{"id":122194,"date":"2024-07-10T23:06:26","date_gmt":"2024-07-10T21:06:26","guid":{"rendered":"http:devel.artlist.cz\/artist\/drdova-2\/"},"modified":"2025-01-07T18:13:48","modified_gmt":"2025-01-07T17:13:48","slug":"romana-drdova","status":"publish","type":"artist","link":"https:\/\/artlist.cz\/en\/umelci\/romana-drdova\/","title":{"rendered":"Drdov\u00e1"},"featured_media":0,"template":"","class_list":["post-122194","artist","type-artist","status-publish","hentry","keyword-design","keyword-fashion","keyword-fotografie","keyword-instalace","keyword-moda"],"acf":{"nicknames":"","date_born":1987,"date_death":0,"place_born":"Pelh\u0159imov","lives":"Praha","web":"www.romanadrdova.com","idatum":"","address":"","email":"","phone":"","biography":"<b>Studium:<\/b> 2012\u20132017 Akademie v\u00fdtvarn\u00fdch um\u011bn\u00ed v Praze  (Ateli\u00e9r nov\u00fdch m\u00e9di\u00ed I. Tom\u00e1\u0161e Svobody,  st\u00e1\u017ee u Floriana Pumh\u00f6sela a Nicole Wermers, AVU,  Ateli\u00e9ru fotografie Hynka Alta a Aleksandry Vajd, Ateli\u00e9ru textiln\u00ed tvorby, UMPRUM) 2016 <br \/>Hochschule fu\u0308r Gestaltung Karlsruhe, Communication Design, prof. Urs Lehni&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;  2015 <span style=\"color:maroon\"><br \/><\/span>Korean National University v Soulu <span style=\"color:maroon\"><br \/> <br \/> <\/span><b>Ocen\u011bn\u00ed:<\/b> <br \/>2017 <br \/>Finalistka Ceny Jind\u0159icha Chalupeck\u00e9ho","groups":null,"membership":"","exhibitions_solo":"2017\r\nP\u00edsmo bez kost\u00ed, kur\u00e1tor: Michal Novotn\u00fd, Centrum sou\u010dasn\u00e9ho um\u011bn\u00ed Futura, Praha\r\nNew Wave, Diplomanti AVU, kur\u00e1tor: V\u00e1clav Jano\u0161\u010d\u00edk, Veletr\u017en\u00ed pal\u00e1c, NG, Praha\r\nMapo Tofu, Jaboby fashion store, Prague Body of Work, Petrohradsk\u00e1 kolektiv, Praha \r\n\r\n2015\r\nIntuitive Gradient, Galerie K.art.on, Karlin Studios, Praha\r\nPohled, Veletr\u017en\u00ed pal\u00e1c, N\u00e1rodn\u00ed galerie, Praha\r\nUn Ange Passe, Galerie 207, UMPRUM, Praha\r\n\r\n2013 \r\nBlue, White, Galerie Kostka, MeetFactory, Praha\r\n91, Galerie Ferdinanda Baumana, Praha","exhibitions_group":"2017\r\nPolo\u010das rozpadu, kur\u00e1torka: Tereza \u0160pinkov\u00e1, Letohr\u00e1dek v z\u00e1meck\u00e9m are\u00e1lu Vale\u010d, Vale\u010d\r\nTHE LIFE AND DEATH OF THE 80\u2019S, kur\u00e1tor: Michal Novotn\u00fd, Syntax, Lisabon\r\n2016\r\nD\u016fm m\u00f3dy, kur\u00e1to\u0159i: V\u00e1clav Jano\u0161\u010d\u00edk, Martina Johnov\u00e1, Tereza Chaloupkov\u00e1, Galerie Hrani\u010d\u00e1\u0159, \u00dast\u00ed nad Labem\r\nPARALLEL VIENNA, Caf\u00e9 Flesh, kur\u00e1tor: Michal Novotn\u00fd, V\u00edde\u0148\r\n\r\n2015 \r\nToo Soon, kur\u00e1torka: Eva Slune\u010dkov\u00e1, Galerie Akademie Muzick\u00fdch um\u011bn\u00ed, Praha, s Miroslavou Ve\u010de\u0159ovou\r\nLookLook, kur\u00e1tor: Veronika \u010cechov\u00e1, Galerie Evolu\u010dn\u00ed, Praha, s Ju Yeong Kim\r\n\r\n2014\r\n9th International Biennial of Photography and Visual Arts, kur\u00e1to\u0159i: Hynek Alt, Aleksandra Vajd a Karina Kottov\u00e1, Ecole sup\u00e9rieure des Arts St-Luc, Li\u00e9ge, Belgie\r\nPocitov\u00e1 teplota, curatored by Caroline Krzyszton, Pr\u00e1delna Bohnice, Praha\r\n\r\n2013\r\nRed 8, kur\u00e1to\u0159i: Tereza Jindrov\u00e1 a Jen Kratochv\u00edl, Galerie UMPRUM, Praha (Red 8, group exhibition, AAAD, Architecture and Design, Prague)\r\nAdditional Links, kur\u00e1torka: Tereza Severov\u00e1, Kunsthalle am Hamburger Platz, Berlin\r\n\u0160aloun na vych\u00e1zce, kur\u00e1torka: Nicole Wermers, Vila Ladislava \u0160alouna, Praha\r\n\r\n2012\r\nReli\u00e9fy ml\u010den\u00ed, Knihovna V\u00e1clava Havla, s Kristinou L\u00e1n\u00edkovou \r\nThe ticket office in former Eletricity Factory, Bubensk\u00e1 1, Praha, Florian Pumh\u00f6sl\u2019s studio","realizations_other":"","collections":"","monographies":"","articles":"<b>\u010cl\u00e1nky: <br \/><\/b><br \/> 2017, <br \/>Michal Novotn\u00fd: Portfolio, In: Art &amp; Antiques, No 9, z\u00e1\u0159\u00ed 2017, s. 32<br \/>Dita Male\u010dkov\u00e1, <a