{"id":149371,"date":"2024-07-10T23:06:34","date_gmt":"2024-07-10T21:06:34","guid":{"rendered":"https:\/\/artlist.cz\/umelci\/barbora-fastrova\/"},"modified":"2026-02-07T15:18:25","modified_gmt":"2026-02-07T14:18:25","slug":"barbora-fastrova","status":"publish","type":"artist","link":"https:\/\/artlist.cz\/en\/umelci\/barbora-fastrova\/","title":{"rendered":"Fastrov\u00e1"},"featured_media":0,"template":"","class_list":["post-149371","artist","type-artist","status-publish","hentry","keyword-installation-art","keyword-object","keyword-photography","keyword-textile"],"acf":{"nicknames":"","date_born":1988,"date_death":0,"place_born":"Praha","lives":"Praha","web":"https:\/\/barborafastrova.tumblr.com\/","idatum":"","address":"","email":"","phone":"","biography":"

Studium: <\/strong><\/p>\r\n

2008\u20132015
Ateli\u00e9r fotografie na UMPRUM v Praze<\/p>\r\n

2004\u20132008
St\u0159edn\u00ed \u0161kola grafick\u00e1

St\u00e1\u017ee:<\/strong><\/p>\r\n

2013
St\u00e1\u017e v Ateli\u00e9ru socha\u0159stv\u00ed na Pontificia Universidad Cat\u00f3lica del Per\u00fa<\/p>\r\n

2012
St\u00e1\u017e v Ateli\u00e9ru socha\u0159stv\u00ed na UMPRUM v Praze<\/p>","groups":"","membership":"","exhibitions_solo":"Samostatn\u00e9 (a s Johanou Po\u0161ovou):\r\n\r\n2023\r\nBreeding (s Johanou Po\u0161ovou), \u010cepan Gallery, Bratislava\r\n\r\n2020\r\nHADA (s Johanou Po\u0161ovou), Entrance, Praha\r\nHadi na skejtu (s Johanou Po\u0161ovou a Martinem Zv\u011b\u0159inou), Berl\u00ednskej model, Praha\r\n\r\n2019\r\n8 HLAV (s Johanou Po\u0161ovou), ArtPark Rudolfinum, Praha\r\n\r\n2018\r\nHlava a pata (s Johanou Po\u0161ovou), H2, UMPRUM, PRAHA\r\nSuch\u00e1 hadra na dn\u011b mo\u0159sk\u00e9m (s Johanou Po\u0161ovou), Galerie m\u011bsta T\u0159ince\r\nCheap Art (s Johanou Po\u0161ovou), GAMU, Praha\r\nV\u00fdstava o kentaurech (s Johanou Po\u0161ovou), Temporary parapet, Bratislava\r\n\r\n2017\r\nYour Green Dot is So Hot (a Johana Po\u0161ov\u00e1), Galerie Ferdinanda Baumanna, Praha\r\n\r\n2016\r\nVe \u0161\u0165astn\u00fdch m\u011bstech v z\u00e1zem\u00ed, Polansky gallery, Praha\r\nBarbora a Miroslava (a Miroslava Ve\u010de\u0159ov\u00e1), Galerie Kontext, Brno\r\nBrother (a Johana Po\u0161ov\u00e1), Syntax, Lisabon\r\n\r\n2015 \r\nSharing is more daring \/ Tree never grown (a Johana Po\u0161ov\u00e1), GfZK, Lipsko, D \r\n\u00dasm\u011bv stoj\u00ed m\u00e9n\u011b ne\u017e elekt\u0159ina, ale d\u00e1v\u00e1 v\u00edce sv\u011btla (a Johana Po\u0161ov\u00e1), Galerie Kabinet, Brno\r\nIn my