{"id":122234,"date":"2024-07-10T23:06:30","date_gmt":"2024-07-10T21:06:30","guid":{"rendered":"http:devel.artlist.cz\/artist\/zelenkova-2\/"},"modified":"2025-01-07T18:13:47","modified_gmt":"2025-01-07T17:13:47","slug":"tereza-zelenkova","status":"publish","type":"artist","link":"https:\/\/artlist.cz\/en\/umelci\/tereza-zelenkova\/","title":{"rendered":"Zelenkov\u00e1"},"featured_media":0,"template":"","class_list":["post-122234","artist","type-artist","status-publish","hentry","keyword-fotografie","keyword-photography"],"acf":{"nicknames":"","date_born":1985,"date_death":0,"place_born":"Ostrava","lives":"Praha, Lond\u00fdn","web":"www.terezazelenkova.com","idatum":"","address":"Vozov\u00e1 8, Praha 2, 12000","email":"tereza.photography@gmail.com","phone":"+420 777 610 701","biography":"

Studium:<\/strong>
2010\u20132012    MA Photography, Royal College of Art, Lond\u00fdn
2007\u20132010    First Class Honors, BA Photographic Arts, University of Westminster<\/p>\r\n


St\u00e1\u017ee, tv\u016fr\u010d\u00ed pobyty:<\/strong>
2013 Aberystwyth Arts Centre, Aberystwyth, Velk\u00e1 Brit\u00e1nie
2011 School of the Art Institute of Chicago, Chicago, USA
2011 Rossiniere, \u0160v\u00fdcarsko
 <\/p>\r\n

Ocen\u011bn\u00ed:<\/strong>
2016    nominace na ING Unseen Talent Awards, Nizozemsko
2015    Jerwood Photoworks Award, Velk\u00e1 Brit\u00e1nie
2015    nominace na reGeneration3, Mus\u00e9e de l\u2019\u00c9lys\u00e9e, \u0160v\u00fdcarsko
2012    1000 Words Magazine Award, Velk\u00e1 Brit\u00e1nie
2012    nominace na Saatchi New Sensations, Velk\u00e1 Brit\u00e1nie
2012    Metro Imaging Award, Velk\u00e1 Brit\u00e1nie
2012    Plat(t)form, Fotomuseum Winterthur, \u0160v\u00fdcarsko (nominace)
2011    Fresh Faced & Wild Eyed, The Photographer\u2019s Gallery, Velk\u00e1 Brit\u00e1nie (nominace)
2011    Flash Forward, Magenta Foundation, UK Honorable Mention, Velk\u00e1 Brit\u00e1nie (nominace)<\/p>","groups":null,"membership":"","exhibitions_solo":"2018\r\nThe Essential Solitude, Ravestijn Gallery, Amsterdam,\r\nA Snake that disappeared through a hole in the wall, Foam, Amsterdam\r\n\r\n2017\r\nHad kter\u00fd zmizel v d\u00ed\u0159e ve st\u011bn\u011b, Galerie NoD, Praha\r\n\r\n2016 \r\nTwo and two is five, Rough Print Gallery, Lond\u00fdn\r\n\r\n2014\r\nTwo and two is five, Galerie Jelen\u00ed, Praha\r\n\r\n2013\r\nThe Absence of Myth, Legion TV, Lond\u00fdn","exhibitions_group":"2017 \r\nA Handfull of Dust, Whitechapel Gallery, Lond\u00fdn, UK\r\nAt Home She\u2019s A Tourist (kur\u00e1tor Tom Lovelace), Copeland Gallery, Lond\u00fdn, UK\r\n\r\n2016 \r\nJerwood \/ Photoworks Award, Open Eye Gallery, Liverpool, UK\r\nING Unseen Talent Awards, Unseen Photography Festival, Amsterdam, NL\r\nJerwood \/ Photoworks Award, Belfast Exposed, Belfast, UK\r\n\r\n2015 \r\nJerwood \/ Photoworks Award, Jerwood Art Space, Lond\u00fdn, UK\r\nA Handfull of Dust, Le Bal, Pa\u0159\u00ed\u017e, F\r\nreGeneration 3, Mus\u00e9e de l\u2019Elys\u00e9e, Museo Amparo, Mexiko\r\nreGeneration3, Mus\u00e9e de l\u2019\u00c9lys\u00e9e, Lausanne, CH\r\n\r\n2014 \r\nRe-becoming, Flowers Gallery East, Lond\u00fdn, UK\r\nContinental Shift, Saatchi Gallery, Lond\u00fdn, UK\r\n\r\n2013 \r\nUnnatural Selection, Unseen Photography Fair, Amsterdam, NL\r\nNew Order, Saatchi Gallery, Lond\u00fdn, UK\r\nThresholds, Belfast Exposed, Belfast, UK\r\n\r\n2012 \r\nLianzhou Foto Festival, Lianzhou, China\r\nRCA Show 2012, Royal College of Art, Lond\u00fdn, UK\r\nBlack Thorns in The White Cube, Western Exhibitions, Chicago, USA\r\nHijacked III, Perth Institute of Contemporary Art, AU\r\n\r\n2011 \r\nThe Wonders of The Visible World, Northern Gallery for Contemporary Art, Sunderland, UK\r\nAltitude +1000 Festival de Photographie de Montagne, Rossiniere, CH\r\nThe Collector\u2019s Guide to New Art Photography Vol. 2, Chelsea Museum of Art, New York, USA\r\n\r\n2010 \r\nThis Must be The Place, Jerwood Art Space, Lond\u00fdn, UK\r\nWomen in Art Photography U.K., Taaschen, Lond\u00fdn, UK","realizations_other":"","collections":"

