{"id":122037,"date":"2024-07-10T23:06:10","date_gmt":"2024-07-10T21:06:10","guid":{"rendered":"http:devel.artlist.cz\/artist\/hulacova-2\/"},"modified":"2025-01-07T18:13:51","modified_gmt":"2025-01-07T17:13:51","slug":"anna-hulacova","status":"publish","type":"artist","link":"https:\/\/artlist.cz\/en\/umelci\/anna-hulacova\/","title":{"rendered":"Hula\u010dov\u00e1"},"featured_media":0,"template":"","class_list":["post-122037","artist","type-artist","status-publish","hentry","keyword-sculpture"],"acf":{"nicknames":"","date_born":1984,"date_death":0,"place_born":"Su\u0161ice","lives":"Praha","web":"","idatum":"","address":"","email":"andulet@seznam.cz","phone":"","biography":"Studies:\r\n2006\u20132012 \r\nAcademy of Fine Arts, Prague&nbsp;(Jaroslav R\u00f3na R\u00f3na and Ji\u0159\u00ed P\u0159\u00edhoda)\r\n\r\n2011\r\n internship with guest artists - Althea Thauberger\r\n\r\n2010\r\n Internship in Seoul, Korea National University of Arts - South Korea\r\n\r\n2010\r\n internship with guest artists - Florian Reither (Gelitin)\r\n\r\n2009\r\n Internship in the Scottish city of Aberdeen - RGU, Gray School of Art, GB\r\n\r\n2008\r\n internship with guest artists - Magdalena Jetelov\u00e1\r\ninternship with guest artists - Zbigniew Libera\r\n\r\nAwards:\r\n2016\r\nFinalist of Jind\u0159ich Chalupeck\u00fd Award","groups":"","membership":"","exhibitions_solo":"2016     \r\nUnlocked Characters, CEAAC, Strasbourg, FR\r\nHumaneness without Labor, (with Vaclav Litvan), INI Gallery \/ Prostor, Prague\r\n\r\n2015\t\r\nInterpreter I. & Anna Hula\u010dov\u00e1, (with Ji\u0159\u00ed P\u0159\u00edhoda), hunt kastner, Prague\r\nDistribution of Instincts, French Institute in Prague\r\nBlack Light, (with Viktor Tak\u00e1\u010d), Fotograf Gallery, Prague\r\nTeeth or Horns, (with Vacl\u00e1v Litvan), Entrance Gallery, Prague\r\n\r\n2014\r\nZemn\u00ed styk,&nbsp; s Janem Haubeltem, Pragovka, Praha\r\nDruh\u00e1, t\u0159et\u00ed a p\u00e1t\u00e1 rise, Galerie 207, Praha\r\n\r\n2013\r\nHolubi\u010dky spanil\u00e9, kur\u00e1tor: Michal P\u011bchou\u010dek, Galerie 35m<sup>2<\/sup>, Praha\r\nCitovan\u00fd komediant, s &nbsp;Mark\u00e9tou Lisou, kur\u00e1torka: Tereza Sochorov\u00e1-Hor\u00e1kov\u00e1, Studio Hrdin\u016f, Praha \r\nFace in space, pok\u0159ivenost, p\u0159irozenost civiliza\u010dn\u00ed sebedestrukce a touha po \u0159\u00e1du a sv\u011btle, kur\u00e1torka: Lenka S\u00fdkorov\u00e1, Alt\u00e1n Klamovka, Praha \r\n\r\n2012\r\nSituace 31, Galerie Pavilon, Praha\r\nBu\u010f pozdraven skrze jin\u00e9 sv\u011bty dv\u011bma dechy, s Janou Dole\u017ealovou, Galerie Kabinet, St\u0159\u00edt\u011b\u017e\r\n\r\n2010\r\nJedna z mo\u017enost\u00ed existencion\u00e1ln\u00ed podpory humanoidn\u00ed formy \u017eivota v lich\u00e9m dimenzion\u00e1ln\u00edm p\u00e1smu, Galerie NF, \u00dast\u00ed nad Labem\r\n\r\n2009\r\nPoloostrov, s V\u00e1clavem Litvanem, kur\u00e1tor: Dominik Lang, Galerie Jelen\u00ed, Praha","exhibitions_group":"2016\t\r\n#Multiple Times, curated by Frank Campoi, Lage Egal Raum Fuer Aktuelle Kunst, Berlin, DE\r\nWhy Are We Afraid of Sunsets?, Gdansk City Gallery, curated by Patrycja Ry\u0142ko, Gdansk, PL\r\nFrom Here to Eternity, Biennale Gherdeina, curated by Adam Budak, Ortisei, IT\r\n2016 Jind\u0159ich Chalupeck\u00fd Award Finalists exhibition, National Gallery, Trade Fair Palace, Prague\r\n \r\n2015\t\r\nThe Owl\u2019s Legacy and its Discontents, Department of Moving Images, curated by Adam Budak and Jen Kratochvil, Prague National Gallery, Trade Fair Palace, Prague\r\nLiturgy, Czech Centre, Paris, FR\r\nThe Best Tailor in Town, curated by Edith Je\u0159abkov\u00e1 & Ji\u0159\u00ed Kovanda, hunt kastner, Prague\r\nKolben Open 2015, Pragovka, Prague\r\nCannon, Anna Hula\u010dov\u00e1, Tereza P\u0159\u00edhodov\u00e1, Karolina Rossi, curated by Karina