href=\"http:\/\/artalk.cz\/2017\/05\/22\/cjch-2017-special-romana-drdova-pohled-overlook\/\">http:\/\/artalk.cz\/2017\/05\/22\/cjch-2017-special-romana-drdova-pohled-overlook\/<\/a> <br \/> 2015<br \/>Karolina Ketmanov\u00e1, Radio Wave <a href=\"https:\/\/vltava.rozhlas.cz\/zrcadla-sklo-i-efemerni-krajina-na-vystave-umelkyn-v-gamu-5215083\">https:\/\/vltava.rozhlas.cz\/zrcadla-sklo-i-efemerni-krajina-na-vystave-umelkyn-v-gamu-5215083<\/a> <br \/>Veronika \u010cechov\u00e1, Artikl <a href=\"http:\/\/artikl.org\/galerie-evolucni\/svet-za-sklem\">http:\/\/artikl.org\/galerie-evolucni\/svet-za-sklem<\/a>  <b>Rozhovory:<br \/><br \/> <\/b>2017<br \/>Mat\u011bj Samec, Radio Wave <a href=\"https:\/\/wave.rozhlas.cz\/finalistka-chalupeckeho-romana-drdova-kazdy-ma-pravo-jit-po-ulici-s-tim-ze-svuj-5964704\">https:\/\/wave.rozhlas.cz\/finalistka-chalupeckeho-romana-drdova-kazdy-ma-pravo-jit-po-ulici-s-tim-ze-svuj-5964704<\/a> <br \/>Ji\u0159\u00ed Pt\u00e1\u010dek <a href=\"http:\/\/jiriptacek.blogspot.cz\/2017\/08\/lucie-romana-drdovy-nejsme-pouze-sestry.html\">http:\/\/jiriptacek.blogspot.cz\/2017\/08\/lucie-romana-drdovy-nejsme-pouze-sestry.html<\/a>  <b>Report\u00e1\u017ee:<\/b> <br \/><br \/> 2013<br \/>Red 8, kur\u00e1to\u0159i: Tereza Jindrov\u00e1 a Jen Kratochv\u00edl, Galerie UMPRUM, Praha, <a href=\"http:\/\/artycok.tv\/19289\/red8\">http:\/\/artycok.tv\/19289\/red8<\/a> ","reviews":"","texts_unlisted":"","annotations":[{"text":"Romana Drdov\u00e1 graduated from the Academy of Fine Arts in Prague. She most often works with objects, photographs or installations, and finds inspiration outside the visual arts, especially in fashion, design, new technologies and marketing. She works with light, transparency and the human body with a highly refined aesthetic of pure forms and a&nbsp;minimalist palette of colours, and places a dividend on textures.\r\nIn her early works, Drdov\u00e1 focused on the conceptual interrogation of photography as medium. Her black-and-white pictures in <i>Slope<\/i>&nbsp;of 2012 deploy references to avant-garde morphology and aesthetics, and a year later at the exhibition <i>Blue\/White<\/i>&nbsp;(Gallery Kostka, MeetFactory, 2013) she added blue and white fluorescent lamps that participated in the creation of the image and shifted it from the medium of photography in the direction of spatial installation. Following this, in the collective exhibition <i>Pocitov\u00e1 teplota \/ Emotional Temperature<\/i>&nbsp;(Pr\u00e1delna Bohnice, 2014) the artist forswore photography altogether. Her interest in working with space, photographs and structures was given a boost by a research fellowship at the studio of experimental textiles at the Academy of Arts, Architecture and Design in Prague (UMPRUM), which amongst other things led her to investigate materials and fashion. She approaches fashion designs with a sculptural sensitivity using which the human psyche can be shaped via physicality. This is bound up with Drdov\u00e1\u2019s reflections upon bodily defence, as well as how it can be improved or impeded by means of various different aids. The beginnings of these considerations are clear in projects such as <i>Smogov\u00fd k\u0161ilt \/ Smog Visor <\/i>(<i>Mica<\/i>, UMPRUM, 2014), which is intended to protect its wearer against attacks by an overwhelmingly visual environment.\r\nHer fascination with textures is backed up by an interest in mirrors, glass and other reflective surfaces. She interrogated their ability to disrupt and absorb the surrounding space in her semester project involving several mirrors leaning against each other <i>Locomotion<\/i> at the photography studio (UMPRUM, 2014). In dialogue with the photographer Vladim\u00edra Ve\u010de\u0159ov\u00e1 she develops the theme more deeply at the exhibition <i>Too Soon <\/i>(GAMU, 2015), where she has a delicate material float along the sharp edges of the stairwell as a fluid mass, or experiments with the semblance of levitation and the creation of tension when an almost invisible nylon fibre is weighed down by glass. In the installation <i>Pohled \/ View&nbsp;<\/i>(Veletr\u017en\u00ed pal\u00e1c, NG, 2015) she also responds to a specific space, this time the original presidential lounge of Veletr\u017en\u00ed pal\u00e1c. Using glass and reflections she enters into a relationship with the dominant facade of the building and draws the viewer\u2019s attention from the unique view toward the monumental foyer in the interior. However, above all this work places the viewer face to face with an unexpected optical game involving perspective and perception.