{"id":122168,"date":"2024-07-10T23:06:23","date_gmt":"2024-07-10T21:06:23","guid":{"rendered":"http:devel.artlist.cz\/artist\/fajnor-2\/"},"modified":"2025-01-07T18:13:48","modified_gmt":"2025-01-07T17:13:48","slug":"richard-fajnor","status":"publish","type":"artist","link":"https:\/\/artlist.cz\/en\/umelci\/richard-fajnor\/","title":{"rendered":"Fajnor"},"featured_media":0,"template":"","class_list":["post-122168","artist","type-artist","status-publish","hentry","keyword-akcni-umeni","keyword-land-art","keyword-nova-media","keyword-public-art","keyword-public-art-umeni-ve-verejnem-prostoru"],"acf":{"nicknames":"Mr. B.R.A. (spole\u010dn\u011b s Markem Kvetanem)","date_born":1965,"date_death":0,"place_born":"Skalice na Slovensku","lives":"Brno","web":"http:\/\/www.fajnor.net","idatum":"","address":"Lelkova 63 637 00 Brno","email":"fajnor@jamu.cz","phone":"","biography":"
Studium \/ praxe:<\/b> 1. 6. 2011 habilitace na V\u0160VU Bratislava, obor V\u00fdtvarn\u00e9 umenie - Fotografia a nov\u00e9 m\u00e9di\u00e1<\/div>\r\n
2011 - doposud \u010dlenem Um\u011bleck\u00e9 rady FaVU VUT v Brn\u011b<\/div>\r\n
2011 - doposud \u010dlen pracovn\u00ed skupiny Akredita\u010dnej komisie M\u0160VV\u0160 SR<\/div>\r\n
2010 - doposud prorektor pro zahrani\u010dn\u00ed vztahy, v\u011bdu a v\u00fdzkum JAMU v Brn\u011b <\/div>\r\n
2010 - doposud \u010dlen Um\u011bleck\u00e9 rady JAMU v Brn\u011b<\/div>\r\n
2009 - doposud pedagog oboru Multimedi\u00e1ln\u00ed kompozice HF JAMU v Brn\u011b<\/div>\r\n
2007 - doposud \u010dlen Um\u011bleck\u00e9 rady FUD UJEP \u00dast\u00ed nad Labem<\/div>\r\n
2008 - doposud \u010dlen expertn\u00ed skupiny ELIA Amsterdam (European League of Institutes of the Arts) <\/div>\r\n
2008-10 prod\u011bkan pro zahrani\u010dn\u00ed styky a rozvoj FaVU VUT v Brn\u011b<\/div>\r\n
2006-10 statut\u00e1rn\u00ed z\u00e1stupce FaVU VUT Brno<\/div>\r\n
2002-10 vedouc\u00ed Ateli\u00e9ru multim\u00e9dia FaVU VUT v Brn\u011b<\/div>\r\n
2002 autor a koordin\u00e1tor projektu Billboart Gallery Europe<\/div>\r\n
2000-03 odborn\u00fd asistent Ateli\u00e9ru nov\u00fdch m\u00e9di\u00ed I. AVU Praha<\/div>\r\n
1998-02 odborn\u00fd asistent Ateli\u00e9ru video FaVU VUT v Brn\u011b<\/div>\r\n
1996-98 odborn\u00fd asistent Ateli\u00e9ru video-multimedia-performance FaVU VUT v Brn\u011b<\/div>\r\n
1996-2000 hlavn\u00ed organiz\u00e1tor a koordin\u00e1tor mezin\u00e1rodn\u00edho sympozia ..MEDZI.. v Skalici <\/div>\r\n
1994-96 odborn\u00fd asistent Ateli\u00e9ru konceptu\u00e1ln\u00edch tendenc\u00ed FaVU VUT v Brn\u011b<\/div>\r\n
1989-94 studium na V\u0160Pg (nyn\u00ed UKF) v Nit\u0159e v ateli\u00e9rech Miro Nicze a Petra R\u00f3naie<\/div>\r\n
1982-94 p\u016fsobil jako \u0159adov\u00fd i s\u00f3lov\u00fd zp\u011bv\u00e1k a tane\u010dn\u00edk a tak\u00e9 jako tane\u010dn\u00ed pedagog ve folklorn\u00edch<\/div>\r\n
              souborech: Skali\u010dan, Gymnik, J\u00e1no\u0161\u00edk, Ponitran <\/div>\r\n
<\/div>\r\n
Ocen\u011bn\u00ed, granty, stipendia:<\/b><\/div>\r\n
<\/div>\r\n
2007  Erasmus, v\u00fdm\u011bnn\u00fd p\u0159edn\u00e1\u0161kov\u00fd pobyt v Accademia di Belle Arti di Bari, It\u00e1lie<\/div>\r\n
2004  Kultur Kontakt, Wien, Rakousko<\/div>\r\n
2000  Ceepus, v\u00fdm\u011bnn\u00fd p\u0159edn\u00e1\u0161kov\u00fd pobyt v Akademii likovnych umjetnosti, Zagreb, Chorvatsko<\/div>\r\n
1998  ArtsLink 98, CEC residen\u010dn\u00ed pobyt v The School of The Art Institut of Chicago, Illinois, U.S.A.