{"id":121930,"date":"2024-07-10T23:05:18","date_gmt":"2024-07-10T21:05:18","guid":{"rendered":"http:devel.artlist.cz\/artist\/kyncl-2\/"},"modified":"2026-05-19T14:26:23","modified_gmt":"2026-05-19T12:26:23","slug":"frantisek-kyncl","status":"publish","type":"artist","link":"https:\/\/artlist.cz\/en\/umelci\/frantisek-kyncl\/","title":{"rendered":"Kyncl"},"featured_media":0,"template":"","class_list":["post-121930","artist","type-artist","status-publish","hentry","keyword-drawing","keyword-object","keyword-painting","keyword-sculpture"],"acf":{"nicknames":"","date_born":1934,"date_death":2011,"place_born":"Pardubice","lives":"D\u00fcsseldorf","web":"http:\/\/www.frantisek-kyncl.de\/http:\/\/www.duesseldorf.de\/kuenstlerleben\/index.php?p=suche\/kuenstlerleben\/bildende_kuenstler\/detail&id=590&ref=liste&page=8&Name=K","idatum":"","address":"Niederrheinstra\u00dfe 5840474 D\u00fcsseldorf","email":"kontakt@frantisek-kyncl.de","phone":"02 11\/ 4 35 01 99","biography":"<strong>Studies:\r\n<\/strong>\r\n1969\u20131971\r\nKunstakademie D\u00fcsseldorf, prof. G.Hoehme\r\n\r\n1953\u20131957\r\nSchool of Fine Arts, Prague, department of sculpture\r\n\r\n<strong>Employment, work:<\/strong>\r\n\r\n1981\u20131982\r\nprofessor, Kunstakademie D\u00fcsseldorf\r\nDuring his life in Germany, Kyncl founded and edited the art magazine Schwarz auf Weiss\r\n\r\n<strong>\r\nAwards:<\/strong>\r\n1971 and 1978 City of D\u00fcsseldorf Award\r\n\r\nsince 1968\r\nFranti\u0161ek Kyncl lived in D\u00fcsseldorf, BRD","groups":[121077],"membership":"","exhibitions_solo":"2024\r\nFranti\u0161ek Kyncl, \u0160t\u011btce, \u0161pejle, ra\u0161ple, Go\u010d\u00e1rova galerie, Pardubice\r\n\r\n2018\r\nFranti\u0161ek Kyncl, Bod, \u010d\u00e1ra, prostor, Museum Kampa, Praha\r\n\r\n2017\r\nFranti\u0161ek Kyncl, Galerie U Betl\u00e9msk\u00e9 kaple, Praha\r\n\r\n2012\r\nFranti\u0161ek Kyncl, Prostorov\u00e1 struktura, Galerie m\u011bsta Pardubic, Pardubice\r\n\r\n2011\u20132012\r\nPocta Franti\u0161ku Kynclovi, V\u00fdchodo\u010desk\u00e1 galerie v Pardubic\u00edch, Pardubice\r\n\r\n2009\r\nFranti\u0161ek Kyncl, Kreuzweg, Sankt Andreas, D\u00fcsseldorf\r\n\r\n2007\r\nFranti\u0161ek Kyncl: Geometrie v meziprostoru, V\u00fdchodo\u010desk\u00e1 galerie v Pardubic\u00edch, Z\u00e1mek, Pardubice\r\n\r\n2006\r\nFranti\u0161ek Kyncl: Die Konstruktion der Unendlichkeit, Galerie Ucher, Kol\u00edn nad R\u00fdnem\r\nFranti\u0161ek Kyncl, Vom Stilleben zu Monostrukturen: Retrospektive, Gerhart-Hauptmann-Haus, D\u00fcsseldorf Franti\u0161ek Kyncl, Konstrukce nekone\u010dna, D\u011bkansk\u00fd chr\u00e1m Nanebevzet\u00ed Panny Marie, Most\r\n\r\n2003\r\nFranti\u0161ek Kyncl, Monostruktury, Galerie Caesar, Olomouc\r\n\r\n1999\r\nFranti\u0161ek Kyncl, Monostruktury, Galerie Ji\u0159\u00edho J\u00edlka, \u0160umperk\r\n\r\n1998\r\nFranti\u0161ek Kyncl, Monostruktury, Galerie V\u00e1clava \u0160p\u00e1ly, Praha\r\n\r\n1993\r\nFranti\u0161ek Kyncl, Monostruktury, D\u016fm um\u011bn\u00ed m\u011bsta Brna, Brno V\u00fdchodo\u010desk\u00e1 galerie v Pardubic\u00edch\r\n\r\n1992\r\nFranti\u0161ek Kyncl, Monostrukturen, Kunstmuseum, D\u00fcsseldorf\r\n\r\n1991\r\nDivadlo hudby, Olomouc Sal\u00f3nek um\u011bn\u00ed, Toni M\u00f6rger, D\u00fcsseldorf\r\n\r\n1990\r\nD\u016fm um\u011bn\u00ed v G\u00f6ttingen Franti\u0161ek Kyncl, Galerie Opatov, Praha St\u00e1tn\u00ed galerie, Pardubice\r\n\r\n1989\r\nGalerie Hans Mayer, D\u00fcsseldorf Spolek p\u0159\u00e1tel um\u011bn\u00ed v Aalen\r\n\r\n1986\r\nFrantisek Kyncl, Niederrheinstrasse 78, D\u00fcsseldorf Monostruktury, Halfmannshof, Gelsenkirchen\r\n\r\n1985\r\nPracovn\u00ed v\u00fdstava (2), Niederrheinstr. 