{"id":153610,"date":"2026-06-04T10:56:08","date_gmt":"2026-06-04T08:56:08","guid":{"rendered":"https:\/\/artlist.cz\/umelci\/novak\/"},"modified":"2026-06-08T21:36:27","modified_gmt":"2026-06-08T19:36:27","slug":"ales-novak","status":"publish","type":"artist","link":"https:\/\/artlist.cz\/en\/umelci\/ales-novak\/","title":{"rendered":"Nov\u00e1k"},"featured_media":0,"template":"","class_list":["post-153610","artist","type-artist","status-publish","hentry","keyword-installation-art","keyword-object","keyword-painting"],"acf":{"nicknames":"","date_born":1979,"date_death":"","place_born":"Chomutov","lives":"Praha, Liberec","web":"https:\/\/alesnovak.blogspot.com","idatum":"","address":"Nad Opatovem 2026\/1, doru\u010dovac\u00ed: Volen\u00edkova 18, Praha 13","email":"aja.novak@post.cz","phone":"723 446 232","biography":"<strong>Studium:<\/strong>\r\n\r\n2011\u20132014\r\nVysok\u00e1 \u0161kola um\u011bleckopr\u016fmyslov\u00e1 v Praze, ateli\u00e9r socha\u0159stv\u00ed - Dominik Lang, Edith Je\u0159\u00e1bkov\u00e1\r\n\r\n2007\u20132011\r\nVysok\u00e1 \u0161kola um\u011bleckopr\u016fmyslov\u00e1 v Praze, ateli\u00e9r socha\u0159stv\u00ed - prof. Kurt Gebauer\r\n\r\n2012\r\nst\u00e1\u017e na univerzit\u011b Bezalel, Jerusal\u00e9m\r\n\r\n2009\u20132008\r\nAkademie v\u00fdtvarn\u00fdch um\u011bn\u00ed v Praze, ateli\u00e9r malby II - Vladim\u00edr Skrepl\r\n\r\n2000, 2001\r\nAkademie v\u00fdtvarn\u00fdch um\u011bn\u00ed v Praze, ateli\u00e9r kresby \u2013 Jitka Svobodov\u00e1, Ji\u0159\u00ed Petrbok\r\n\r\n1998\u20132006\r\nFakulta um\u011bn\u00ed a architektury Technick\u00e9 univerzity v Liberci\r\n\r\n1994\u20131998\r\nObchodn\u00ed akademie v Jihlav\u011b\r\n\r\n&nbsp;\r\n\r\n<strong>St\u00e1\u017ee, tv\u016fr\u010d\u00ed pobyty:\r\n<\/strong>\r\n2022\r\nLetn\u00ed v\u00fdtvarn\u00fd pobyt, P\u0159ibyslav\r\n\r\n2020\r\nMal\u00ed\u0159sk\u00e9 sympozium, \u010cerven\u00fd Hr\u00e1dek\r\n\r\n2013\r\nMal\u00ed\u0159sk\u00e9 sympozium Benedikt, Most\r\n\r\n&nbsp;\r\n\r\n<strong>Ocen\u011bn\u00ed:<\/strong>\r\n\r\n2010\r\nCena katedry voln\u00e9ho um\u011bn\u00ed V\u0160UP za cyklus objekt\u016f \"n\u00e1bytky\"\r\nFinalista - Cena 333 NG v Praze a Skupiny \u010cEZ","groups":"","membership":"","exhibitions_solo":"2026\r\nPendler Ale\u0161 Nov\u00e1k, Romantik z Jizersk\u00fdch hor se zasekl v Praze, Galerie C.O., Kampus Hybernsk\u00e1, Praha\r\n\r\n2025\r\nAle\u0161 Nov\u00e1k, Galerie Prostor 228, Liberec\r\nDuch vane kam chce, Galerie Synagoga, Hranice na Morav\u011b\r\nK\u0159\u00ed\u017een\u00ed cest, Galerie 50\u00b047\u201955.9\u201dN 14\u00b057\u201922.