V&A Museum, Lond\u00fdn, UK<\/p>\r\n

Foam Museum, Amsterdam, NL<\/p>\r\n

Winterthur Museum, Winterthur, CH<\/p>\r\n

Mus\u00e9e de l\u2019Elys\u00e9e, Lausanne, CH<\/p>\r\n

Saatchi Gallery, Lond\u00fdn, UK<\/p>","monographies":"

Autorsk\u00e9 knihy<\/strong><\/p>\r\n\r\n

2018<\/p>\r\n

The Essential Solitude, autorsk\u00e1 kniha ke stejnojmenn\u00e9 v\u00fdstav\u011b v Ravestijn Gallery, Amsterdam, vyd\u00e1no vlastn\u00edm n\u00e1kladem<\/p>\r\n\r\n

2013<\/p>\r\n

The Absence of Myth, autorsk\u00e1 kniha ke stejnojmenn\u00e9 v\u00fdstav\u011b v Legion TV, Lond\u00fdn, vyd\u00e1no vlastn\u00edm n\u00e1kladem; p\u0159edmluva Daniel C. Blight, b\u00e1se\u0148 Ed Anon<\/p>\r\n\r\n

2012<\/p>\r\n

Index of Time, spole\u010dn\u011b s Peterem Watkinsem; autorsk\u00e1 kniha se t\u0159emi pov\u00eddkami od Olivera Shamlou, vyd\u00e1no vlastn\u00edm n\u00e1kladem<\/p>\r\n\r\n

2011<\/p>\r\n

Supreme Vice, Morel Books, Lond\u00fdn, Velk\u00e1 Brit\u00e1nie<\/p>\r\n\r\n

Skupinov\u00e9 publikace<\/strong><\/p>\r\n\r\n

2015<\/p>\r\n

A Handful of Dust, David Campany, MACK Books, Lond\u00fdn, Velk\u00e1 Brit\u00e1nie<\/p>\r\n\r\n

2012<\/p>\r\n

Seeing for Others, Black Dog Publishing, Lond\u00fdn, Velk\u00e1 Brit\u00e1nie<\/p>\r\n

Hijacked, Big City Press, Perth, Austr\u00e1lie<\/p>\r\n\r\n

2011<\/p>\r\n

The Collector\u2019s Guide to Emerging Art Photography, <\/em>Humble Arts Foundation<\/p>","articles":"

EN<\/p>\r\n

2018<\/p>\r\n

https:\/\/www.bjp-online.com\/2018\/04\/tereza-zelenkova-explores-legend-myth-and-solitude-in-two-upcoming-solo-shows\/<\/a><\/p>\r\n

https:\/\/www.foam.org\/about\/press-office\/foam-3h-tereza-zelenkova<\/a><\/p>\r\n

http:\/\/theheavycollective.com\/2018\/05\/01\/qa-tereza-zelenkova-the-essential-solitude\/<\/p>\r\n

https:\/\/phroommagazine.com\/tereza-zelenkova\/<\/a><\/p>\r\n

https:\/\/metalmagazine.eu\/en\/post\/interview\/tereza-zelenkova-digging-into-whats-hidden<\/a><\/p>\r\n

http:\/\/www.1000wordsmag.com\/tereza-zelenkova\/<\/a><\/p>\r\n\r\n

2016<\/p>\r\n

https:\/\/vimeo.com\/181051965<\/p>\r\n

https:\/\/dergreif-online.de\/artist-feature\/tereza-zelenkova\/<\/a><\/p>\r\n

https:\/\/fotoroom.co\/untitled-tereza-zelenkova\/<\/a><\/p>\r\n

https:\/\/openeye.org.uk\/blog\/artist-interview-tereza-zelenkova\/<\/a><\/p>\r\n\r\n

