{"id":122049,"date":"2024-07-10T23:06:11","date_gmt":"2024-07-10T21:06:11","guid":{"rendered":"http:devel.artlist.cz\/artist\/pesat-2\/"},"modified":"2025-01-07T18:13:51","modified_gmt":"2025-01-07T17:13:51","slug":"david-pesat","status":"publish","type":"artist","link":"https:\/\/artlist.cz\/en\/umelci\/david-pesat\/","title":{"rendered":"Pe\u0161at"},"featured_media":0,"template":"","class_list":["post-122049","artist","type-artist","status-publish","hentry","keyword-grafika","keyword-kresba","keyword-malba","keyword-painting"],"acf":{"nicknames":"","date_born":1980,"date_death":0,"place_born":"Praha","lives":"Praha","web":"","idatum":"","address":"","email":"davidpesat@seznam.cz","phone":"","biography":"Education:<\/b>\r\n2005-07 College of Applied Arts in Prague\r\n2001-07 Academy of Fine Arts, Painting Studio I. (prof. J. Sopko)\r\n2004-05 School of Bella Artes in Granada, Spain\r\n2005-06 School of Art in Kankaanpaa, Finland\r\n\r\nAwards:<\/b>\r\n2009 Finalist Prizes criticized for painting with overlaps, Galerie critic, Praha\r\n\r\nSymposium:<\/b>\r\n2006 VI. The symposium contemporary art Jenewein, GFJ Kutna Hora","groups":null,"membership":"","exhibitions_solo":"2010 B\u00edl\u00e1, b\u00edl\u00e1, b\u00e9\u017eov\u00e1, Galerie Mad bar, Praha \r\n2010 TV Show, Galerie Michal\u00b4s Collection, Praha \r\n2009 Grafika +, Galerie Emilie Pali\u010dkov\u00e9, Praha \r\n2005 Do\u010dasn\u00e1 Vata, Galerie He\u0159manova 35, Praha\r\n2005 Kresby, Kav\u00e1rna u m\u011bs\u00ed\u010dn\u00ed Ko\u010dky, Praha\r\n 2004 Obrazy, Komorn\u00ed galerie U Shel\u016f, \u010cesk\u00e9 Bud\u011bjovice\r\n 2004 Spolucestuj\u00edc\u00ed, Galerie m\u011bs\u00edc ve dne, \u010cesk\u00e9 Bud\u011bjovice","exhibitions_group":"2013 EX. Nen\u00ed lhostejn\u00e9, kde pr\u00e1v\u011b jsme, Galerie Caesar, Olomouc\r\n2012 EX - Male\u010dek, Pe\u0161at, V\u00e9la, Galerie Topi\u010d\u016fv sal\u00f3n, Praha \r\n2011 ADAADA (s Adamem \u0160techem), Galerie XXl, Louny \r\n2011 Fundamenty & Sedimenty. Vzpoura hra\u010dek 2011, GHMP \u2013 M\u011bstsk\u00e1 knihovna, Praha\r\n2011 2:15. Junge Kunst aus Dresden und Prag. Kunst- und Kulturfabrik Krautwald, Dr\u00e1\u017e\u010fany (DE) \r\n2011 Opening party, Museum of Yong Art, Clam-Gallasovsk\u00fd pal\u00e1c, Praha \r\n2010 2:15. Mlad\u00e9 um\u011bn\u00ed z Dr\u00e1\u017e\u010fan a Prahy, Topi\u010d\u016fv sal\u00f3n, Praha\r\n2009 white project, Dvorak Sec Contempoary, Praha\r\n2009 Z nov\u00fdch sb\u00edrek GFJ m\u011bsta Kutn\u00e9 Hory, Vla\u0161sk\u00fd dv\u016fr, Kutn\u00e1 Hora\r\n2009 Cena kritik\u016f za mladou malbu, fin\u00e1le, Galerie Kritik\u016f, Praha\r\n2008 Vzkaz \u0159\u00ed\u0161e st\u0159edu, Jind\u0159ich\u016fv Hradec\r\n2007 AVU 18 - Diplomanti AVU, N\u00e1rodn\u00ed galerie, Praha  \r\n2007 Na z\u00e1mku, K\u0159i\u017eovnick\u00fd z\u00e1mek, Dob\u0159ichovice