\u200a6\u201d\u200aE, Kostel Marie Sn\u011b\u017en\u00e9, And\u011blsk\u00e1 hora, Chrastava\r\n\r\n2022\r\nZa h\u00e1jenkou za h\u00e1jenkou, Kunstkout, Liberec\r\nA ztichlo cel\u00e9 nebe, Galerie S\u00fdpka, Valmez\r\n\r\n2021\r\nA vyk\u0159ikl mohutn\u00fdm hlasem, Galerie Kapli\u010dka, Jablonec nad Nisou\r\n\r\n2020\r\nR\u00e1m naruby, Galerie Pr\u00e1m, Praha\r\nFragmenty skute\u010dnosti, Ponava, Brno\r\n\r\n2019\r\nPost-barokn\u00ed folkl\u00f3r, Pragovka Gallery, Praha\r\n\r\n2018\r\n\u0160\u0165astn\u00e9 a vesel\u00e9, Moon Gallery, Liberec\r\nZahrada, komunitn\u00ed zahrada Jerusal\u00e9m\r\n\r\n2017\r\nZa hranici v\u011bdom\u00ed, studio Bubec, Praha\r\nDeska p\u0159edstavivosti, Galerie Deska, \u00dast\u00ed nad Labem\r\n\r\n2015\r\nMiniatury, Galerie Bunkr, Most\r\n\r\n2014\r\nO nest\u00e1losti srdce a o Bohu jako posledn\u00edm c\u00edli, UMPRUM, Praha\r\n\r\n2013\r\nKrajinn\u00e9 konstrukce, Galerie A.M.180, Praha\r\n\r\n2012\r\nKrajiny, klub Sama\u0159\u00ed, Praha\r\n\r\n2011\r\nKrajina, Lurago, Chomutov\r\n\r\n2010\r\nDom\u00e1c\u00ed sochy, Galerie Jelen\u00ed, Praha\r\nKl\u00e1da, Galerie 207, UMPRUM, Praha\r\n\r\n2009\r\nKrajina, M\u011bstsk\u00e1 knihovna Opatov, Praha\r\n\r\n2008\r\nZm\u011bna kontextu, \u00dastav makromolekul\u00e1rn\u00ed chemie, Praha","exhibitions_group":"2026\r\nKrajiny Spat\u0159en\u00e9, O\u010dima Karla Hynka M\u00e1chy, Galerie L\u00e1zn\u011b Liberec\r\n\r\n2024\r\nD\u016fm a zahrada, Galerie UM, Praha\r\nLabyrint, GHMP, Praha\r\nPlanet ID: Vzpom\u00ednky na zemi, Galerie modern\u00edho um\u011bn\u00ed Roudnice nad Labem\r\n\r\n2023\r\nProstor pro dialog, Nisa Factory, Jablonec nad Nisou\r\nSevern\u00ed prostor: Prostor pro dialog, Nisa Factory, Jablonec nad Nisou\r\nSymbi\u00f3za, Galerie Kritik\u016f, Praha\r\nSochy v ulic\u00edch, Galerie Klatovy, Klenov\u00e1\r\nZa podzimn\u00edch ve\u010der\u016f r\u00fdsuji si \u010das, Kunst Hala a Kunst Kout, Liberec\r\n\r\n2022\r\nPre\u010do ume-nie, SNG, Bratislava\r\n4plus4 dny v pohybu, Erpet centrum, Praha\r\nDe\u0161tn\u00edk naruby, Landscape festival, Praha, Krnov\r\nVn\u011b pozornosti, Oblastn\u00ed galerie Liberec\r\nV\u00e1lka je v\u016fl, Galerie My, Jablonec nad Nisou\r\nPro (\u010d) um\u011bn\u00ed, Atrium, Praha\r\n\r\n2021\r\nIluzivn\u00ed prostor, Galerie Jaroslava Fragnera, Praha\r\n\u017di\u017ekovsk\u00e1 spojka, Praha\r\nLibereck\u00e1 smr\u0161\u0165, Kunst Hala, Liberec\r\n\r\n2020\r\nUschl\u00e1 konstrukce, Intervence v r\u00e1mci Otev\u0159en\u00fdch ateli\u00e9r\u016f, Studio Bubec\r\nRE