<\/div>","groups":null,"membership":"","exhibitions_solo":"2011 \r\nGal\u00e9ria Faica Bratislava: \u201eToto je Mr.BRA\u201c s M. Kvet\u00e1nem\r\n\r\n2009 \r\nStudio Trisorio Roma (I): \u201eB.R.A.3.9\u201c s M. Kvet\u00e1nem\r\n\r\n2008 \r\nGal\u00e9ria J\u00e1na Koniarka Trnava: \u201eB.R.A.3\u201c s M.Kvet\u00e1nem\r\n\r\n2005 \r\nHatty\u00faH\u00e1z P\u00e9cs (HU): \u201eTwo man show\u201c s M. Zetem\r\n\r\n2003 \r\nGalerie 99 Brno: \u201eUm\u011blcova smlouva\u201c\r\n\r\n2001 \r\nGal\u00e9ria Priestor Bratislava: \u201eOmenklat\u00fara\"\r\nGal\u00e9ria Vojtecha L\u00f6fflera Ko\u0161ice: \u201eOkrajov\u00e9 umenie\u201d\r\n\r\n1998 \r\nGallery2 Chicago (USA): \u201eSentimental bibliography\u201d\r\nDivadlo Stoka Bratislava: \u201eEso futurizmu\u201d \r\nGal\u00e9ria \u017diva Bratislava: \u201eTrumf historizmu\u201d \r\n\r\n1997 \r\nGalerie Fiducia Ostrava \u201ePostfuturizmus retrokonceptu\u00e1ln\u00edho neoidealizmu\u201d, Peter R\u00f3nai \u201da opa\u010dn\u011b\u201d \r\n\r\n1996 \r\nGalerie U dobr\u00e9ho past\u00fd\u0159e Brno: \u201eMedziality\u201d\r\n\r\n1995 \r\nVideogalerie Fiducia Olomouc: \"Jas - n\u00e9\"\r\nZ\u00e1horsk\u00e1 Gal\u00e9ria Senica: \u201eNie\u010do vis\u00ed vo vzduchu ...\u201d\r\n\r\n1993 \r\nDK Skalica: \u201eSociofarby\u201d, \u201eNapnut\u00e9 \u017eivotopisy\u201d","exhibitions_group":"2014 \r\nDUMB Brno: \u201eD\u016fstojnost lidstva\u2026\u201c\r\nSG Bansk\u00e1 Bystrica: \u201eNo comment? vol.4\/ Vst\u00fapte pros\u00edm (!)\u201c\r\n\r\n2013 \r\nFreies 2013 D\u016fm um\u011bn\u00ed Znojmo: \u201eVid\u00edm tedy jsem\u201c\r\nGal\u00e9ria Cypri\u00e1na Majernika Bratislava: Kontextu\u00e1lne umenie\r\nGal\u00e9ria Cypri\u00e1na Majern\u00edka Bratislava: \u201eHranice tela\u201c\r\nMuseum Berlin: \u201eZero Years \"Nullerjahre\"\r\nGalerie TIC \/ U dobr\u00e9ho past\u00fd\u0159e Brno: \u201eNo comment?\u201c vol.2\r\nDom umenia \/ Kunsthalle Bratislava: Nult\u00e1 v\u00fdstava\r\nTur\u010dianska Gal\u00e9ria Martin: \u201eVst\u00fapte pros\u00edm (!)\u201c\r\nD\u016fm um\u011bn\u00ed Brno: \u201eBrno Art Open\u201c Sochy v ulic\u00edch \/ Na hran\u011b p\u0159\u00edb\u011bhu \r\n\r\n2012 \r\nModem Debrecen (H): \u201eZero \u00c9vek\u201c\r\nGalerie Aula FaVU Brno: \u201eNo comment?\u201c\r\nHasselt (B): \u201eCosmopolitan Stranger\u201c\r\n\u201eMediations Biennale 2012\u201c, Pozna\u0148 (PL)\r\n\r\n2011 \r\nDUMB Brno: \u201e100 let Domu um\u011bn\u00ed v G99\u201c\r\nOI FUTURO, Ipanema, Rio de Janeiro: \u201eDiorama\u201c, slovak videoart, (February \u2013 March)\r\nVI. Nov\u00fd zl\u00ednsk\u00fd salon, Krajsk\u00e1 galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed Zl\u00edn \r\nMicrona, Praha: Prague Biennale 5, \u201eArt in General\u201c, \r\nOrto Botanico Museum, Roma (I): After the Crash \r\nPGU \u017dilina: \u201eNult\u00e9 roky\/od Priestoru po Beskida\u201c\r\nSNG Bratislava: \u201eSedmokr\u00e1sky a klony\u201c\r\nDom umenia Bratislava: \u201eNult\u00e9 roky\/od Priestoru po Beskida\u201c\r\n\r\n2010 \r\nN\u00e1rodn\u00ed technick\u00e1 knihovna Praha: \u201eLimity t\u011bla\u201c\r\nGalerie E. Filly (are\u00e1l Severo\u010desk\u00e9 armaturky) \u00dast\u00ed n.Labem: \u201eCity Dreamers\u201c\r\nMotorenhalle riesa efau Dresden: \u201eK\u00fcnstler in der KunstGesellschaft\u201c\r\n \u201eMediations Biennale 2010\u201c, Pozna\u0144 (PL) \r\nGEF \u00dast\u00ed nad Labem: \u201eThe artist in the (art) society\u201c\r\nGal\u00e9ria Priestor for Contemporary Arts Bratislava: \u201eErased Walls\u201c\r\n\r\n2009 \r\nKunsthalle Palazzo Liestal\/Basel (Ch): \u201eThe artist in the (art) society\u201c \r\nFreies Museum Berlin: \u201eErased Walls\u201c\r\nGalerie V.\u0160p\u00e1ly Praha: \u201eSymbio\u201c\r\n\r\n2008 \r\nGalerie Emila Filly, \u00dast\u00ed nad Labem: \u201d(k)vete\u0161\u201d\r\nRagnarhof, Wien (A): \u201dClose Encounters\u201d \/ Wien * Bratislava * Budapest\r\nStredoslovensk\u00e1 gal\u00e9ria, Bansk\u00e1 Bystrica (SK): \u201dCase History\u201d \/ V\u00fdvoj pr\u00edpadu\r\nSNG Bratislava: \u201dV\u0161etko o m\u00fazeu\u201d, \r\nSNG Bratislava: \u201d60 rokov otvoren\u00e9\u201d\r\nGalerie Brno: \u201dU koho jsou\u201d\r\n\r\n2007 \r\nWannieck Gallery Brno: \u201dPitoreSKa\u201d \r\nGHMB P\u00e1lfyho pal\u00e1c Bratislava: \u201dPoor Little Artist \u201d\r\nKarl\u00edn, Praha: Prague Biennale 3, \u201eGlocal and Outsiders: Connecting Cultures in Central Europe\u201d \r\nMuseum