2013<\/p>\r\n

https:\/\/www.theguardian.com\/artanddesign\/2013\/oct\/31\/tereza-zelenkova-photography-exhibition-london-freud<\/a><\/p>\r\n

http:\/\/www.dazeddigital.com\/photography\/article\/16884\/1\/tereza-zelenkova-dark-reality<\/a><\/p>\r\n

https:\/\/paper-journal.com\/tereza-zelenkova\/<\/a><\/p>\r\n

https:\/\/www.calvertjournal.com\/features\/show\/5119\/tereza-zelenkova-joanna-piotrowska-photography-jerwood-photoworks-awards<\/a><\/p>\r\n

http:\/\/www.metamodernism.com\/2013\/11\/12\/quiet-moves\/<\/a><\/p>\r\n\r\n

CZ<\/p>\r\n

https:\/\/wave.rozhlas.cz\/syndromem-golden-age-netrpim-ziju-rada-v-tehle-dobe-rika-fotografka-bezcasi-7774560<\/a><\/p>\r\n

https:\/\/fotografmagazine.cz\/magazine\/o-fotografii\/objevy\/tereza-zelenkova\/<\/a><\/p>\r\n

https:\/\/www.galeriejeleni.cz\/2014\/tereza-zelenkova-dva-a-dva-je-pet\/<\/a><\/p>","reviews":"","texts_unlisted":"","annotations":[{"text":"Tereza Zelenkov\u00e1\u2019s work hovers on the border of documentary and conceptual photography. Although in her monochrome analogue photographs she uses the medium for its natural ability to capture reality, often documenting specific historical locations, she then combines these images with staged photos. These help her to bend, distort or abandon these (historical) facts in favour of the resulting series, whose joint outcome, regardless of the theme chosen, is a surreal, ambivalent world on the boundary of reality and fiction.\r\nShe set forth the key themes of her work in the project Absence of Myth<\/i> from 2013. We see Freud\u2019s study (Sigmund Freud\u2019s Study, <\/i>2013), a portrait of Arthur Rimbaud, the Welsh coast, the grave of Georges Bataille (Charles Bataille\u2019s Grave, 2011)<\/i>, conserved period interiors (Confessional, Paris, 2013),<\/i> and old museum exhibits (Statue, V&A, 2013<\/i>). Zelenkov\u00e1 searches out places with a symbolic or mythical potential (or with a literary significance) and subjects them to empirical and ideological research. However, rather than archiving individual facts or legends, she is interested in exploring a general poetics (of landscape and stories) and creating subjective mythologies. This is achieved through a completely contrasting, \u201ccataloguing\u201d approach to poetics, in which photographs are presented in thematically organised panels with headings, as though they were entries from an encyclopaedia. The resulting ensemble thus resembles the catalogue of an institutional collection, which is at the same time a lyrical photo album. Zelenkov\u00e1 transforms the literal into the symbolic: all beauty has an undertone of something mysterious, melancholic, and close to death.\r\nThe title of this piece is also a reference to the book of the same name by Georges Bataille (The Absence of Myth: Writings On Surrealism),<\/i> to whose works Zelenkov\u00e1 periodically returns for inspiration (Night Is Also a Sun, 2011; Georges Bataille\u2019s Grave, 2013; The Essential Solitude, 2017). <\/i>Zelenkov\u00e1 is, like Bataille, interested in mysticism, surrealism and intense, often extreme, experience, in which eroticism and violence are in a relationship to spirituality. It is for this reason that she selects historical locations with a strong magical charge, conceiving them as portals of the transcendental, imaginary portals to the spiritual realm, which does not necessarily have to hold out the promise of immortality but is in fact the very opposite. An example of this would be the pictures in the unfinished collection A<\/i> Snake That Disappeared Through a Hole in the<\/i> Wall<\/i> (from 2015), which focuses on the mythology of the Czechoslovak countryside and contains within itself an indexical image of death. Houska Castle was supposedly built to close the gate to hell, while \u010cachtice Castle (Elizabeth Bathory\u2019s Bedroom, \u010cachtice<\/i>, 2015) was inhabited by the infamous mass murderer yearning for eternal beauty. Photographs of places associated with legends (e.g. Devil\u2019s Table, Beskydy, 2015<\/i>) are combined with geographical curiosities (Dog Cemetery,<\/i> 2015), the death mask of Gustav Meyrink (Gustav Meyrink\u2019s Death Mask<\/i>, 2016), and a staged spiritualist s\u00e9ance (The Unseen,<\/i> 2015). The entire series has strong literary overtones influenced by classical stories from the Czech countryside by Karel Jarom\u00edr Erben and Karel Hynek M\u00e1cha. In 2015 Zelenkov\u00e1 won the prestigious Jerwood Photoworks Award for the cycle and was amongst the finalists in the ING Unseen Talent Award.