FORM, Traffo Gallery, Praha\r\nLandscape festival, Praha\r\nSestup na p\u016fdu, Galerie sv. Havla, Mlad\u00e1 Boleslav\r\nV\u00edde\u0148, p\u0159edm\u011bst\u00ed Brna, LLLLLL, V\u00edde\u0148\r\n\r\n2019\r\n30 let svobody na vlastn\u00ed k\u016f\u017ei, Revolu\u010dn\u00ed 30, Praha\r\n\r\n2018\r\nTake Care, Franti\u0161k\u00e1nsk\u00fd kl\u00e1\u0161ter, Nov\u00e9 M\u011bsto Praha\r\nDr\u00fazy, AWL, Mal\u00e1 v\u00fdstavn\u00ed s\u00ed\u0148, Liberec\r\n\r\n2017\r\nO nest\u00e1losti srdce a o Bohu jako posledn\u00edm c\u00edli, M3 festival, Kaizlovy sady, Praha\r\n\r\n2014\r\nWho is the director, Festival 4+4 dny v pohybu, Praha\r\nMatou\u0161 Lipus, Ale\u0161 Nov\u00e1k: O pravosti srdce, Galerie Kostka, Meetfactory, v\u00fdstava\r\n\r\n2013\r\nSalon d'apollon, Galerie AVU, Praha\r\n\r\n2012\r\nWould you like to play another game?, Festival 4+4 dny v pohybu, Praha\r\nRan\u00e9 pr\u00e1ce 2009-2012 (Ateli\u00e9r socha\u0159stv\u00ed, V\u0160UP), DOX, Praha\r\nDirty, fast and superficial, Jerusal\u00e9m\r\n\r\n2011\r\nHands Free Breast Pump, BKC galerie, Brno\r\nUm\u011bn\u00ed ve v\u0161ednosti, Egon Schiele Art centrum, \u010cesk\u00fd Krumlov\r\nMUSEUM OF YOUNG ART, Prague\r\n\r\n2010\r\nOne Day You Will Lose it all, Festival 4+4 dny v pohybu, Praha\r\nM\u00e4del Kn\u00f6del, the Czech Embassy in Vienna\r\nFine (free), Galerie XXL, Louny\r\n7. ro\u010dn\u00edk Konfrontace mlad\u00fdch mal\u00ed\u0159\u016f ARSkontakt, Galerie Dolmen, Praha\r\n\r\n2008\r\nFajne veci, Hradec nad Moravic\u00ed\r\nSou\u010dasn\u00fd \u010desk\u00fd kubismus, Starom\u011bstsk\u00e1 radnice, Praha\r\nKGB+VB, Hala-C, Praha\r\n\r\n2007\r\nNaho\u0159e sv\u011btlo, dole tma, Skanzen Mayrau, Vina\u0159ice u Kladna","realizations_other":"2022\r\nMur\u00e1l, Um\u011bn\u00ed pro m\u011bsto, zast\u00e1vka v Sedlci, Praha\r\n\r\n2019\r\nLavi\u010dkov\u00e9 sochy, instalace v r\u00e1mci festivalu v Trutnov\u011b\r\n\r\n&nbsp;","collections":"Galerie modern\u00edho um\u011bn\u00ed v Roudnici nad Labem\r\nSoukrom\u00e9 sb\u00edrky v \u010cR, CH\r\n\r\n&nbsp;","monographies":"","articles":"2025\r\nObrazy Ale\u0161e Nov\u00e1ka jsou pln\u00e9 ot\u00e1zek\r\nhttps:\/\/www.novinky.cz\/clanek\/kultura-obrazy-alese-novaka-jsou-plne-otazek-40538869, 2025\r\n\r\n2021\r\nOBRAZEM: M\u011bstskou krajinu a ve\u0159ejn\u00fd prostor o\u017eivil festival \u017di\u017ekovsk\u00e1 spojka\r\nhttps:\/\/prazsky.denik.cz\/volny-cas\/obrazem-mestskou-krajinu-a-verejny-prostor-ozivil-festival-zizkovska-spojka-2021.html, 2021\r\n\r\n2020\r\nAle\u0161 Nov\u00e1k at Studio PRAM (samostatn\u00e1 v\u00fdstava)\r\nhttps:\/\/artviewer.org\/ales-novak-at-studio-pram\/, 2020\r\nAle\u0161 Nov\u00e1k at Studio PRAM (recenze\/p\u0159ehled v\u00fdstavy)\r\nhttps:\/\/easttopics.wordpress.com\/2020\/10\/06\/ales-novak-at-studio-pram\/, 2020\r\n\r\n2019\r\n\u2018Post-baroque Folklore\u2019 by Ale\u0161 Nov\u00e1k at Pragovka Gallery\r\nhttps:\/\/blokmagazine.com\/post-baroque-folklore-by-ales-novak-at-pragovka-gallery\/\r\n\r\nM\u016fj ateli\u00e9r je p\u0159\u00edkladem otev\u0159en\u00e9ho, svobodn\u00e9ho a v\u00fdtvarn\u00e9ho p\u0159\u00edstupu k navrhov\u00e1n\u00ed architektury, \u0159\u00edk\u00e1 Ale\u0161 Nov\u00e1k z TUL v Liberci\r\nhttps:\/\/www.czechdesign.cz\/temata-a-rubriky\/muj-atelier-je-prikladem-otevreneho-svobodneho-a-vytvarneho-pristupu-k-navrhovani-architektury-rika-ales-novak-z-tul-v-liberci, 2019\r\n\r\n2014\r\nAle\u0161 Nov\u00e1k \u2013 diplomov\u00e1 pr\u00e1ce AVU 2014 (videoz\u00e1znam)\r\nhttps:\/\/www.youtube.com\/watch?v=LAYON0aLnOg, 2014\r\n\r\n2013\r\nBour\u00e1n\u00ed s v\u00fdtvarn\u00edkem Ale\u0161em Nov\u00e1kem (rozhlasov\u00fd po\u0159ad)\r\nhttp:\/\/www.rozhlas.cz\/radiowave\/bourani\/_zprava\/bourani-s-vytvarnikem-alesem-novakem\u20131248023, 2013\r\n\r\n2011\r\nAmeri\u010dan, Rus a Kn\u00ed\u017e\u00e1k\r\nhttp:\/\/www.artalk.cz\/2011\/01\/31\/american-rus-a-knizak\/, 2011\r\n\r\n2010\r\nAle\u0161 Nov\u00e1k (profil\/pozv\u00e1nka Galerie 207)\r\nhttp:\/\/galerie207.blogspot.com\/2010\/04\/ales-novak.htm, 2010","reviews":"","texts_unlisted":"","annotations":[{"text":"Ale\u0161 Nov\u00e1k je mal\u00ed\u0159, socha\u0159 a architekt, kter\u00fd ve sv\u00e9 tvorb\u011b p\u0159irozen\u011b propojuje r\u016fzn\u00e1 m\u00e9dia a pohybuje se na hran\u011b obrazu, objektu a prostoru. Dlouhodob\u011b se v\u011bnuje t\u00e9matu krajiny jako duchovn\u00edho a existenci\u00e1ln\u00edho pole, v n\u011bm\u017e se setk\u00e1v\u00e1 zku\u0161enost pam\u011bti, v\u00edry i sou\u010dasn\u00e9ho m\u011bstsk\u00e9ho \u017eivota. S\u00e1m sebe s nads\u00e1zkou ozna\u010duje za \u201eromantika, kter\u00fd uv\u00edzl v Praze\u201c \u2013 autora, jeho\u017e imaginace vyr\u016fst\u00e1 ze vzpom\u00ednek na d\u011btstv\u00ed pro\u017eit\u00e9 na h\u00e1jovn\u011b u Jihlavy, ale formuje se ji\u017e v kontextu sou\u010dasn\u00e9 urb\u00e1nn\u00ed reality.