Sammlung Friedrichshof, Zurndorf (A), \u201dIrgendwo Dazwischen\u201d\r\nNitrianska Gal\u00e9ria, Nitra (SK), \u201dZrkadlo ako n\u00e1stroj il\u00fazie\u201d \r\n\r\n2006 \r\nD\u016fm p\u00e1n\u016f z Kun\u0161t\u00e1tu Brno: \u201dFrisbee\u201d\r\nMus\u00e9e d'Art Moderne de Saint-Etienne (F): \u201dPortes d\u00b4Europe no.2\u201d\r\nGal\u00e9ria Priestor Bratislava: \u201dRunaway\u201d\r\nSNG Bratislava: \u201dAutopoesis\u201d\r\nCEB Frankfurt am Main (D): \u201dContemporary Slovak Art\u201d\r\nKunstlerhaus Betanien Berlin (D): \u201dFremdk\u00f6rper\u201d \r\nSPACE Gal\u00e9ria Bratislava: \u201dCrazycurators Biennale\u201d\r\nGalerie NoD Praha: \u201dCZECHPOINT\u201d\r\nSCCA, Bratislava: Aukcia s\u00fa\u010dasn\u00e9ho slovensk\u00e9ho umenia\r\nCittadella della Cultura, Bari (I): \u201dCollezionami\u201d, Biennale d\u00b4Arti Contemporanee\r\n\r\n2005 \r\nSynag\u00f3ga Trnava: \u201dFremdk\u00f6rper\u201d\r\nViennAfair \/stay N. A0507\/, Wien \r\nOktogon, Hochschule f\u00fcr Bildende K\u00fcnste Dresden (D): \u201dKaleidoskop\u201d Fiktionen von Kunst und Wissenschaft\r\nKrajsk\u00e1 galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed ve Zl\u00edn\u011b: \u201dIV. Nov\u00fd zl\u00ednsk\u00fd sal\u00f3n\u201d \r\nKarl\u00edn, Praha: Prague Biennale 2 \u201eexpanded painting \/ acci\u00f3n directa\u201c\r\nCentr\u00e1lne trhovisko Bratislava: \u201dTr\u017enica\u201d\r\nGallery De Veemvloer Amsterdam (NL): Frisbee \r\nEntrance Gallery, komplex Karlin Studios: \u201dSaloon\u201d\r\n\u0160t\u00e1tna gal\u00e9ria Bansk\u00e1 Bystrica, V\u00fdchodoslovensk\u00e1 gal\u00e9ria Ko\u0161ice, Kulturn\u00ed institut Budapest: \"Elektronick\u00e1 a digit\u00e1lna grafika SK\u201d (2004, 2005)\r\n\r\n2004 \r\nNew York (USA): \u201dBrooklyn EUphoria\u201d\r\nGal\u00e9ria Priestor Bratislava: \u201dMetro\u201d\r\nMuseums Quarteer 21, Wien\r\nSynag\u00f3ga - centrum s\u00fa\u010dasn\u00e9ho umenia, Tnava: \u201dChallenge\u201d\r\nOpen Gallery, SCCA, Bratislava: \u201dExile\u201d\r\nMNAC, Bucure\u015fti: \u201dFrisbee\u201d \/Contemporary Czech Videoart and New Media\r\n\u0160t\u00e1tna gal\u00e9ria Bansk\u00e1 Bystrica, V\u00fdchodoslovensk\u00e1 gal\u00e9ria Ko\u0161ice, Kulturn\u00ed institut Budapest: \u201dElektronick\u00e1 a digit\u00e1lna grafika SK\u201d (2004, 2005)\r\nZ\u00e1horsk\u00e1 gal\u00e9ria Senica: \u201dStretnutie\u201d umelcov z\u00e1horia pri pr\u00edle\u017eitosti 20. v\u00fdro\u010dia vzniku gal\u00e9rie\r\n\r\n2003 \r\nGalerie V.\u0160p\u00e1ly Praha: \u201d281m\u02db\u201d\r\nGHMB P\u00e1lfyho pal\u00e1c Bratislava: \u201dPermanentn\u00fd romantizmus\u201d\r\nRotor Graz (A): \u201dBalkan konsulat\u201d\r\nK\u00fcnstlerhaus Wien (A): \u201dStadt in Sicht\u201d\r\nMKS Hav\u00ed\u0159ov:\u201dMenu 15\u201d\r\nOpen Gallery, SCCA, Bratislava: \u201dPrivat Frei\/ Intimita ako show\u201d \r\nZ\u00e1horsk\u00e1 gal\u00e9ria Senica: \u201dPomoravie\u201d \r\nLattuada Studio Milano (I): \u201dPaesaggio di desiderio\u201d\r\n\r\n2002 \r\nBerlin (D): \u201dArt Forum\u201d\r\n\r\n2001 \r\nElektr\u00e1re\u0148 Poprad, Nitrianska Gal\u00e9ria Nitra: \u201dUmenie akcie 1989-2000\u201d\r\n\u0160t\u00e1tna gal\u00e9ria Bansk\u00e1 Bystrica: \u201dKoniec minul\u00e9ho storo\u010dia (Artot\u00e9ka 90.rokov) \u201d\r\nTirgu-Mures, Bucure\u015fti (RO): \u201dUnplugged\u201d (2000, 2001)\r\n\r\n2000\r\nTirgu-Mures, Bucure\u015fti (RO): \u201dUnplugged\u201d (2000, 2001)\r\nGalerie G99 Brno: \u201dOsobn\u00ed ritu\u00e1ly\u201d \r\n\r\n1999 \r\nD\u016fm um\u011bn\u00ed m\u011bsta Brna: \"Pandora Box\"\r\nGalerie S\u00fdpka: \"Laboratory\"\r\nD\u016fm um\u011bn\u00ed m\u011bsta Brna: \"Sou\u010dasn\u00e1 tvorba FaVU VUT v Brn\u011b\"\r\npolyfunk\u010dn\u00ed prostor V\u00e1clavsk\u00e9 n\u00e1m\u011bst\u00ed 15: \"A.D.S. BRNO\" v r\u00e1mci \"99 CZ\"\r\nNitrianska Gal\u00e9ria Nitra : \"Veni Lumen\"\r\nNOD Praha: \" . . . \" (t\u0159i te\u010dky)\r\nZ\u00e1horsk\u00e1 