&nbsp;&nbsp;\r\nThe artist\u2019s attempt to comment on branding and the apparent individualisation availing itself of shrewd marketing claims relates back to personalised fashion requirements. In&nbsp;<i>Water Self<\/i>&nbsp;(2016) she designed a set of identical bottles of clean water with attractive packaging and effective copywriting in order to evoke a credible illusion of the original signature brand, and criticised marketing mechanisms by means of its functional appropriation. The narcissistic tone and interest in confronting the viewer with an unexpected situation was intensified by the very form of implementing a project as part of the exhibition held in the Jakoby fashion boutique. Drdov\u00e1 finally places the way she herself dresses on the level of her art.&nbsp;\r\nAs well as clearly articulated positions, Drdov\u00e1 offers less concrete forms that represent a joint cold abstract aesthetic creating mood by means of more or less randomly combined material compositions. Such, for instance, was <i>Intuitive Gradient<\/i>&nbsp;(Galerie K.art.on, Karlin Studios, 2015), which operated on the boundary of imagined and concrete associations, real objects and their reflections. What had been until then an austere colour scheme was expanded to take in expressive tones of neon yellow and pink, which can be seen as a&nbsp;reference to current design trends. Again we find ourselves on the narrow boundary between fine art and applied art. Drdov\u00e1 leaves these to interact and merge and consciously refers to both spheres without argumentation or an aesthetic failure.&nbsp;\r\nAs well as the world of the advertising industry and contemporary social networks of carefully stylised situations, Drdov\u00e1 seeks inspiration from the modesty of Asian cultures. This approach is clear in the work of fashion relics of the future entitled <i>Profoundly Human,&nbsp;<\/i>which she presented at an exhibition of the House of Fashion (Gallery Hrani\u010d\u00e1\u0159, 2016). She deals comprehensively with the topic in her solo exhibition <i>Writing without Bones&nbsp;<\/i>(Futura Contemporary Art Gallery, 2017), in which futuristic visions of the fashion industry and the future of medicinal prosthesis are developed in connection with the general dictates of beauty and health on human skeletal remains. In what is a harmonious exhibition in terms of material and colour, the body and its parts become products, the presentation of which as derived from commercial photography is frighteningly cold and depersonalised. In an expanded concept of corporeality, Drdov\u00e1 records the influence of human physiology while striving for a balanced response located somewhere between the experimental laboratory, Zen garden and the commercial window display.","date":2017,"authors":[1886]}],"artworks":[117935,117936,117937,117938,117939,117940],"videos":[2946,2968]},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Drdov\u00e1 - Artlist<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artlist.cz\/en\/umelci\/romana-drdova\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Drdov\u00e1 - Artlist\" \/>\n<meta property=\"og:url\" content=\"https:\/\/artlist.cz\/en\/umelci\/romana-drdova\/\" \/>\n<meta property=\"og:site_name\" content=\"Artlist\" \/>\n<meta property=\"article:modified_time\" content=\"2025-01-07T17:13:48+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/romana-drdova\\\/\",\"url\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/romana-drdova\\\/\",\"name\":\"Drdov\u00e1 - 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