\r\n\r\nNov\u00e1kova malba osciluje mezi abstrakc\u00ed a realismem. Zaj\u00edm\u00e1 ho moment nejistoty, kdy motiv p\u016fsob\u00ed konkr\u00e9tn\u011b, p\u0159i bli\u017e\u0161\u00edm pohledu se v\u0161ak rozpad\u00e1 do vrstev barvy, r\u016fzn\u00fdch z\u00e1sah\u016f a gest. Pracuje procesu\u00e1ln\u011b a experiment\u00e1ln\u011b: barvu sm\u00fdv\u00e1, brous\u00ed, p\u0159emalov\u00e1v\u00e1, nan\u00e1\u0161\u00ed sprejem, n\u011bkdy maluje na rub pl\u00e1tna nebo vstupuje do ji\u017e existuj\u00edc\u00edch obraz\u016f. D\u016fle\u017eitou roli hraje n\u00e1hoda a fyzick\u00e1 pr\u00e1ce s materi\u00e1lem; obraz se st\u00e1v\u00e1 z\u00e1znamem pohybu, \u010dasu a prom\u011bny. Typick\u00e9 jsou tzv. \u201eprostorov\u00e9 chyby\u201c \u2013 momenty, kdy se v krajin\u011b objev\u00ed nejasn\u00fd, t\u011b\u017eko identifikovateln\u00fd prostor otev\u00edraj\u00edc\u00ed metafyzick\u00fd rozm\u011br d\u00edla.\r\n\r\nAle\u0161 Nov\u00e1k navazuje na tradici \u010desk\u00e9 krajinomalby \u2013 od Anton\u00edna Slav\u00ed\u010dka a Jana Hude\u010dka a\u017e po barokn\u00ed mal\u00ed\u0159e, kte\u0159\u00ed v krajin\u011b hledali duchovn\u00ed rozm\u011br a prostor pro kontemplaci. Jeho pr\u00e1ce v\u0161ak nen\u00ed nostalgick\u00fdm n\u00e1vratem k minulosti. Historick\u00e9 motivy, odkazy na starou malbu \u010di architekturu rozkl\u00e1d\u00e1 a znovu skl\u00e1d\u00e1 a vrstv\u00ed tak, \u017ee se ve vyobrazen\u00ed ztr\u00e1c\u00ed jistota \u010dasu i konkr\u00e9tn\u00edho m\u00edsta. Krajiny vznikaj\u00ed z pam\u011bti, pocitu, atmosf\u00e9ry nebo vnit\u0159n\u00edho obrazu; nejsou z\u00e1znamem reality, ale intuitivn\u011b budovan\u00fdm prostorem. S\u00e1m autor sv\u00e9 obrazy ozna\u010duje jako realistick\u00e9 a z\u00e1rove\u0148 mytologick\u00e9.\r\n\r\nDo t\u011bchto krajin ob\u010das vstupuje zv\u00ed\u0159e \u2013 tich\u00e1, tajemn\u00e1 bytost, kter\u00e1 nep\u016fsob\u00ed jako symbol, ale jako p\u0159\u00edtomnost. Jej\u00ed pohled je zvl\u00e1\u0161tn\u00edm zp\u016fsobem ne-lidsk\u00fd, jako by p\u0159ich\u00e1zel z jin\u00e9ho \u0159\u00e1du sv\u011bta. Div\u00e1ka p\u0159itahuje a sou\u010dasn\u011b i zneji\u0161\u0165uje; otev\u00edr\u00e1 prostor pro n\u011bco nevysloviteln\u00e9ho, co v b\u011b\u017en\u00e9m rytmu ka\u017edodennosti z\u016fst\u00e1v\u00e1 skryt\u00e9. Zv\u00ed\u0159e se tak st\u00e1v\u00e1 prost\u0159edn\u00edkem tajemstv\u00ed, kter\u00e9 \u010dlov\u011bk u\u017e mo\u017en\u00e1 nedok\u00e1\u017ee \u010d\u00edst, p\u0159esto st\u00e1le c\u00edt\u00ed pot\u0159ebu se k n\u011bmu vztahovat. \u201eSna\u017e\u00edm se p\u0159ij\u00edt na to, pro\u010d bych ta zv\u00ed\u0159ata m\u011bl malovat,\u201c \u0159\u00edk\u00e1 Nov\u00e1k, \u201eboj\u00edm se, aby to nebyla setrva\u010dnost.