2006 Symposium JENEWEIN, Galerie Felixe Jeneweina, Kutn\u00e1 Hora \r\n2006 Mal\u00ed\u0159sk\u00fd atelier prof. Ji\u0159\u00edho Sopka, Al\u0161ova Jiho\u010desk\u00e1 galerie, \u010cesk\u00e9 Bud\u011bjovice \r\n2005 Prost\u011b..., Galerie J\u00e1na \u0160moka, Jihlava\r\n 2004 Studenti, absolventi, KW, Sopko, Galerie XXL, Louny\r\n 2004 And\u011bl\u00e9 a jin\u00e9 bytosti, Galerie \u010desk\u00e9 plastiky, Art-pro, Praha ","realizations_other":"","collections":"","monographies":"Korpaczewski, Igor: Mal\u00ed\u0159sk\u00e1 \u0161kola Ji\u0159\u00edho Sopka (katalog), AJG \u2013 Wotner\u016fv d\u016fm, \u010cesk\u00e9 Bud\u011bjovice, 2006 Rezler, Ale\u0161: VI. Sympozium sou\u010dasn\u00e9ho v\u00fdtvarn\u00e9ho um\u011bn\u00ed Jenewein (katalog), GFJ Kutn\u00e1 Hora, 2006 Va\u0148ous, Petr: Neklidn\u00fd tanec Pe\u0161atovy exprese, Revue art 1\/ 2009 Va\u0148ous, Petr, Mo\u017enosti exprese v mlad\u00e9 \u010desk\u00e9 malb\u011b. Pra\u017esk\u00e1 sc\u00e9na: Male\u010dek\/ Pe\u0161at\/ V\u00e9la, Revolver revue 75\/ 2009, s. 39 \u2013 54 \u010cih\u00e1kov\u00e1-Noshiro, Vlasta (Ed.): Cena kritiky za mladou malbu 2009 (katalog), Galerie Kritik\u016f, Praha, 2009 Va\u0148ous, Petr: Dv\u011b hodiny patn\u00e1ct\/ Zweistundenf\u00fcnfzehn. Junge Kunst aus Dresden und Prag (v\u00fdstavn\u00ed katalog), Topi\u010d\u016fv salon, Praha, 2010 Va\u0148ous, Petr, Fundamenty & Sedimenty. Vzpoura hra\u010dek 2011 (katalog v\u00fdstavy), GHMP, Praha, 2011 Va\u0148ous, Petr: EX (katalog v\u00fdstavy), Topi\u010d\u016fv salon, Praha, 2011 Drtilov\u00e1, Zuzana: V\u00fdstava, u kter\u00e9 exitus nehroz\u00ed, Mlad\u00e1 fronta Dnes, 17. 12. 2011, s. 12 Wohlmuth, Radek (ed.): AMoYA: Artbanka Museum of Young Art Prague 2011, Art Deposit, Praha 2012 Va\u0148ous, Petr: EX. Nen\u00ed lhostejn\u00e9, kde pr\u00e1v\u011b jsme (katalog v\u00fdstavy), Galerie Caesar. Olomouc, 2013","articles":"","reviews":"","texts_unlisted":"","annotations":[{"text":"The painted works of David Pe\u0161at tie in with the modernist concept of the image and its changing composition and formal expression and the artist adopts his own response to this starting point and rethinks, destroys, and remoulds it. Keenly sensitive to the frame of experience that modern art has passed through, he lays out the ground work for a free artistic approach to visuality itself (outside manifestos and orthodox avant-garde proclamations). Pe\u0161at sees visuality as a kind of \u2018raw ingredient\u2019, a material that is meant to be transformed and processed (The Heap<\/i> \/ Hromada<\/i>, 2009; Run Amok<\/i> \/ Hlava nehlava<\/i>, 2014). That is why metamorphoses of varying direction figure as the main creative motif in his work (Birth<\/i> \/ Zrozen\u00ed<\/i>, 2012; Apocalypse<\/i> \/ Apokalypsa<\/i>, 2011). That is also why most of his paintings lie within the ambiguous territory in between figuration and abstract expression (Burning Forest<\/i> \/ Ho\u0159\u00edc\u00ed les<\/i>, 2009). It would seem that in painting (and not only there), doubt has been for ever cast on the notion of an object as something static, which is why painting is no longer concerned with the static object, with depicting and giving presence to the static object, but seeks to affirm the object\u2019s dynamic relationship and declare the position the artist adopts to it (Cauliflower <\/i>\/ Kv\u011bt\u00e1k<\/i>, 2014; Head<\/i> \/ Hlava<\/i>, 