{"id":121977,"date":"2024-07-10T23:05:22","date_gmt":"2024-07-10T21:05:22","guid":{"rendered":"http:devel.artlist.cz\/artist\/pfeiffer-2\/"},"modified":"2025-01-07T18:13:53","modified_gmt":"2025-01-07T17:13:53","slug":"jan-pfeiffer","status":"publish","type":"artist","link":"https:\/\/artlist.cz\/en\/umelci\/jan-pfeiffer\/","title":{"rendered":"Pfeiffer"},"featured_media":0,"template":"","class_list":["post-121977","artist","type-artist","status-publish","hentry","keyword-conceptual-art","keyword-instalace","keyword-konceptualni-umeni","keyword-kresba"],"acf":{"nicknames":"","date_born":1984,"date_death":0,"place_born":"Prague","lives":"Prague","web":"www.janpfeiffer.info","idatum":"","address":"Mosteck\u00e1 3\r\nPrague 1, Mal\u00e1 Strana\r\n118 00","email":"janpff@gmail.com","phone":"+420737550591","biography":"2008 Academy of Fine Arts (AVU) studio of Zbigniew Libera, Prague, Czech Republic\r\n2006 Academy of Fine Arts (AVU) studio of Jiri Prihoda, Prague, Czech Republic\r\n2002-2005 School of Design and Art, Prague, Czech Republic\r\n\r\nAwards, grants:\r\n2011\r\nHenkel Award - Prvn\u00ed cena, \u010desk\u00e1 sekce\r\n\r\n2009\r\nJin\u00e9 vize 2009, PAF - 8. P\u0159ehl\u00eddka animovan\u00e9ho filmu - Cena poroty\r\nEssl Award CEE 2009 - Prvn\u00ed cena\r\nGrant Magistr\u00e1tu hl.m\u011bsta Prahy na extern\u00ed projekt pro galerii V\u00e1clava\r\n\u0160p\u00e1ly - Telescopick\u00e9 Studio\r\n\r\n2008\r\nGrant od Standpunkte Landeplatze pro instalaci ve ve\u0159ejn\u00e9m prostoru,\r\nkur\u00e1tor: Wolfgang Herzer, Weiden, Nem\u011bcko\r\n\r\nResidency Programs:\r\n2012\r\nArt School Palestine, Palest\u00edna, Ramal\u00e1h","groups":null,"membership":"","exhibitions_solo":"2014\r\nOk\u00e1zal\u00e1 abstrakce, kur\u00e1torka: Sandra Bavorovsk\u00e1, Colloredo Mandsfelsk\u00fd pal\u00e1c, GHMP, Praha, \u010cesk\u00e1 republika\r\n\r\n2013\r\nStavebn\u00ed pr\u00e1ce, kur\u00e1torka: Mark\u00e9ta Star\u00e1, Galerie Kabinet, TIC, Brno, \u010cesk\u00e1 republika (spole\u010dn\u011b s Radkem Brousilem)\r\nPokoj pro slu\u017eku, kur\u00e1torka: L\u00edda Prybi\u0161ov\u00e1, Galerie mlad\u00fdch, Nitra, Slovensko (spole\u010dn\u011b s Mark\u00e9tou Magidovou)\r\nOhe\u0148 za\u010d\u00edna st\u00e1le znovu, kur\u00e1tor: Petr Kov\u00e1\u0159, Galerie OFF\/FORMAT, Brno, \u010cesk\u00e1 republika\r\n\r\n2012\r\nKa\u017ed\u00fd obj\u00edm\u00e1 v\u0161echny ostatn\u00ed, kur\u00e1tor: Viktor \u010cech, Galerie Jelen\u00ed, Praha, \u010cesk\u00e1 republika\r\nN\u011bkter\u00e9 v\u011bci unikaj\u00ed, kur\u00e1tor: Jakub Stejskal, Drdov\u00e1 Gallery, Praha, \u010cesk\u00e1 republika\r\n\r\n2011\r\nSpolu\u00fa\u010dast, kur\u00e1torka: Tereza Stejskalov\u00e1, etc.galerie, Praha, \u010cesk\u00e1 republika\r\nZa z\u00e1dy se