Ji\u0159\u00ed Valoch, katalog k v\u00fdstav\u00e1m v Dom\u011b um\u011bn\u00ed m\u011bsta Brna, v Klatovech a Liberci, 1995. Martin Reissner, 'M\u0159\u00ed\u017e a b\u00edl\u00e1 ze\u010f', Ateli\u00e9r 14 - 15 \/1995. Kolektiv autor\u016f, '\u0160ed\u00e1 cihla - Exil', katalog k v\u00fdstav\u011b, 66 \/1994. Diane Losche, 'Osmosis - Irony and Disappeareance', Art Monthly, \u0159\u00edjen 1991. Elwyn Lynn, 'Mystery and Myth in Primal Forces', The Australian, 24 - 25. 2. 1990. Christopher Allen, 'Resolution in Humble Material', The Sydney Morning Herald, 2. 3. 1990. Jacques Delaruelle, 'Forming Judgements', The Sydney Review, b\u0159ezen, 1990.","reviews":"","texts_unlisted":"2020, KR\u016e\u010cEK, V\u00e1clav.&nbsp;Intuice a vakuum filmov\u00e9ho obrazu. Praha, 2020. Dizerta\u010dn\u00ed pr\u00e1ce. Univerzita Karlova, Filozofick\u00e1 fakulta, Katedra filmov\u00fdch studi\u00ed. Vedouc\u00ed pr\u00e1ce Svato\u0148ov\u00e1, Kate\u0159ina. <a href=\"https:\/\/dspace.cuni.cz\/handle\/20.500.11956\/118525\">https:\/\/dspace.cuni.cz\/handle\/20.500.11956\/118525<\/a><br \/><br \/>2017, V\u00e1clav Kr\u016f\u010dek, \u201eMizen\u00ed jako iniciace\u201c, Kate\u0159ina Svato\u0148ov\u00e1, Kate\u0159ina Krtilov\u00e1 (eds.)&nbsp;Mizen\u00ed, Fenom\u00e9ny, medi\u00e1ln\u00ed praktiky a techniky na prahu zjevn\u00e9ho, Praha, Univerzita Karlova, Nakladatelstv\u00ed Karolinum 2017, s. 105-125. ISBN: 978-80-246-3660-3, EAN 9788024636788.<br \/><br \/>2017, V\u00e1clav Kr\u016f\u010dek, \u201eMaryon\u201c,&nbsp;Se\u0161it pro um\u011bn\u00ed, teorii a p\u0159\u00edbuzn\u00e9 z\u00f3ny. (Notebook for art, theory and related zones) 22\/2017 MK \u010cR E 17945 ISSN:1802-8918.<br \/><br \/>2016, V\u00e1clav Kr\u016f\u010dek \u201eExposed Body of Painting\u201c, in&nbsp;Book published on the occasion of the exhibitions at Geukens &amp; De Vil, Antwerp, 2016 and Axel Vervoordt Gallery, Hong Kong, 2016-17. Texts in English, 112 pages. Published by Geukens &amp; De Vil and Axel Vervoordt Gallery, 2016.<br \/><br \/>2015, V\u00e1clav Kr\u016f\u010dek, Rezonance filmov\u00e9 st\u00e1ze, Iluminace, \u010casopis pro teorii, historii a estetiku filmu (The Journal of Film Theory, History and Aesthetics)1\/2015.<br \/><br \/>2014, Permanent\u00ed iluze stability, Daniel Hanzlik, Praha, GHMP, Colleredo-Mansfeldsky palac, 8.11.2013 - 9.02.2014; Ateli\u00e9r, 1\/2014, str. 1. <br \/><br \/>2012, Form\u00e1t Jarom\u00edra Novotn\u00e9ho, Ateli\u00e9r, 12\/2012, str. 1.<br \/><br \/>2012, Sple\u0165, (Pavel Hayek\/Otto Zitko), Brno, D\u016fm um\u011bn\u00ed, Ateli\u00e9r, 6\/2012, str. 7.<br \/><br \/>2011, Dematerializace um\u011bni, Ateli\u00e9r, 12\/2011, str. 2.<br \/><br \/>2010, Nov\u00e9 dny v pou\u0161ti - Alain Badiou, Ateli\u00e9r, 23\/2010, 18.11.2010, str.8.<br \/><br \/>2008, Rafal Bujnowski (v\u00fdstava, Praha, Galerie Ji\u0159\u00ed \u0160vestka \/ Ji\u0159\u00ed \u0160vestka Gallery) 14. 12. 2007 - 9. 2. 2008), Ateli\u00e9r, 3\/2008, 07.02.2008, str.7.<br \/><br \/>2007, Dan Flavin. Minimalismus v nov\u00e9m sv\u011btle, Atelier, 3\/2007, 08.02.2007, str. 8.<br \/><br \/>2006, Skoro Nic, (24.9.2005-23.4.2006; Hamburger Bahnhof, Berlin, N\u011bmecko), Ateli\u00e9r, 6\/2006, 16.3.2006, str.8.<br \/><br \/>2005, Obraz jako skute\u010dnost, Milan Houser - odrazy a obrazy. Praha, M\u00e1nes 2005,&nbsp;5.-30.7., Ateli\u00e9r, 19\/2005, str.5.<br \/><br \/>2002, Monochromie (Monochromn\u00ed tendence v \u010desk\u00e9m v\u00fdtvarn\u00e9m um\u011bn\u00ed po roce 1990 \/ Monochrome Trends in Czech Art after 1990.","annotations":[{"text":"Kr\u016f\u010dek's non-pictorial approach stems from the existing material presence of the white mesh, carrying in itself a visual &quot;fluctuation&quot; that is the result of its physical-optical appearance. The development of the artist's creative stance originates from the graphic visual form shifting towards relief print-making techniques (gravure\/intaglio) on paper, where the primal interest is &quot;haptic&quot; relief printed into a surface, instead of creating linear contrast; here, we note a reaction against uncompromising, bold graphic renditions. The appearance of the optical effect within the mesh is the end result of experiments illustrating the diffusion of a drawing displayed in front of a white wall.