{"id":122073,"date":"2024-07-10T23:06:13","date_gmt":"2024-07-10T21:06:13","guid":{"rendered":"http:devel.artlist.cz\/artist\/havlicek-2\/"},"modified":"2025-01-07T18:13:50","modified_gmt":"2025-01-07T17:13:50","slug":"jiri-havlicek","status":"publish","type":"artist","link":"https:\/\/artlist.cz\/en\/umelci\/jiri-havlicek\/","title":{"rendered":"Havl\u00ed\u010dek"},"featured_media":0,"template":"","class_list":["post-122073","artist","type-artist","status-publish","hentry","keyword-film-pohyblivy-obraz","keyword-fotografie","keyword-kuratorstvi","keyword-new-media","keyword-nova-media","keyword-umelci-pracujici-s-fotografii","keyword-zvukova-instalace"],"acf":{"nicknames":"","date_born":1977,"date_death":0,"place_born":"Brand\u00fds nad Labem\/Star\u00e1 Boleslav","lives":"Praha","web":"","idatum":"","address":"","email":"havlicek@artycok.tv","phone":"","biography":"<div><b>Education:<\/b><\/div>\r\n<div><\/div>\r\n<div>1998-2004 Faculty of Fine Arts in Brno<\/div>\r\n<div><\/div>\r\n<div>1992-1996 Secondary Arts and Crafts School of Glass, Kamenick\u00fd \u0160enov<\/div>\r\n<div><\/div>\r\n<div>1996-1998 Institute of Fine Arts, Usti nad Labem<\/div>\r\n<div><\/div>\r\n<div><\/div>\r\n<div><b><br \/><\/b><\/div>\r\n<div><b>Internships abroad:<\/b><\/div>\r\n<div><\/div>\r\n<div>2003 Universitatea de Arta a Design, Cluj-Napoca, Romania<\/div>\r\n<div><\/div>\r\n<div>2001 Facultad de Bellas Artes-(Universidad de Castilla-la Mancha), Cuenca, Spain<\/div>","groups":null,"membership":"","exhibitions_solo":"<div>2013<\/div>\r\n<div>High Time, City Surfer Office, Praha, 2013<\/div>\r\n<div>\u017dena za v\u00fdlohou, Vitr\u00edna Deniska, Olomouc<\/div>\r\n<div>Dopis cel\u00fd o tob\u011b a o tom, \u010demu v\u011b\u0159\u00ed\u0161, Galerie D\u00edra, Praha<\/div>\r\n<div>Dv\u011b fotografie jedna \u017eena, Galerie m.odla, Praha<\/div>\r\n<div><\/div>\r\n<div>2011<\/div>\r\n<div>V\u011brn\u00e1 kopie, Galerie NF, \u00dast\u00ed nad Labem<\/div>\r\n<div><\/div>\r\n<div>2009<\/div>\r\n<div>V\u017edycky te\u010f, Galerie AM 180, Praha, 2009 (s &nbsp;Magdalenou Hrubou)<\/div>\r\n<div><\/div>\r\n<div>2008<\/div>\r\n<div>Blackout, Galerie G99, D\u016fm um\u011bn\u00ed m\u011bsta Brna (s Filipem Cenkem)<\/div>\r\n<div><\/div>\r\n<div>2007<\/div>\r\n<div>Animace, noviny, Galerie mlad\u00fdch, Brno (s Filipem Cenkem)<\/div>\r\n<div><\/div>\r\n<div>2003<\/div>\r\n<div>Lotus3 a Solaris, Galerie Jelen\u00ed, NCSU Praha (s Filipem Cenkem)<\/div>\r\n<div><\/div>\r\n<div>2001<\/div>\r\n<div>Tip et Tap, Galerie Eskort, Brno<\/div>","exhibitions_group":"<div>2014<\/div>\r\n<div>VII. Nov\u00fd zl\u00ednsk\u00fd salon, Krajsk\u00e1 galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed ve Zl\u00edn\u011b, Zl\u00edn&nbsp;<\/div>\r\n<div><\/div>\r\n<div>2010<\/div>\r\n<div>Moving Image, Galerie Futura, Praha<\/div>\r\n<div>Pilotn\u00ed \u0159e\u0161en\u00ed, Galerie mlad\u00fdch, Brno<\/div>\r\n<div><\/div>\r\n<div>2009<\/div>\r\n<div>Objekt animace. T\u0159et\u00ed smysl, D\u016fm um\u011bn\u00ed ve Zl\u00edn\u011b<\/div>\r\n<div><\/div>\r\n<div>2008<\/div>\r\n<div>VI. Bien\u00e1le mlad\u00e9ho um\u011bn\u00ed ZVON 2008, Galerie hlavn\u00edho m\u011bsta Prahy<\/div>\r\n<div><\/div>\r\n<div>2007<\/div>\r\n<div>P\u0159ehl\u00eddka