rozprost\u00edr\u00e1 tu\u0161en\u00e1 krajina, kur\u00e1tor: Du\u0161an Z\u00e1horansk\u00fd, Galerie Kostka - Meetfactory, Praha, \u010cesk\u00e1 republika\r\nRight in front of me, kur\u00e1torka: Alessandra Troncone, Museo Laboratorio di Arte Contemporanea, \u0158\u00edm, It\u00e1lie\r\n\r\n2010\r\nZa z\u00e1dy, kur\u00e1torka: B\u00e1ra \u0160pi\u010d\u00e1kov\u00e1, Galerie Fenester, Praha, \u010cesk\u00e1 republika\r\nEXTENZE, kur\u00e1torka: Sandra Baborovsk\u00e1, Start-up - GHMP - D\u016fm U Zlat\u00e9ho prstenu, Praha, \u010cesk\u00e1 republika\r\nUrbanismus pam\u011bti, kur\u00e1torka: Katar\u00edna Uhl\u00ed\u0159ov\u00e1, Open Gallery, Bratislava, Slovensk\u00e1 republika\r\nOmezen\u00fd p\u0159esah, kur\u00e1tor: Jan Z\u00e1le\u0161\u00e1k, Galerie mlad\u00fdch BKC, Brno, \u010cesk\u00e1 republika\r\n\r\n2008\r\nSkrz na skrz, Galerie Vernon, Praha, \u010cesk\u00e1 republika","exhibitions_group":"2014\r\nMultiplicity, kur\u00e1tor: Marco Antonini, Mixed Greens, New York, USA\r\nProstory narace, kur\u00e1to\u0159i: Viktor \u010cech a Caroline Krzyszton, Galerie NoD\/Roxy, Praha, \u010cesk\u00e1 republika\r\nMapy, kur\u00e1tor: Milan Mikul\u00e1\u0161tik, galerie NTK, Praha, \u010cesk\u00e1 republika\r\nRekonstrukce, kur\u00e1torky: studentky oboru Kur\u00e1torsk\u00e1 studia FUD UJEP, Galerie Emila Fily, \u00dast\u00ed nad Labem, \u010cesk\u00e1 republika\r\nThe Circular Ruins\/Kruhov\u00e9 rujny, kur\u00e1tor: Jean-marc Avrilla, Institut fran\u00e7ais de Prague, Praha, \u010cesk\u00e1 republika\r\nNulla Dies Sine Linea, kur\u00e1tor: Lenka S\u00fdkorv\u00e1, Galerie Emila Fily, \u00dast\u00ed nad Labem, \u010cesk\u00e1 republika\r\n\r\n2013\r\nVezm\u011bm\u011b to p\u0159es vesm\u00edr, kur\u00e1tor Omar Mirza, Olga Stan\u00edkov\u00e1, Nitransk\u00e1 galerie, Nitra, Slovensko\r\nBiennale Di Penne, kur\u00e1to\u0159i: Mario Casanova a Marco Antonini, Di Penne, Italie\r\nTra\u0165 galeri\u00ed (s V\u00e1clavem Kopeck\u00fdm) kur\u00e1torka: Lucie Drdov\u00e1, Negrelliho viadukt, Praha, \u010cesk\u00e1 republika\r\nMysl je sval, kur\u00e1tor: Viktor \u010cech, Meetfactory, Praha, \u010cesk\u00e1 republika\r\nSklenice vody, kur\u00e1tor: Michal Novotn\u00fd, Galerie Futura, Praha, \u010cesk\u00e1 republika\r\nPr\u00e1zdn\u00e9 linie - Hrani\u010dn\u00ed sv\u011bty, kur\u00e1torka: Margherita Belcredi, Kulturbr\u00fccke \/ Fraters, Rakousko\r\nFestival Otets Paisy Street, kur\u00e1torka: Stefka Tsaneva, Plovdiv, Bulharsko\r\nSlep\u00e1 skvrna, kur\u00e1tor: Milan Mikul\u00e1\u0161tik, galerie NTK, Praha, \u010cesk\u00e1 republika\r\nSilhouette, kur\u00e1tor: Bill Carroll, EFA, New York, USA\r\n\r\n2012\r\nZ\u00e1visl\u00ed pozorovatel\u00e9, kur\u00e1torky: Zuzana \u0160tefkov\u00e1, Kl\u00e1ra \u017daludov\u00e1, Karlin