78, D\u00fcsseldorf\r\n\r\n1984\r\nFranti\u0161ek Kyncl, St\u00e4dtische Galerie L\u00fcdenscheid, L\u00fcdenscheid\r\n\r\n1982\r\nSpolek p\u0159\u00e1tel um\u011bn\u00ed v Por\u00fdn\u00ed a Vestf\u00e1lsku, D\u00fcsseldorf\r\n\r\n1981\r\nFrantisek Kyncl, Zeichnungen, Bilder, Objekte, Galerie Slominsky, M\u00fclheim an der Ruhr\r\n\r\n1980\r\nELEMENTY, galerie Interpress, Var\u0161ava Kabinet um\u011bn\u00ed, Baden-Baden\r\n\r\n1979\r\nPracovn\u00ed v\u00fdstava (1), Erkrather Str. 352, D\u00fcsseldorf Hommage \u00e0 Lothar Wolleh, Vill Engelhardt, D\u00fcsseldorf\r\n\r\n1978\r\nFranti\u0161ek Kyncl, Galerie Walter Storms, Mnichov Franti\u0161ek Kyncl, Galerie Ilanne, Pa\u0159\u00ed\u017e Galerie Sch\u00f6ller, D\u00fcsseldorf Kulturn\u00ed centrum n\u011bmeck\u00e9ho pr\u016fmyslu, Kol\u00edn\/R.\r\n\r\n1977\r\nV\u00fd\u0159ezy 1, Kunsthalle, D\u00fcsseldorf M\u011bstsk\u00e9 divadlo, Remscheid\r\n\r\n1976\r\nFranti\u0161ek Kyncl: Bilder, Galerie Hetzler + Keller, Stuttgart Franti\u0161ek Kyncl, Spencer Stuart, D\u00fcsseldorf\r\n\r\n1975\r\nStudio M\u011bstsk\u00e9 galerie na z\u00e1mku v Oberhausen\r\n\r\n1974\r\nGessmann galerie, Nov\u00fd Isenburg Halfmannshof, Gelsenkirchen Galerie Hetzler a Keller, Stuttgart\r\n\r\n1973\r\nFranti\u0161ek Kyncl, Arte Centro, Mil\u00e1no Museum Bochum Galerie Michelangelo, Bergamo\r\n\r\n1972\r\nGalerie Milan M\u00f6lzer, D\u00fcsseldorf\r\n\r\n1968\r\nKulturn\u00ed d\u016fm Pardubice-Dukla\r\n\r\n1965\r\nGalerie D\u00edlo, Pardubice\r\n\r\n1957\r\nHotel Stalingrad, Pardubice","exhibitions_group":"2024\r\n\u010cern\u00e9 na B\u00edl\u00e9m, D\u016fm bytov\u00e9 kultury, Praha\r\n\r\n2022\r\nUm\u011bn\u00ed je abstrakce: Obrazy, kresby, grafika, sochy, Galerie Chodovsk\u00e1 tvrz, Praha\r\n\r\n2020\r\nVoda: Prom\u011bny obrazu \u017eivlu v \u010desk\u00e9m um\u011bn\u00ed 19\u201321. stolet\u00ed, Galerie U B\u00edl\u00e9ho jednoro\u017ece, Klatovy Geometrick\u00e9 struktury, Pocta Zde\u0148ku S\u00fdkorovi, Oblastn\u00ed galerie Liberec, Liberec\r\n\r\n2019\r\nZvuky, k\u00f3dy, obrazy: Akustick\u00fd experiment ve vizu\u00e1ln\u00edm um\u011bn\u00ed, D\u016fm U Kamenn\u00e9ho zvonu, Praha\r\n\r\n2016\r\nUhlem, \u0161t\u011btcem, skalpelem\u2026, Muzeum um\u011bn\u00ed Olomouc, Olomouc\r\n\r\n2014\r\nElsi Spitmann, Franti\u0161ek Kyncl: Dialog sil, Topi\u010d\u016fv salon, Praha\r\n\r\n2013\r\nKlub konkretist\u016f a p\u0159\u00e1tel\u00e9: 45 let pot\u00e9..., Oblastn\u00ed galerie Vyso\u010diny v Jihlav\u011b, Jihlava Dialog \u00dcber Grenzen - Die Sammlung Riese - KOG - Kunstforum Ostdeutsche Galerie, Regensburg Wir Wieder Hier | Bo-wkb 2013 - Kunstmuseum Bochum, Bochum\r\n\r\n2010\r\nGalerie Ucher - Galerie Ucher, Cologne Portr\u00e4t einer Sammlung - Schenkung Gisela und Dr. Wolfgang Fl\u00fcgge - Kunstsammlungen Chemnitz, Chemnitz\r\n\r\n2009\r\nre-connaitre, Paksi K\u00e9pt\u00e1r, Paks weissaufweiss - schreier &amp; von metternich fine arts, D\u00fcsseldorf Samuel Buri, J\u00e1nos Faj\u00f3, Franti\u0161ek Kyncl, Petra Fr\u00f6ning - schreier &amp; von metternich fine arts, D\u00fcsseldorf\r\n\r\n2008\r\noko zwiedzione - Galeria EL - Centrum Sztuki w Elbl\u0105gu, Elbl\u0105g Modern\u00ed a pov\u00e1le\u010dn\u00e9 um\u011bn\u00ed, sou\u010dasn\u00e9 um\u011bn\u00ed, fotografie - galerie 5. patro, Prague\r\n\r\n2006\r\nStill &amp; Konsequent: Arbeiten aus der Sammlung Uwe Obier, Siegen\r\n\r\n2005\r\nDost\u0159ediv\u00e9 okraje. Vizu\u00e1ln\u00ed um\u011bn\u00ed z Pardubick\u00e9ho kraje, Nostick\u00fd pal\u00e1c, Praha\r\n\r\n2003\r\nWorld as Structure, Structure as Image - Gallery At the White Unicorn, Klatovy (P\u0159ekryv s Voda: Prom\u011bny obrazu \u017eivlu...)\r\n\r\n2002\r\nObject. Metamorphoses in Time - Moravska Galerie, Brno\r\n\r\n2001\r\nJi\u0159\u00ed Kol\u00e1\u0159 sb\u011bratel \/ Ji\u0159\u00ed Kol\u00e1\u0159 the Collector, N\u00e1rodn\u00ed galerie v Praze, Praha\r\nObjekt-objekt: Metamorf\u00f3zy v \u010dase \/ Object-object: Metamorphoses in time, D\u016fm U \u010cern\u00e9 Matky Bo\u017e\u00ed, Praha\r\nKlub konkretistu \/ Club of Concretists - Dum umen\u00ed, Opava\r\n\r\n2000\r\nUm\u011bn\u00ed zrychlen\u00e9ho \u010dasu. \u010cesk\u00e1 v\u00fdtvarn\u00e1 sc\u00e9na 1958\u20131968, Galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed, Cheb\r\n\r\n1999\r\nClub of Concretists \/ Klub konkretistov - Slovak National