animovan\u00e9ho filmu, Jin\u00e9 vize, Olomouc<\/div>\r\n<div><\/div>\r\n<div>2006<\/div>\r\n<div>Play-time, Galerie Entrance, Karlin Studios, Praha<\/div>\r\n<div><\/div>\r\n<div>2005<\/div>\r\n<div>Dobr\u00e9 zpr\u00e1vy. Slabik\u00e1\u0159, Moravsk\u00e1 galerie, Brno<\/div>\r\n<div>V. Bien\u00e1le mlad\u00e9ho um\u011bn\u00ed ZVON 2005, Galerie hlavn\u00edho m\u011bsta Prahy<\/div>\r\n<div><\/div>\r\n<div>2004<\/div>\r\n<div>DVD: It\u2019s a question of Lust, Galerie G99, D\u016fm p\u00e1n\u016f z Kun\u0161t\u00e1tu, Brno<\/div>\r\n<div>Wstapil we mnie diabel, \u010cesk\u00e9 centrum Bratislava<\/div>\r\n<div>Otev\u0159en\u00e1 kniha je taky noc, Kino Alfa, Sokolov, Sokolovsk\u00fd filmov\u00fd semin\u00e1\u0159<\/div>\r\n<div>Frisbee, National Museum of Contemporary Art, Bukure\u0161\u0165 (RO)<\/div>\r\n<div><\/div>\r\n<div>2003<\/div>\r\n<div>III. Zl\u00ednsk\u00fd sal\u00f3n mlad\u00fdch, Krajsk\u00e1 galerie ve Zl\u00edn\u011b, Zl\u00edn<\/div>\r\n<div>Nejmlad\u0161\u00ed \/ The Youngest, Veletr\u017en\u00ed pal\u00e1c, NG Praha<\/div>\r\n<div>Filmy bez kina \/ Movies Without Cinema, D\u016fm p\u00e1n\u016f z Kun\u0161t\u00e1tu, Brno<\/div>","realizations_other":"<div><b>Kur\u00e1tor v\u00fdstav (v\u00fdb\u011br):<\/b><\/div>\r\n<div>Us\u00edn\u00e1m hluboko v noci, Polansky Gallery, Praha 2014<\/div>\r\n<div>Slep\u00e1 l\u00e1ska, Polansky Gallery, Praha 2012<\/div>\r\n<div>Muzeum, D\u016fm Nad Muzeem, Praha, 2011<\/div>\r\n<div>Vala\u0161sk\u00fd h\u0159ebec Jan Vytiska, Galerie NoD, Praha, 2010<\/div>\r\n<div>Objekt animace. T\u0159et\u00ed smysl, &nbsp;D\u016fm um\u011bn\u00ed, Zl\u00edn, 2010 (+ M. Mazanec, F. Cenek)<\/div>\r\n<div>A kdy upr\u0161\u00ed ten druhej den, Galerie NoD, Praha, 2009<\/div>\r\n<div>Play-time, Galerie Entrance, Karlin Studios, Praha, 2006 (+ P. Strouhal, F. Cenek)<\/div>\r\n<div>Dobr\u00e9 zpr\u00e1vy. Slabik\u00e1\u0159, Moravsk\u00e1 Galerie, Brno, 2005 (+ F. Cenek)<\/div>\r\n<div>Otev\u0159en\u00e1 kniha je taky noc, Kino Alfa, Sokolov, 2004 (kol.)<\/div>\r\n<div>Wstapil we mnie diabel, \u010cesk\u00e9 centrum, Bratislava, 2004 (kol.)<\/div>\r\n<div><\/div>\r\n<div><b>Filmov\u00e9 realizace:<\/b><\/div>\r\n<div>Zajatci filmu, 2012 (sc\u00e9n\u00e1\u0159, kamera, st\u0159ih a re\u017eie)<\/div>\r\n<div><\/div>\r\n<div>Ahoj, m\u00e1m se dob\u0159e, 2013 (sc\u00e9n\u00e1\u0159 a asistent re\u017eie)<\/div>","collections":"","monographies":"<div>HAVL\u00cd\u010cEK, Ji\u0159\u00ed. Slep\u00e1 l\u00e1ska (kat. v\u00fdst.). Praha: Polansky gallery, 2012.<\/div>\r\n<div>PT\u00c1\u010cEK, Ji\u0159\u00ed. Modr\u00fd se\u0161it (kat.). Brno: TIC, 2012.<\/div>\r\n<div>C\u00cdSA\u0158, Karel (ed.). V\u011bci, o kter\u00fdch s nik\u00fdm nemluv\u00edm. Sou\u010dasn\u00e9 \u010desk\u00e9 um\u011bn\u00ed. 5. a 6. Bien\u00e1le mlad\u00e9ho um\u011bn\u00ed Zvon, 2005 a 2008 (kat. v\u00fdst.). Praha: Agite\/Fra, 2008.<\/div>\r\n<div>\u0160EVE\u010cEK, Ludv\u00edk (ed.). III. Zl\u00ednsk\u00fd salon mlad\u00fdch (kat. v\u00fdst.) Zl\u00edn: Krajsk\u00e1 galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed ve Zl\u00edn\u011b, 2003.<\/div>","articles":"<div>BLA\u017d\u00cd\u010cEK, Martin. Zaj\u00edmaj\u00ed m\u011b filmov\u00e9 z\u00e1\u017eitky. A2, 2014, 8. ISSN 1803-6635.