Studios, Praha, \u010cesk\u00e1 republika\r\nZl\u00ednsk\u00fd salon mlad\u00fdch VI, Zl\u00edn, \u010cesk\u00e1 republika\r\nGaze upon my gaze, kur\u00e1torka: Jia Zhen Tsai, Art Museum at The Art Park, Taipei, Taiwan\r\nOko a mysl, kur\u00e1torka: Helena Doudov\u00e1, Gartenhaus \/ ADBK, Mnichov, N\u011bmecko\r\nPosledn\u00ed prostor pro \u010dlov\u011bka, kur\u00e1torky: D. Bar\u00e1\u010dkov\u00e1, P.Gajdo\u0161\u00edkov\u00e1, P.Herotov\u00e1, Karlin Studios, Praha, \u010cesk\u00e1 republika\r\nCoal and Steel, kur\u00e1tor: Jaro Ky\u0161a, The Candid Arts Trust Gallery, Lond\u00fdn, Anglie\r\nPosun o devades\u00e1t stup\u0148\u016f, kur\u00e1to\u0159i: Viktor \u010cech a Kar\u00edma Al-Mukhtarov\u00e1, Galerie NoD\/Roxy, Praha, \u010cesk\u00e1 republika\r\n\r\n2011\r\nMAPY, kur\u00e1torky: Daniela \u010carn\u00e1, Lucia Gregorov\u00e1, Gal\u00e9rie m\u011bsta Bratislavy, Mirbachov pal\u00e1c, Bratislava, Slovensk\u00e1 republika\r\nGalerie 2, kur\u00e1torka: Zuzana Fojt\u00edkov\u00e1, intersekce Pra\u017esk\u00e9ho Quadriennale, N\u00e1rodn\u00ed t\u0159\u00edda, \u010cesk\u00e1 republika\r\nDIPLOMANTI AVU 2011, kur\u00e1tor: Markus Huemer, Karl\u00edn Hall, \u010cesk\u00e1 republika\r\nVelicopedia, kur\u00e1to\u0159i: Lenka Kukurov\u00e1 &amp; Milan Mikul\u00e1\u0161t\u00edk, galerie NTK, Praha, \u010cesk\u00e1 republika\r\nIN OPTIMA FORMA, kur\u00e1torky: studentky oboru Kur\u00e1torsk\u00e1 studia - FUD, Galerie Emila Filly, \u00dast\u00ed na Labem, \u010cesk\u00e1 republika\r\n\u010c\u00ed je to m\u011bsto?, kur\u00e1tor: Milan Mikul\u00e1\u0161tik, galerie Karlin Studios, Praha, \u010cesk\u00e1 republika\r\nLive Ammo, kur\u00e1torka: Jia-Zhen Tsai, Muzeum sou\u010dastn\u00e9ho um\u011bn\u00ed - MOCA, Taipei, Taiwan\r\n\r\n2010\r\nJin\u00e9 vize 2010, PAF - 9. P\u0159ehl\u00eddka animovan\u00e9ho filmu, Olomouc, \u010cesk\u00e1 republika\r\nTHE BIG SCREEN PROJECT, kur\u00e1torka: Stephanie Does, New York City, USA\r\nTudy ne\u017e jinudy, p\u0159\u00edmo proti tob\u011b (s Luk\u00e1\u0161em Machalick\u00fdm) kur\u00e1tor: Josef Om\u00e1\u010dka, kostel sv Anton\u00edna, Sokolov, \u010cesk\u00e1 republika\r\nOne day you will lose it all, kur\u00e1to\u0159i: Kri\u0161tof Kintera, Denisa V\u00e1clavov\u00e1, \u00dast\u0159ed\u00ed lidov\u00e9 um\u011bleck\u00e9 v\u00fdroby, Praha, \u010cesk\u00e1 republika\r\nOntogenie (s Josefem Bare\u0161em) kur\u00e1torka: Marie Krajplov\u00e1, Zbrojovka, Brno, \u010cesk\u00e1 republika\r\nST\u00cdNY MINUL\u00ddCH UTOPI\u00cd, kur\u00e1tor: Milan Mikul\u00e1\u0161tik, galerie NTK, Praha, \u010cesk\u00e1 republika\r\nPROSTOR Z(I)LIN(A) um\u011bleck\u00e9 intervernce do ve\u0159ejn\u00e9ho prostoru, kur\u00e1tor: Martin Fi\u0161r, Zl\u00edn, \u010cesk\u00e1 republika\r\nBien\u00e1le