country\u2026, Galerie Fotograf, Praha\r\nSituace 59, Galerie Pavilon, Praha\r\n\r\n2014\r\nNetla\u010d \u0159eku te\u010de sama (w Johana Po\u0161ov\u00e1), Berl\u00ednskej model, Praha\r\n\r\n2013\r\nRhyme (w Miroslava Ve\u010de\u0159ov\u00e1), NIKA mal\u00e1 galerie UMPRUM + Fotograf festival, Praha\r\n\r\n2012\r\nU zem\u011b, Galerie City Surfer Office, Praha\r\n\r\n2011\r\nBez n\u00e1zvu, Galerie 207, Praha\r\n\r\n2010\r\nV\u00fdstava, Galerie Velryba, Praha","exhibitions_group":"2023\r\nKv\u011btinov\u00e1 unie, N\u00e1rodn\u00ed galerie Praha\r\n\r\n2022\r\nKv\u011btinov\u00e1 unie, Budova Rady evropsk\u00e9 unie, Brusel\r\n\r\n2019\r\nAkvapark, Parkhotel, Praha\r\nSocha ve videu (Snakes on Skates), Prototyp, Praha\r\n\r\n2018\r\nXII. TRIEN\u00c1LE MAL\u00c9HO OBJEKTU A KRESBY, Gal\u00e9ria Jozefa Koll\u00e1ra, Bansk\u00e1 \u0160tiavnica\r\nOdcizen\u00ed podle slovn\u00edku, Galerie Emila Filly, \u00dast\u00ed nad Labem\r\n\r\n2017\r\n8 \u017een, PLATO, Ostrava \r\nAm I what I'm thinking about?, 4+4 dny v pohybu, Praha\r\nRIPPLE EFFECT, Futura, Praha\r\nHanky Panky, Fotopub festival, Novo Mesto\r\nM\u00e9dium: figura, GHMP, Praha\r\n\r\n2016\r\nVerde, Casa 18, Quito, Ekv\u00e1dor\r\n\r\n2015\r\nStartpoint Prize, N\u00e1rodn\u00ed galerie Praha\r\nNic nen\u00ed, jak to vypad\u00e1, co se pevn\u00e9 zd\u00e1, to se rozpad\u00e1, OGV, Jihlava\r\nDelta, Tschechischen zentrum Berlin\r\n\r\n2014\r\nMari tra le Mura, Monastero San Benedetto Conversano\r\nFragezeichen im unklaren Raster, Tschechischen zentrum Berlin\r\n\r\n2013 \r\nPonorn\u00e1 rieka, Photoport Bratislava\r\nFestival 4 dny v pohybu, Pal\u00e1c u St\u00fdbl\u016f, Praha \r\n \r\n2012\r\nDOX centrum sou\u010dasn\u00e9ho um\u011bn\u00ed \/ Ponorn\u00e1 \u0159eka, Praha\r\n\r\n2011\r\nObraz, v kter\u00e9m \u017eijeme, Galerie Emila Filly, \u00dast\u00ed and Labem","realizations_other":"

2020
Kentau\u0159i (s Johanou Po\u0161ovou), sochy na s\u00eddli\u0161ti Vlasta v Praze v r\u00e1mci festivalu M3 \/ Um\u011bn\u00ed ve ve\u0159ejn\u00e9m porstoru<\/p>\r\n

2018
HAD (s Johanou Po\u0161ovou), socha v parku Portheimka, Praha<\/p>\r\n

2017
Rezidence v MeetFactory (a Johana Po\u0161ov\u00e1)
Rezidence v INI Gallery (a Johana Po\u0161ov\u00e1): 3 jednodenn\u00ed v\u00fdstupy s n\u00e1zvy Pickdick Picnic, Lover\u2019s digest jazz diner, Buch Buch Ceremony<\/em><\/p>\r\n

2015 
Baba Toure: Representation is dead, Long live representation!, B\u00fcro f\u00fcr kulturelle \u00dcbersetzungen,Lipsko (kur\u00e1torka)