Gallery \/ Slovensk\u00e1 N\u00e1rodn\u00e1 Gal\u00e9ria, Bratislava Strukturen - Galerie Ucher, Cologne\r\n\r\n1998\r\nMezi tradic\u00ed a experimentem. Pr\u00e1ce na pap\u00ed\u0159e a s pap\u00edrem v \u010desk\u00e9m v\u00fdtvarn\u00e9m um\u011bn\u00ed 1939\u20131989, Oblastn\u00ed galerie Vyso\u010diny v Jihlav\u011b, Jihlava\r\nClub of Concretists - AJG - Ales South Bohemian Gallery, Hlubok\u00e1 nad Vltavou\r\n\r\n1997\r\nArt When Time Stood Still - Gallery of Visual Art in Cheb, Cheb\r\nBetween Tradition and Experiment \/ Mezi tradic\u00ed a experimentem. Pr\u00e1ce na pap\u00ed\u0159e a s pap\u00edrem v \u010desk\u00e9m v\u00fdtvarn\u00e9m - Muzeum Umeni Olomouc \/ The Olomouc Museum of Art, Olomouc Art\r\nWhen Time Stood Still - Moravska Galerie \/ Moravian Gallery, Brno\r\n\r\n1996\r\n1st New Zlin Salon 1996 - Regional Art Gallery in Zlin, Zl\u00edn Art\r\nWhen Time Stood Still - Czech Museum of Fine Arts - Cesk\u00e9 muzeum vytvarn\u00fdch umeni v Praze, Prague\r\n\r\n1994\r\n\u0160ed\u00e1 cihla 66\/1994 Exil, Z\u00e1mek Klenov\u00e1, Klenov\u00e1\r\n\r\n1993\r\nZ Chelmskiej Kolekcji - Galeria Rzezby, Warsaw\r\n\r\n1992\r\nEinblicke \u2013 Tschechische un Slowakische Kunst der Gegenwart, Kol\u00edn nad R\u00fdnem Only paper?, M\u011bstsk\u00e1 galerie Villa Zanders, Bergisch-Gladbach Pohledy-\u010desk\u00e9 a slovensk\u00e9 v\u00fdtvarn\u00e9 um\u011bn\u00ed sou\u010dasnosti, Deutschlandfunk, Kol\u00edn\/R\r\n\r\n1991\r\nKlub der Konkretisten: Objekte und Graphik, Galerie Interior, Frankfurt nad Mohanem Museum Checkpoint Charly, Berl\u00edn, Riga, Moskva, Tifllis Art\u00b491 Basilej, Galerie Hans Mayer\r\n\r\n1990\r\nKonkr\u00e9tn\u00ed \u010der\u0148, M\u011bstsk\u00e1 galerie L\u00fcdenscheid V\u00fdtvarn\u00e9 miny, Museum Dd\u00fcsseldorf\r\n\r\n1989\r\nKnofl\u00edk pro L\u00fcdenscheid, Museum v L\u00fcdenscheidu Spolek z\u00e1padon\u011bmeck\u00fdch v\u00fdtvarn\u00fdch um\u011blc\u016f, Museum Hagen\r\n\r\n1988\r\nDev\u011bt um\u011blc\u016f z \u010cSSR, Museum Checkpoint Charly, Berl\u00edn \u010das potom, V\u00fdchodoevropsk\u00e9 kulturn\u00ed st\u0159edisko, Kol\u00edn\/R.\r\n\r\n1987\r\nKlub der Konkretisten 1967\u20131987, Objekte und Grafiken, Galerie Rafay, Kronberg im Taunus Spolek z\u00e1padon\u011bmmeck\u00fdch v\u00fdtvarrn\u00fdch um\u011blc\u016f, Museum Hagen Hommage \u00e0 Joseph Beuys, Bercs\u00e9nyi 28-30 Exhibition Group, Budape\u0161\u0165\r\n\r\n1986\r\nVertik\u00e1ln\u00ed v\u00fdstava K\u00d6 71, Zemsk\u00e1 poji\u0161\u0165ovna, D\u00fcsseldorf Linie, dopisy, pozn\u00e1mky, M\u011bstsk\u00e1 galerie L\u00fcdenscheid\r\n\r\n1985\r\nSpolek z\u00e1padon\u011bmeck\u00fdch v\u00fdtvarn\u00fdch um\u011blc\u016f, Museum Hagen Kresby z D\u00fcsseldorfu 1955-1985\r\n\r\n1984\r\nSpolek n\u011bmeck\u00fdch v\u00fdtvarn\u00fdch um\u011blc\u016f, D\u00fcsseldorf Small is beautiful, Galerie Zapiecek, Var\u0161ava\r\n\r\n1983\r\n\r\nSpolek n\u011bmeck\u00fdch v\u00fdtvarn\u00fdch um\u011blc\u016f, Berl\u00edn\r\n\r\n1982\r\nMedium pap\u00edr, M\u011bstsk\u00e1 galerie, Villa Zanders, Bergish-Gladbach\r\n\r\n1981\r\nVelk\u00e1 d\u00fcsseldorfsk\u00e1 v\u00fdstava, D\u00fcsseldorf Liter\u00e1rn\u011b um\u011bleck\u00fd projekt, Museum Por\u00fdn\u00ed Vestf\u00e1lska, D\u00fcsseldorf\r\n\r\n1980\r\nSpolek n\u011bmeck\u00fdch v\u00fdtvarn\u00fdch um\u011blc\u016f, Hannover Galerie Denise R\u00e9n\u00e9-Hans Mayer, D\u00fcsseldorf\r\n\r\n1979\r\nGalerie Denise Ren\u00e9-Hans Mayer, D\u00fcsseldorf Numbers , Galerie Nuova 13, Alesandria\r\n\r\n1978\r\nKyncl: Objekte, Zeichnungen, Bilder + Hilmar: Papiereliefs, Galerie Schoeller, D\u00fcsseldorf ART\u00b478, Basilej, Galerie Schoeller\r\n\r\n1977\r\nMezin\u00e1rodn\u00ed grafika v Budape\u0161ti\r\n\r\n1976\r\nSpolek n\u011bmeck\u00fdch v\u00fdtvarn\u00fdch um\u011blc\u016f, Manheim Sousedstv\u00ed, Kunsthalle, D\u00fcsseldorf\r\n\r\n1975\r\nZimn\u00ed sal\u00f3n, D\u00fcsseldorf\r\n\r\n1974\r\nComparaisons 74, XXe Salon, Pa\u0159\u00ed\u017e IKI 74 D\u00fcsseldorf, skupiny