\r\n\r\nThe mesh shows the culmination of the effort to discard the last remains of the pictorial principle, wh ereby the artist achieves the goal &quot;to dissolve&quot; painting. There is a certain event within the mesh, in which the visual effect-a cloud-suppresses the fundamental principle of visual representation and introduces a moment of specific presence. The theme becomes &quot;impalpability&quot; in conjunction with the structure and event. Although the light dominates as the most important factor and makes the mesh actually present, the work's intention is removed from all interpretations of the metaphysics of light. This reality ultimately implies the phenomenological theory, according to which no object can be perceived simultaneously as a picture and as a concept.\r\n\r\nTherefore, Kr\u016f\u010dek's work is an example of the rehabilitation of surface, which-from a philosophical perspective-represented only &quot;a shadow of reality&quot;. In other words, the surface, the so-called &quot;authentic life&quot;, (according to Ma rtin Heidegger's philosophical intentions-the reflected life preferring the inner intellectual scope), rejects in the name of spiritual substance. Here, we can discuss the process of making a surface of reality visible-the surface that was veiled until now by its inner value.\r\n\r\nClear perception of phenomenological presence creates a polarity to the time continuity of pictorial representation. It constitutes an index, a timeline of trace. Indexation also stems from the state; that the effect within the mesh arises naturally, basically independent of the artist, is proof of changeability. Ultimately, the challenge to conventional authorship is the choice of wire netting: a commercially available material, a serial product, which is the source of non-representation. This is an example of tautological identity that is characteristic of the category of art objects defined as readymade. We can consider readymades either as the con frontation of everyday objects with an institutionalised sense or also as a radical rejection of the pictorial, and therefore an iconic representation. Up to a certain point, the mesh and net represent a connection between extreme criticism against the principle of representation and the principle of anonymously and serially produced artworks. Specifically, it is necessary to stress that the mesh in this case is not a clean serial product, but hand-painted and finalised by being bent and cut. Further, it is possible to point out that the entirety of the artistic presentation of the mesh is the artist's work with many variants. The ephemeral quality of the visual effect consists of changeable intensity, depending on the angle of the view from the observer's position, and the changeability of light conditions throughout days and seasons. Display factors, such as positioning of the work on the wall and the choice of suitable light conditions, play an important part as well. In other words, supervision of the work's presentation is crucial.\r\n\r\nPetr Ingerle, The art of diminished difference, Notes on the interpretation of the works of Vaclav Krucek, (extract), 64. Bulletin Moravsk\u00e9 galerie v Brn\u011b\/2008.","date":0,"authors":[0]}],"artworks":[111633,111634,114395,114396,114397,114398,114399,119557,119558,119559,119560,119561],"videos":null},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Kr\u016f\u010dek - Artlist<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artlist.cz\/en\/umelci\/vaclav-krucek\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kr\u016f\u010dek - Artlist\" \/>\n<meta property=\"og:url\" content=\"https:\/\/artlist.cz\/en\/umelci\/vaclav-krucek\/\" \/>\n<meta property=\"og:site_name\" content=\"Artlist\" \/>\n<meta property=\"article:modified_time\" content=\"2025-01-07T17:13:55+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/vaclav-krucek\\\/\",\"url\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/vaclav-krucek\\\/\",\"name\":\"Kr\u016f\u010dek - 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