Gal\u00e9ria Senica: \u201dStretnutie II, III\u201d (1994, 1999)\r\n\r\n1998 \r\nM\u00e1nes Praha: \u201dSn\u00ed\u017een\u00fd rozpo\u010det\u201d\r\nM\u011bstsk\u00e9 Muzeum Kol\u00edn: \u201dT\u011blo a fotografie\u201d\r\nGalerie Schloss Damtschach (A): \u201dWeek-end\u201d\r\nGalerie S\u00fdpka: \u201dVe\u0159eje\u201d\r\nGalerie E.Filly \u00dast\u00ed nad Labem: \u201dUm\u011bn\u00ed ve ve\u0159ejn\u00e9m prostoru\u201d\r\n\r\n1997 \r\nGalerie E.Filly \u00dast\u00ed nad Labem: \u201dSami za sebe\u201d\r\nSynag\u00f3ga Trnava: Peter R\u00f3nai - AFTER EGO, Richard Fajnor - ANTE PORTAS, Petr V\u00e1\u0161a\r\nRosa coeli Doln\u00ed kounice: \u201dZp\u0159\u00edtomn\u011bn\u00ed`97\u201d\r\nD\u016fm um\u011bn\u00ed m\u011bsta Brna: \u201dHi-Tech\/um\u011bn\u00ed\u201d (1996, 1997)\r\n\r\n1996 \r\nBarla Nitra \r\nRosa coeli Doln\u00ed kounice: \u201dZp\u0159\u00edtomn\u011bn\u00ed `96\u201d\r\nD\u016fm um\u011bn\u00ed m\u011bsta Brna: \u201dHi-Tech\/um\u011bn\u00ed\u201d (1996, 1997)\r\n\r\n1995 \r\nGalerie S\u00fdpka: \u201dOpravdick\u00e9 obrazy\u201d\r\nOstranenie 95 Dessau \r\n\r\n1994\r\nZ\u00e1horsk\u00e1 Gal\u00e9ria Senica: \u201dStretnutie II, III\u201d (1994, 1999)\r\n\r\n1993 \r\nMMURW Medzilaborce:\u201dLabyrint\u201d \r\nMedacta 93 Nitra \r\nGal\u00e9ria J.Koniarka Trnava: \u201dLabyrinty\u201d \r\n\r\n1992 \r\nGal\u00e9ria Mlad\u00fdch Nitra: \u201dParalely\u201d","realizations_other":"Festivaly, workshopy, symp\u00f3zia: <\/b> \r\n
2014  PechaKucha Night vol.3, Znojmo<\/div>\r\n
2011  Future Fluxus Wien<\/div>\r\n
2009  A.K.T. 4 Brno<\/div>\r\n
2009  Pohoda Tren\u010d\u00edn<\/div>\r\n
2009  City Art Fest Nitra<\/div>\r\n
2009  Atlantis - Hidden Histories - New Identities\/ European Art 20 Years after the Iron Curtain, <\/div>\r\n
Heinrich-B\u0151ll-Stiftung, Brandenburg, Potsdam (D)<\/div>\r\n
2008  videoart.cz, Project Space Bratislava<\/div>\r\n
2006  Exploring urban space, \u010cesk\u00e9 centrum Bucure\u015fti <\/div>\r\n
2005  Artinstitute.hu\/eu\/01, P\u00e9cs (H)<\/div>\r\n
2005  Identita a elektronick\u00e1 m\u00e9di\u00e1, Workshop, Z\u00e1mek um\u011bn\u00ed, Cieszyn (PL)<\/div>\r\n
2005  add on. 20 metr\u016f do v\u00fd\u0161ky, Wallensteinplatz, 1200 Wien<\/div>\r\n
2005  Parlamenty um\u011bn\u00ed, Akademie der Bildende K\u0171nste, Wien<\/div>\r\n
2004  MAK Nite special, Wien (A)<\/div>\r\n
2004  Serious Pop, Akademie der Bildende K\u0171nste, Wien (A)<\/div>\r\n
2003  LOD - LANDSCAPES OF DESIRE 13.tes Internationales Kunstsymposium<\/div>\r\n
                                           KulturAXE, Pevnost Boyen, Gizycko, (PL)<\/div>\r\n
2003  Quicksilver, Tilburg (NL)<\/div>\r\n
2002  Public Art, Bratislava    <\/div>\r\n
2001  Ostatnia kobieta, Inner Spaces Multimedia, Pozna\u0148<\/div>\r\n
2001,03  Nov\u00e1 m\u00e9dia, Cheb<\/div>\r\n
2000  Public Subject Bratislava <\/div>\r\n
2000  Art-in windows Nitra<\/div>\r\n
1999 The Last Performance Art Festival  Cleveland (USA)<\/div>\r\n
1999  \u201dSz\u00ednes et\u00fcd\u201d M\u00fcczarnok Budapest (H)<\/div>\r\n
1999  Limbo 2 (Prvn\u00ed Evropsk\u00e9 Sanatorium)  Plasy<\/div>\r\n
1999  prezentace pobytov\u00fdch stipendi\u00ed Nadace pro sou\u010dasn\u00e9 um\u011bn\u00ed v Praze na Z\u00e1mku v \u010cimelic\u00edch<\/div>\r\n
1999  Filmov\u00e1 \u0161kola Uhersk\u00e9 Hradi\u0161t\u011b<\/div>\r\n
1999  doprovodn\u00fd program v\u00fdstavy Crossings, Rudolfinum, Praha<\/div>\r\n
1999  ETUD 99  Senica <\/div>\r\n
1998 ART in Nitra98<\/div>\r\n
1997  Permanentn\u00ed performance  Cheb<\/div>\r\n
1997  Va\u0148kovka   Brno<\/div>\r\n
1997,98,02  A.K.T. 1, 2, 3  Brno<\/div>\r\n
1997, 99  MFF`97,`99   Karlovy Vary<\/div>\r\n
1997  Koliesko  Kokava n.Rimavicou<\/div>\r\n
1996  Serpens I.  Praha<\/div>\r\n
1995,96  Transartcommunication`95,`96  Nov\u00e9 Z\u00e1mky<\/div>\r\n
1994  ETUD`94  Liptovsk\u00fd Mikul\u00e1\u0161<\/div>\r\n
1994, 95, 98  Malamut`94,`95,`98  Ostrava<\/div>\r\n