IAFKG\r\n\r\n1973\r\nJiri Hilmar, Frantisek Kyncl, Galleria Michelangelo, Bergamo Salon R\u00e9alit\u00e9es Nouvelles, Pa\u0159\u00ed\u017e Salon Grands et Jeunes d\u2018Aujourd\u00b4hui, Pa\u0159\u00ed\u017e\r\n\r\n1972\r\nProArt72, Galerie Milan M\u00f6lzer, Dduisburg Galerie Unimedia, Janov\r\n\r\n1971\r\nKlub der Konkretisten: Objekte und Graphik, Galerie Interior, Frankfurt nad Mohanem\r\n\r\n1970\r\nT\u0159\u00edda prof. Hoehmeho, Museum Bochum\r\n\r\n1969\r\nV\u00fdstava mlad\u00fdch \u00b469, V\u00fdstavn\u00ed s\u00ed\u0148 \u00dast\u0159ed\u00ed lidov\u00e9 um\u011bleck\u00e9 v\u00fdroby, Praha\r\n\r\n1968\r\nNov\u00e9 tendence v tvorb\u011b mlad\u00fdch \u010desk\u00fdch v\u00fdtvarn\u00edk\u016f: Obrazy, kresby, grafika, plastiky z \u0161edes\u00e1t\u00fdch let, V\u00fdchodo\u010desk\u00e1 galerie, Pardubice Skupina mlad\u00fdch, Galerie Atom, Pardubice Mlad\u00e9 um\u011bn\u00ed \u010cSSR, Praha\r\n\r\n1967\r\nSkupina mlad\u00fdch, Galerie D\u00edlo, Pardubice\r\n\r\n1966\r\nMezin\u00e1rodn\u00ed sympossium v Osiek\u00e1ch, Polsko V\u00fdstava ve Slupsku a Koszal\u00edn\u011b, Polsko Sympozium Zlote Grono v Zielona Gora, Polsko\r\n\r\n1965\r\nGalerie D\u00edlo, Pardubice Mezin\u00e1rodn\u00ed symposium v Osiek\u00e1ch, Polsko V\u00fdstava ve Slupsku a Koszal\u00edn\u011b, Polsko Skupina mlad\u00fdch, Koszal\u00ednsk\u00fd d\u016fm kultury, Polsko\r\n\r\n1962\r\nKrajsk\u00e1 galerie, Hradec Kr\u00e1lov\u00e9\r\n\r\n1961\r\nV\u00fdchodo\u010desk\u00e1 galerie, Pardubice\r\n\r\n1960\r\nPravideln\u00e1 \u00fa\u010dast na v\u00fdstav\u00e1ch pobo\u010dky SV\u010cSVU v Pardubic\u00edch\r\n\r\n1955\r\nMezin\u00e1rodn\u00ed v\u00fdstava student\u016f um\u011bleck\u00fdch \u0161kol v \u0158\u00edm\u011b","realizations_other":"","collections":"Czech republic:\r\nV\u00fdchodo\u010desk\u00e1 galerie, Pardubice\r\nMuseum Kampa - The Jan and Meda Ml\u00e1dek Foundation, Praha\r\nGalerie hlavn\u00edho m\u011bsta Prahy\r\nGo\u010d\u00e1rova Galerie v Pardubic\u00edch\r\nGalerie Klatovy\/Klenov\u00e1","monographies":"2024\r\nFranti\u0161ek Kyncl, \u010cern\u00e9 na B\u00edl\u00e9m, katalog k v\u00fdstav\u011b, DBK, Praha, 2024\r\n\r\n2018\r\nFranti\u0161ek Kyncl, Bod, \u010d\u00e1ra, prostor, katalog v\u00fdstavy, Muzeum Kampa, Praha, 2018\r\n\r\n2014\r\nKate\u0159ina \u0158ern\u00e1, Elsi a Franti\u0161ek Kyncl, \u00a0Art &amp; Antiques, 2014, r. 13, \u010d. 10, s. 53\r\n\r\n2012\r\nFranti\u0161ek Kyncl, Galerie m\u011bsta Pardubice, katalog v\u00fdstavy, Pardubice, 2012\r\n\r\n2006\r\nFranti\u0161ek Kyncl, Konstrukce nekone\u010dna, katalog v\u00fdstavy, Galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed, Most, 2006\r\n\r\n2003\r\nJi\u0159\u00ed H\u016fla, Franti\u0161ek Kyncl, Ateli\u00e9r, 2003, r. 16, \u010d. 13, s. 4\r\nJi\u0159\u00ed H\u016fla, Franti\u0161ek Kyncl, katalog v\u00fdstavy, Galerie Caesar, Olomouc, 2003\r\n\r\n1992\/3\r\nKyncl, katalog v\u00fdstavy Monostruktury, Kunstmuseum D\u00fcsseldorf im Ehrenhof October - November 1992 a D\u016fm um\u011bn\u00ed m\u011bsta Brna duben - kv\u011bten 1993.\r\nTexty: Hans Albert Peters, Karel Moudr\u00fd, Stephan von Wiese, Ji\u0159\u00ed Valoch\r\n\r\n1973\r\nP. Spielmann, A. Pohribny, 3 KONKRETISTEN AUS PRAG. JIRI HILMAR - MUNCHEN. FRANTISEK KYNCL - DUSSELDORF - TOMAS RAJLICH - DEN HAAG. ED. MUSEUM BOCHUM, 1973","articles":"","reviews":"","texts_unlisted":"","annotations":[{"text":"P\u0159edstavitel konstruktivismu, mal\u00ed\u0159, tv\u016frce objekt\u016f a\u00a0experiment\u00e1tor v\u00a0propojov\u00e1n\u00ed zvuku a\u00a0v\u00fdtvarn\u00e9ho um\u011bn\u00ed Franti\u0161ek Kyncl pro\u017eil v\u011bt\u0161inu sv\u00e9ho tv\u016fr\u010d\u00edho \u017eivota v\u00a0n\u011bmeck\u00e9m exilu. Tam se dok\u00e1zal prosadit jako v\u00fdtvarn\u00edk tzv.