mlad\u00fdch, kur\u00e1tor: Tom\u00e1\u0161 Pospiszyl, D\u016fm U Kamenn\u00e9ho zvonu, Praha, \u010cesk\u00e1 republika\r\nHloup\u00e9 a chytr\u00e9, kur\u00e1torka: Vlasta \u010cih\u00e1kov\u00e1 Noshiro, Galerie kritik\u016f, Praha, \u010cesk\u00e1 republika\r\nSb\u011bratel\u00e9 \/ \u010ceskoslovensk\u00fd pavilon, kur\u00e1to\u0159i: Lucie Drdov\u00e1, Martin Mazanec, Brotkunsthalle, V\u00edde\u0148, Rakousko\r\nre-do-re-think-re-play, kur\u00e1tor: Marek Milde, \u010cesk\u00e9 centrum, New York, USA\r\n\r\n2009\r\nJin\u00e9 vize 2009, PAF - 8. P\u0159ehl\u00eddka animovan\u00e9ho filmu, Olomouc, \u010cesk\u00e1 republika\r\nESSL AWARD CEE 2009 Winners, Muzeum Essl, Klosterneuburg - V\u00edde\u0148, Rakousko\r\nTropic Lab, LASALLE - Vysok\u00e1 \u0161kola um\u011bn\u00ed, Singapur\r\nUrban Kiss, kur\u00e1tor: Vlasta \u010cih\u00e1kov\u00e1 - Noshiro, Galerie kritik\u016f, Praha, \u010cesk\u00e1 republika\r\nSoukrom\u00e1 vzd\u00e1lenost (s Luk\u00e1\u0161em Machalick\u00fdm), Meetfactory, Praha, \u010cesk\u00e1 republika\r\nM\u00edsto, kde se popl\u00e1c\u00e1v\u00e1 po z\u00e1dech, kde se ron\u00ed slzy, kur\u00e1tor: Ivana Moncolov\u00e1, \u0160aloun\u016fv ateli\u00e9r, Praha, \u010cesk\u00e1 republika\r\n\r\n2008\r\nNew &amp; Diferent, Padova, It\u00e1lie\r\nProjekt Cargo, Sofie, Rumunsko\r\nVe vile (s Ale\u0161em \u010cerm\u00e1kem) Galerie GJA, Praha, \u010cesk\u00e1 republika\r\nNov\u00fd \u010desk\u00fd kubismus, kur\u00e1tor: V\u00e1clav Magid, Starom\u011bstsk\u00e1 radnice, Praha, \u010cesk\u00e1 republika\r\nMoskevsk\u00e9 bien\u00e1le, kur\u00e1tor: Denisa Kera, Moskva, Rusko\r\nCosmopolitics, kur\u00e1tor Denisa Kera, Gallery Artlaboratory, Berl\u00edn, N\u011bmecko\r\n\r\n2007\r\nAVU 18, N\u00e1rodn\u00ed galerie, Praha, \u010cesk\u00e1 republika\r\nStandtpunkte Landeplatze, kur\u00e1tor: Wolfgang Herzer, Weiden, N\u011bmecko\r\nCosmopolitics, kur\u00e1tor: Denisa Kera, Akademie v\u011bd, Praha, \u010cesk\u00e1 republika\r\nCosmopolitics, kur\u00e1tor: Denisa Kera, Galerie Noua, Bukure\u0161\u0165, Rumunsko\r\n\r\n2006\r\nDo\u010dasn\u00e1 z\u00f3na, Praha, \u010cesk\u00e1 republika","realizations_other":"Curator of exhibitions:\r\n\r\n2009\r\ncurator of Project Telescopic Studio, Gallery V\u00e1clav \u0160p\u00e1la, Prague, Czech Republic\r\n\r\n2008\r\ncurator of Gallery Pavilon, Prague, Czech Republic - www.galeriepavilon.cz\r\n\r\n2007-2011\r\ncommissioner of Gallery (GAVU) of Academy of Fine Arts (AVU), Prague, Czech Republic\r\n\r\n\r\nCatalogs of Group Exhibitions:\r\n\r\n2009\r\nPaf - 8th festival of Film Animation, Other vision, Olomouc, Czech Republic\r\nEssl Award 2009, Essl Museum, Austria2009 Urban game, Prague, Czech Republic\r\n\r\n2008\r\nMoscow biennial, Moscow, Russia\r\nStandpunkte