1993  ETUD`93  Skalica<\/div>\r\n
1992  Bobogd\u00e1ny`92 <\/div>\r\n
1992 Divadeln\u00e1  Nitra `92<\/div>\r\n
<\/div>\r\n
Autorsk\u00e9 v\u00fdtvarn\u00e9 akce a projekty:<\/b><\/div>\r\n
<\/div>\r\n
2015  Brno:   hudebn\u00ed doprovod benefi\u010dn\u00edho p\u0159edstaven\u00ed souboru Verdis: \u201eVrtule aneb cesta do Ban\u00e1tu a zase zp\u00e1tky\u201c<\/div>\r\n
2012  Hasselt:  \u201eHoly Reality\u201c v relokovanom priestore MOMA Space<\/div>\r\n
2009  Tren\u010d\u00edn:   \u201eBodyGraffiti\u201c II<\/div>\r\n
2009  Praha:  \u201eSlovensk\u00fd um\u011blec z Brna by m\u011bl b\u00fdt v Praze ostra\u017eit\u00fd\u201d<\/div>\r\n
2009  Nitra:    \u201eBodyGraffiti\u201c III<\/div>\r\n
2009  Nitra:   \u201eSlovensk\u00fd umelec z Brna by mal by\u0165 v Prahe ostra\u017eit\u00fd\u201d<\/div>\r\n
2009  Bratislava, Brno, Roma, Praha: \u201eB,R.A.3.9\u201c<\/div>\r\n
2008  Trnava:  \u201eB.R.A.3.8\u201c s M.Kvet\u00e1nem<\/div>\r\n
2007  Brno:     koncert s Guy Van Belle a Michalem Kindernayem, v r\u00e1mci festivalu Multiplace<\/div>\r\n
2007  Bratislava:  \u201eGang Blank\u201d, koncert s E.Binderem <\/div>\r\n
2006  Bucure\u015fti (RO): \u201eBodyGrafiti\u201c<\/div>\r\n
2006  Bratislava: koncert s E.Binderem<\/div>\r\n
2006  Praha:  \u201eregistrujete svoje partnerstv\u00ed?\u201c<\/div>\r\n
2005  Trnava:  \u201eMr. B.R.A. 3.1\u201c<\/div>\r\n
2005  P\u00e9cs (H):  \u201eTwo Man Show\u201c s M. Zet<\/div>\r\n
2005  Brno: sv\u011bteln\u00e1 a hudebn\u00ed performance s M.Deliou, J.Dufkem, P.Fajtem, I.Hosem, J.Ji\u0159\u00ed\u010dkem, J.Vlkem, V.Vlkovou a L.\u017delezn\u00fdm<\/div>\r\n
2005  Wien: \u201eWantedArt" s M.Kvet\u00e1nem <\/div>\r\n
2005  Cieszyn (PL): koncert<\/div>\r\n
2005  Wien:  \u201eGang Blank\u201c, koncert s E.Binderem a V.\u017delezn\u00fdm<\/div>\r\n
2005  Wien:  koncertn\u00ed performance s Mikem Hentzem<\/div>\r\n
2004  Wien:   \u201eSlovensk\u00e1 virtu\u00e1lna identita\u201c<\/div>\r\n
od 2004  Museums Quartier, Wien (A)\/ Open Gallery, Bratislava\/ Hatty\u00fa H\u00e1z, P\u00e9cs (H)\/ Oktogon HBK, Dresden (D)\/ Karl\u00edn Halls, Praha \/ KGVU, Zl\u00edn (CZ)\/ Cittadella della Cultura, Bari (I)\/ <\/div>\r\n
GEF, \u00dast\u00ed n. Labem\/ SNG, Bratislava\/ Dvorak sec contemporary, Praha\/ PGU \u017dilina\/ Dom umenia, Bratislava\/ Modem, Debrecen (H)\/ Hasselt (B)\/ Muzeum Narodowe, Pozna\u0148 (PL): \u201eHang Art\u201c<\/div>\r\n
2003 Milano: In-Time VII<\/div>\r\n
2003  Bratislava: \u201eZdravica Asoci\u00e1cie slovensk\u00fdch hokejistov Permanentn\u00e9mu romantizmu slovensk\u00e9ho umenia\u201c<\/div>\r\n
2003  Graz:   \u201e\u010cek\u00e1n\u00ed\u201c<\/div>\r\n
2003  Wien (A):  \u201eNarowcasting\u201c a \u201eRadio K\u00fcnstlerhaus\u201c<\/div>\r\n
2003  Brno:   \u201eVe vzduchu\u201c<\/div>\r\n
2002  Berlin:   \u201eEuroperformance\u201c<\/div>\r\n
2001 Poprad: Mimo-Time<\/div>\r\n
2001 Poprad: modil acoustic composition - vernis\u00e1\u017e v\u00fdstavy Umenie akcie, spole\u010dn\u011b s L. \u0179elezn\u00fdm<\/div>\r\n
2001  Nitra:   \u201cRichard&Peter III\u201d<\/div>\r\n
2001  Pozna\u0148:  \u201cCzy zarejestrowali\u015bcie pa\u0144stwo sw\u00f3j zwi\u0105zek?<\/div>\r\n
2000  \u017dilina: In Time V<\/div>\r\n
2000  \u017dilina: vernis\u00e1\u017e v\u00fdstavy \u201cManipulat\u00edvne umenie\u201d s Ladislavom \u017delezn\u00fdm a Ji\u0159\u00edm Such\u00e1nkom<\/div>\r\n
2000  Zagreb:   \u201dNihil est in itelectu quod non fuerit in contactu\u201d<\/div>\r\n
2000  Skalica:  \u201d...MEDZI...\u201d<\/div>\r\n
2000  \u201dSonda do zdravotn\u00e9ho stavu slovenskej v\u00fdtvarnej sc\u00e9ny na prelome tis\u00edcro\u010dia.\u201d<\/div>\r\n
2000  Nitra:   \u201dRegistrujete svoje partnerstvo? I \u2013 III\u201d<\/div>\r\n
1999: Clevelend InTime IV<\/div>\r\n
1999: Plasy: performance v kapli \/ roky Kristovy<\/div>\r\n
1999  \u201dSonda do zdravotn\u00edho stavu \u010desk\u00e9 v\u00fdtvarn\u00e9 sc\u00e9ny na p\u0159elomu tis\u00edcilet\u00ed.\u201d<\/div>\r\n