\u00a0d\u00fcsseldorfsk\u00e9ho okruhu. P\u0159esto ho postihl osud v\u011bt\u0161iny emigrant\u016f a\u00a0jeho d\u00edlo se po roce 1989 dost\u00e1valo do k\u00e1nonu \u010desk\u00fdch d\u011bjin um\u011bn\u00ed jen velmi pomalu. Na mnoh\u00fdch v\u00fdznamn\u00fdch p\u0159ehl\u00eddk\u00e1ch mapuj\u00edc\u00edch konstruktivistick\u00e9 tendence \u0161edes\u00e1t\u00fdch let, jako nap\u0159\u00edklad na v\u00fdstav\u011b Jin\u00e1 geometrie (M\u00e1nes, 1991) nebo Poesie racionality: Konstruktivn\u00ed tendence \u0161edes\u00e1t\u00fdch let (Vald\u0161tejnsk\u00e1 j\u00edzd\u00e1rna, 1993\u20131994), Kyncl zcela chyb\u011bl. Z\u00a0toho d\u016fvodu nen\u00ed, a\u017e na n\u011bkolik m\u00e1lo v\u00fdjimek, prost\u0159ednictv\u00edm sv\u00fdch d\u011bl zastoupen ani ve sb\u00edrk\u00e1ch\u00a0\u010desk\u00fdch a\u00a0moravsk\u00fdch galeri\u00ed.\r\n\r\nV\u00a0letech 1953\u20131957 Kyncl vystudoval Vysokou \u0161kolu um\u011bleckopr\u016fmyslovou v\u00a0Praze. Vzhledem k\u00a0tomu, \u017ee se pozd\u011bji \u017eivil jako propaga\u010dn\u00ed v\u00fdtvarn\u00edk vytv\u00e1\u0159ej\u00edc\u00ed plak\u00e1ty a\u00a0reklamy, je pravd\u011bpodobn\u00e9, \u017ee zde studoval n\u011bkter\u00fd z\u00a0obor\u016f zam\u011b\u0159en\u00fdch na u\u017eitou grafiku \u010di malbu. Po n\u00e1vratu do rodn\u00fdch Pardubic v\u00a0roce 1960 se jeho z\u00e1jem za\u010dal roz\u0161i\u0159ovat o\u00a0kresbu, malbu a\u00a0dokonce architekturu, p\u0159i\u010dem\u017e vytvo\u0159il n\u011bkolik utopistick\u00fdch n\u00e1vrh\u016f galerijn\u00edch budov. Tyto modely \u010di prostorov\u00e9 konstrukce ze \u0161pejl\u00ed a\u00a0pr\u016fhledn\u00e9ho pap\u00edru se pozd\u011bji staly jedn\u00edm z\u00a0v\u00fdchodisek jeho konstruktivistick\u00e9 tvorby, kter\u00e9 se v\u011bnoval po cel\u00fd \u017eivot.\r\n\r\nVe stejn\u00e9 dob\u011b za\u010dal b\u00fdt Kyncl, podobn\u011b jako nap\u0159\u00edklad jeho vrstevn\u00edk Milan Grygar, fascinov\u00e1n zvukem a\u00a0mo\u017enostmi jeho z\u00e1znamu skrze v\u00fdtvarn\u00e9 prost\u0159edky. Tento nov\u00fd impuls byl podm\u00edn\u011bn dobov\u00fdm technologick\u00fdm pokrokem, d\u00edky kter\u00e9mu bylo nap\u0159\u00edklad mo\u017en\u00e9 nahr\u00e1vat zvuk na magnetofonov\u00e9 kazety. V\u00fdsledkem prvn\u00edch Kynclov\u00fdch zvukov\u00fdch pokus\u016f byla s\u00e9rie Fonetick\u00fdch z\u00e1znam\u016f z\u00a0roku 1964. Pr\u00e1v\u011b v\u00a0t\u011bchto kresb\u00e1ch tu\u0161\u00ed na pr\u016fhledn\u00fd pap\u00edr se definitivn\u011b oprostil od figurativn\u00edch motiv\u016f a\u00a0za\u010dal rozv\u00edjet geometrickou abstrakci.\r\n\r\nV\u00a0pr\u016fb\u011bhu \u0161edes\u00e1t\u00fdch let se i\u00a0v\u00a0\u010ceskoslovensku \u2013 pod vlivem uvol\u0148ov\u00e1n\u00ed v\u00a0kulturn\u00ed politice komunistick\u00e9ho st\u00e1tu \u2013 za\u010daly ve v\u011bt\u0161in\u011b um\u011bleck\u00fdch obor\u016f prosazovat experiment\u00e1ln\u00ed principy sm\u011b\u0159uj\u00edc\u00ed k\u00a0opu\u0161t\u011bn\u00ed klasick\u00fdch materi\u00e1l\u016f, postup\u016f a\u00a0forem. Vznikla cel\u00e1 \u0159ada voln\u00fdch uskupen\u00ed um\u011blc\u016f a\u00a0um\u011blky\u0148, jejich\u017e d\u00edla bylo mo\u017eno vid\u011bt na z\u00e1sadn\u00edch dobov\u00fdch v\u00fdstav\u00e1ch, jako byla Nov\u00e1 citlivost (M\u00e1nes, 1968), Nov\u00e1 figurace (M\u00e1nes, 1969) nebo v\u00fdstava Klubu konkr\u00e9tist\u016f (Galerie V\u00e1clava \u0160p\u00e1ly, 1968) reprezentuj\u00edc\u00ed konstruktivistick\u00e9 tendence, mezi jejich\u017e p\u0159edstavitele krom\u011b Kyncla pat\u0159il tak\u00e9 Milan Dobe\u0161, Radek Kratina, Zden\u011bk S\u00fdkora a\u00a0mnoho dal\u0161\u00edch. Konstruktivn\u00ed tendence p\u0159edstavovaly p\u0159ita\u017elivou opozici v\u016f\u010di socialistick\u00e9mu um\u011bn\u00ed pades\u00e1t\u00fdch let. Racion\u00e1ln\u011b tvo\u0159en\u00e9, neemotivn\u00ed geometricko-matematick\u00e9 otev\u0159en\u00e9 struktury, kter\u00e9 je mo\u017en\u00e9 variovat v\u00a0dynamick\u00e9 prostorov\u00e9 skladby, nahrazovaly patos p\u0159edchoz\u00ed dek\u00e1dy.