\u201c Pr\u00e1v\u011b tato pochybnost je pro jeho p\u0159\u00edstup charakteristick\u00e1 \u2013 motivy nevytv\u00e1\u0159\u00ed mechanicky, jejich smysl a opr\u00e1vn\u011bn\u00ed neust\u00e1le hled\u00e1.\r\n\r\nKrajina v Nov\u00e1kov\u011b tvorb\u011b nep\u0159edstavuje konkr\u00e9tn\u00ed m\u00edsto, ale vnit\u0159n\u00ed prostore. Funguje jako m\u00e9dium pro zkoum\u00e1n\u00ed existence, v\u00edry a pochybnosti. Jeho obrazy mohou na prvn\u00ed pohled p\u0159ipom\u00ednat tradi\u010dn\u00ed krajinomalbu, p\u0159i bli\u017e\u0161\u00edm pohledu v\u0161ak automaticky \u010dten\u00fd v\u00fdznam zneji\u0161\u0165uj\u00ed. Povrch pl\u00e1ten nese stopy z\u00e1sah\u016f, od\u011brek a p\u0159emaleb; obraz jako by proch\u00e1zel vlastn\u00edm procesem zr\u00e1n\u00ed a rozpadu. Autor navazuje na tradici \u010desk\u00e9 krajinomalby (nap\u0159. Anton\u00edn Slav\u00ed\u010dek \u010di Jan Hude\u010dek), z\u00e1rove\u0148 ji v\u0161ak rozkl\u00e1d\u00e1 a aktualizuje v sou\u010dasn\u00e9m kontextu.\r\n\r\nAle\u0161 Nov\u00e1k vedle malby vytv\u00e1\u0159\u00ed tak\u00e9 objekty a prostorov\u00e9 instalace, kter\u00e9 \u010dasto reaguj\u00ed na konkr\u00e9tn\u00ed m\u00edsto. Socha u n\u011bj nep\u016fsob\u00ed jako izolovan\u00fd objekt, ale krajina; um\u011blec prostor ch\u00e1pe jako aktivn\u00edho partnera dialogu. Pracuje s nalezen\u00fdmi \u010di improvizovan\u00fdmi materi\u00e1ly (d\u0159evo, n\u00e1bytek, p\u0159ekli\u017eka), v nich\u017e kombinuje v\u00e1\u017enost s jemnou ironi\u00ed. Duchovn\u00ed rovina jeho tvorby nen\u00ed deklarativn\u00ed, n\u00fdbr\u017e vych\u00e1z\u00ed z osobn\u00ed zku\u0161enosti a pam\u011bti \u2013 z d\u011btstv\u00ed, krajiny a v\u00edry.\r\n\r\nDuchovn\u00ed rozm\u011br prostupuje celou um\u011blcovou tvorbou, nikdy v\u0161ak nesklouz\u00e1v\u00e1 k patosu. V\u00edra je v jeho d\u00edlech p\u0159\u00edtomna jako sou\u010d\u00e1st ka\u017edodennosti, jako tich\u00e9 v\u011bdom\u00ed n\u011b\u010deho, co \u010dlov\u011bka p\u0159esahuje. Nazna\u010duj\u00ed to i n\u00e1zvy v\u00fdstav jako <em>Duch vane kam chce<\/em> nebo <em>O nest\u00e1losti srdce a o Bohu jako posledn\u00edm c\u00edli<\/em>, kter\u00e9 div\u00e1kovi p\u0159edem ur\u010duj\u00ed sm\u011br interpretace. Nov\u00e1k si v\u0161ak v\u017edy z\u00e1rove\u0148 ponech\u00e1v\u00e1 i odstup a schopnost ironie. Nev\u00e1\u017en\u011b p\u0159istupuje nejen k sob\u011b, ale i ke sv\u011btu kolem sebe; pr\u00e1v\u011b t\u00edm mu ov\u0161em paradoxn\u011b projevuje respekt. Duchovn\u00ed a vzne\u0161en\u00e9 se v jeho pr\u00e1ci neodd\u011bluje od oby\u010dejn\u00e9ho, d\u011btsk\u00e9ho nebo hrav\u00e9ho.