{"id":122030,"date":"2024-07-10T23:05:28","date_gmt":"2024-07-10T21:05:28","guid":{"rendered":"http:devel.artlist.cz\/artist\/stetina-2\/"},"modified":"2025-01-07T18:13:51","modified_gmt":"2025-01-07T17:13:51","slug":"roman-stetina","status":"publish","type":"artist","link":"https:\/\/artlist.cz\/en\/umelci\/roman-stetina\/","title":{"rendered":"\u0160t\u011btina"},"featured_media":0,"template":"","class_list":["post-122030","artist","type-artist","status-publish","hentry","keyword-digital-image","keyword-digitalni-obraz","keyword-film-pohyblivy-obraz","keyword-fotografie","keyword-instalace","keyword-konceptualni-umeni","keyword-nova-media","keyword-zvukova-instalace"],"acf":{"nicknames":"","date_born":1986,"date_death":0,"place_born":"Kada\u0148","lives":"Praha","web":"www.romanstetina.com","idatum":"","address":"","email":"hello@romanstetina.com","phone":"723 673 828","biography":"Studies:\r\nsince 2013, Staatliche Hochschule f\u00fcr Bildende K\u00fcnste St\u00e4delschule, Frankfurt nad Mohanem, ateli\u00e9r Judith Hopf\r\nsince 2009, Akademie v\u00fdtvarn\u00fdch um\u011bn\u00ed v Praze (AVU), Ateli\u00e9r konceptu\u00e1ln\u00edho zkoum\u00e1n\u00ed, Tom\u00e1\u0161 Van\u011bk a Ji\u0159\u00ed Sk\u00e1la\r\n2006\u20132009, \u00dastav um\u011bn\u00ed a designu v Plzni, Multimedi\u00e1ln\u00ed design, Michal P\u011bchou\u010dek, Du\u0161an Zahoransk\u00fd, Ad\u00e9la Matasov\u00e1\r\n2005\u20132006, Z\u00e1pado\u010desk\u00e1 univerzita v Plzni, Filozofick\u00e1 fakulta \u2013 Humanistika\r\n\r\nFellowships and residencies:\r\n2012 \u0160aloun\u016fv ateli\u00e9r - ateli\u00e9r hostuj\u00edc\u00edho pedagoga AVU, Florian Pumh\u00f6sl\r\n2012 Egon Schiele Art Centrum, \u010cesk\u00fd Krumlov\r\n2012 Atelierhaus Salzamt, Linz\r\n2010\u20132011, \u0160aloun\u016fv ateli\u00e9r - ateli\u00e9r hostuj\u00edc\u00edho pedagoga AVU, Marcus Geiger\r\n2008 Vysok\u00e1 \u0161kola v\u00fdtvarn\u00fdch umen\u00ed v Bratislave, Ateli\u00e9r &quot;IN&quot;, Kisspal Szabolcz\r\n\r\nOcen\u011bn\u00ed:\r\n2014 Jind\u0159ich Chalupeck\u00fd Award\r\n2014 Open Frame Award (BHF-BANK Foundation), goEAST Film Festival Wiesbaden\r\n2014 PRE Real Estate Deutschland FilmPreis, Staedelschule Rundgang\r\n2011 ESSL ART AWARD CEE","groups":null,"membership":"","exhibitions_solo":"2016\r\nThe Fortress of Solitude from the holy wood of eternal noise (with L. Sitar), MNAC, Bucharest, HU\r\nInstructions for Use of Ji\u0159\u00ed Kol\u00e1\u0159 (with Miroslav Buri\u00e1nek), Plato, Ostrava\r\n\r\n2015 \r\nSouvenir, Polansky Gallery, Praha\r\nLecture, Gallery of Fine Arts, Zl\u00edn \r\n\r\n2014\r\nMluv, abych t\u011b vid\u011bl, galerie KABINET, TIC, Brno (kur\u00e1torka: Marika Kupkov\u00e1)\r\n\r\n2013\r\nNult\u00e1 s\u00e9rie, Galerie m\u011bsta T\u0159ince \r\nSTUDIO No. 2, Polansky gallery, Praha\r\nSTUDIO No. 2 (Slapstick), bb15, Linz, Rakousko\r\n\r\n2012\r\n\u017div\u00e9 hodiny (s K. Mikeskovou), galerie 35m2, Praha (kur\u00e1tor: R. I\u0161tok)\r\nPopis obrazu, galerie 207 - V\u0160VU, Praha \r\nSTUDIO - M\u00edstnost, kde koberce znamenaj\u00ed \u00e9ter, galerie Jelen\u00ed, Praha (kur\u00e1torka: N. Michlovsk\u00e1) \r\n\r\n2011\r\nP\u0159ijde kostra na Ak\u00e1du (s D. Gajarsk\u00fdm, T. Hr\u016fzou), galerie AVU, Praha (kur\u00e1tor: R. I\u0161tok)\r\n\r\n2010\r\nKabinet (s K. Mikeskovou), galerie Fenester, Praha\r\nIf (s T. Moravcem), galerie Kostka - Meetfactory, Praha (kur\u00e1tor: D. Zahoransk\u00fd)\r\nProp\u00edchnout pl\u00e1\u0161t\u011b (s T. Moravcem), S.P.A.C.E., Bratislava\r\n\r\n2008\r\nZahr\u00e1dka, galerie Pavilon, Praha","exhibitions_group":"2016\r\nMANIFESTA 11, Zurich, CH\r\nEnacting Stillness, MeetFactory, Praha\r\n\r\n2015\r\nSilver Lining, National Gallery, Praha\r\nAll Watched Over, James Cohan Gallery, New York, USA\r\nGraduates of the Academy of Fine Arts in Prague, National Gallery Prague\r\n7th Zl\u00edn Youth Salon \u2013 Gallery of Fine Arts, Zl\u00edn\r\nThe Importance of Being in a (Moving) Image, National Gallery Prague\r\n\r\n2014\r\nJindrich Chalupecky Award, National Gallery, Praha\r\nStraight to Camera: Performance for Film, Modern Art Oxford\r\nRelaxing in the shadow of Art, Kunstraum am Schauplatz, Vienna, AT\r\nPlato\u2019s Third Eye, MeetFactory gallery, Praha\r\nPerifern\u00ed vid\u011bn\u00ed, IV. Moskevsk\u00e9 mezin\u00e1rodn\u00ed bien\u00e1le mlad\u00e9ho um\u011bn\u00ed, MMOMA, (kur\u00e1tor: V\u00e1clav Janos\u010d\u00edk)\r\nExplain Me Not, AUTOCENTER BERLIN, (kur\u00e1torky: Edith Je\u0159\u00e1bkov\u00e1 a Mariana Serranov\u00e1)\r\nUm\u011bn\u00ed a st\u00edn, \u010cesk\u00e9 centrum v Praze, kur\u00e1tor Edith Je\u0159\u00e1bkov\u00e1\r\n\r\n2013\r\nMetafyzika k\u00e1zn\u011b, \u010cesk\u00e9 centrum v Berl\u00edn\u011b, kur\u00e1tor: Karina Pfeiffer Kottov\u00e1\r\nBezp\u0159edm\u011btn\u00fd film at Galerie U Dobr\u00e9ho Past\u00fd\u0159e, Brno 2013\r\n\r\n2012\r\nUse Your Illusion, bb15, Linz, Rakousko (kur\u00e1tor: Faxen)\r\n6. Zl\u00ednsk\u00fd sal\u00f3n mlad\u00fdch \u2013 Galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed, Zl\u00edn (kur\u00e1tor: komise \/ M. Fi\u0161r)\r\nZku\u0161ebn\u00ed vrty, G99, Brno (curator: A. Varteck\u00e1)\r\n\r\n2011\r\nEssl Art Award 2011, Essl Museum, Rakousko (kur\u00e1tor: komise \/ S. K\u00f6pf)\r\nZanech zpr\u00e1vu, Aula Favu, Brno (kur\u00e1tor: K. Kottov\u00e1)\r\nFace Me I Face You, galerie AVU, Praha (kur\u00e1tor: L. \u0160mardov\u00e1)","realizations_other":"2014\r\n49. Mezin\u00e1rodn\u00ed filmov\u00fd festival Karlovy Vary \r\ngoEAST, 14. Festival film\u016f st\u0159edn\u00ed a v\u00fdchodn\u00ed Evropy, Wiesbaden, N\u011bmecko\r\n\r\n2013\r\n48. Mezin\u00e1rodn\u00ed filmov\u00fd festival Karlovy Vary \r\nARTER, Istanbul, Turecko\r\nSTUDIO (TAKE 1), STEIM, Amsterdam \r\n\r\n2011\r\nPAF: Video objects, Union Docs, Brooklyn, NYC, USA ","collections":"<p>Vehbi Koc Foundation, Istanbul, Turecko<\/p>","monographies":"","articles":"Jan Les\u00e1k: Fenom\u00e9n archivu ve vztahu k fotografick\u00e9mu m\u00e9diu v kontextu sou\u010dasn\u00e9ho um\u011bn\u00ed\r\nTereza Jindrov\u00e1: recenze v\u00fdstavy STUDIO No. 2, Koncert pro oko a ucho (Artalk.cz)\r\nViktor \u010cech: Profiles - Roman \u0160t\u011btina, English Issue Flash Art CZ\/SK 2013\r\n\u010clov\u011bk by m\u011bl poslouchat p\u0159edev\u0161\u00edm s\u00e1m sebe (Protisedi.cz)\r\nKarina Kottov\u00e1: Studio - M\u00edstnost, kde koberce znamenaj\u00ed \u00e9ter (Flash Art CZ &amp; SK, No. 23\/24, 2012)\r\nViktor \u010cech: Intruder (katalog k v\u00fdstav\u011b ateli\u00e9ru Floriana Pumh\u00f6sla)\r\nKarel C\u00edsa\u0159: 6. Zl\u00ednsk\u00fd salon mlad\u00fdch, 2012\r\nRadim Langer: Za meze interpretace (recenze v\u00fdstavy Popis obrazu v galerii 207)\r\nJakub Stejskal: Estetick\u00fd modernismus dnes, D\u011bjiny um\u011bn\u00ed v roz\u0161\u00ed\u0159en\u00e9m poli (Praha: V\u0160UP, 2011)\r\nMonika Tich\u00e1\u010dkov\u00e1: \u0160ance pro za\u010d\u00ednaj\u00edc\u00ed um\u011blce, A2, 1\/12\r\nMichal P\u011bchou\u010dek: Things normally unheard, katalog ESSL ART AWARD 2011\r\nKarina Kottov\u00e1 - Klukoviny Tom\u00e1\u0161e Moravce a Romana \u0160t\u011btiny (Artalk.cz)","reviews":"Press Releases:\r\nMarika Kupkov\u00e1: TZ Mluv, abych t\u011b vid\u011bl, galerie Kabinet TIC, Brno\r\nJi\u0159\u00ed Havl\u00ed\u010dek: TZ Studio No. 2, Polansk\u00fd gallery\r\nRado I\u0161tok: TZ \u017div\u00e9 hodiny\r\nLum\u00edr Nykl: Studio - M\u00edstnost, kde koberce znamenaj\u00ed \u00e9ter\r\nViktor \u010cech: TZ Pov\u00edd\u00e1n\u00ed o um\u011bn\u00ed\r\nNina Michlovsk\u00e1 - TZ Studio, m\u00edstnost, kde koberce znamenaj\u00ed \u00e9ter\r\nRado I\u0161tok - TZ P\u0159ijde kostra na Ak\u00e1du\r\nDu\u0161an Zahoransk\u00fd - TZ IF - (training in materials and tools)\r\nMichal P\u011bchou\u010dek - TZ N\u011bkdo na Tebe mysl\u00ed (CZ)","texts_unlisted":"","annotations":[{"text":"<span lang=\"EN-GB\">Roman \u0160t\u011btina is one the most distinct artists of the incoming generation. In his work he sensitively interconnects his interest in sound and the spoken word, especially in the relationship to radio, sometimes TV broadcasting, and the strong visual aspect of the objects or situations connected with it, which he captures using video, installations, audiovisual interventions and other media. \u0160t\u011btina is the laureate of the ESSL Award from the year 2011 and the winner of the Jind\u0159ich Chalupeck\u00fd Award in 2014.<\/span>\r\n\r\n<span lang=\"EN-GB\">One of the leading sources of inspiration for \u0160t\u011btina is the radio studio as an imaginary backstage, which remains hidden from the final recipients of the broadcasting. It is a sort of non-place, which disposes with completely original, period aesthetics. The first time the artist brought attention to it was in the exhibition <i>Studio \u2013 Room<\/i>, where carpets represent the air, which took place in 2011 in Gallery Jelen\u00ed. The dramatic sounds installed in the front, otherwise empty room of the gallery, were alternated with the revealing of their origin in a video presented in the second part of the exhibition. The objects used to create ordinary sounds that are used in radio plays, such as going up stairs or a storm, became remarkable sculptures by revealing their physical \u201cfaces\u201d and their sonic potential was gradually uncovered through a manipulation with the actor. \u0160t\u011btina further developed this motif in the project <i>Studio No. 2 <\/i>(Polansk\u00fd Gallery, 2013), where he replaced the original sound of the clapperboard with a record of the sound of gunshots. Within the overall installation, a renovated panel absorbing sounds appeared here for the first time as a ready-made. Lifting objects relating to studio aesthetics and functionality from the original context and playing with their possible autonomy and shift of meaning in the gallery environment became \u0160t\u011btina\u2019s supporting theme. He grasped it magnanimously also in the installation <i>Auditorium <\/i>(2014), where he reconstructed a monumental curtain that was, during 1965 \u2013 1980, part of the interior of the so-called stereo-auditorium in the building of the Czech Radio in Pilsner.