Landeplatze, Weiden, Germany","collections":"","monographies":"Catalogues:\r\n\r\n2010\r\nJin\u00e9 vize 2010, PAF - 8. P\u0159ehl\u00eddka animovan\u00e9ho filmu, Olomouc, \u010cesk\u00e1 republika\r\nBien\u00e1le mlad\u00fdch, D\u016fm U Kamenn\u00e9ho zvonu, Praha, \u010cesk\u00e1 republika\r\nHloup\u00e9 a chytr\u00e9, Galerie kritik\u016f, Praha, \u010cesk\u00e1 republika\r\nSb\u011bratel\u00e9 \/ \u010ceskoslovensk\u00fd pavilon, Brotkunsthalle, V\u00edde\u0148, Rakousko\r\n\r\n2009\r\nJin\u00e9 vize 2009, PAF - 8. P\u0159ehl\u00eddka animovan\u00e9ho filmu, Olomouc, \u010cesk\u00e1 republika\r\nEssl Award 2009, Museum Essl, Rakousko\r\nUrban Kiss, Praha, \u010cesk\u00e1 republika\r\nMoskevsk\u00e9 bien\u00e1le, Moskva, Rusko\r\nStandpunkte Landeplatze, Weiden, N\u011bmecko","articles":"Page Gallery presentaion, newspaper - Lidov\u00e9 noviny - 10.10. 2009\r\nEssl Award CCE 2009, by Katar\u00edna Uhl\u00ed\u0159ov\u00e1, Flash Art - Vol. III, No. 13, 2009\r\nUrban Kiss, by Ale\u0161 Kune\u0161, Atelier - Czech magazine for contemporary art - No. 19, 2009\r\nKr\u00e1sn\u00fd nov\u00fd undurgoumd, by Jan Vitvar, Newspaper Respekt - Vol. XX, No. 20, 2008\r\nPrvn\u00edch p\u011bt minut, by Jan Vitvar, Newspaper Respekt - Vol. XIX, No. 26, 2008\r\nVe vile, Atelier - Czech magazine for contemporary art - No. 13, 2008\r\nExhibition by Ond\u0159ej Hor\u00e1k, Atelier - Czech magazine for contemporary art - No. 2, 2008","reviews":"","texts_unlisted":"","annotations":[{"text":"The work of Jan Pfeiffer has its own specific and distinctive logic in the Czech artistic environment. He graduated from the studio of Ji\u0159\u00ed P\u0159\u00edhoda at the Academy of Fine Arts in Prague and in many aspects of his work he follows up on the work of his teacher with symbolic architectonic space. At the same time, however, symbolic value acquires a completely different meaning and value for him. While in the work of Ji\u0159\u00ed P\u0159\u00edhoda or even younger Dominik Lang, we find primarily conceptual and institutional understanding of work with their creative interferences using stage design and interventions, Jan Pfeiffer\u2019s past work to the present reflects a fundamental trait of a complex symbolic system, referring to social-cultural, mythological, religious and historical bonds to specific situations or moments, which he works with or in. Each of his more complex works becomes, in a certain sense of the word, a cultural probe, which simultaneously, thanks to its coding and the artist\u2019s interest in specific forms tied to given meanings, acquires almost abstract autonomous value. \r\n\r\nThe foundation of these analyses in Pfeiffer\u2019s works has already become an entire spectrum of places and topics encumbered by culture and