\r\n\r\nZ\u00e1hy po roce 1968 do zahrani\u010d\u00ed emigroval jak Kyncl, tak i\u00a0teoretik Klubu konkr\u00e9tist\u016f Ars\u00e9n Pohribn\u00fd a\u00a0n\u011bkolik dal\u0161\u00edch \u010dlen\u016f: mimo jin\u00e9 Ji\u0159\u00ed Hilmar, Tom\u00e1\u0161 Rajlich nebo Rudolf Valenta. Pohribn\u00fd i\u00a0v\u00a0N\u011bmecku pokra\u010doval v\u00a0organizov\u00e1n\u00ed v\u00fdstav konstruktivist\u016f, d\u00edky \u010demu\u017e v\u011bt\u0161in\u011b z\u00a0nich pomohl se v\u00a0nezn\u00e1m\u00e9m prost\u0159ed\u00ed zorientovat a\u00a0prosadit. Kyncl se tak se sv\u00fdmi kolegy v\u00a0roce 1971 \u00fa\u010dastnil v\u00fdstavy ve Frankfurtu nad Mohanem a\u00a0v\u00a0roce 1973 v\u00a0Muzeu v\u00a0Bochumi. K\u00a0zapojen\u00ed se do n\u011bmeck\u00e9ho prost\u0159ed\u00ed Kynclovi pomohlo i\u00a0kr\u00e1tk\u00e9 studium na Kunstakademii v\u00a0D\u00fcsseldorfu. Pr\u00e1v\u011b v\u00a0tomto m\u011bst\u011b m\u011bl konstruktivismus silnou odezvu tak\u00e9 u\u00a0m\u00edstn\u00edch um\u011blc\u016f, jako byl nap\u0159\u00edklad socha\u0159 Norbert Kricke. D\u00fcsseldorf z\u00e1rove\u0148 p\u0159edstavoval jedno z\u00a0v\u00fdznamn\u00fdch um\u011bleck\u00fdch center N\u011bmecka, kde se v\u00a0pr\u016fb\u011bhu let r\u016fzn\u011b prot\u00ednaly \u017eivotn\u00ed i\u00a0profesn\u00ed dr\u00e1hy v\u00fdznamn\u00fdch n\u011bmeck\u00fdch autor\u016f, k\u00a0nim\u017e pat\u0159il Joseph Beuys, ji\u017e zm\u00edn\u011bn\u00fd Kricke nebo Klaus Rinke \u010di G\u00fcnther Uecker.\r\n\r\nKynclova tvorba b\u011bhem sedmdes\u00e1t\u00fdch let pokra\u010dovala v\u00a0d\u016fkladn\u00e9m, nikdy nekon\u010d\u00edc\u00edm zkoum\u00e1n\u00ed jednoho a\u00a0toho sam\u00e9ho probl\u00e9mu, tedy v\u00a0prostorov\u00fdch a\u00a0tvarov\u00fdch mo\u017enostech struktur \u2013 a\u0165 u\u017e v\u00a0pr\u00e1ci na pap\u00ed\u0159e, nebo v\u00a0prostorov\u00fdch objektech ze snadno dostupn\u00e9ho a\u00a0levn\u00e9ho materi\u00e1lu, ze \u0161pejl\u00ed. Tyto objekty bylo mo\u017en\u00e9 donekone\u010dna roz\u0161i\u0159ovat a\u00a0nastavovat p\u0159id\u00e1n\u00edm dal\u0161\u00edch a\u00a0dal\u0161\u00edch d\u0159ev\u011bn\u00fdch ty\u010dek. Vznikaly tak velmi k\u0159ehk\u00e9 krychle, jehlany \u010di jin\u00e1 element\u00e1rn\u00ed geometrick\u00e1 t\u011blesa nebo organick\u00e9 struktury, kter\u00e9 autor ozna\u010doval jednotn\u00fdm n\u00e1zvem Monostruktury \u010di Prostorov\u00e9 struktury.\u00a0 Stejn\u011b jako u\u00a0prostorov\u00fdch objekt\u016f, i\u00a0u\u00a0prac\u00ed na pap\u00ed\u0159e byl pro Kyncla d\u016fle\u017eit\u00fd rytmus m\u0159\u00ed\u017eky, symetrie a\u00a0barva. Jeho jednobarevn\u00e9, a\u017e lyricky jemn\u00e9 Monostruktury vznikaly otiskov\u00e1n\u00edm bambusov\u00fdch \u0161to\u010dk\u016f a\u00a0m\u0159\u00ed\u017eek do vlhk\u00e9ho pap\u00edru, \u010d\u00edm\u017e doc\u00edlil ide\u00e1ln\u00ed harmonick\u00e9 struktury vypov\u00eddaj\u00edc\u00ed o\u00a0neviditeln\u00e9m p\u016fsoben\u00ed sil v\u00a0uspo\u0159\u00e1d\u00e1n\u00ed p\u0159\u00edrody a\u00a0universa.\r\n\r\nV\u00a0pr\u016fb\u011bhu osmdes\u00e1t\u00fdch let se Kyncl navr\u00e1til ke sv\u00fdm experiment\u016fm se zvukem a\u00a0s\u00a0jeho v\u00fdtvarn\u00fdm z\u00e1znamem. Tentokr\u00e1t v\u0161ak v\u00a0mnohem propracovan\u011bj\u0161\u00edm a\u00a0monument\u00e1ln\u011bj\u0161\u00edm m\u011b\u0159\u00edtku. Mezi lety 1980 a\u017e 1985 vytvo\u0159il \u0159adu vizu\u00e1ln\u011b-zvukov\u00fdch struktur, a\u00a0to pom\u011brn\u011b unik\u00e1tn\u00edm zp\u016fsobem. Prvn\u00edm krokem bylo po\u0159\u00edzen\u00ed zvukov\u00fdch z\u00e1znam\u016f. Ty Kyncl z\u00edsk\u00e1val nap\u0159\u00edklad z\u00a0ulice, kde zaznamen\u00e1val zvuky a\u00a0hluky m\u011bsta jako t\u0159eba proj\u00ed\u017ed\u011bj\u00edc\u00ed automobily. V\u00a0ateli\u00e9ru mu pak n\u00e1sledn\u011b tyto zvuky slou\u017eily jako hlavn\u00ed inspira\u010dn\u00ed zdroj pro fonetick\u00e9 malby. Poslouchal nahr\u00e1vky a\u00a0to, co sly\u0161el, zaznamen\u00e1val na obrovsk\u00fd ot\u00e1\u010dec\u00ed buben pota\u017een\u00fd pl\u00e1tnem. Mechanick\u00fd postup dal vzniknout nes\u010detn\u011b variac\u00edm n\u00e1hodn\u011b \u0159\u00edzen\u00fdch struktur, kter\u00e9 se d\u00edky ot\u00e1\u010div\u00e9mu mechanismu st\u00e1le p\u0159ekr\u00fdvaly. Na pl\u00e1tn\u011b se tak objevovaly v\u00fdtvarn\u00e9 partitury ke\u00a0zvuk\u016fm m\u011bsta. Pr\u00e1v\u011b d\u00edky bubnu \u2013 tomuto sv\u00e9mu rotuj\u00edc\u00edmu vyn\u00e1lezu \u2013 byl Kyncl zat\u00edm naposledy p\u0159ipomenut na v\u00fdstav\u011b Franti\u0161ek Kyncl: \u0160t\u011btce, \u0161pejle, ra\u0161ple v\u00a0Go\u010d\u00e1rov\u011b Galerii v\u00a0Pardubic\u00edch na p\u0159elomu roku 2024 a\u00a02025.