<\/div>\r\n<div>KOKLESOV\u00c1, Bohunka. Ateli\u00e9r video, multim\u00e9dia, performance. Ateli\u00e9r, 2002, 10, 12. ISSN 1210-5236.<\/div>\r\n<div>(red.) Ji\u0159\u00ed Havl\u00ed\u010dek. Um\u011blec, 2001, 4. ISSN 1212-9550.<\/div>","reviews":"","texts_unlisted":"","annotations":[{"text":"Ji\u0159\u00ed Havl\u00ed\u010dek is the author of animations, videos, drawings, photographs and sound installations. In his work he pursues animation and its possibilities as a media for remembering or eliminating sensations. Based on the method of appropriation of found image materials or film fragments, he examines the mechanisms of memory and its retention. He is interested in the phenomenon of movement and deformation, new pictures and their contents originating by multiplication, transformation or extinction caused by copying.\r\nHis interest in animation and its content started already during his studies at the Faculty of Fine Arts in Brno. One of his first projects was <i>Tip et Tap par m\u00e9moire<\/i>&nbsp;(Tip and Tap from Memory, 2001), using the figures from the popular children\u2019s cartoon. The short footage captures Tip and Tap walking on a meadow and talking about death. A sunny day turns into night and one of the characters is left alone \u2013 confrontation of the world of a child with the world of an adult, as well as of memories and reality \u2013 the animated figures were not drawn exactly according to the actual models but from the memory of the artist.\r\nThe video installation <i>Blackout<\/i> (2008 with Filip Cenek) treats the topic of some sort of power failure, editing and change of process. It consists of one long footage, with no editing and no plot; the camera follows a girl riding her skateboard on a street. The light and environment change in the following scene and there is a blackout and forgetting. \r\nIn the joint performance <i>V\u017edycky, te\u010f (Always, Now)<\/i>&nbsp;(2009) with Magdalena Hruba the artists emphasized again the possibilities of the media of animation when they used the metaphor of the breakup of text (with another shift here because it was the word \u201ctext\u201d) into individual construction elements. \u201cText\u201d was being recreated through a reversed process.\r\nIn his installation <i>V\u011brn\u00e1 kopie (True Copy)<\/i>&nbsp;(2011) Havl\u00ed\u010dek develops his topics of shifting, multiplication and animation as the process of remembering. The multiplied image of a woman creates a sort of pseudo-erotic moving scene in geometric execution. The artist examines the change in visual content with a video footage of repeated photocopying of an image taken to extreme \u2013 the result of the artwork is absolute non-legibility and the erasing of the actual image by itself.\r\nThe sound installation <i>Dopis cel\u00fd o tob\u011b a tom, \u010demu<\/i>&nbsp;<i>v\u011b\u0159\u00ed\u0161 (A Letter All About You and What You Believe)<\/i>&nbsp;(2013) is a strip of personal recordings recorded on a mobile phone. While it was primarily recorded as a recording of demo tunes, it simultaneously captures the sounds from the surroundings \u2013 the street, school, cellar or church. It is a sort of fragment of a personal sound diary \u2013 spontaneous and authentic.