\r\n\r\nTento princip se objevuje i v jeho objektech a prostorov\u00fdch realizac\u00edch. Z nalezen\u00fdch kus\u016f n\u00e1bytku, p\u0159ekli\u017eek, d\u0159eva nebo dal\u0161\u00edch b\u011b\u017en\u00fdch materi\u00e1l\u016f vytv\u00e1\u0159\u00ed \u201edom\u00e1c\u00ed sochy\u201c, kter\u00e9 p\u016fsob\u00ed intimn\u011b, t\u00e9m\u011b\u0159 improvizovan\u011b. Z\u00e1rove\u0148 je v nich patrn\u00fd dlouhodob\u00fd z\u00e1jem o architekturu a prostor, kter\u00fd rozv\u00edj\u00ed u\u017e od studi\u00ed u Stanislava Zippeho na Technick\u00e9 univerzit\u011b v Liberci i pozd\u011bji na Vysok\u00e9 \u0161kole um\u011bleckopr\u016fmyslov\u00e9. Prostor vn\u00edm\u00e1 jako aktivn\u00ed sou\u010d\u00e1st d\u00edla \u2013 sleduje jej, respektuje a dopl\u0148uje. R\u00e1m pro n\u011bj neznamen\u00e1 pouh\u00e9 ohrani\u010den\u00ed obrazu, je i oknem, vstupem \u010di p\u0159echodem mezi r\u016fzn\u00fdmi rovinami reality. V n\u011bkter\u00fdch cyklech r\u00e1muje krajinu zven\u010d\u00ed, jindy se r\u00e1m st\u00e1v\u00e1 sou\u010d\u00e1st\u00ed samotn\u00e9 kompozice. V\u017edy v\u0161ak vytv\u00e1\u0159\u00ed hranici, kterou lze p\u0159ekro\u010dit pouze pohledem.\r\n\r\nNov\u00e1k je \u010dlenem um\u011bleck\u00e9 skupiny KARAVANA, kter\u00e1 po\u0159\u00e1d\u00e1 festival TAKE CARE inspirovan\u00fd encyklikou Laudato si\u2019. Tak\u00e9 zde se potvrzuje, \u017ee krajina pro n\u011bj nen\u00ed pouze motivem, ale etick\u00fdm a existenci\u00e1ln\u00edm r\u00e1mcem tvorby. Nov\u00e1kovo d\u00edlo je charakteristick\u00e9 nap\u011bt\u00edm mezi sv\u011btlem a st\u00ednem, konkr\u00e9tn\u00edm a neur\u010dit\u00fdm, ironi\u00ed a patosem. Vytv\u00e1\u0159\u00ed prostor, v n\u011bm\u017e se div\u00e1k m\u016f\u017ee zastavit a vstoupit do situace otev\u0159en\u00e9ho v\u00fdznamu \u2013 do prostoru, kter\u00fd nen\u00ed \u00fanikem z reality, ale jej\u00edm soust\u0159ed\u011bn\u00fdm zpomalen\u00edm.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n<em>Zdroj:<\/em>\r\nRozhovor s Ale\u0161em Nov\u00e1kem vedla Dana Zikmundov\u00e1, 21. 10. 2025","date":2026,"authors":[153476]}],"artworks":[153607,153604,153601,153599,153597,153594,153590,153592,153587,153584,153581,153578,153576,153574,153572,153569,153566,153564,153562],"videos":[153774]},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Nov\u00e1k - Artlist<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artlist.cz\/en\/umelci\/ales-novak\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nov\u00e1k - 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