Kottov\u00e1, Galerie Kostka, Meetfactory, Prague\r\nLost Form, curated by Milan Mikula\u0161t\u00edk, Gallery NTK, National Technical Museum, Prague\r\n\r\n2014\r\nWho is director, 4+4 dny v pohybu, kur\u00e1to\u0159i: Kri\u0161tof Kintera a Denisa V\u00e1clavov\u00e1, Pal\u00e1c U St\u00fdbl\u016f, Praha\r\nDrak se probouz\u00ed: Sou\u010dasn\u00e9 inspirace v\u00fdchodasijsk\u00fdm um\u011bn\u00edm, kur\u00e1torka: Petra Poll\u00e1kov\u00e1, Pal\u00e1c Kinsk\u00fdch NG, Praha\r\n\r\n2013\r\nProblem is here, 4+4 dny v pohybu, kur\u00e1to\u0159i: Kri\u0161tof Kintera a Denisa V\u00e1clavov\u00e1, Pal\u00e1c U St\u00fdbl\u016f, Praha\r\nLapidarium, Galerie Jaroslava Fragnera, Praha\r\n\r\n2012\r\nDiplomanti AVU, Veletr\u017en\u00ed pal\u00e1c NG, Praha\r\nOpak je pravdou, kur\u00e1torka: Karin Kottov\u00e1, MeetFactory, Praha\r\n\r\n2011\r\nInstituceum, navazuj\u00edc\u00ed projekt student \u0160alounova ateli\u00e9ru AVU v Praze, kur\u00e1torka: Karin Kottov\u00e1,&nbsp; B\u00fdval\u00e1 pr\u00e1delna psychiatrick\u00e9 l\u00e9\u010debny Bohnice, Praha\r\n\r\n2010\r\nPap\u00edrov\u00e9 hlavy, kur\u00e1torka: Terezie Honsov\u00e1, Galerie Trafa\u010dka, Praha\r\nTrial Trial, Akademie v\u00fdtvarn\u00e9ho um\u011bn\u00ed ve V\u00eddni\r\nJUNGE KUNST AUS CEE, Vienna Insurance Group, V\u00edde\u0148\r\n\r\n2009\r\nESSL AWARD CEE, Essl Museum, V\u00edde\u0148\r\nESSL AWARD CEE , Veletr\u017en\u00ed pal\u00e1c NG, Praha\r\nDraz\u00ed, Galerie P\u016fda, Jihlava\r\nCHEQUE DE REALITE, Academy shopping centre, Aberdeen, GB","realizations_other":"","collections":"","monographies":"","articles":"<p><span style=\"line-height: 150%;\">Odhalen\u00ed sochy, T\u0159ebo\u0148, 2014<\/span><\/p>\r\n<p><a target=\"_blank\" href=\"http:\/\/artycok.tv\/lang\/cs-cz\/25438\/odhaleni-sochy\">http:\/\/artycok.tv\/lang\/cs-cz\/25438\/odhaleni-sochy<\/a><b style=\"line-height: 150%;\"><i>&nbsp;<\/i><\/b><\/p>\r\n<p>Citovan\u00fd komediant, Studio Hrdin\u016f, 2013<\/p>\r\n<p><a target=\"_blank\" href=\"http:\/\/artycok.tv\/lang\/cs-cz\/21819\/citovany-komediant\">http:\/\/artycok.tv\/lang\/cs-cz\/21819\/citovany-komediant<\/a><\/p>\r\n<p><span style=\"line-height: 150%;\">Opak je pravdou, MeetFactory, Praha, 2012<\/span><\/p>\r\n<p><a target=\"_blank\" href=\"http:\/\/artycok.tv\/lang\/en-us\/15207\/opak-je-pravdouon-the-contrary\">http:\/\/artycok.tv\/lang\/en-us\/15207\/opak-je-pravdouon-the-contrary<\/a><span style=\"line-height: 150%;\">&nbsp;<\/span><\/p>\r\n<p>Poloostrov, Galerie Jelen\u00ed, Praha, 2009<\/p>\r\n<p><a target=\"_blank\" href=\"http:\/\/artycok.tv\/lang\/cs-cz\/3464\/art-peninsula\">http:\/\/artycok.tv\/lang\/cs-cz\/3464\/art-peninsula<\/a><\/p>","reviews":"","texts_unlisted":"","annotations":[{"text":"Anna Hula\u010dov\u00e1 graduated from the Studio of Intermedia Work II (class of Ji\u0159\u00ed P\u0159\u00edhoda) at the Academy of Fine Arts in Prague. In 2010, she went on a scholarship to the Korean National University of Arts in Soul, South Korea. Hula\u010dov\u00e1 is an essential sculptress who works with Czech folk traditions, aesthetics and rituals coming from the country environment where she grew up. She also draws inspiration from East-Asian art, as well as art brut, sci-fi or personal mythology. Her work bears the elements of mystery, searching for archetypes and the universe. She likes working on the boundaries of the past and the future, where she takes models from the past \u2013 for example ancient statues, which are physically preserved but their full meaning is unknown to us. Her work is inspired by masks, which are characteristic for given tribal groups and their rituals. In Anna Hula\u010dov\u00e1\u2019s interpretation, the rituals are replaced with artistic performances. She successfully combines products of nature \u2013 honey plasters, wax, wood, grain, twigs, eggs with folk tradition and completes them with artistic potential, i.e. creative dimension, which gives it order, meaning, message and certain distance with elements of humour and irony. In her work, Hula\u010dov\u00e1 also uses all sorts of technical materials \u2013 concrete, silicone, putty, etc. By combining natural and technical materials she indicates the intentional ambiguity, which is cardinal for interpreting her work. She often uses two statues that imaginarily communicate with one another.