2013
Baba Toure: Zahr\u00e1dky, Galerie K4, Praha (kur\u00e1torka)
S\u00e1m doma, NoD, Praha (kur\u00e1torka)<\/p>","collections":"","monographies":"","articles":"","reviews":"","texts_unlisted":"","annotations":[{"text":"Barbora Fastrov\u00e1 graduated in 2015 from the Photography Studio at UMPRUM in Prague headed by Aleksandra Vajd and Hynek Alt. While still a student, her work gradually shifted from classical photography to space, and she began to create installations, objects and videos. The medium as such essentially ceased to play an important role in her work. Instead, Fastrov\u00e1 decided to achieve results in this realm freely, but sensitively, using any artistic means and materials (to begin with concrete was her favourite material). This approach was clear in her diploma work, which she presented at the competition StartpointPrize 2015, which consisted of sculptures, video installations and other objects related to the issue of social media and the refugee crisis, which was at its peak in Europe at the time. Here, what had characterised her work up to this point became fully apparent, namely, a distinctive playfulness, a kind of basic, \u201cchildlike\u201d reason and humour, through which she looks at serious and pressing contemporary issues without making light of them.\r\n\r\nAt the Studio of Photography at UMPRUM, Fastrov\u00e1 began working with her then classmate Johana Po\u0161ov\u00e1, with whom she still has an artistic duo. In their collaborative work and in exhibition projects presented in Czech and foreign galleries, as well as in public space, the two artists often examine the supposedly superior relationship of civilised Western man to nature, taking inspiration from the stories or legends of indigenous peoples. Another theme they have long cultivated involves an ecological approach and sustainability within the practice of art.\r\n\r\nTheir first important presentation was an exhibition trilogy linked by the slogan \u201cLife finds a way\u201d, a quote from the movie Jurassic Park, translated into Czech as \u201cnature finds a way\u201d. Within the framework of three exhibitions held at the Berlinsk\u00e1 model gallery in Prague (Netla\u010d \u0159eku, te\u010de sama <\/em>\/ Don't push the river, it flows alone<\/em>, 2014), TIC Gallery in Brno (\u00dasm\u011bv stoj\u00ed m\u00e9n\u011b ne\u017e elekt\u0159ina a\u00a0d\u00e1v\u00e1 v\u00edce sv\u011btla<\/em> \/ A smile costs less than electricity and gives more light<\/em>, 2015) at the Syntax Gallery in Lisbon (Brother<\/em>, 2016), Fastrov\u00e1 and Po\u0161ov\u00e1 focused on man-made \u201cartificial nature\u201d and environments such as a zoo, an underwater world or a mock tropical island, i.e. places that give people the impression of wild nature, but in the safety of their own world, separate from these wildernesses. The installations, which included a combination of papier-m\u00e2ch\u00e9 objects, ready-made objects such as artificially glowing jellyfish in an aquarium or a snake made from a pipe hose, video projections and textile works, reflected the inspiration they had found from time spent in South America. The artists brought back legends from their encounters with the cultures of the local indigenous tribes, which they used as a supporting narrative element in their exhibitions. For example, the story of two brothers, one of whom was evil and the other good, was transferred by the artists into the context of the current climate crisis and the absurd attitude of man towards nature in the contemporary world. Fastrov\u00e1 and Po\u0161ov\u00e1, however, regularly work with various legends, fairy tales and stories about mythical creatures, and this brings a lightness and playfulness to their work, along with a deep message without excessive pathos.\r\n\r\nUnder the motto \u201cLife finds a way\u201d, the artists also organised a series of three one-night events that took place during their residency at INI Gallery in 2017. Here they focused on processes and organs in the human body as they relate to natural cycles or ancient rituals. They first examined the genital organs, sexuality and the principle of give and take in an event called Pickdick Picnic<\/em>, from which visitors took home a ceramic phallic figurine. At the second event, the Lover's digest jazz dinner<\/em>, they focused on the digestive organs and feasted on bread baked in the shape of intestines to the soundtrack of saxophones. The last night of the Buch Buch Ceremony<\/em> was dedicated to the heart and its rhythm. Although this was a departure from their previous ecologically-oriented themes, it was perhaps the first time that the topic of sustainability within artistic operations came up: \u201cIn our last project at INI, we realised that we were interested in the principle of distributing the art we create. We like the moment of gifting, and thus the new way of accessing art that emerges for both us artists and visitors.