<\/span>\r\n\r\n<span lang=\"EN-GB\">In addition to the physical aspect of the objects that are in one way or another connected to sound, \u0160t\u011btina is interested in the language and message, in its media transmission and possibilities of its manipulation. Already in his relatively early works, the artist intervened television or radio broadcasting (for example, <i>Nocturne, <\/i>2009 \u2013 2010), he intervened film material found in order to create a fictive dialogue (<i>Talking about Art, <\/i>2012) or, on the contrary, he enhanced the tension of the film by removing practically all spoken word (<i>Murderer Hides his Face, <\/i>2010). In his most recent videos, \u0160t\u011btina stages personalities connected with the recording of the spoken word, from the technical aspect (<i>Tongue-Twister, <\/i>2014) or rhetorical aspect (<i>Lecture, <\/i>2014), to situations that give a theme to the relationship of the meaningfulness of a testimony and slips of the tongue, or mistakes.<\/span>\r\n\r\n<span lang=\"EN-GB\">\u0160t\u011btina\u2019s occasional cooperation with other artists, who enrich his approach by other levels, represents an interesting aspect of his work. Together with Tom\u00e1\u0161 Moravec, the artist created a series of performances, actions and installations (i.e. <i>If<\/i>, 2010, <i>Piercing Tires, <\/i>2010) that are connected by a boyish humorous exaggeration, as well as by artfulness and the desire to (physically) exceed their own possibilities. The collective project with Dominik Gajarsk\u00fd and Tom\u00e1\u0161 Hr\u016fza called <i>A Skeleton Is Coming to the Academy <\/i>(2011), was carried out in a similar spirit. One could call it a playful institutional critique presented by a trio of young artists searching for a treasure in the garden of their alma mater using a metal detector, as well as for the oldest student works in the archive of the school, the \u201ctracks\u201d of which were introduced beside the large format contact photographs capturing views into the present look of the studios during an exhibition of the final school works.<\/span>\r\n\r\n<span lang=\"EN-GB\">\u0160t\u011btina\u2019s work as a whole can be characterized by the relationship to archive materials that the artist updates and remoulds into mechanically distinct executions, which do not lack intelligent humour or inventive content. In connection with the media environment and the theme of sound that \u0160t\u011btina has practical relationship to as an active musician, and with respect to his work for the Czech Radio, his work has a distinctive form already while he is still studying.<\/span>","date":2014,"authors":[1878]}],"artworks":[113154,113155,113156,113157,113158,113159,113160,113161,113162,113163,113164],"videos":[2808,2809,2810,3136]},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u0160t\u011btina - Artlist<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artlist.cz\/en\/umelci\/roman-stetina\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u0160t\u011btina - Artlist\" \/>\n<meta property=\"og:url\" content=\"https:\/\/artlist.cz\/en\/umelci\/roman-stetina\/\" \/>\n<meta property=\"og:site_name\" content=\"Artlist\" \/>\n<meta property=\"article:modified_time\" content=\"2025-01-07T17:13:51+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/roman-stetina\\\/\",\"url\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/roman-stetina\\\/\",\"name\":\"\u0160t\u011btina - 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