&nbsp; She emphasizes trans-cultural overlaps in these dialogues with busts. For example, in her work <i>Close Encounters of Own Kind <\/i>from the year 2013 \u2013 one bust refers to extraterrestrial civilizations (UFO) and the second one to East-Asian inspiration (Buddha). In her work, Anna Hula\u010dov\u00e1 tries to capture the universe, which she transforms to human image in order for it to be more easily understandable. She emphasizes disputableness, which she evokes with her initial descriptiveness, in order to transform it to an abstract position at certain moments of the work process later on. By doing so, she gives the viewers space for their own imagination, while making them a little uncertain. \r\nDialogues between man and nature, and man and the universe have been key for her from the beginning of her work. She captured attention with her work <i>Grandmother <\/i>(2010), which she presented at the exhibition of student works at the Academy of Fine Arts. She made the bust from two types of clay, which she processed using a pastry mould and she used cereal straw for the hair. The two types of clay symbolized two countries, where the grandma spent her life \u2013 one native and the other one that she moved to after getting married. Symbolism is important for Anna Hula\u010dov\u00e1. She also used it in her work <i>Kingdom in a Suitcase <\/i>(2009) for which she received the Essl Art Award in 2009. \r\nIn her performances, Anna Hula\u010dov\u00e1 often uses masks and fire. In her performance from 2012 entitled <i>Swarms and Sources <\/i>she had s scarf on her head, the decoration of which referred to the beak of a bird sitting on a tree; in her performance <i>Situace 31 <\/i>in Prague\u2019s Pavilion from 2012, she had a mask from wood and honeycombs with wicks with dripping wax, and since the candles were burning, Anna was making drawings from the wax. Recently she has been making convex and concave objects \u2013 busts with the basic material being concrete and the descriptive part is represented by a printed photograph \u2013 e.g. <i>Beauty and the Beast <\/i>from 2013. From that year she abandoned drawing, which she used for decorating her statues, and replaced it with photographs. Drawing was essential for example in her works <i>Knight Ivan <\/i>or<i> Faith (Saint George)<\/i>, both from the year 2012.\r\nAnna Hula\u010dov\u00e1 has exhibited in Prague, for example, in the Gallery Pavilon (2012), Alt\u00e1n Klamovka (2013), Gallery 35m<sup>2<\/sup> (2013) or Gallery 207 (2014). She conceives her exhibition projects as complex installations and she often creates her works for the given exhibition space.","date":2014,"authors":[1881]}],"artworks":[113512,113513,113514,113515,113516,113517,113518,113519,113520,113521,113522,113523,113524,113525,117161,117162,117163,117164,117165,117166,117167],"videos":[125755,125740]},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hula\u010dov\u00e1 - Artlist<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artlist.cz\/en\/umelci\/anna-hulacova\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hula\u010dov\u00e1 - Artlist\" \/>\n<meta property=\"og:url\" content=\"https:\/\/artlist.cz\/en\/umelci\/anna-hulacova\/\" 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