history \u2013 for example the contexts within the Palestine territories (Each Embracing all the Rest, 2012 or The Fire Begins all over Again, 2013), Bulgaria (Ellipsis, 2013), Dubai (Observer, 2010) or human expeditions to the moon (Big Events Elsewhere, 2013), or the question of political borders (In the Fields, 2013), and the urbanistic genius loci. The artist\u2019s bond to architecture and its symbolic, as well as formal role makes up a substantial part of his work. This is true from the point of view of the actual architectonic form, as well as in the cultural and political context (Use the Shadows of Buildings Regardless of What They Represent, 2009).\r\n\r\nThe form and symbolism of an arch (e.g. Arch, 2013), which can be interpreted in many ways and which connects a great number of semantic and functional aspects with its long history, has exceptional meaning in a part of his works. Another fundamental moment through which we can look at Pfeiffer\u2019s work is the question of memory \u2013 it appears in his works both as a direct visually-haptic and sensual question, as well as on the symbolic level of general cultural memoirs and historical bonds. Pfeiffer did an interesting paraphrase of the relationship between symbolic and abstract aspects of his work in his project Ostentatious Abstraction (2014) where he interconnected the attributes of sound, installation and choreographed arrangement of actors into a tight gesamkunstwerk.&nbsp; \r\n\r\nWhile in his early work, Pfeiffer treated more questions of perception and physical or object grasp of a given phenomenon, recently his work has shifted to specific positions in the Czech environment. He has shifted from conceptual or actively literal form to symbolic form, which, in its character, is anachronically timeless, looking into the past, but at the same time able to articulate fundamental current topics.","date":2014,"authors":[1880]}],"artworks":[110852,110853,110854,110855,110856,110857,110858,110859,110860,110861,110862,113213,113214,113215,113216,113217,113218],"videos":[3369,3370,3371]},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Pfeiffer - Artlist<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artlist.cz\/en\/umelci\/jan-pfeiffer\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pfeiffer - Artlist\" \/>\n<meta property=\"og:url\" content=\"https:\/\/artlist.cz\/en\/umelci\/jan-pfeiffer\/\" \/>\n<meta property=\"og:site_name\" content=\"Artlist\" \/>\n<meta property=\"article:modified_time\" content=\"2025-01-07T17:13:53+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/jan-pfeiffer\\\/\",\"url\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/jan-pfeiffer\\\/\",\"name\":\"Pfeiffer - 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