1999  \u010cimelice:  \u201dPerformance\u201d s V\u00e1clavem Stratilem<\/div>\r\n
1999  Karlovy Vary: \u201dProjekce\u201d (Pavel Fajt, Ale\u0161 Kilian, Ladislav \u017delezn\u00fd, Martin Fajnor)<\/div>\r\n
1999 Uhersk\u00e9 Hradi\u0161t\u011b: \u201dDispeptick\u00fd syndrom\u201d<\/div>\r\n
1999 Praha: Richard a Petr (spole\u010dn\u011b s Petrem R\u00f3naiem)<\/div>\r\n
1999  S\u00fdpka:  \u201dDispeptick\u00fd syndrom  Moderny" s Franti\u0161kem Kowolowskim<\/div>\r\n
1999  S\u00fdpka:  \u201cSoundcrack beat\u201d<\/div>\r\n
1999  Senica:  \u201dPomaran\u010dovn\u00edk" s Vlado Sad\u00edlkem a Milanem Mikulou<\/div>\r\n
1999  Senica:  \u201dJazdeck\u00e1 socha"<\/div>\r\n
1999  Senica:  \u201dMonitorovanie"<\/div>\r\n
1999  Skalica:   \u201d..MEDZI.."<\/div>\r\n
1999  Praha:  \u201dXXXIII \/ Kristove roky II"<\/div>\r\n
1999  Brno:   \u201dRichard & Peter II" s Petrem R\u00f3naiem<\/div>\r\n
<\/div>\r\n
Video: <\/b><\/div>\r\n
2005  Tra2004  satroP snarT<\/div>\r\n
2004  Tram Dreamm Shot<\/div>\r\n
2003  Slovensk\u00e1 virtu\u00e1lna identita<\/div>\r\n
2003  Spiritus Trans Portas<\/div>\r\n
2003  Um\u011blcova smlouva<\/div>\r\n
2000 United colours of art<\/div>\r\n
1999 Definitivn\u011b skryt\u00e9 podoby (Py\u0161n\u00e1 princezna)<\/div>\r\n
 1999  Definitivn\u011b skryt\u00e9 podoby (30 p\u0159\u00edpad\u016f majora Zemana)<\/div>\r\n
 1999  XXXIII \/ Kristove roky <\/div>\r\n
1998 Trans Portas<\/div>\r\n
1997  Ante Portas<\/div>\r\n
1996  Star\u00e1 architekt\u00fara <\/div>\r\n
1996  M\u00e1m na to no(c)s<\/div>\r\n
1996  Omen ohne nomen \/ agresia<\/div>\r\n
1996  Krajiny<\/div>\r\n
1995  For Flusser<\/div>\r\n
1995  Nihil est in intelectu quod non fuerit in caelu<\/div>\r\n
1995  Depozitiv<\/div>\r\n
1995  "Vid\u00ed\u0161? ...... No vid\u00ed\u0161."<\/div>\r\n
1992 po-art-hyb <\/div>\r\n
<\/div>\r\n
Sc\u00e9nografie:<\/b><\/div>\r\n
1998  V. K\u00e1n\u011b, M. Pivovar, R. Lipus - Rychl\u00e9 fr\u00e9zy \u2013 televizn\u00ed adaptace<\/div>\r\n
1997  V. K\u00e1n\u011b, M. Pivovar, R. Lipus - Rychl\u00e9 fr\u00e9zy,  DJM Ostrava<\/div>\r\n
1995  Moli\u00e9re  - Lakomec,  DAD Ostrava<\/div>\r\n
1994  Hubert Krej\u010d\u00ed - Tajemstv\u00ed muzea voskov\u00fdch figur\u00edn...,  DNP Brno<\/div>\r\n
<\/div>\r\n
\u0158e\u0161en\u00ed muzejn\u00edch expozic:<\/b><\/div>\r\n
<\/div>\r\n
1996  N\u00e1vraty s pies\u0148ou (retrospekt\u00edva Dr. Janka Blahu), autor P. Michalovi\u010d,  ZM Skalica<\/div>\r\n
1995  Hudba a tanec vo v\u00fdtvarnom prejave a v \u013eudove piesni, autor P.Michalovi\u010d,  ZM Skalica<\/div>\r\n
<\/div>\r\n
<\/div>\r\n
<\/div>\r\n
<\/div>\r\n
<\/div>\r\n
<\/div>\r\n
<\/div>\r\n
<\/div>\r\n
<\/div>\r\n
<\/div>","collections":"","monographies":"","articles":"","reviews":"","texts_unlisted":"","annotations":[{"text":"The main focus of Richard Fajnor\u2019s work includes topics such as the role of an artist in society, the analysis of institutional operations or an artist\u2019s self-reflexion of his\/her individuality. It is not easy to categorize this artist who is knowledgeable and draws from art lessons from the 1960s. His work encompasses the entire spectrum of media and processes \u2013 from land art realizations through live performances and installations, all the way to work with video and multimedia. Although his work is an integral part of the Czechoslovakian fine art scene from the beginning of the 1990s, it is not distinguished by large quantity. Fajnor belongs among the type of artists who create from the need to deal with specific topics, or from the necessity to react to their own life situations and turning points. Instead of continuity, his work shows more cyclicity, discovery and   burrowing, as well as discreet presence within artistic production, which he from time to time makes visible by a thematically and formally aimed act.\r\nWe could classify his performance Registrujete svoje partnerstv\u00ed? (Have you registered your civil union?)