\r\nThe romantic way in which Zelenkov\u00e1 approaches the landscape inevitably led her to literature as one of her main sources of inspiration. In her early collection The Other Night<\/i> (2012) she cites the philosophical novel Thomas the Obscure<\/i> (1941) by Maurice Blanchot, while in Some Kind of Night Into Your Darkness<\/i> (2016), which references the song Fade Into You<\/i> by Mazzy Star and was commissioned for the Unseen Festival in Amsterdam, she draws freely on a dark romantic story from Babi\u010dka \/ The Grandma<\/i> by Bo\u017eena N\u011bmcov\u00e1 about crazy Viktorka, who falls madly in love with a soldier and loses her mind. The Essential Solitude<\/i> (2017) is a tribute to decadent literature and contains references to Charles Baudelaire, Arthur Rimbaud, Lautr\u00e9amont, Georges Bataille and Joris-Karl Huysmans, whose character Jean des Esseintes<\/i> from the novel \u00c0 Rebours<\/i> \u2013 like the main protagonist of the photographic series \u2013 is isolated at home and adapts his surroundings so as to reflect his favourite works of art.\r\nA common denominator of all of Zelenkov\u00e1\u2019s cycles is a separation from the classical (linear, historical) flow of time. In her photographs time is frozen or suspended, as are their actors. The long-haired woman in The Essential Solitude<\/i> (2017), who appears in earlier series (The Other Night,<\/i> 2012), is a passive entity watching the decay of her own abode. Although she is a living human being, she is closer to death. A similar timelessness is represented by the location of a 17th-century building situated on the outskirts of London\u2019s financial district. In the 1960s this was rebuilt by its new owner, Dennis Severs, into a time capsule representing different historical periods from the 17th to the 19th century. Time flows cyclically, creating a network of relationships between stories, legends, facts and fiction, in which the past repeatedly merges into the presence. Although Zelenkov\u00e1 maps local mythologies, the result is never an exact scientific study but is more fluid, liquescent, a never-completed record in time. Like the medium of photography itself, these works hold out the promise of immortality while at the same time serving as a reminder of the inevitability of death.\r\nFor Zelenkov\u00e1 photography is an almost alchemical process, a hybrid discipline incorporating science, art and philosophy.[1] Her approach links her to the pragmatic romanticism represented by meta-modernism: she returns to the art of romantic sensitivity, yet without ideological anchorage oscillates between irony and honesty, naivety and knowingness, relativism and truth, optimism and doubt.[2]\r\n

\r\n[1] Zelenkov\u00e1, Tereza: Exhibition catalogue for A<\/i> Snake That Disappeared Through a Hole in the<\/i> Wall, <\/i>Foam Amsterdam 2016, p. 6.\r\n[2] Turner, Luke: Metamodernist Manifesto,<\/i> available at www.metamodernism.org<\/a>\r\n\r\n","date":2019,"authors":[1909]}],"artworks":[118792,118793,118794,118795,118796,118797,118798,118799],"videos":[3393]},"yoast_head":"\nZelenkov\u00e1 - Artlist<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artlist.cz\/en\/umelci\/tereza-zelenkova\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Zelenkov\u00e1 - Artlist\" \/>\n<meta property=\"og:url\" content=\"https:\/\/artlist.cz\/en\/umelci\/tereza-zelenkova\/\" \/>\n<meta property=\"og:site_name\" content=\"Artlist\" \/>\n<meta property=\"article:modified_time\" content=\"2025-01-07T17:13:47+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/tereza-zelenkova\\\/\",\"url\":\"https:\\\/\\\/artlist.cz\\\/en\\\/umelci\\\/tereza-zelenkova\\\/\",\"name\":\"Zelenkov\u00e1 - 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