\u201d\r\n\r\nThe topic of recycling in artistic operations and sustainability in the production of works and exhibitions was addressed, for example, at the Cheap Art<\/em> exhibition at the AMU Gallery in 2018, which was a turning point as regards the direction the artists would take in the future. In it, they used only recycled materials (second-hand textiles, old boxes), and visitors had to pedal a treadmill in order to generate the energy to light the gallery. Fastrov\u00e1 says in her portfolio: \u201cAt the same time, it was a commentary on the situation on the art scene, where until then environmentalism had been dealt with mainly as content and less as form. It was important for us to demonstrate a radical approach and to ascertain what visual compromises it entailed.\u201d\r\n\r\nRecycled textile material is also used by the artists in the creation of large-scale images woven from scraps of old fabric. Examples include the work HADA<\/em>, which in 2020 was spread across almost the entire wall of the Entrance Gallery in B\u0159evnov, or the large-format tapestry entitled Prsa, d\u011bti, bytosti a\u00a0smet\u00ed <\/em>\/ Breasts, Children, Creatures and Garbage<\/em>, 2022), which was part of the National Gallery's exhibition project Kv\u011btinov\u00e1 unie \/ Floral Union, presented in Brussels on the occasion of the Czech Presidency of the Council of the European Union. As with HADA, the theme of motherhood appears here, as is evident from the title of the work. In 2023, the two artists devoted an entire exhibition entitled Breeding at the \u010cepan Gallery in Trnava to motherhood.\r\n\r\nFastrov\u00e1 and Po\u0161ov\u00e1 often refer to the human, animal or even mythological body, which connects the human and the animal, as we see, for example, in V\u00fdstava o\u00a0kentaurech <\/em>\/\u00a0 Exhibition on Centaurs<\/em> (Temporary Parapet, Bratislava, 2018). Centaurs also featured in the public space at the Vlasta housing estate in Prague as part of the M3 Festival in 2020, when they added the rear (equine) part of the body to the sculpture Acrobat by Vendel\u00edn Zdr\u016fbecky. The second statue, representing the back half of the centaur's body, was then built separately in such a way that anyone could become the mythical creature for a moment when linking up to it. The connection between the human and snake body appeared not only in the HADA<\/em> tapestry referred to above, where it is a creature with a human torso and head whose limbs are snakes, but also in the concrete sculpture HAD<\/em> in the public space in Portheim Park (2018). Here, parts of one large snake body emerge from the ground and a human figure grows on one of the arches of the snake\u2019s back. The object again invites interaction, and can serve as a climbing frame for children or as a seating area.\r\n\r\nThe work of this artistic duo operates in parallel with contemporary trends such as ecological art and ecofeminism, as well as critiques of Western civilization and anthropocentrism, which the artists playfully and wittily reflect upon in the content of their works. Moreover, they have adapted the way they create works and the way they operate on the art scene such that sustainability is a key characteristic.","date":2023,"authors":[1890]}],"artworks":[120227,120228,120229,120230,120231,120232,120233,120234,120235,120236,120237,120238,120239,120240,120241,120242,120243,120244,120245],"videos":[80090,80091,80092]},"yoast_head":"\nFastrov\u00e1 - Artlist<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artlist.cz\/en\/umelci\/barbora-fastrova\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fastrov\u00e1 - Artlist\" \/>\n<meta property=\"og:url\" content=\"https:\/\/artlist.cz\/en\/umelci\/barbora-fastrova\/\" \/>\n<meta property=\"og:site_name\" content=\"Artlist\" \/>\n<meta property=\"article:modified_time\" 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