<\/i> (2006) in the sphere of work inspired by the need to comment current events.  He reacted to a sharp discussion about the civil union of same sex couples by an action in the spirit of a 1970s body art production. He became a \u201cbride turned inside out\u201d in a symbolic as well as literal sense when he let himself hang from the ceiling upside down in the gallery space wearing a wedding gown turned inside out. On the contrary, one of his long-term projects includes the action from the series Hang art <\/i>(since year 2004) or Poorperformance <\/i>(since 2000). In the first one, he shifts the attention from the art object to the artist by including a performer in the gallery exposition in the form of hanging himself on the wall between the exhibits. The second long-term project mentioned is a parody of the position of an artist within the scope of economical mechanisms. He transforms himself into the role of a beggar sitting on the street. He motivates the passers-by to give him a donation with a sign \u201cPlease contribute to my exhibition.\u201d\r\nFajnor\u2019s action Jezdeck\u00e1 socha (Equestrian Statue)<\/i> (1999) also relates to the modelling of a performance situation in public space \u2013 taking into consideration his geographic and historical command. He sat in an old Skoda for one full day on a square in the Slovakian town of Senica and watched the horizon in front of him through a pair of binoculars. This action, similarly to his installation Do\u010dasn\u00e1 davov\u00e1 tromb\u00f3za (Temporary Crowd Thrombosis)<\/i> (1998), in which he blocked off the street passage with tree trunks in order to change the natural movement through town, took place as a part of the theatre festival in Senica, which Fajnor repeatedly participated in. We can consider experimental theatre as another one of his creative resources, perhaps also thanks to his overlaps to rituals and work with the human body and its spiritual and energetic potential.\r\nHis creative work that reacts to his own life situations includes the action XXXIII \/ Kristovy roky II (XXXIII \/ Christ\u2019s Years II)<\/i> (1999). The artist remained locked up in a wooden casket for 33 hours. During this time he shaved his whole body, cut his hair and communicated with potential interested persons from the outside via camera broadcast. His performances devoted to his father when he found out about his unexpected death also carried a personal tone.\r\nNo matter which direction Fajnor\u2019s attention is turned to, it is always done through a clearly articulated gesture. On the one hand, this is an intense communication with the viewer, while on the other hand the artist cunningly tests himself \u2013 both within the scope of individual relationships, as well as in the area of broader systems \u2013 whether this means artistic operations, the law, public space, or for example interpersonal behaviour of individuals within a certain society.","date":2016,"authors":[1896]}],"artworks":[117174,117175,117176,117177,117178,117179,117181],"videos":null},"yoast_head":"\nFajnor - Artlist<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artlist.cz\/en\/umelci\/richard-fajnor\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fajnor - Artlist\" \/>\n<meta property=\"og:url\" content=\"https:\/\/artlist.cz\/en\/umelci\/richard-fajnor\/\" \/>\n<meta property=\"og:site_name\" content=\"Artlist\" \/>\n<meta property=\"article:modified_time\" content=\"2025-01-07T17:13:48+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/richard-fajnor\\\/\",\"url\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/richard-fajnor\\\/\",\"name\":\"Fajnor - Artlist\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/#website\"},\"datePublished\":\"2024-07-10T21:06:23+00:00\",\"dateModified\":\"2025-01-07T17:13:48+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/richard-fajnor\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/richard-fajnor\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/richard-fajnor\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/artlist.cz\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Artists\",\"item\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Fajnor\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/artlist.cz\\\/en\\\/\",\"name\":\"Artlist\",\"description\":\"Centrum pro sou\u010dasn\u00e9 um\u011bn\u00ed Praha\",\"publisher\":{\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/artlist.cz\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/#organization\",\"name\":\"Artlist\",\"url\":\"https:\\\/\\\/artlist.cz\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"http:devel.artlist.cz\\\/app\\\/uploads\\\/2024\\\/07\\\/artlist.png\",\"contentUrl\":\"http:devel.artlist.cz\\\/app\\\/uploads\\\/2024\\\/07\\\/artlist.png\",\"width\":500,\"height\":500,\"caption\":\"Artlist\"},\"image\":{\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Fajnor - Artlist","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/artlist.cz\/en\/umelci\/richard-fajnor\/","og_locale":"en_US","og_type":"article","og_title":"Fajnor - Artlist","og_url":"https:\/\/artlist.cz\/en\/umelci\/richard-fajnor\/","og_site_name":"Artlist","article_modified_time":"2025-01-07T17:13:48+00:00","twitter_card":"summary_large_image","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/artlist.cz\/en\/umelci\/richard-fajnor\/","url":"https:\/\/artlist.cz\/en\/umelci\/richard-fajnor\/","name":"Fajnor - Artlist","isPartOf":{"@id":"https:\/\/artlist.cz\/en\/#website"},"datePublished":"2024-07-10T21:06:23+00:00","dateModified":"2025-01-07T17:13:48+00:00","breadcrumb":{"@id":"https:\/\/artlist.cz\/en\/umelci\/richard-fajnor\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/artlist.cz\/en\/umelci\/richard-fajnor\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/artlist.cz\/en\/umelci\/richard-fajnor\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/artlist.cz\/en\/"},{"@type":"ListItem","position":2,"name":"Artists","item":"https:\/\/artlist.cz\/en\/umelci\/"},{"@type":"ListItem","position":3,"name":"Fajnor"}]},{"@type":"WebSite","@id":"https:\/\/artlist.cz\/en\/#website","url":"https:\/\/artlist.cz\/en\/","name":"Artlist","description":"Centrum pro sou\u010dasn\u00e9 um\u011bn\u00ed Praha","publisher":{"@id":"https:\/\/artlist.cz\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/artlist.cz\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/artlist.cz\/en\/#organization","name":"Artlist","url":"https:\/\/artlist.cz\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/artlist.cz\/en\/#\/schema\/logo\/image\/","url":"http:devel.artlist.cz\/app\/uploads\/2024\/07\/artlist.png","contentUrl":"http:devel.artlist.cz\/app\/uploads\/2024\/07\/artlist.png","width":500,"height":500,"caption":"Artlist"},"image":{"@id":"https:\/\/artlist.cz\/en\/#\/schema\/logo\/image\/"}}]}},"_links":{"self":[{"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artist\/122168","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artist"}],"about":[{"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/types\/artist"}],"version-history":[{"count":0,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artist\/122168\/revisions"}],"acf:post":[{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/117181"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/117179"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/117178"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/117177"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/117176"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/117175"},{"embeddable":true,"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/artwork\/117174"}],"wp:attachment":[{"href":"https:\/\/artlist.cz\/en\/wp-json\/wp\/v2\/media?parent=122168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}