2014). That position itself transforms the identity of the object and objectivity in art and essentially the entire visual frame and format (Knee Landscape<\/i> \/ Krajina kl\u00ednoha<\/i>, 2012). Sometimes the \u2018revelation\u2019 of a scene is arranged into darkness (Crown<\/i> \/ Koruna<\/i>, 2013), elsewhere it is smeared over and retouched with white surfaces until it vanishes entirely (Nothing <\/i>\/ Nic<\/i>, 2008). \r\n\r\nThe theme or motif is thus \u2018the field of relations\u2019 in which the artist relives the \u2018act of creation\u2019 through painting. In this case the painter becomes a kind of demiurge, formulating new and different ways of looking at the objective world through the gradual processes by which it is created and disappears (and also looking at the word and its meaning in similar processes of creation and disappearance, e.g. Old Testament, New Testament<\/i> \/ Star\u00fd Z\u00e1kon, Nov\u00fd Z\u00e1kon<\/i>, 2013). A theme is a form of raw material, from which an object or at least a connection to one must then be \u2018shaped\u2019 and modelled, like in sculpture (Smoke <\/i>\/ Kou\u0159<\/i>, 2009). The freedom inherent in this dynamic approach lies on the one hand in the openness of expression and on the other in the fact that the figuration is left as it is in various stages of evolution and is thus not submitted to any rational-analytic judgement. In other words, it remains itself, in its existence it is not alienated from itself and overwritten by the language of discourse. The objects here come across as something like \u2018organs of experience\u2019 (Big Defect<\/i> \/ Velk\u00fd defekt<\/i>, 2014; Ideology<\/i> \/ Ideologie<\/i>, 2012). Open, revealed and concealed. As parts of larger functional wholes, or isolated and extracted from their context. Pe\u0161at\u2019s painting is built out of the artist\u2019s own energy, for and through which he discovers algorithms of a distinctive visual morphology that actualises various complex human conditions \u2013 from apathy and melancholy, to euphoria, resistance and ecstasy. The paintings are a kind of anatomy of transformation and references to the constant internal metamorphoses of humans, which in parallel influence and shape their view of the world. A view that never remains constant. ","date":2015,"authors":[1841]}],"artworks":[113989,113990,113991,113992,113993,113994,113995,113996,113997,113998,113999,114000,114001,114002,114003,114004,114005],"videos":null},"yoast_head":"\nPe\u0161at - Artlist<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artlist.cz\/en\/umelci\/david-pesat\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pe\u0161at - Artlist\" \/>\n<meta property=\"og:url\" content=\"https:\/\/artlist.cz\/en\/umelci\/david-pesat\/\" \/>\n<meta property=\"og:site_name\" content=\"Artlist\" \/>\n<meta property=\"article:modified_time\" content=\"2025-01-07T17:13:51+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/david-pesat\\\/\",\"url\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/david-pesat\\\/\",\"name\":\"Pe\u0161at - 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