\r\n\r\nJak ji\u017e bylo d\u0159\u00edve vzpomenuto, t\u0159eba\u017ee se Franti\u0161ek Kyncl v\u00a0N\u011bmecku \u0159adil mezi v\u00fdznamn\u00e9 v\u00fdtvarn\u00edky a\u00a0organiz\u00e1tory spole\u010densk\u00e9ho \u017eivota soust\u0159ed\u011bn\u00e9ho kolem \u010dasopisu o\u00a0um\u011bn\u00ed \u010cern\u00e9 na b\u00edl\u00e9m (vych\u00e1zel v\u00a0letech 1974\u20131980), na sv\u00e9 op\u011btovn\u00e9 reprezentativn\u00ed uveden\u00ed v\u00a0\u010cech\u00e1ch \u010dekal a\u017e do sv\u00e9ho pozdn\u00edho v\u011bku. Doposud nejrozs\u00e1hlej\u0161\u00ed retrospektivn\u00ed v\u00fdstavy Franti\u0161ek Kyncl: Bod, \u010d\u00e1ra, prostor v\u00a0Muzeu Kampa, uspo\u0159\u00e1dan\u00e9 na p\u0159elomu roku 2018\u20132019, se ji\u017e nedo\u017eil.\r\n\r\n&nbsp;\r\n\r\nZdroje:\r\n\r\nFranti\u0161ek Kyncl, Konstrukce nekone\u010dna, Galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed v\u00a0Most\u011b, Most, 2006.\r\nPavel \u0160m\u00edd, Franti\u0161ek Kyncl, Galerie m\u011bsta Pardubice, Pardubice 2012.\r\nNoemi Smolik, Franti\u0161ek Kyncl, Bod, \u010c\u00e1ra, prostor, Museum Kampa, Praha, 2018.\r\nJi\u0159\u00ed H\u016fla, Franti\u0161ek Kyncl, Monostruktury, Galerie Caesar, Olomouc, 2003.\r\nArs\u00e9n Pohribn\u00fd, Klub konkr\u00e9tist\u016f 1967\u20131997, Praha, 1997.","date":2025,"authors":[1902]}],"artworks":[109793,109794,109795,109796,109797,109808,150434,150433,150432,150431,150429,150428,150427,150425,150424,150423,150422,150421,150419,150420,150418,150416],"videos":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Kyncl - Artlist<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artlist.cz\/en\/umelci\/frantisek-kyncl\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kyncl - Artlist\" \/>\n<meta property=\"og:url\" content=\"https:\/\/artlist.cz\/en\/umelci\/frantisek-kyncl\/\" \/>\n<meta property=\"og:site_name\" content=\"Artlist\" \/>\n<meta property=\"article:modified_time\" content=\"2026-05-19T12:26:23+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"13 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/frantisek-kyncl\\\/\",\"url\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/frantisek-kyncl\\\/\",\"name\":\"Kyncl - Artlist\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/#website\"},\"datePublished\":\"2024-07-10T21:05:18+00:00\",\"dateModified\":\"2026-05-19T12:26:23+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/frantisek-kyncl\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/frantisek-kyncl\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/frantisek-kyncl\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/artlist.cz\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Artists\",\"item\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Kyncl\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/artlist.cz\\\/en\\\/\",\"name\":\"Artlist\",\"description\":\"Centrum pro sou\u010dasn\u00e9 um\u011bn\u00ed Praha\",\"publisher\":{\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/artlist.cz\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/#organization\",\"name\":\"Artlist\",\"url\":\"https:\\\/\\\/artlist.cz\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"http:devel.artlist.cz\\\/app\\\/uploads\\\/2024\\\/07\\\/artlist.png\",\"contentUrl\":\"http:devel.artlist.cz\\\/app\\\/uploads\\\/2024\\\/07\\\/artlist.png\",\"width\":500,\"height\":500,\"caption\":\"Artlist\"},\"image\":{\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Kyncl - Artlist","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/artlist.cz\/en\/umelci\/frantisek-kyncl\/","og_locale":"en_US","og_type":"article","og_title":"Kyncl - Artlist","og_url":"https:\/\/artlist.cz\/en\/umelci\/frantisek-kyncl\/","og_site_name":"Artlist","article_modified_time":"2026-05-19T12:26:23+00:00","twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"13 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/artlist.cz\/en\/umelci\/frantisek-kyncl\/","url":"https:\/\/artlist.cz\/en\/umelci\/frantisek-kyncl\/","name":"Kyncl - Artlist","isPartOf":{"@id":"https:\/\/artlist.cz\/en\/#website"},"datePublished":"2024-07-10T21:05:18+00:00","dateModified":"2026-05-19T12:26:23+00:00","breadcrumb":{"@id":"https:\/\/artlist.cz\/en\/umelci\/frantisek-kyncl\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/artlist.cz\/en\/umelci\/frantisek-kyncl\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/artlist.cz\/en\/umelci\/frantisek-kyncl\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/artlist.cz\/en\/"},{"@type":"ListItem","position":2,"name":"Artists","item":"https:\/\/artlist.cz\/en\/umelci\/"},{"@type":"ListItem","position":3,"name":"Kyncl"}]},{"@type":"WebSite","@id":"https:\/\/artlist.cz\/en\/#website","url":"https:\/\/artlist.cz\/en\/","name":"Artlist","description":"Centrum pro sou\u010dasn\u00e9 um\u011bn\u00ed Praha","publisher":{"@id":"https:\/\/artlist.cz\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/artlist.cz\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/artlist.cz\/en\/#organization","name":"Artlist","url":"https:\/\/artlist.cz\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/artlist.cz\/en\/#\/schema\/logo\/image\/","url":"http:devel.artlist.cz\/app\/uploads\/2024\/07\/artlist.png","contentUrl":"http:devel.artlist.cz\/app\/uploads\/2024\/07\/artlist.png","width":500,"height":500,"caption":"Artlist"},"image":{"@id":"https:\/\/artlist.cz\/en\/#\/schema\/logo\/image\/"}}]}},"_links":{"self":[{"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artist\/121930","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artist"}],"about":[{"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/types\/artist"}],"version-history":[{"count":4,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artist\/121930\/revisions"}],"predecessor-version":[{"id":153158,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artist\/121930\/revisions\/153158"}],"acf:post":[{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/150416"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/150418"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/150420"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/150419"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/150421"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/150422"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/150423"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/150424"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/150425"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/150427"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/150428"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/150429"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/150431"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/150432"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/150433"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/150434"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/109808"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/109797"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/109796"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/109795"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/109794"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/109793"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/group\/121077"}],"wp:attachment":[{"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/media?parent=121930"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}