\r\nVitr\u00edna Deniska in Olomouc is a public gallery in the form of a window display where Ji\u0159\u00ed Havl\u00ed\u010dek exhibited a drawing of a woman in front of a mirror (<i>\u017dena za v\u00fdlohou (Woman Behind a Shop Window)<\/i>, 2013). Once again he uses here the motive of shifting, reflection and certain image deformation \u2013 not only in the depiction of the \u201coriginal\u201d and its reflection, but also by placing the motive in a glass window case.\r\nThe video <i>Zajatci filmu (Film Prisoners)<\/i>&nbsp;(2013) is an image collage of scenes from film noir from the beginning of cinematography until the 1980s. According to the artist\u2019s words it is a sort of \u201cspace between several films\u201d, imprisonment in the film space, in one\u2019s own memory and forgetting. The Film is edited from scenes that the artist memorized and once again evokes his own fragments of film experiences. The lack of plot in the film flows similarly to the fragments of consciousness that are often fleeting and not possible to capture. \r\nIn the minimalistic installation <i>Dv\u011b fotografie jedna \u017eena<\/i>&nbsp;(Two Photographs One Woman) (2013, Gallery m.odla, Prague) the artist positions the element of presence and absence against one another \u2013 a photograph of a drawing of a woman in front of a mirror and an old picture taken by his father of a view of the forest without any people (unusual for the family archive). \r\nThe artist used the technology of transferring offset printing to a wall in two installations. <i>High Time <\/i>(2013) is a sequence of a scene of a young woman taking off her sweater. This slightly erotic gesture in motion evokes youth and carefreeness \u2013 that \u201chigh time\u201d captured in a loop. In the Regional Gallery of Fine Art in Zlin he used his own pictures of a forest, originally the documentation of a location for a forthcoming video (<i>Film T\u00fdden (Film Week)<\/i>, 2014), to photocopy them on to a wall. Here, once again the image changes and becomes deformed \u2013 every other copy of the photograph is different from its original, as well as from its previous copies.\r\nJi\u0159\u00ed Havl\u00ed\u010dek is also an active curator (NoD, Polansky Gallery). He is a member of the team that runs the Internet platform for fine art arty\u010dok.tv. He is also a member of the music group Kazeta. During 2006 \u2013 2007 he managed, together with Petr Strouhal, Gallery Eskort in Brno.","date":2015,"authors":[1891]}],"artworks":[114891,114892,114893,114894,114895,114896,114897],"videos":null},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Havl\u00ed\u010dek - Artlist<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artlist.cz\/en\/umelci\/jiri-havlicek\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Havl\u00ed\u010dek - Artlist\" \/>\n<meta property=\"og:url\" content=\"https:\/\/artlist.cz\/en\/umelci\/jiri-havlicek\/\" \/>\n<meta property=\"og:site_name\" content=\"Artlist\" \/>\n<meta property=\"article:modified_time\" content=\"2025-01-07T17:13:50+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/jiri-havlicek\\\/\",\"url\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/jiri-havlicek\\\/\",\"name\":\"Havl\u00ed\u010dek - 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